The Well of Ascension: A Review

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read The Final Empire or The Well of Ascension by Brandon Sanderson is hereby advised that this post may contain a few unavoidable spoilers.

Some of you might have fallen into the trap of thinking I only ever do really short reviews because I do them so darn often [2] [3] [4] [5] [6] [7]. But I vowed at the start of this year that Penstricken was going to feature more reviews and that’s just what I intend to do. So, here we have it: my full scale review of The Well of Ascension by Brandon Sanderson; the second book in the high fantasy Mistborn series. As ever, this review reflects only my own personal opinions and impressions.

Before I begin, I just want to say one thing about the series as a whole. It features two of the most complex but beautifully constructed systems of magic I have ever come across: Allomancy and Feruchemy. I love these magic systems. I don’t have nearly enough time to explain in any detail how these work so for those of you who haven’t read the books, here’s a link to the Mistborn wiki’s articles on Allomancy and Feruchemy.

Now, down to business.

In the previous book (The Final Empire), the street urchin Vin discovered herself to be a powerful Allomancer and joined a crew of thieves who led a successful rebellion against the “god-like” Lord Ruler of the gloomy Final Empire. Now that the Lord Ruler is dead, the Empire is fractured. Various lords come against the capital city (Luthadel) amid rumours that it contains a wealth of atium: one of the most valuable Allomantic metals there is. Vin, her crew and her boyfriend-turned-king quickly find themselves living in a city under siege by forces they cannot possibly overcome.

Did I like this book? Yeah, I did. Sanderson set himself an incredibly high standard in the first book, The Final Empire and while I don’t think The Well of Ascension quite lives up to that standard, it’s still a pretty strong sequel.

As well as an excellent magic system, this book also boasts a strong cast of characters. I often find the characters in some high fantasies to be a bit samey and it can be difficult to remember who’s who. Not so in The Well of Ascension. It’s easy to see each character clearly in my minds eye as I’m reading; their backstories are well researched and they all have recognisable motives and goals. If I’m being critical, I would say that some characters — particularly Vin — have perhaps changed a little too dramatically since the last story but not in a way which seriously ruins things. While I agree it’s important for characters to grow and change, I do think she has taken a little too naturally to being the king’s consort, while in the previous novel she was a cowering street urchin, still haunted by the memory of her abusive brother. She does have inner demons in this instalment, but they seem more largely focused on her destiny and whether or not she deserves Elend’s affections. On the other hand, I did enjoy how Elend himself developed from a scholarly and naive king to someone who, though technically deposed, nevertheless takes charge of himself and shows himself to be a true king in every way that matters. Through adversity he learns and becomes a better man, which is what you want in any good guy’s character arc.

The dialogue is not bad, though could do with a polish. The individual character’s voices are not terribly distinctive, making it sometimes difficult to remember who is speaking (with the possible exception of Tindwyl and, to a lesser extent, Clubs). In a similar way the narrative itself is decidedly alright. Sanderson’s use of language is accessible without being infantile, allowing the reader to easily step into the misty grey Empire with its red sun and constant ash-fall. However, the pacing did sometimes drag a little bit. My main beef in this regard was with the fight scenes. There’s a lot of them, they’re often very long and tend to focus a little too heavily on the details of who’s burning what metal and what they’re pushing or pulling against. More than anything, these are the scenes which caused me to switch off because — irony of ironies — they often caused the narrative to drag more than the intentionally ‘slow’ scenes.

The plot itself excellent, with several complicated and important social, political and religious themes weaved throughout in a way which is not too in-your-face. I don’t want to give anything away but it essentially involves a struggle for power after the demise of the Lord Ruler, a few prophetic mutterings hinting at a much larger picture and a surprising twist at the end which will have you eagerly reaching for the third book. There is much more emphasis on the personal needs and feelings of the individual characters, most of whom were once fairly anonymous individuals who now find themselves at the centre of their Empire’s political turmoil. The romantic subplots could perhaps have done with a little bit more unpacking but they were there in the form of a love-triangle (of sorts) between Vin, Elend and Zane and a short-lived (but far better written) relationship between the two Keepers, both of whom were previous victims of the Lord Ruler’s controlled breeding program.

