Super Snappy Speed Reviews – Writing Apps for Android

It occurred to me this week that we’ve had a lot of Super Snappy Speed Reviews here on Penstricken over the years. We’ve reviewed books [2] [3], TV showsfilmscomputer games and even the Star Trek movies. But we’ve never had speed reviews for writers’ apps. And so today I am proud to present Super Snappy Speed Reviews: Writing Apps for Android.

As ever, the apps I have reviewed here are not necessarily apps that I particularly liked or disliked, but are simply a random selection of writers’ apps that I have tried out at one point or another. As usual, these reviews only reflect my own personal opinions and impressions, squished, squashed and squeezed into a few short sentences. So without further ado…

JotterPad by Two App Studio Pte. Ltd.

I love Jotterpad. The writing environment is uncluttered yet with plenty of the features you want from a mobile text editor. It’s also a breeze to adjust the page layout to suit the kind of writing you do. The only real problem with it is that there doesn’t seem to be any way to adjust the layout of specific documents (so  for example, if you write screenplays and poetry, you have to simply accept the fact that all of your poems are going to look like screenplays).

Also if you take my advice, you’ll stick to the free version. The Creative add-ons are alright, but hardly worth the money.

My rating: 🌟🌟🌟🌟

Writeometer by Guavabot

Writeometer is a surprisingly useful tool to help you to track your progress day by day. You can add multiple projects and assign each one a specific word or character goal which you hope to achieve in total and per day. The app will also calculate how long it will take you to achieve this goal and suggest a finish date (though you can choose your own date). Additional features include a writing timer, a daily log, customisable “rewards” for a good writing session, an integrated dictionary/thesaurus (also something about salad that I don’t understand). I didn’t think I’d like this app but I like it a lot.

My rating: 🌟🌟🌟🌟

Story Dice by Thinkamingo

If you read this blog regularly, you’ll know I find Thinkamingo’s Story Dice an invaluable source of stimuli whenever I come to write six word stories [2] [3] [4] [5] but it works just as well for long stories, too. There are squillions of different images which appear on the dice and you can have anywhere between 1 and 10 dice on the screen at a time. My only criticism is that there is no way to save the image that appears. The moment you hide the app, tap the screen or do anything, BOOM! It rolls the dice again and the previous roll is lost forever.

My rating: 🌟🌟🌟🌟

Lore Forge Creator Resources by Total Danarchy

There are lots of idea generators out there. What sets Lore Forge apart is the kinds of ideas it generates. It’s the only idea generator I’ve ever come across, for instance, which generates character motives and conflicts (complete with a detailed explanation of each motive/conflict). For me, these are easily its best feature, but it also includes some more traditional generators (character names, city names, plots, etc) and an inspiring quote generator.

My rating: 🌟🌟

Story Plot Generator Pro (a.k.a Plot Gen Pro) by ARC Apps

A lot of plot generators often produce ideas so bizarre that they’re completely useless (e.g.: ‘a pole dancer and an Eskimo must travel back in time to stop the moon being eaten by sharks. Someone loses a credit card. It’s a story about marital fidelity’).

Not so with Plot Gen Pro! This app allows you to choose from a variety of genres and then throws up several random elements of a plot (characters, settings, etc), suitable to that genre. If you don’t like any of the elements it generates, you can ask it to produce another, without removing the ones you do like. The resulting ‘plot’ can then be e-mailed back to yourself so you don’t lose it.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what pickles your onions.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

The Collapsing Empire: A Review

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read The Collapsing Empire by John Scalzi is hereby advised that this post may contain a few unavoidable spoilers.

As ever this review reflects only my own personal opinions and impressions.

When I first heard about John Scalzi’s The Collapsing Empire, I thought ‘that sounds like my kind of book’. I love a good space opera and the manifold positive reviews I read all suggested that was exactly what I was going to get, so I thought it was a safe bet. But I’ll be perfectly honest. I have mixed feelings about this book. Don’t get me wrong, there was a lot of stuff I absolutely loved about it, but there was also plenty of stuff I wasn’t so keen on.

First let me say that Scalzi’s world-building is top-notch. It’s hard to be original, interesting and scientifically not-too-ridiculous when writing a space opera but I think Scalzi has done an excellent job balancing these three. There is a certain homage paid to the tropes found in classic space operas like Star Trek, Star Wars and especially Dune but this is by no means a cheap knock off of any of those. In this story, Earth has long since been abandoned and humanity now lives in a galactic empire called the Interdependency. The various worlds of the Interdependency are thinly spread across the galaxy and joined together by the Flow (this story’s answer to hyperspace; a naturally occurring network through which vessels may travel from one place to another, kind of like a space-subway) and have been carefully organised so as to be interdependent on one another for resources. Trade in the Interdependency is controlled by various Guilds who each have their own government sanctioned monopolies. And now, horror of horrors, the Flow is beginning to collapse and society as we know it is about to end. I love all that stuff. That stuff’s brilliant.

Not only do I like what Scalzi has created, but I also like how accessible it is for the reader. Sometimes when you read sci-fi, you have to take notes to figure out just how the heck everything works when all you really want to do is enjoy the story, but that’s not the case here (although I thought the scene where the guy at the university lectures a group of school children on how the Flow works was a bit of a cheap trick). However, apart from the accessibility of the speculative elements, I found myself a little but underwhelmed by the overall writing style. Don’t misunderstand me, it was okay but all the reviews I had read suggested it was going to knock my socks off. I thought it was decidedly alright. The narrative is fast paced but not in a way that is dizzying or confusing. There are generous dollops of humour in his narrative which, although not entirely to my taste (when I read ‘explody bits of metal’, a grimace the closest thing to mirth I could manage), nevertheless make the book a pleasant enough read.

