amwriting – Penstricken

50 Character Motives For Your Story

Posted on 18/08/201919/08/2019 by Ndrw

If you’ve been looking around my blog for any length of time, you’ll have noticed that I often bang on about giving characters strong motives. That’s because it is very important to do so. Motives are what get your character up in the morning and form the basis for all the specific things your character is trying to achieve. For this reason, they are essential for making your audience understand and care about your character’s goals.

Often your character’s motive will be a deep seated hunger, or longing, which your character hopes to satiate by achieving their goals. Alternatively, they may be driven by some chronic fear, past trauma or intense feelings towards another person or persons. Some motives will have obviously dark overtones, while others may appear more positive or neutral. Don’t let that restrict you though. ‘Positive’ motives can still be turned to darkness in the hands of a well written bad guy and the reverse is also true. For instance, a man motivated by love for his family might murder his teenage daughter’s boyfriend. That’s a positive motive gone bad.

I’ve listed a few possible character motives in the image below and I would encourage you to play around with different ways of interpreting and applying them. Most motives (including those not on this list) can be used in a variety of ways, giving you an almost limitless pool of material from which to create character after character, and therefore, story after story.

Have you tried experimenting with any of these motives? What gets your characters out of bed in the morning? Share your own insights and experiences in the comments below!

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ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Book Review: Mark of the Raven

Posted on 11/08/201910/08/2019 by Ndrw

SPOILER ALERT:

Anyone who has not read Mark of the Raven by Morgan L. Busse is hereby advised that this post may contain a few unavoidable spoilers.

I love a good old fashioned high fantasy set in faintly medieval inspired magical worlds and Christian fantasy Mark of the Raven by Morgan L. Busse promised to be exactly that. The protagonist, Lady Selene of House Ravenwood, has the ability to enter and even manipulate the dreams of other people and stands to become the head of her royal house. As she learns, under the cold instruction of her mother, to use her gift to spy upon and even assassinate the enemies of her house she becomes torn between the dark destiny set before her and the dream of a more peaceful way of life.

In general, an enjoyable book. I liked it. It didn’t knock my socks off but it was okay.

Most of the drama in this story focuses on Selene’s own internal conflict. Oh, yes, there’s an apparent threat to the Great Houses from the encroaching Dominia Empire but this never really matures into any direct conflict for any of the main characters. Instead, the main characters are simply squabbling about how best to deal with the threat of invasion, or indeed, if such a threat even exists. That side of things, however, is fairly by-the-by, for which I was immensely grateful as it could have become incredibly boring otherwise. Selene’s internal conflict about her own destiny and whether or not she can (or even should) carry out her mother’s instructions for the sake their house and their people is far more interesting, and the author very wisely focuses on this throughout and it is this particular arc which is concluded by the end of the novel. As part of a series, the conflict with the Dominia Empire and the break-down of relations between the great houses is left very much open and will, I trust, be fulfilled in the following instalments.

The world-building was strong, if not particularly mould breaking. It was easy to imagine the sights, sounds and smells of Rook Castle and the Magyr Mountains and the history of the world is also well developed and feeds directly into the story in a way which seems natural and believable. I did feel like the religions practised by the main players (in particular the followers of the Light and of the Dark Lady) were a little underdeveloped, which seemed like an especially odd thing to leave so half cooked in a Christian fantasy. On the plus side, this prevented the story from feeling obviously preachy. Indeed, I have a sneaking suspicion that the true allegory lies in the inter-house politics and the Dominia threat, where I suspect the different houses possibly represent church denominations and the Dominia represent all the forces of hell or something along those lines. If that is the case, however, it is not delivered in a way which ruins the story or makes the reader feel preached at. The author clearly knows how to incorporate theme effectively.