All in all, a strong sequel. And I don’t normally like sequels. Not as good as the first, but still pretty darn excellent.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what burns your atium.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Taking a Holiday From My Novel

Last week, I mentioned that I always take Sundays off from writing. However, even with that regular rest, it’s easy to become jaded when you’re working on a big project like a novel. Right now I’m at the most difficult bit of the novel-writing process (in my opinion): that dreaded second draft where I have to fix all the problems I created in the first draft. Let me tell you, it’s painstaking work. Despite the fact I fully believe in the potential of this particular project, I don’t mind telling you that I’ve found the last few days among some of the most discouraging since I started work on it at the end of last year.

And so I’m taking a holiday. Yes sirree, I’ve packed up my troubles and I’m off to spend seven days and seven nights at the Short Story Seaside* Resort.

You see, it’s not that I need a break from writing. I don’t. I love writing and I am perfectly happy with my writing/life balance (in fact, I could do with a little more writing time). All I really need is a break from this novel. It’s not that it’s a bad novel. It’s quite a good novel (even if I do say so myself), but after working solidly on it for the last few months, I’m just getting a little fed up of the sight of it. And so the solution is to set aside a short time to work on other short writing projects, allowing me to return to my novel in a few days with a fresh pair of eyes and a renewed zeal for a project I know I really love.

‘I want a holiday at the Short  Story Seaside Resort too!’ I hear you cry.

Well if you plan to take such a break, be sure to set yourself a time limit. And I mean a precise time limit. Decide in advance exactly when this holiday will start and when it will end, down to the minute if necessary.  During the holiday period, you must not work on your novel. It is forbidden. However you can and should work on other projects, preferably new projects that you wouldn’t normally have the time for. Short stories, poetry or perhaps just catching up on your blog. Whatever you feel like. The idea is to boost your confidence in your own writing ability by working on something fresh and exciting.

To that end, it’s also a good idea to keep your holiday-projects fairly simple. Simple but with clear, achievable goals. Don’t use your holiday to start work on another novel. One of the reasons it’s so easy to get discouraged working on a long project like a novel is because it can often feel like you’re never, ever, ever going to get it finished. So make sure your holiday project is something very simple that you can finish in the time allotted. At the very least, be sure to set yourself an achievable goal. There’s nothing quite like seeing a long list of scheduled posts on your blog or submitting a short story for publication to make you think: ‘Oh yes, I really can write things’ so allow yourself the satisfaction of seeing results at the end of your holiday.

‘But wait, wait, wait just a minute here!’ I hear you myself cry. ‘You don’t know how undisciplined I am. If I start taking holidays from my novel, I’ll end up spending my whole life on that figurative seaside and my novel will never get finished.’

Yes, taking breaks like this can be a very slippery slope. You don’t want to fall into the trap of jumping from project to project to project and never finishing anything. Moreover if you’re like me, you’ll rely heavily on your routine to keep the words coming day by day, week by week and month by month. You know that if you don’t treat writing like a day job which you have to turn up for every day whether you like it or not, you’ll hardly ever write.

I hear you brother. But tell me: if you have a day job, do you not have an annual leave entitlement? I know I do. Every year in my day job I get given the same allowance of so many days of paid leave which I can take whenever I want (as long as there’s someone to cover for me). I also get certain public holidays such as Christmas and Easter. So if you’re a writer who relies on that kind of routine but still like the idea of having the odd holiday, why not give yourself an annual leave entitlement? Decide in advance to allow yourself so many days a year where you can take a break from your novel. Decide in advance any public holidays you also want to take.

It works for me anyway.

*The seaside is figurative. If you want to go that extra mile, cover the floor around your desk with sand and salt water. Maybe even a jellyfish or two for added excitement.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what builds your sandcastle.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Super Snappy Speed Reviews – Books (Vol. 3)

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read: Uncommon Type: Some Stories by Tom Hanks, The Seven by Peter Newman, Goldfinger by Ian Fleming, A Touch of Frost by R.D. Wingfield, Ben-Hur: A Tale of the Christ by Lew Wallace or The Green Mile by Stephen King is hereby advised that this point may contain a few unavoidable spoilers.