The characters are, in some respects, very good indeed. Each one has clearly established goals which derive from their individual motives and these shine through consistently, making it easy to get to know who’s who, what they want and why we should care about them; whether it’s the slippery Nohamapetans, the potty-mouthed Kiva or the reluctant but faithful Emperox– all these well researched characters form the foundation of this story and drive the story along in a way which is both believable, compelling and satisfying. I do think he could have improved these, however, by working a little bit harder to create distinctive voices for each character to bring out their individual backgrounds and personalities more fully. As it is, the characters’ voices can be divided into two categories: the ones who don’t swear much and the ones who swear like a sailor who just stood on a Lego brick.

My biggest complaint about this story is the ending. Or, to be more precise, the distinct lack of ending. It’s a ‘buy the next book!’ ending. And that makes me never want to buy the next book. Yes, yes, I know it’s the first in a series and I know we need to have something to look forward to in the next book, but I nevertheless would have liked a bit more resolution on some of the main issues in this first instalment.

All in all, a strong enough piece of work if space operas are your thing and you don’t mind excessive profanity. Just make sure you’re prepared to buy the next instalment before you go spending any money because this is most definitely not a book which can stand alone and apart from the rest of the series.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what collapses your Flow.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

The Well of Ascension: A Review

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read The Final Empire or The Well of Ascension by Brandon Sanderson is hereby advised that this post may contain a few unavoidable spoilers.

Some of you might have fallen into the trap of thinking I only ever do really short reviews because I do them so darn often [2] [3] [4] [5] [6] [7]. But I vowed at the start of this year that Penstricken was going to feature more reviews and that’s just what I intend to do. So, here we have it: my full scale review of The Well of Ascension by Brandon Sanderson; the second book in the high fantasy Mistborn series. As ever, this review reflects only my own personal opinions and impressions.

Before I begin, I just want to say one thing about the series as a whole. It features two of the most complex but beautifully constructed systems of magic I have ever come across: Allomancy and Feruchemy. I love these magic systems. I don’t have nearly enough time to explain in any detail how these work so for those of you who haven’t read the books, here’s a link to the Mistborn wiki’s articles on Allomancy and Feruchemy.

Now, down to business.

In the previous book (The Final Empire), the street urchin Vin discovered herself to be a powerful Allomancer and joined a crew of thieves who led a successful rebellion against the “god-like” Lord Ruler of the gloomy Final Empire. Now that the Lord Ruler is dead, the Empire is fractured. Various lords come against the capital city (Luthadel) amid rumours that it contains a wealth of atium: one of the most valuable Allomantic metals there is. Vin, her crew and her boyfriend-turned-king quickly find themselves living in a city under siege by forces they cannot possibly overcome.

Did I like this book? Yeah, I did. Sanderson set himself an incredibly high standard in the first book, The Final Empire and while I don’t think The Well of Ascension quite lives up to that standard, it’s still a pretty strong sequel.

As well as an excellent magic system, this book also boasts a strong cast of characters. I often find the characters in some high fantasies to be a bit samey and it can be difficult to remember who’s who. Not so in The Well of Ascension. It’s easy to see each character clearly in my minds eye as I’m reading; their backstories are well researched and they all have recognisable motives and goals. If I’m being critical, I would say that some characters — particularly Vin — have perhaps changed a little too dramatically since the last story but not in a way which seriously ruins things. While I agree it’s important for characters to grow and change, I do think she has taken a little too naturally to being the king’s consort, while in the previous novel she was a cowering street urchin, still haunted by the memory of her abusive brother. She does have inner demons in this instalment, but they seem more largely focused on her destiny and whether or not she deserves Elend’s affections. On the other hand, I did enjoy how Elend himself developed from a scholarly and naive king to someone who, though technically deposed, nevertheless takes charge of himself and shows himself to be a true king in every way that matters. Through adversity he learns and becomes a better man, which is what you want in any good guy’s character arc.

The dialogue is not bad, though could do with a polish. The individual character’s voices are not terribly distinctive, making it sometimes difficult to remember who is speaking (with the possible exception of Tindwyl and, to a lesser extent, Clubs). In a similar way the narrative itself is decidedly alright. Sanderson’s use of language is accessible without being infantile, allowing the reader to easily step into the misty grey Empire with its red sun and constant ash-fall. However, the pacing did sometimes drag a little bit. My main beef in this regard was with the fight scenes. There’s a lot of them, they’re often very long and tend to focus a little too heavily on the details of who’s burning what metal and what they’re pushing or pulling against. More than anything, these are the scenes which caused me to switch off because — irony of ironies — they often caused the narrative to drag more than the intentionally ‘slow’ scenes.

The plot itself excellent, with several complicated and important social, political and religious themes weaved throughout in a way which is not too in-your-face. I don’t want to give anything away but it essentially involves a struggle for power after the demise of the Lord Ruler, a few prophetic mutterings hinting at a much larger picture and a surprising twist at the end which will have you eagerly reaching for the third book. There is much more emphasis on the personal needs and feelings of the individual characters, most of whom were once fairly anonymous individuals who now find themselves at the centre of their Empire’s political turmoil. The romantic subplots could perhaps have done with a little bit more unpacking but they were there in the form of a love-triangle (of sorts) between Vin, Elend and Zane and a short-lived (but far better written) relationship between the two Keepers, both of whom were previous victims of the Lord Ruler’s controlled breeding program.