My only major criticism of this novel is that it was a little predictable, especially the outcome of the relationship between Selene and Damien. Pretty much from the first moment we saw the noble and true Damien, servant of the Light and all round good guy (who certainly wouldn’t ever dream of marrying a lady of Ravenwood!), I knew he was going to end up marrying Selene. I was not remotely surprised by this and I frankly got a little fed up waiting for it to happen, especially given Selene’s obvious attraction to his soul and Damien’s fascination (though certainly not love or desire, no sir-ee!) with her. I will say this however: exactly how the two characters got from ‘stranger’ to ‘husband and wife’ stage wasn’t quite how I expected it to happen and it was, therefore, still worth reading.

Speaking of characters, the main players in this story (specifically: Selene, Damien, Selene’s Mother and, to a lesser extent, her father) are fairly well developed, if a little unremarkable. They are all distinctive enough and driven by clear motives to accomplish specific goals. There are loads of other characters (twenty four if the ‘character list’ at the start of the book is to be believed), each distinctive enough in their own ways, however some of them feel a little superfluous, as if they are only there to make up the numbers at the summit.

All in all, an easy enough read with jut enough excitement and intrigue to keep me going, but a little predictable at points and slow to begin with. If you like Christian fantasy, you’ll probably enjoy it in a ‘no fuss’ sort of way. Even if you’re not particularly interested in religious fiction, you’ll probably still enjoy this book well enough without feeling like its intruding on your beliefs. A nice, safe bit of easy reading fantasy.

My rating: 🌟🌟🌟

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ATTENTION AUTHORS:

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TV Review: After Hours

Posted on 28/07/201927/07/2019 by Ndrw

SPOILER ALERT

Anyone who has not seen the British sitcom After Hours (2015) is hereby advised that this post may contain a few unavoidable spoilers.

My wife and I’s Now TV subscription will be coming to an end in a few days and, in an effort to save a bit of money, we shan’t be renewing it. Consequently, we’ve taken to cramming in a lot of short TV shows from Now TV to get our money’s worth. Thus, you’re going to be getting quite few reviews of TV shows over the next couple of weeks starting with the little known* British sitcom, AFTER HOURS

Well then, what can I say about After Hours? In many respects, this six episode British sitcom defies a lot of the requirements for good telly and yet I really enjoyed it.

Willow (Jamse Tarpey) hasn’t long finished school and plans on going travelling with his girlfriend Jasmine (Georgina Campbell). However, when the first episode has barely started she meets up with him in a cafe just long enough to dump him. Lauren (Jaime Winstone), who is working at the cafe, tries to comfort the dismayed Willow, and as they are talking it is revealed that she is one of the hosts of Willow’s favourite internet radio program, After Hours. She is delighted to learn that someone actually listens to and enjoys the show, and so she and her co-host Ollie (Rob Kendrick) invite him to work with them on the show, broadcasting from Lauren’s longboat on the canal.

This show contains only the absolute minimal required suspense, drama or conflict. In fact, it probably contains less than is required to make a genuinely good TV show, even for a sitcom and yet… it has a real je ne sais quoi about it, that makes it very pleasant to watch, like cuddling up on the sofa in a thick duvet. Most of the characters are friends with each other. Even Willow and Jasmine’s new boyfriend are reasonably civil. Whenever one character suffers, the other characters rally around and support and help each other. Willow’s parents want him to get a real job instead of working for free on After Hours. But they see it’s important to him, so they let him do it anyway. Willow’s father (Ardal O’Hanlon) wants the family to boycott the local supermarket. Money worries drive both he and his wife to secretly get jobs there, however this never climaxes in a shocking discovery or any sort of marital strife. The most ‘dramatic’ part comes in the final episode where Lauren and her ex-boyfriend/bandmate reunite to do a one-off gig. They sleep together, fall out and cancel the gig at the last minute. But no problem! The gig goes ahead anyway with a little help from Lauren’s friends. It’s a huge success and everyone’s happy again.