You know the rules by now! After all, we’ve already had super snappy speed reviews for books [2], TV showsfilmscomputer games and even the Star Trek movies. And so today we’re back for a third dose of super snappy book reviews. As before, the books I have reviewed here have been selected entirely at random from my ever-growing book collection and do not necessarily have anything in common apart from the fact that they are all books. They are not necessarily books that I particularly liked or disliked, nor are they sorted into any particular order.

As always, these reviews only reflect my own personal opinions and impressions, sliced, diced and minced into a few short sentences. So without further ado…

Uncommon Type: Some Stories by Tom Hanks

Yes, that Tom Hanks. His debut collection of short stories was decidedly okay. He almost lost me in the first story Three Exhausting Weeks when he used emojis, and the overall flow of the narrative was a little clumsy at points throughout the collection (too many unnecessary profanities for my taste) but there was enough high quality material in there to keep me reading until the end. For me, his writing demonstrated a wonderful creativity but was just slightly deficient in the subtle use of language which can turn an excellent story into a beautiful work of art.

I expected worse but I hoped for better.

My rating: 🌟🌟

The Seven by Peter Newman

I swore I would never review this book; not because I don’t like it, but because there is just so much Peter Newman love on this website [2] [3] [4] [5] and on my Twitter account [2] [3] [4] [5] [6], I was getting scared he might think I was some kind of weirdo stalker and call the police on me. But what can I say? These books were chosen at random and this is what came up so, here we go. A nice, measured, critical review of The Seven:

I LOVE THE SEVEN. It is an excellent conclusion to an excellent series filled with sharp characters, a vividly imagined dystopian setting, nicely seasoned with just the right amount of comedy relief. I don’t know if I love it quite as much as the first book but I still love its socks off.

My rating: 🌟🌟🌟🌟

Goldfinger by Ian Fleming

The original novels upon which the James Bond movies are based tend to be quite hit or miss. Some of them are unputdownable thrill rides which have you on the edge of your seat from cover to cover. Unfortunately, Goldfinger features waaaaaay too much golf for my liking.

I’m not knocking golf. But this is a spy-thriller for goodness’ sake and my main memory of it is Bond playing golf with Goldfinger. Fleming devoted not one, but several chapters to describing this single round of golf in considerable detail. I won’t lie to you, I started skipping whole paragraphs after a while. It’s not often I say this, but just watch the film instead.

Bored, James Bored.

My rating: 🌟

A Touch of Frost by R.D. Wingfield

There are some things I loved about this novel and there are some things I did not love about this novel.

I loved the useless, bumbling and irreverant Frost character and, to a lesser extent, the Mullett character and the interplay between them. The overall plot was good and reasonably well paced.

I did not love the poorly handled third person omniscient narrative which told us almost everything every character was thinking. Nor did I love the crude and at times downright sleazy humour Wingfield invoked. The female characters are all presented as cheap sex objects and the males without exception are chauvinists at best, often making crude jokes about rape and other sensitive topics.

My rating: 🌟🌟

Ben-Hur: A Tale of the Christ by Lew Wallace

If only all Christian fiction was as excellent as Ben-Hur; for Christian fiction it is, though it is so far removed from the modern genre that it is barely recognisable as such. This novel’s got it all: conspiracy, revenge, romance, adventure and even chariot racing. Themes of family, friendship, gender, slavery and life-after-death are all explored in a way that leaves the reader thinking long after the book has been finished. The characters are excellent, especially the protagonist (Judah Ben-Hur) and his childhood friend turned arch-nemesis, Messalla. I should warn you that there is quite a lot of theo-philosophical discourse between various characters. Fortunately, I like theo-philosophical discourse and it is executed in such a way that it does not seriously harm the pacing of the story.

My rating: 🌟🌟🌟🌟🌟+ ∞

The Green Mile by Stephen King

When I reviewed the film adaptation of this novel, I gave it a glorious 5 stars +∞; a rating I give only to those stories which (in my opinion) set the standards for their particular genre. But a good film adaptation will never be born of a bad novel and the same is true here. The Green Mile is an excellent novel; by far my favourite by Stephen King. It might be something to do with the fact I’m not a particular lover of horror but I don’t think so. This novel has vibrant characters, detailed settings and a beautiful first person narrative in which the protagonist describes events that happened in his past as well as events that are happening to him now, as he writes the story decades later.