All in all, a strong sequel. And I don’t normally like sequels. Not as good as the first, but still pretty darn excellent.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what burns your atium.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Super Snappy Speed Reviews – Books (Vol. 3)

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read: Uncommon Type: Some Stories by Tom Hanks, The Seven by Peter Newman, Goldfinger by Ian Fleming, A Touch of Frost by R.D. Wingfield, Ben-Hur: A Tale of the Christ by Lew Wallace or The Green Mile by Stephen King is hereby advised that this point may contain a few unavoidable spoilers.

You know the rules by now! After all, we’ve already had super snappy speed reviews for books [2], TV showsfilmscomputer games and even the Star Trek movies. And so today we’re back for a third dose of super snappy book reviews. As before, the books I have reviewed here have been selected entirely at random from my ever-growing book collection and do not necessarily have anything in common apart from the fact that they are all books. They are not necessarily books that I particularly liked or disliked, nor are they sorted into any particular order.

As always, these reviews only reflect my own personal opinions and impressions, sliced, diced and minced into a few short sentences. So without further ado…

Uncommon Type: Some Stories by Tom Hanks

Yes, that Tom Hanks. His debut collection of short stories was decidedly okay. He almost lost me in the first story Three Exhausting Weeks when he used emojis, and the overall flow of the narrative was a little clumsy at points throughout the collection (too many unnecessary profanities for my taste) but there was enough high quality material in there to keep me reading until the end. For me, his writing demonstrated a wonderful creativity but was just slightly deficient in the subtle use of language which can turn an excellent story into a beautiful work of art.

I expected worse but I hoped for better.

My rating: 🌟🌟

The Seven by Peter Newman

I swore I would never review this book; not because I don’t like it, but because there is just so much Peter Newman love on this website [2] [3] [4] [5] and on my Twitter account [2] [3] [4] [5] [6], I was getting scared he might think I was some kind of weirdo stalker and call the police on me. But what can I say? These books were chosen at random and this is what came up so, here we go. A nice, measured, critical review of The Seven:

I LOVE THE SEVEN. It is an excellent conclusion to an excellent series filled with sharp characters, a vividly imagined dystopian setting, nicely seasoned with just the right amount of comedy relief. I don’t know if I love it quite as much as the first book but I still love its socks off.

My rating: 🌟🌟🌟🌟

Goldfinger by Ian Fleming

The original novels upon which the James Bond movies are based tend to be quite hit or miss. Some of them are unputdownable thrill rides which have you on the edge of your seat from cover to cover. Unfortunately, Goldfinger features waaaaaay too much golf for my liking.

I’m not knocking golf. But this is a spy-thriller for goodness’ sake and my main memory of it is Bond playing golf with Goldfinger. Fleming devoted not one, but several chapters to describing this single round of golf in considerable detail. I won’t lie to you, I started skipping whole paragraphs after a while. It’s not often I say this, but just watch the film instead.

Bored, James Bored.

My rating: 🌟

A Touch of Frost by R.D. Wingfield

There are some things I loved about this novel and there are some things I did not love about this novel.

I loved the useless, bumbling and irreverant Frost character and, to a lesser extent, the Mullett character and the interplay between them. The overall plot was good and reasonably well paced.

I did not love the poorly handled third person omniscient narrative which told us almost everything every character was thinking. Nor did I love the crude and at times downright sleazy humour Wingfield invoked. The female characters are all presented as cheap sex objects and the males without exception are chauvinists at best, often making crude jokes about rape and other sensitive topics.

My rating: 🌟🌟

Ben-Hur: A Tale of the Christ by Lew Wallace

If only all Christian fiction was as excellent as Ben-Hur; for Christian fiction it is, though it is so far removed from the modern genre that it is barely recognisable as such. This novel’s got it all: conspiracy, revenge, romance, adventure and even chariot racing. Themes of family, friendship, gender, slavery and life-after-death are all explored in a way that leaves the reader thinking long after the book has been finished. The characters are excellent, especially the protagonist (Judah Ben-Hur) and his childhood friend turned arch-nemesis, Messalla. I should warn you that there is quite a lot of theo-philosophical discourse between various characters. Fortunately, I like theo-philosophical discourse and it is executed in such a way that it does not seriously harm the pacing of the story.

My rating: 🌟🌟🌟🌟🌟+ ∞

The Green Mile by Stephen King

When I reviewed the film adaptation of this novel, I gave it a glorious 5 stars +∞; a rating I give only to those stories which (in my opinion) set the standards for their particular genre. But a good film adaptation will never be born of a bad novel and the same is true here. The Green Mile is an excellent novel; by far my favourite by Stephen King. It might be something to do with the fact I’m not a particular lover of horror but I don’t think so. This novel has vibrant characters, detailed settings and a beautiful first person narrative in which the protagonist describes events that happened in his past as well as events that are happening to him now, as he writes the story decades later.

My rating: 🌟🌟🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what reviews your books.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Want to Add Handwritten Notes to your Scrivener Project? Try Notebloc.