I mentioned that it’s a sitcom. Perhaps you think what it lacks in drama, it makes up for in eye-watering laughter. But I’d have to say no to this as well. It had funny bits, don’t get me wrong, but it was hardly a rip-roaring, side-splitting odyssey of mirth. It was the kind of funny that makes you smile rather than laugh. It was a really, really nice program that gave me a warm and fuzzy feeling.

I realise I’m making this sound frightfully dull but it wasn’t. Believe me, my wife and I enjoyed every last minute of it and were sad when it was over (though I suspect if it had gone on for too long it could have become boring; I think it was just the right length). If life’s getting you down or if you’re just sick to the back teeth of intensely depressing TV and you’re looking for a bit of comforting escapism, I can highly recommend this show.

My rating: 🌟🌟🌟🌟

Footnotes:

*Seriously, I had to really hunt for this on IMDB when I was doing my research for this post.

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what rocks your boat.

ATTENTION AUTHORS:

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Stories from the #WritingCommunity

Posted on 21/07/201920/07/2019 by Ndrw

If you’re a writer and you’re on Twitter, you’ve probably come across the #writingcommunity. And what a great bunch of folk they are! There’s a whole host of writers out there giving each other support, advice and encouragement in what can often be a very solitary vocation.

And so I thought it was time to throw my own tuppence in to help my fellow writers of the #writingcommunity, by asking them to tell me about their book so that I could share it in this post. I was hoping to get more replies than I did, but not wanting to disappoint those who did reply with their synopses, I decided just to go ahead and post what I had anyway and if I get more interest further down the line, I’ll do a second post.

So, what follows, in no particular order, are a couple of synopses of books by my fellow writers and links to where you can buy them. I’ve not read them all myself, but that doesn’t matter. This isn’t Super Snappy Speed Reviews, this is just my humble effort to support my fellow writers by publicising their work. Why not have a wee look and see if anything takes your fancy? Your new favourite book might be one click away.

Werewolf Nights by Mari Hamill

Unlucky in love and financially struggling, a widowed baker agrees to star in a werewolf movie to save her town from ruin. As fame appears to bring love and money on a silver platter, a legendary werewolf threatens to destroy her newly found blessings.

Click here to buy.

The Gift-Knight’s Quest by Dylan Madeley

An embattled princess trying to hold everything together. A paranoid soldier clouded from seeing who the true villains are. A shadow foe who has plans for the two and their world.

Click here to buy.

And that’s a wrap I’m afraid! Hopefully next time I do a post like this I’ll get a bit more interest and I’ll be able to include more than two books. If you want to be included in the next one just drop me a line with a short synopsis of your book and a link to where we can buy it and I’ll include it, no questions asked (as long as it’s fiction!).

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what grates your cheese.

ATTENTION AUTHORS:

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Writing a Novel? Make Sure You’ve Got a Story Bible

Posted on 14/07/201906/07/2019 by Ndrw

There’s nothing worse than reading a book or watching your favourite TV show and finding glaring inconsistencies in the story. You know the sort of thing I mean: a character’s middle initial changes inexplicably halfway through the story or the village post office moves from the foot of the hill to the middle of the road opposite the pharmacist.

And that’s before you start to introduce speculative/fantasy elements such as magic, goblins, time travel or parallel universes. Sometimes these can be so complicated, and so subject to manifold changes in the planning stage of your novel, that it can be almost impossible to simply keep it all in your head. That’s why you need a story bible.

‘What the heck’s a story bible?’ I hear you cry.

A story bible is basically a handbook for your fictional world, containing all the facts and details pertinent to your story.

Well, they come in various shapes and sizes depending on the story and the needs of the author, but a story bible is basically a handbook for your fictional world, containing all the facts and details pertinent to your story: synopses, character biographies, settings, organisations, histories and everything else besides, right down to the tiniest detail. The precise contents of your story bible will vary, depending on what your story is about, but I think it’s fair to say that all story bibles will contain most of these things, as well as magic systems, fictional technologies and other elements which are more peculiar to your story This means you will always have something to refer back to when it comes to writing and editing your story and weeding out all the little inconsistencies which could spoil your work.

