7 Things I Hate In Fiction

No matter what genre of fiction or medium of story-telling you’re into (even if you’re into nearly all of them, like me!), we all have our own little things in fiction that we don’t like. Sometimes it’s the little things that can absolutely ruin an otherwise potentially good story for us and make us seriously think about leaving it unread/unwatched/unlistened to.

For your enjoyment, therefore, I have compiled a list of my own fiction bugbears with expositions. Maybe you won’t agree with them all. That’s okay. I’m not for one second suggesting any of these are hard and fast rules about what constitutes a bad story. These are just things that, for me, are a bit of a turn-off. So without further ado and in no particular order…

Obvious Morals

Don’t get me wrong. I definitely think it’s a good thing for stories to say something meaningful about real life. I’m not knocking stories that have morals to them. I’m not even knocking controversial morals. Quite the reverse, a good story definitely should have true and important morals or observations about life. But there’s nothing that puts me off reading a book or watching a film/TV show/play quite like that horrible sinking feeling you get in the first five minutes when you think to yourself: ‘I think I know where this is going…’

Even if it’s something I profoundly agree with, that’s not the point. I don’t read stories to be preached at, whether I agree with the message or not. Entertain me, and by all means make me think, but don’t preach at me.

Excessive and/or Long Fight Scenes

On TV and film, I can just about(!) put up with drawn out fight scenes, but in novels… boy, I find them tedious. They’re often either too detailed (and so, the pace is dragged right down at what should be the most exciting part) or else they’re not detailed enough and I lose the thread of what’s going on entirely. If you’re going to write a fight scene, I want it to be described in such a way that I feel like I’m really there witnessing it, which must by necessity include experiencing the danger and urgency of being in a battle. It can be done with words, but only a few writers seem to be able to do it in a way I find truly enjoyable.

More on fight scenes here.

Unnecessary Profanities

Sometimes in adult fiction, a little profanity may be justified, if it becomes the character (remember boys and girls, a character’s voice can have a profound impact on their identity). After all, in real life, people do sometimes use foul language. However, I find that in fiction, it loses its effectiveness very quickly and can come across as a fairly amateurish attempt at generating tension. Therefore, use it sparingly. If you’re struggling, watch the soaps for some inspiration: Eastenders, Coronation Street, Emmerdale and so forth.

No, really, hear me out. I don’t have a lot of good things to say about soaps, but I’ll give them this: because they’re usually on before the watershed, the writers of these shows are forced to generate tension and outright screaming matches between characters without using a single profanity. Study these carefully if you’re really struggling to write tense dialogue without the potty-mouth.

Flashbacks

As a rule of thumb, I find that flashbacks tend to interrupt the pace of the narrative too much. In addition, I often find that they are simply used as a way to info dump the backstory and as we all know, info dumping is bad, bad, bad. I might, possibly, maybe let you away with them if the story absolutely requires that one character tells another character a lengthy, detailed story about something that happened in the past (Agatha Christie’s Poirot novels, for example, frequently include flash back style chapters where one witness is telling Poirot their version of events) but on the whole, I find flashbacks a bit of a drag.

All Action; No Substance

If I wanted a meaningless thrill ride, I’d just go to Alton Towers. Don’t get me wrong, a bit of excitement is needed to keep up the momentum of your story, but if the protagonist is doing nothing but jumping over walls, dodging bullets and crashing helicopters from the outset, I won’t have any opportunity to get under the his skin enough to sympathise with him or understand his goals and motives.

All Substance; No Action

The opposite is also true. I know I want to understand the characters’ goals and motives, and I know I want the odd profound or emotional scene but I don’t want to be bored to tears either. Sooner or later, we need a bit of excitement.

Call Your Story Confessions of an [Optional Adjective] [Noun]

This will make me hate your story before I’ve even read it. See my previous post On Titles.


Well that was cathartic for me at any rate.

Did any of that ring true for anyone else? Or maybe you actually love flashbacks, lengthy fight scenes and tedious titles? Maybe I’m alone in disliking these things…

I know! Why not leave a comment below and share your own fiction pet-hates with the rest of the world? You might feel better if you get it off your chest. And if you enjoyed this post, be sure to follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if you feel so inclined.

Until next time!

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Need Help Deciding What to Read?

Someone recently asked me how I decide what books I want to read. Good question, I thought. The truth is, I find choosing new books (and new TV shows, movies and everything else) exceptionally difficult. As a rule, I try never to immediately follow a sci-fi with another sci-fi or a mystery with another mystery but that still leaves me spoiled for choice.