If you’re anything like me, the bulk of your writing projects will be done on computer, probably using a purpose-built piece of novel-writing software like Scrivener. Nevertheless, as I’ve mentioned before, there are some stages of the writing process (especially in the early days of planning) where I find the only way to make any progress is to sit down with a physical notebook and pen and scribble all my thoughts down. You might also be the sort of author who, like me, feels the need to keep a writer’s journal. Finally, if you’re like me, you’ll also be the sort of person who likes to hold on to every scrap of work you produce (including your brainstorm-scribbles) and keep it all neatly organised in one place.

Which is a pain. After all, you can’t add your handwritten notes to your Scrivener project.

OR CAN YOU?

Let me introduce you to Notebloc for Android and iPhone. This handy little app not only uses your smartphone’s camera to capture images, but it also automatically adjusts the colour and angle of your image(s) before easily exporting them as jpg or pdf files, making adding your handwritten notes to Scrivener (or wherever it is you keep your project files) a breeze. I should note, I’ve only tested the Android version of this app. If anyone has used the iPhone version and found it to be different from what I describe here, do let us know in the comments.

The first thing you have to do when you use this app is add images of your handwritten notes either by using your phone’s camera to capture an image or by importing a pre-existing image from your phone’s storage. Once you’ve done that, you will find yourself faced with an intuitive little screen (fig. 1) which allows you to adjust where the borders of your image should be. You can also rotate your image from this screen. So far, however, I’ve never had to actually do any manual adjusting; Notebloc does it automatically and with remarkable accuracy. However, in the unlikely event that it does not accurately identify the borders of your page, it’s a cinch to fix by simply long-pressing and dragging the borders to wherever you want them to be.

Once you’ve done that, Notebloc will then automatically adjust the shape and colours for you to create an image which favours readability. As you can see from fig. 2, the image it produces is pretty darn decent. The text is still clearly legible (poor handwriting notwithstanding; it’s a smartphone app, not a magic wand) and the colours have been reasonably well preserved. It even handles pencil with surprising ease. If, however, you’re not satisfied with the way it adjusts the colours, there are a few other colour adjustment styles you can choose from (see the menu along the top of fig. 2).

Once you’re happy with how the image looks, it gets added to your Notebloc document file (fig. 3). You can add as many pages to a document as you see fit and re-order the pages simply by long-pressing and dragging each page to wherever you want it to go (they will appear in the order in which you added them by default). From there you can print your document, share it online or copy your pages to another document if you so desire. Alternatively, you can do what I do and convert the document into a pdf or jpg format to be easily imported into your Scrivener project (fig. 4). I should add that if you opt for a jpg file, you will actually end up with numerous jpg files; specifically, one for each page. If, however, you opt for a pdf file, all the pages will be compiled into a single document, which makes it the best option for my money if you’re planning on adding it to Scrivener.

I’m pleased to say I haven’t found any glaringly obvious bugs in this app and it does what it says on the tin to a fairly impressive standard. It doesn’t have much in the way of bells and whistles and while I generally think that’s a good thing (too many superfluous features make an app cumbersome), I do think it would benefit from a few additional features; character recognition being the most obvious. The tools for manually adjusting the shape and colours of your image could also be more flexible; as it is, your options are quite limited if you don’t like the adjustments it makes automatically.

Oh and before you ask, this app is completely free and, best of all, it contains no ads. Go and get it!


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what digitises your handwriting.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Novelist: A Handy App for Planning Your Novel

I have always said that to write a novel, or any significantly sized piece of writing, a writer must be willing to park himself down at his computer and write. There is no quick fix for writing. No easy button you can tap on your phone and make a high quality novel pop out.

I still believe that. But that’s not to say mobile apps can’t help you in your quest to write a story, especially when you’re on the go and need a simple, orderly means of gathering together all those little plot bunnies that jump into your head at the worst possible moments. For that reason, I’ve been trying out a nice little app I discovered on Google Play called Novelist by Alessandro Riperi.

novelist (4)

the home page

Is it a good app? Yeah, I would say it is. It won’t make your breakfast for you and it certainly won’t make you the next John Steinbeck, but it has all the basic functionality needed to help you get you from a plot bunny to a complete chapter outline with little fuss.

Let’s look at a few of its features.

The first thing you will get when you open the app for the first time is a little spiel explaining how to use the app. After that, you go straight to the home page and — as far as I can tell — you never get the little introductory lecture again. The home page itself is a pretty self-explanatory window displaying all of your projects (which you can illustrate with an image from your device’s memory, if you’re that way inclined), including a pre-loaded ‘tutorial’ project which you can edit and tinker with to your heart’s content (don’t worry! If you make a total mess of the tutorial project, it’s easy to generate a new one from the menu on the home screen).

Once you create a project, the app takes you through three stages: ‘plotting’, ‘outlining’ and ‘organising’, apparently with the idea that you work through these three stages in order.

LordDeathmetadata

An example character profile using metadata.

Under ‘plotting’, we have a space to create all those elements which are fundamental to story-writing: characters, locations (settings), themes, key events and so forth. These are referred to as ‘items’ in this app, which are easy to customise with a title, synopsis, text and images as you see fit. All of these items can be tagged, duplicated and shifted from one category to another. Best of all, each of these items comes with the option of including metadata, allowing you to quickly list all the vital details of your character, setting or theme. You can also add ‘notes’ and ‘text’ to each item, though I must admit I’m a little fuzzy on why these are separate features.