A story bible is not a place for roughing things out. Don’t keep all your rejected ideas, general scribbles or ideas you may or may not use in here. Remember, the story bible is there for you to refer back to as you write and when you come to edit to ensure consistency in your story, so it should only contain facts about your world which are firmly decided.

How you format your story bible is, of course, up to you. Plenty of authors use physical ring-binders with separators though my handwriting is so appalling that I prefer to make my story bible on Scrivener. Also, being something of a plantser [2], it also means that I can make adjustments to my story bible as I go, without having to scribble things out or tear out whole sheets of paper.

I work with a basic story bible template which I’ve created for Scrivener (maybe I’ll share it soon?) consisting of a few elements I’m always likely to need. Being primarily a fantasy/sci-fi writer, my story bible template includes folders for magic, races, history and religions, as well as the more common elements such as character bios. I also have a few pre-made templates for creating character bios, settings and so forth, which makes adding new characters or settings a piece of cake.

The most important thing (apart from including all the relevant information, of course) is that you are able to easily access the information you want. The whole point of a story bible is to avoid the need to go hunting through piles of notebooks and assorted files on your computer to try and find that one key detail about a character’s height or the precise incantation to perform a particular spell. Ask yourself, how can I most easily organise this mass of information? How will I make it easy for myself to find what I want quickly, while I’m midway through a flow of writing or up to my armpits in red ink?

One of the reasons I like Scrivener is because everything is organised into a virtual binder. I can categorise and sub-categorise to my heart’s content and I can also search my files for key words. Recently, however, I’ve been experimenting with various database apps for creating a story bible too and the results so far have been promising (I’ll maybe post about that soon).

So if you’re thinking about starting a story bible for your own story (and I strongly recommend that you do), remember: make sure the information in your story bible is detailed; keep it relevant and keep it organised.

Do you keep a story bible? How do you organise yours? Do you prefer paper binders or do you work with an app on your phone, tablet or computer? Why not share your tips for keeping a story bible in the comments below?

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what bibles your story.

ATTENTION AUTHORS:

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8 Great Fiction and Writing Blogs

Posted on 07/07/201906/07/2019 by Ndrw

It’s that time again, when I take a few steps back from the fore to put the spotlight on some of my favourite posts from other fiction and writing blogs around the web.

There’s no particular unifying theme to any of these posts, save that they’re all fiction or fiction-related posts I recently enjoyed and, I trust, you’ll enjoy them too.

As ever, this is simply a selection of my favourite posts, not an exhaustive list; and as ever, this list is in no particular order. So without further ado:

‘Writing Tip: STOP Writing’ by KaylaAnn

‘Top Ten Tuesday | Unpopular Bookish Opinions’ by Fictionnochaser

‘Billionaire Fiction’ by Beetleypete

‘Flash Fiction: Escape’ by Jane Dougherty

‘Bones #Short Prose #Flash Fiction’ by Short-prose-fiction

‘5 Overused Words in Fiction’ by Kelsie Engen

‘Walter the Wonder Dog’ by Angela Largent

’20 Books I loved as a Kid/Teen #TopTenTuesday 📚’ by Amanda Hartwick

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what pickles your onions.

ATTENTION AUTHORS:

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App Review: Tomato Typewriter

Posted on 30/06/201922/06/2019 by Ndrw

They say there’s nothing like a deadline to increase productivity; a notion I, personally, have always found to be true. So, if you’re the sort of writer who enjoys writing on your Android tablet or smartphone but need the threat of a deadline to get you going, Tomato Typewriter by Zest Works might just be the app for you. This elegant little app encourages non-stop writing by punishing you whenever you stop writing, either by deleting your words (gradually or all at once) or playing an annoying sound.