My rating: 🌟🌟🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what reviews your books.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

5 Writing Rules I Like To Ignore

If you Google ‘writing rules’, you’ll find that there’s no shortage of writing-gurus out there telling you their top 5, 10, 25 or 100 rules for how to write a killer story. All very useful stuff. I definitely recommend taking their advice on board. In fact, I’ve been known to write a few posts like that myself (though I am not a writing-guru by any stretch of the imagination).

Sometimes, however, you just need to rebel and write according to your own darn rules. So what follows are my top five common story-writing rules and wise sayings which I frequently bend, break and flat-out disagree with.

1. You Must Write Every Day

This is often put forward by some writers as the golden rule all serious writers simply must follow. The idea goes that if you want to be a real writer, the only way to do it is by writing every single day for the rest of your natural life. Personally, I find that rule more of a hindrance than a help.

Don’t misunderstand me. I do believe it’s fundamental to write often and especially to write regularly. I write every weekday evening (I have a day job) and I write all day on Saturdays. But on Sundays? Nope, no writing for me on Sundays. Sunday is my day off. Come hell or high water, Sunday is a no-writing day, except for scribbling down any ideas that pop into my head so I don’t forget them.

When Monday comes around, I’m invariably the better for having rested.

2. When You’re Not Writing, You Must Be Thinking About Writing

Yes, you got me. I’m paraphrasing Eugene Ionesco who said, ‘For a writer, life consists of either writing or thinking about writing’. And while what Ionesco said wasn’t exactly a rule, many would-be writing-gurus like to turn it into a rule. And understandably so, because it’s a catchy soundbite with that wonderful absolutist quality that we writers love to use, because it makes us sound just a little bit supernatural. It creates a nice little distinction between Writers and Lesser Mortals.

Now I can only imagine what it must have been like to be Eugene Ionesco. Maybe he really did spend his entire life in a perpetual state of writing or thinking about writing without a moment of interruption. Maybe lots of writers are like that. I don’t know. If so, good for them. Far be it from me to comment on the lives of others.

But for me personally, writing is only part of my life. It’s a huge part, but only a part. I’ve got a wife and daughter. The day I got married and the day my daughter was born, my story didn’t get a look-in all day. I’ve also got a part time job. When I’m there, I’m not allowed to write and the job requires too much of my concentration for me to spend the whole afternoon daydreaming about my story.

And you know what? I think it’s perfectly healthy (vital, even!) for a writer to have room in his life for other things. There. I said it.

3. You Must Only Write About What You Know

Writing what you know is great. It’s hard to go wrong writing stories based on real jobs, relationships or experiences you’ve had. I’m all for that. If you read through my stories (especially my flash fictions that I post on here), you’ll find a lot of them seem to be set on public transport. That’s because I spend an average of ten hours a week travelling by bus. But I also like to write about spaceships, wizards and fantastic worlds of my own invention. You may recall I once wrote about what it is like to be a mouse. These are things I simply can’t experience — and so, I imagine.

Don’t get me wrong, it’s important to check out your facts before publishing anything and a good way to research your facts is through gaining firsthand experience. I’m not saying you should write in ignorance. But a writer is nothing if he can’t use his imagination to fill in the blanks.

4. You Must Write First and Edit Later

‘But we’ve heard you preaching this rule before!’ I hear you cry.

Yes, you’re right. In general, I absolutely believe that if you want to get anything done, you need to resist the urge to edit until the draft is complete. But on very rare occasions, when I’m discouraged with the draft I’m working on and thinking about giving up… I do find doing a cheeky little edit perks me up and gets me back in the zone.

Still, it’s a nasty habit. Don’t do it.

5. You Must Ignore The Rules

An alarming proportion of the ‘writing rules’ you’ll come across on the internet (including mine) conclude with this altogether unoriginal rule: ‘ignore the rules’.

The idea behind this ‘rule’ is simply this: since there aren’t really any rules for writing, it doesn’t really matter how you write. Just as long as you do write.

Well… sometimes (not always, but sometimes) I like to ignore the ‘ignore the rules’ rule, especially if I’m having a bad writing day. After all, these rules exist because they work, right? So if you get stuck (and we all do from time to time), there’s no shame in taking a bit of instruction from those who know better. Only a fool would spurn their wisdom out of hand.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what bends your rules.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.