Under the ‘planning’ tab, you are invited to organise your story into scenes. You create new scenes in a similar way to how you create items in the plotting section, with a title and a synopsis. As before, you have the ability to add text or notes to each scene, however you do not have the ability to add images or metadata. What you can do is tag your scenes with the items you created in the plotting stage; not a feature I personally find useful because that’s just not the way my brain works but I know it will suit plenty of other writers down to the ground.

Finally, the ‘organising’ section allows you to organise the scenes you have created into chapters/sections as you see fit. The order of these scenes and sections can be easily jiggled about until you are happy that you have a full-blown chapter layout. The only real drawback here is that you can’t see any of the details about the scenes you created in this section apart from their titles and synopses. Apart from that, it makes it an absolute joy to organise and re-organise the order of your sections, chapters and scenes.

 

There’s something else I love about this app: it’s free. Okay, I know that’s not technically a feature but still… it’s an actual, truly, honestly to goodness full version that’s absolutely free. Not ‘free, but hey, we’ve got a better version that’s not free’; not ‘free for the first thirty days’; not even ‘free as long as you tell us where you live and watch a bunch of ads’. In fact, I haven’t even seen any ads! It’s just FREE. I am so happy I could weep.

In summery, if you’re looking for an app to write your manuscript on, this isn’t it. I don’t think it was ever meant to be used for that purpose. But if you own an Android device and are looking for a clean and simple way to develop an idea into a fully fledged chapter outline, including character profiles and all that other marvellous stuff that planners love so much, this app is definitely worth a look. It’s free, easy to use and covers all the story-planning essentials without forcing you to watch any pesky little ads. Go and get it!

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what outlines your novel.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Super Snappy Speed Reviews – Games Edition

SPOILER ALERT

While every effort has been made to avoid spoilers, anyone who has not played Batman: Arkham OriginsFable IIITenchu 2: Birth of the Stealth AssassinsGolden AxeMetal Gear SolidTime Commando or The Secret of Monkey Island is hereby advised that this post may contain a few unavoidable spoilers.

More than two years ago, when I first started Penstricken, I had this big idea that I was going to blog about all forms of story telling: books, films, plays and even computer games. If I’m being honest, however, there has been an accidental but undeniable bias in favour of posts about TV, films and books. When it comes to Super Snappy Speed Reviews, we’ve already done books (twice, in fact), TV shows, films and even Star Trek.

And so, for this edition of Super Snappy Speed Reviews, I’m going to give you seven mini-reviews focusing on the stories found in computer games (mostly retro games, because I’m an old dinosaur like that). As usual, the games I have reviewed here have been selected entirely at random from my own collection of dusty relics and do not necessarily have anything in common apart from the fact that they are all games (although you’ll be lucky if any of them are less than ten years old!). They are not necessarily games that I particularly liked or disliked, nor are they sorted into any particular order. I should also add I am focusing my reviews solely on the quality of the story, not graphics, audio or general game play.

As always, these reviews only reflect my own personal opinions and impressionsblitzed, pureed and truncated into a few short sentences. So without further ado…

Batman: Arkham Origins (2013)

Superhero games are often naff. This one is not.

The plot is simple but bold: there’s a price on Batman’s head and everyone from Gotham’s criminal element right through to the City’s corrupt police force intend to collect it while Alfred drives Batman to distraction by acting like a mother hen. The story telling is excellent and well-paced. The characters (and there are plenty of them) are well developed. The dialogue is excellent.

I love this game.

My rating: 🌟🌟🌟🌟🌟

Fable III (2010)

At first, the story of this game seems pretty straight-forward. You’re the brother/sister of a king who has recently begun abusing his power and so you set out to find allies to help you lead a revolution. Suddenly, just when you think it all makes sense and you’ve nearly won the game it turns out that there’s a weird semi-corporeal army of darkness coming to destroy everything and the whole reason the King was being so cruel was to help raise funds to fight in the coming war.

It’s not a bad story. A little simplistic, perhaps and the antagonists who appear at the end of the story feel a bit under-developed but it basically works. My main complaint is that the protagonist never seems to really develop, despite (perhaps even because of) the fact that game largely centres around making moral decisions that will influence your future.

My rating: 🌟🌟🌟

Tenchu 2: Birth of the Stealth Assassins (2000)

This story is set in feudal Japan and focuses on a small clan of ninja fighting against another ninja clan who have decided they’ve had enough of being stealthy and want to establish a world ruled by ninja.

I’m not sure how historically accurate it is, but I suspect the answer is ‘not very’. The story is quite simple to the point of even being a little bit silly but it is reasonably paced and the dialogue is… meh… okay. Character development is limited but it’s there. One of its big selling points is the fact that the three playable characters allow you to see the story from three unique perspectives (including the perspective of the bad guys).

My rating: 🌟🌟🌟

Golden Axe (1989)

Death Adder has taken over the kingdom and has kidnapped the King and Princess. He has no redeeming qualities. The good guys are noble and heroic. Also some guy called Alex is murdered by Death Adder before the game begins and is never mentioned again.

That’s pretty much it. No characterisation, plot twists or anything at all really… just a good old fashioned find the bad guy, kill the bad guy, save the kingdom.

My rating: 🌟🌟

Metal Gear Solid (1998)

Most computer games have half-baked or altogether non-existent stories. Metal Gear Solid is not like that. It’s got drama, it’s got conspiracy, it’s got plenty of characterisation and even alternative endings. It’s well paced with a strong balance of action scenes and softer, emotional scenes. Frankly, it often feels more like a movie than a game thanks to the sheer complexity of the plot and characters.