Blurbs are, of course, useful pointers to give you a hint as to whether or not a story might appeal to you but just because a story has an interesting synopsis doesn’t mean that it’s been well written or that it will appeal to your particular tastes.

As you might expect, the internet is ready and eager to try to help. Here’s a whistle-stop tour of three websites that give you customised book recommendations.

Goodreads

Let’s get the most well known one out the way first.

To be honest, Goodreads is much more than just a website for getting book recommendations. It’s more like a social network for book-lovers. However, unlike Facebook, Twitter and all the other more general social networking sites, Goodreads allows you to build a library of books you have read, want to read and are currently reading. It will then give you recommendations based not only on what you have on your ‘shelves’ but also based on the reviews you give them. If you give a book a very positive rating, it will recommend more books like it and vice-versa. It will also organisation your recommendations based on genre. So, if you read a lot of sci-fi novels and a lot of murder/mystery novels, but never read romance novels, it will give you separate recommendations for sci-fi and mystery… but nothing for romance.  If you don’t like what it suggests, it’s easy to tell it that and it will adjust future recommendations accordingly.

It’s also easy to link your Goodreads account to Facebook, Twitter and WordPress and has a large enough community of its own that you can find plenty of other user reviews about each book.

The only downside I can find is that its recommendations can often be a bit hit or miss, so be sure to read user reviews before blindly buying the books it recommends.

What Should I Read Next?

If you can’t be annoyed with all the bells and whistles of Goodreads, you might want to give ‘What Should I Read Next?’ a go.

If all you want  to do is get recommendations based on a particular book you like, you don’t even have to register. Simply type in the title of a book you liked and boom! It’ll give you a long list of similar books you might want to try (when I searched for Brandon Sanderson’s The Final Empire, it came up with a whopping fifty recommendations – only three of which were written by the same author).

However, if you want to refine your search parameters, you can register with your e-mail address and make up a list of your favourite books. One you have done that, you can search based on some or all of the books in your list.

Another way you can refine your search is by choosing what it is about your favourite book that you are looking for in a new book. For instance, when I told it I liked The Final Empire, I then had the choice to search for books about courts and courtiers, woman revolutionaries, magic, heroes, imaginary places, etc.

Whichbook

Unlike a lot of websites I consulted on this matter, Whichbook does not simply try to find a book ‘similar’ to one you have already read and liked. Instead it asks you what kind of book what you want to read. There are two different approaches you can take to this.

The first approach involves using sliding scales to tell Whichbook exactly what kind of feel you’re looking for in a book. Do you want a long book or a short book? An easy book or a demanding book? One with lots of sex or one with no sex? Happy or sad? Safe or disturbing? There are twelve such sliders to choose from (though you can only use four at a time) by which you can specify exactly what kind of book you’re after and it will give you recommendations based on what you tell it.

Alternatively, you can ditch the sliders and ask it to search for books with a particular kind of main character (the choice of details includes race, age, sexuality and gender), a particular plot type and/or a particular setting (in which you can choose from any country in the world or ‘imaginary’). You can mix and match these details as you see fit and it will make recommendations accordingly.

Whichever approach you decide to use, each recommendation comes with a mini-synopsis to help you make a more informed choice. You can also make lists of books in a similar way to Goodreads.

The major drawback is that you cannot specify a particular genre or author you’re fond of.


I hope you find some of these suggestions useful. I’m always looking for new things to read and watch (I won’t lie to you; the main reason I wrote this post this week is because I was looking for something new to read myself) so if you can recommend any other good review or recommendation websites, do let us know in the comments section!

Until next time!

8 Super Snappy Speed Reviews

Spoiler Alert

While every effort has been made to avoid spoilers, anyone who has not read: The Count of Monte Cristo by A. Dumas, The Afrika Reich by G. Saville, The Final Act of Mr. Shakespeare by R. Winder, The House of Silk by A. Horowitz, The Gospel of Loki by J.M. Harris, I, Robot by I. Asimov, Deception by R. Dahl or Out of the Silent Planet by C.S. Lewis is hereby advised that this post may contain a few unavoidable spoilers.

Well this might be a great idea or it might not be, but I thought it might be fun to knock together a couple of two or three sentence book reviews based on a selection from my bookshelf. Who knows, if it’s a hit, I’ll maybe do it again… maybe with movies or TV shows. But for today, it’s books.