Setting up the session
Threat warning! Write faster!
End of session
My completed document

You begin each session by customising the session’s rules: specifically, whether or not you want a timed session, your session targets and what kind of threat you want for stopping. Then, as soon you hit that ‘start’ button, you just write like fury until your time elapses or you reach your target word count, depending on whether or not you opted for a timed session. If you pause while writing, a clock will appear on the screen to warn you that you’re about to be punished. If you don’t continue writing immediately, you will indeed be punished. When you successfully complete a session, you will be given the option to carry on writing with or without threat of punishment. Your work is then saved to the app for you to share, copy to clipboard or delete as you see fit (you won’t be able to edit a session once you have closed it, however).

So, let’s have a closer look.

The first thing I would say is that this app is very easy on the eye and highly intuitive to use (this alone makes it stand head and shoulders above more famous tools of this type, like Write or Die). Even a dafty like me can download it and immediately start using it to its fullest potential without wasting any time trying to figure out where everything is or how to use it. There are also no ugly adverts popping up all over the place.

Like most writing apps these days, it boasts a choice of ‘light’ or ‘dark’ themes and the font size and style are also adjustable to suit your preferences. You can also choose to enable or disable a visible word count, time remaining and threat warnings. All very useful, though I would point out that the visible time remaining/word count actually appears as a very thin gauge at the bottom of your screen, just above the keyboard. It doesn’t give you a specific count with numbers you can clearly understand. In fact, it’s so subtle that when I first tried it out, I thought the feature wasn’t working at all; but it is working. It’s just very discreet.

One more big selling point for this app is that it’s free. Truly, honestly, free. Not ‘free but with locked features you need to pay for’ or ‘free as long as you watch twenty minutes of adverts’. It’s completely and utterly free!

I have only one real criticism of this app(and it’s certainly not a major deal breaker): there is no obvious way to directly export your work into a standard text format which you can use on other apps. All you can do is ‘share’ your work on another app and save it from there. Apart from being a clumsy approach to exporting your work, I also found that many of the apps I use for creating text files weren’t actually compatible with the Tomato Typewriter. I got an error whenever I tried to share my work to JotterPad, Polaris, and even Google Docs. It did, however, work like a charm with Writer Plus.

Error sharing to JotterPad
Error sharing to Polaris
I got… this when I shared to Google Docs.
Sharing to Writer Plus worked beautifully.

All in all, this is a beautiful little app. It does what it says on the tin with no fuss and just enough bells and whistles to make it do everything you might want it to. If you’re looking for a timed writing app which punishes you for not writing and doesn’t break the bank then look no further. This is the one.

My rating: 🌟🌟🌟🌟

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what times your tomatoes.

ATTENTION AUTHORS:

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What’s On Your Writer’s Utility Belt?

Posted on 02/06/201901/06/2019 by Ndrw

You might have seen that Batman has been trending on Twitter lately. Naturally when I saw it, I thought the time was ripe to do Super Snappy Speed Reviews: Batman Edition... Until I remembered I still haven’t seen Batman v. Superman and so, couldn’t possibly offer a complete review of all the Batman flicks. Not content to let the Batman theme pass me by, however, I decided instead to write about my Writer’s Utility Belt.

‘Your writer’s… what?’ I hear you cry, somewhat bemused.

You know! My writer’s utility belt! Just like Batman has a utility belt which is loaded with all deus ex machina gadgets he needs to help him save the day, so we writers all have our (figurative) utility belts loaded with all the tools (mostly apps, these days) we rely on to help us whenever we sit down to write.

… Don’t we? 😶

… No?

Well… just humour me for a couple of minutes while I tell you what I keep on mine anyway:

Physical Notebooks and a Bic Four-Colour Ballpoint Pen

It all starts with paper and pen for me. Specifically a generously sized notebook with plenty of space for scribbles, doodles and general nonsense and a Bic Four-Colour Ballpoint Pen for effective brainstorming.