My only gripe with it is that it is a little overwritten and as a result, features quite a bit of info-dumping during some of the video sequences.

My rating: 🌟🌟🌟🌟

Time Commando (1996)

Does anyone else remember this game apart from me? Well… basically it’s a classic ‘slay the dragon/save the princess’ sort of story– but much more ridiculous. Instead of a dragon, we have a computer virus (who resembles a giant fish) which creates a giant time vortex which threatens to consume the entire world. Stanley, the protagonist, very foolishly enters the vortex and battles his way through eight different time zones before finally fighting the virus itself in the strange world of ‘beyond time’.

Not only is this story ridiculous, but the game features ZERO dialogue of any kind (except for ‘oh yeah!’ whenever you find a secret) making it almost impossible to understand the plot without reading the game’s manual.

A fun game to play but the story frankly feels a little unfinished.

My rating: 🌟

The Secret of Monkey Island (1990)

I knew I was going to love this game from the very first moment I turned it on and saw this scrawny, blonde haired wimp politely inform a blind watchman, ‘Hi. My name’s Guybrush Threepwood and I want to be a pirate’.

When it comes to story telling, this game has it all: an unlikely hero driven by a strong motivation to become a pirate; a dastardly ghost-pirate antagonist; a strong, independent love-interest who turns out to be anything but a damsel in distress and buckets of humour. Even the supporting characters are vibrant, distinctive and hard not to love.

My rating: 🌟🌟🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what bashes your buttons.

Until next time!

Can’t Afford Scrivener? Try yWriter.

Many years ago, when I decided to make my first serious attempt at writing a novel, I did what a lot of enthusiastic beginners probably do: I searched high and low for the perfect novel writing app. I didn’t know about Scrivener back then (in fact, I’m not even sure it was available for Windows at that time) but I did come across another app in a similar vein called yWriter by Spacejock Software. I attempted my first ever novel with it and I absolutely swore by it for a long time. Only the discovery of Scrivener for Windows really turned my head. However, in homage to auld lang syne, I’ve decided to download and review the most recent version of yWriter (specifically, yWriter6) for those of you who don’t want to spend any money (for there is no other good reason not to get Scrivener).

yWriter1

Fig. 1

yWriter’s main window (fig. 1) is, for the most part, fairly self-explanatory. Like Scrivener, it allows you to organise your various notes on characters, settings, etc. and, like Scrivener, it allows you to organise your work into separate chapters and scenes. You can either begin with a blank project or you can use the project wizard… which is basically the same as making a blank project, only you begin by specifying the title, author’s name and file directory you want to save it to before you begin, thereby saving yourself thirty seconds later on.

ywriter-editor

Fig. 2

The window which you use to actually write your scene is also pretty self-explanatory for anyone even remotely familiar with ordinary word processors. Unlike many modern word processors, however, you are essentially restricted to writing in a rich text box rather than on a virtual page. As such, there is no easy way to format your page layout (rulers, margins, etc). However, in addition to the features you would expect to find on any word processor, you also have the ability to hear your story read out to you by Microsoft David or Microsoft Zira (a feature which can be handy for helping you to edit a manuscript you’ve grown overly familiar with) and there’s a whole host of tabs on this window which allow you to edit all sorts of information pertaining to the scene you’re working on, if you find that sort of thing useful. You can also easily jump from one scene to another using the drop down menus at the bottom of the scene editing window.

Though this app is simple in many ways, and certainly lacks the flexibility of Scrivener, it does boast a plethora of handy little features which you can use or ignore as you see fit. I doubt if you’ll be inclined to use all of them and I don’t have nearly enough space here to mention them all, but suffice to say it seems pretty obvious to me that the developers have tried to appeal to a broad spectrum of novelists by adding a variety of tools.

ywriter-ratings

Fig. 3

Personally, I am rather fond of the word usage window, which shows you a list of every word used in your story and tells you how often you’ve used it; a handy feature if you’re given to tediously repeating certain turns of phrase over and over again. In addition, the help menu includes a ‘writing tips’ option, which brings up a simple message window containing a snippet of handy writing advice such as ‘take a 5-10 minute break every hour. Walk, exercise, make a drink’ and ‘sometimes it’s quicker to rewrite a short scene from scratch than to keep editing it’. You can also rate the relevance, tension, humour and quality of each scene you write and collate that information into a handy-dandy line-graph (fig. 3), which could be a potentially useful tool when you come to edit your drafts (assuming you can be honest with yourself about the quality of your work). The tools for developing characters, settings and items which appear in your story are simple enough to use, if a little basic and inflexible, although there’s plenty of room for writing whatever notes you want.

If there’s one major thing yWriter lacks, it is the ability to compile your manuscript into a suitable format for distribution. For instance, with Scrivener, you can easily compile your work into a variety of useful formats including (but not limited to) standard manuscript format, screenplay format or e-book format– and of course, if none of the presets appeal to you, you can customise your own format. You can’t do any of that with yWriter. It does allow you to export your project in a variety of ways, but if you’ve got any serious plans to submit your work for publication, you’ll need to transfer your exported project to a suitable word processor and format it yourself.