I selected the books for review entirely at random. They are not necessarily of the same genre, nor are they necessarily books I particularly liked or disliked, nor are they sorted into any particular order.

What I have written about them are my entirely own impressions and opinions, compressed, squeezed and crammed into a few short sentences. So, without further ado…

The Count of Monte Cristo by Alexandre Dumas

Justifiably a classic of the genre; a good wholesome historical adventure story and love story rolled into one. It helps to know a thing or two about the period of the Bourbon Restoration to fully appreciate everything that’s going on but don’t let it put you off if you don’t have any knowledge of that period. Oh, and make sure you read the unabridged version translated by Robin Buss. It is the best.

My rating: 5 stars

The Afrika Reich by Guy Saville

If alternative histories and non-stop heart-pounding thrill-rides are your thing, you’ll probably enjoy this. Personally, I can’t help feeling the protagonist should have died from his injuries- or at least been slowed down enough to be caught and executed by the Nazis but I suppose that’s what we have suspension of disbelief for.

 My rating: 3 stars

The Final Act of Mr. Shakespeare by Robert  Winder

Historical fiction featuring William Shakespeare as the protagonist. This novel is set shortly after the Gunpowder Plot and tells the fictional story of the last play Shakespeare (never actually) wrote: Henry VII. In some respects, the story is quite exciting; filled with personal danger for Shakespeare and his troupe. While the narrative does drag at some points, it is beautifully written in a way which brings many of the real historical characters to life and is kept afloat by its interesting premise and a goodly dash of humour. It also includes the full script for the fictional play this novel focuses on.

My rating: 4 stars

The House of Silk by Anthony Horowitz

Many have tried to capture the magic of Sherlock Holmes in books and films throughout the years. Few have done it as well as Anthony Horowitz does it in The House of Silk, balancing fidelity to the original creation of Arthur Conan Doyle with a fresh and exciting new plot for modern readers. It has everything in it you ever wanted from a Sherlock Holmes story; mystery, excitement, a dark secret to uncover and a quality of narrative which draws you right into the heart of Holmes’ London. Parental advisory: the ending is a lot darker and more disturbing than anything A.C.D. might have written.

My rating: 5 stars

The Gospel of Loki by Joanne M. Harris

This novel is an imaginative reexamination of Norse mythology, given from the unique perspective of one of its central villains: Loki, the god of mischief. This novel is full of sharp and occasionally dark humour and a very compelling antihero. Downsides? The first few chapters felt more like a list of cosmic anecdotes forming a backstory, which made it a slow read at first but it does pick up. I also found the narrative voice of Loki a little irksome, but then again, the Loki character is probably supposed to be irksome so I suppose that’s a good thing.

My rating: 3 stars

I, Robot by Isaac Asimov

What can I say about I, Robot that hasn’t already been said? Almost every robot character that has ever appeared in sci-fi since owes something to this collection of short stories which are set at different points in the lifetime of robopsychologist, Dr. Calvin (though she is not a character in every story, the stories are largely told from her perspective). Each story is generally centred around the Three Laws of Robotics (Google it) and the problems caused by human and robot interpretations of these laws. I found the pacing a bit slow occasionally, but all in all it’s a good read and an essential addition to any sci-fi buff’s bookshelf. This book sets the standard for everything modern sci-fi readers expect from a robot story.

My rating: 4.5 stars

Deception by Roald Dahl

As a child, I loved almost everything Roald Dahl ever wrote. Deception is certainly not for children but it is an excellent collection of short stories all dealing with theme of lies and deceit. Some of the stories are quite dark (for instance, ‘Lamb to the Slaughter’ deals with a woman who murders her husband with a frozen leg of lamb then feeds it to the police) while others are a little more lighthearted. I loved it. I think you will, too.

My rating: 4 stars

Out of the Silent Planet by C.S. Lewis

Lewis is probably more famous for the The Chronicles of Narnia and his assorted theological texts but this book (the first in ‘The Cosmic Trilogy’) is well worth a look anyway. Hard sci-fi fans, don’t waste your time. This is a story about a man who travels to Mars, but Lewis’ idea of space is clearly grounded in his interest in mythology rather than modern cosmology. Treat it as a fairy-tale rather than a sci-fi, though, and it’s a darn good read.

My rating: 4 stars


Phew! Well, that was different!

Until next time!