I realise I’ve unintentionally spent a lot of time here comparing yWriter to Scrivener but I hope you won’t misunderstand my intentions. I really like yWriter. Yes, there is room for further development but I do think it’s worth trying, especially for new authors who are just dipping their toe into novel writing for the first time. Nevertheless, bells and whistles not withstanding, it is quite limited when it is compared to more expensive tools like Scrivener. My advice would be to give it a go. You may find yWriter is more than sufficient for your own particular needs, in which case you should be able to get your novel written and save yourself a few bob into the bargain.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what sharpens your pencil.

Until next time!

Super Snappy Speed Reviews: Star Trek Edition

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not seen all of the films in the Star Trek franchise is hereby advised that this post may contain a few unavoidable spoilers.

The day we’ve all been waiting for with a combination of both hope and dread is finally here. Star Trek: Discovery premieres in America today, and so, in honour of this momentous occasion (and since we Brits won’t be getting it until tomorrow), I am pleased to present Super Snappy Speed Reviews: Star Trek Edition!

We’ve already had super snappy speed reviews for books (twice, in fact), TV shows and films but today it’s going to be a bit different. Today I’ll be reviewing all thirteen Star Trek films in order of release. As ever, these reviews only reflect my own personal opinions and impressionsphasered, disruptored and bat’lethed into just two or three sentences. So without further ado…

Star Trek: The Motion Picture

While it has a lot of the elements we might look for in a good Star Trek episode, The Motion Picture is spoiled by ridiculously slow pacing.  Buckets of atmosphere but not much else to say in its favour.

My rating: 🖖🖖

Star Trek II: The Wrath of Khan

This film’s got it all: a familiar antagonist with a score to settle, exciting space battles and plenty of sub-plot. Arguably the best film in the entire franchise.

My rating: 🖖🖖🖖🖖🖖

Star Trek III: The Search for Spock

I can’t say much about this without giving away spoilers galore but suffice to say it’s a good popcorn muncher and is integral to the overall Star Trek canon. Its main let-down is the half-baked antagonist: a random Klingon with no redeeming qualities trying to steal a technology which he thinks will make a good weapon of mass destruction.

My rating: 🖖🖖🖖🖖

Star Trek IV: The Voyage Home

Definitely the most light-hearted of the Star Trek movies. Plenty of humour, a casual ecological moral and no real antagonist to speak of (okay, there is a giant probe thing threatening to destroy Earth, but only because it wants to make friends with some humpback whales and earth doesn’t have any them any more)

My rating: 🖖🖖🖖

Star Trek V: The Final Frontier

The rest of the world seems to hate this film but I quite enjoyed it. Sybok was a particularly interesting antagonist, in that he seemed to be well-meaning, if badly misguided. It probably could have benefited from unpacking some of the more important themes, however.

My rating: 🖖🖖🖖

Star Trek VI: The Undiscovered Country

My favourite Star Trek films and episodes are always those which focus on interstellar politics, particularly the Federation’s tense relations with the Klingon Empire. If that’s your flavour too then this film’s got it all: conspiracies, interstellar peace talks and even a Klingon courtroom scene.

My rating: 🖖🖖🖖🖖🖖

Star Trek: Generations

This film has a great bad guy (although I could have done without the Duras sisters…), strong themes and apart from being a little on the slow side at points, is generally well paced. The (mostly humorous) subplot concerns the previously emotionless android, Data, now fully equipped with emotions he can’t control, which is funny at first, then gets serious before kind of just fizzling out and resolving itself without explanation.

My rating: 🖖🖖🖖🖖

Star Trek: First Contact

If Wrath of Khan isn’t my favourite in the franchise, this one is. Excellent acting, strong writing and well paced. The Borg Queen in particular provides the previously faceless Borg Collective with a leader who is as subtle and seductive as she is evil. Unfortunately, this film does also include my least favourite line of dialogue in all of Star Trek history: ‘You people, you’re all astronauts on… some kind of star trek?’

As an aside, non-Trekkies should not begin here; this film is full of important references to the TV series.

My rating: 🖖🖖🖖🖖🖖

Star Trek: Insurrection

This might’ve worked as a TV episode, but as a film it’s just boring, boring, boring with extra boring on top. Some dude we’ve never heard of (with a simply appalling plastic surgeon), from a race of aliens we’ve never heard of wants to chase some helpless innocent people we’ve never heard of away from their planet and Picard doesn’t like it and… zzzzzzzzz…

My rating:  🖖🖖

Star Trek: Nemesis

Tom Hardy and Patrick Stewart’s acting as Shinzon and Captain Picard respectively are about the only things this film really has going for it. In theory, the premise had lots of potential but it turned out to be a bit of a poorly written non-story about a disgruntled clone who decides to kill everybody with a particularly nasty WMD, only to be thwarted by an inevitable act of self-sacrifice from one of the heroes.

My rating:  🖖

Star Trek

As reboots (especially prequels) go, this was a zillion times better than I thought it was going to be. It features, quite simply, some of the best plotting, characterisation and pacing I’ve seen in a Star Trek film. There are a few inconsistencies with prime universe that are not explained by the time travel story but nothing anyone but the most knit-picky of fans would worry about.

My rating: 🖖🖖🖖🖖

Star Trek Into Darkness

Take all your favourite scenes from Wrath of Khan, mix them up a bit and boom! You’ve got Star Trek Into Darkness! Even so, with its strong plot, superb acting (especially from Benedict Cumberbatch) and plenty of excitement, this remains my favourite Star Trek film since First Contact.

My rating:  🖖🖖🖖🖖🖖

Star Trek Beyond

After Insurrection and Nemesis, Star Trek Beyond is my least favourite Star Trek film. The writers clearly decided to forget about pacing, characterisation and all that boring stuff and created a non-stop heart-pumping thrill ride instead. Great acting though, I’ll give it that. Click here for a more detailed review on this film.

My rating: 🖖


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ and share this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what crystallises  your dilithium.

Live long and prosper.

Super Snappy Speed Reviews – Books (vol. 2)

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read: The Final Empire by Brandon Sanderson, The Colour of Magic by Terry Pratchett, A Game of Thrones by George R.R. Martin, The Moon is Down by John Steinbeck, Different Seasons by Stephen King, Curtain by Agatha Christie or Dr Jekyll and Mr Hyde with The Merry Men & Other Stories by Robert Louis Stevenson is hereby advised that this point may contain a few unavoidable spoilers.

It’s that time again! We’ve already had super snappy speed reviews for books, TV shows and films, and now it’s time to return for a second helping of super snappy book reviewsAs before, the books I have reviewed here have been selected entirely at random from my ever-growing book collection and do not necessarily have anything in common apart from the fact that they are all books. They are not necessarily books that I particularly liked or disliked, nor are they sorted into any particular order.

As always, these reviews only reflect my own personal opinions and impressionssquished, sliced and diced into a few short sentences. So without further ado…

The Final Empire by Brandon Sanderson

As much as I like fantasy, I’m also picky about it. Fortunately, this book (the first instalment of the Mistborn series) has it all: a richly imagined fantasy world, compelling characters, an excellent magic system and a plot which kept me glued to its pages from beginning to end. Best of all, Sanderson has obviously understood that while good world building and detailed magic systems are important elements of fantasy, it is characters that really count when it comes to writing a good story.

My rating: 🌟🌟🌟🌟🌟

The Colour of Magic by Terry Pratchett

Speaking of fantasy, this book (the first instalment of Pratchett’s Discworld series) is arguably one of the most imaginative books I have ever come across. The characters are compelling and there is a goodly dash of wit spread throughout this rather dream-like narrative. My only complaint is that while the world building does demonstrate something of Pratchett’s superhuman imagination, the time spent he spends explaining the minute details of his world (and the additional time required for the reader to assimilate it all) does drag the pace down to a crawl at certain points.

My rating: 🌟🌟🌟

A Game of Thrones by George R.R. Martin

At the risk of being flamed to death… I found A Game of Thrones a bit of a drag. No, wait, hear me out! It’s got a lot going for it! There’s a lot of different characters’ points of view represented in the book which made it more true to life (though a bit more difficult to follow; just who is the protagonist in this story?), strong world-building, a good plot it’s just… I don’t know. I found myself getting bored as I read it. I’ve not been able to bring myself to read the next six books yet. Maybe I’ll watch the TV show one day and see what all the fuss is about.

My rating: 🌟🌟🌟

The Moon is Down by John Steinbeck

Steinbeck can do no wrong. This little novel is about a small but tactically important coal mining town which is taken over by a battalion from a non-specific nation (reminiscent of Nazi Germany) who are at war with England and Russia. It is essentially a story about freedom, democracy and oppression, crafted with the kind of fineness of style that only Steinbeck can produce. Read it now.

My rating: 🌟🌟🌟🌟🌟

Different Seasons by Stephen King

This collection of stories by Stephen King includes, among others, the classic Rita Hayworth and Shawshank Redemption. In true King style, most of these stories have a dark tone to them, although I wouldn’t really have described any of them as horrors or fantasies in the truest sense of the word (although The Breathing Method does include certain fantasy elements, I suppose). I loved, loved, loved Shawshank. The Body and The Breathing Method were alright too. Apt Pupil was also very well written, however it did focus on a young boy with an unhealthy obsession with violence and his toxic relationship with a Nazi surgeon. Personally, I found it a little too dark for my tastes.

My rating: 🌟🌟🌟🌟

Curtain by Agatha Christie

In this, the final adventure for Christie’s famous Belgian detective, we see a Hercule Poirot (now very frail and elderly) who has been drawn back to the scene of his first adventure to solve one last crime before it even takes place. The mood is somewhat more melancholy than in earlier Poirot novels and I must admit… I found the ending just a little bit ridiculous, given the otherwise serious tone of the book. It feels a bit like Christie came up with a compelling mystery but then was unable to imagine a good way to resolve it. In a word, an okay read until you get to the end.

My rating: 🌟🌟

Dr Jekyll and Mr Hyde with The Merry Men & Other Stories by Robert Louis Stevenson

I thoroughly enjoyed most of the stories in this little volume. Jekyll and Hyde is, of course, a classic tale which has justifiably earned a familiar spot in modern culture, even among those who haven’t read it. The Merry Men was okay, although I found Stevenson’s rendering of the Scottish accent difficult to follow (and I’m a Scottish person myself!). Markheim and Olalla were both enjoyable enough little reads with (not too) dark undertones. Janet Thrawn was decidedly tedious. The Treasure of Franchard, with its larger than life characters, was easily my favourite.

My rating: 🌟🌟🌟🌟

Well, I hope you enjoyed these itzy-witzy book reviews. No doubt we’ll do it all again soon! Why not comment your own thoughts on these books below? Or maybe you could give us a short review of something else that you’re reading? And if you enjoyed this post, be sure to ‘like’ it and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if you fancy it.

Oh, and be sure to come back next week for the next instalment of 6 ‘SIX WORD STORIES’ FOR THE 6TH.