I usually move onto the computer pretty quickly once I get past the initial stages of coming up with and refining ideas but in the early days of a new story, physical honest-to-goodness paper and pen are a must for me.

Jotterpad

I’ve got to be honest here: despite the fact I’ve written manifold positive reviews about various mobile writing apps, I don’t actually use them very much for writing. Don’t ask me why, but I just find them really awkward to write with, no matter how good they might be.

That being said, if you’re sitting on the bus, on your way into work with no hope of getting home to your precious notebooks, you might want a quick and easy way to write down ideas (or whole chapters) that suddenly pop into your head. For me, Jotterpad for Android does the job nicely.

Scapple

For me, one of the toughest parts of writing a story is bringing order to the chaos of my original ideas. Even once I’ve got my basic plot and characters figured out, there were still be a lot of plot holes and other loose ends to tie up before I can create a functioning chapter outline.

When I’m deep in the throes of figuring all this out, I can easily lose track of where I am. There is often too much material to sift through for me to simply write it out in a linear fashion. That’s when Scapple by Literature and Latte, the virtual corkboard comes into its own. You can spread out all your thoughts in whatever order you like, linking them together (or not) as you see fit. Ideal for mind-mapping and general idea sifting, it’s helped me out of more than one bout of writers’ block and plays a key role in all my writing projects.

Typewriter

I’ve spoken before about free writing; a pre-writing technique in which the writer takes a few minutes to write anything and everything that comes to mind without pausing to edit. It’s a technique I swear by to get me started in the morning, and yet it’s also a technique I found almost impossible to master given my tendency to edit as I go…

Until I discovered Typewriter – Minimal Text Editor. This simple ASCII text editor has no editing functionality whatsoever. No deleting, no copying, no pasting, nothing. All you can do is add text and once you’ve added it, you’re stuck with it. It can probably serve quite a few functions, but for me, it’s my go-to app for free writing.

Scrivener

Well of course, it had to be here. Scrivener is the app that I, along with many of my writer colleagues, use to create my story bibles and to write my actual manuscript. I also use it to keep my daily writer’s journal.

It’s powerful. It’s popular. It’s surprisingly affordable. I can’t remember the last time I ever considered writing a manuscript with any other app and I doubt I ever will.

What about you? What’s on your writer’s utility belt? Are there any particular apps or tools you rely on to help you write? Share it with us in the comments below!

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what reaches your utility belt.

ATTENTION AUTHORS:

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

Review: The Orville (season 1)

Posted on 26/05/201925/05/2019 by Ndrw

As a lifelong Trekkie (who has been profoundly disappointed by Star Trek: Discovery) I’ve been really curious to see what The Orville was all about. I’ve heard a lot of folk talking very positively about this show, even claiming it fills a Star Trek void in a way the most recent Star Treks fail to do.

High praise indeed. My curiosity was piqued. And so, late for the party as usual, I watched the trailer for season one before deciding to buy the DVD.

I won’t lie to you. I bought it with a certain trepidation. The trailer made it look a bit too spoofy for my liking. Don’t get me wrong, I enjoy a good spoof, but it’s been twenty years and I’m still in remission from Galaxy Quest. Had it not been for the great reviews I found online, I probably wouldn’t have taken this gamble.

Lucky for me, I did. Season one was brilliant. Yes, it is a comedy spoof in some ways, with subtle-as-a-phaser-on-kill references to all your favourite Star Trek tropes, but it also retains something of the drama and depths that made Star Trek great.

So, that’s enough about how it compares with Star Trek. Let’s get down to brass tacks.

This series begins with Captain Mercer being grudgingly offered the captaincy of a starship after a year of wallowing in a pit of despair after he caught his wife, Cmdr. Kelly Grayson, in bed with a blue alien. He’s thrilled to be in the captain’s seat again– until he discovers his ex-wife is his first officer. The ensuing story arc concerning their working relationship is predictable but enjoyable nonetheless. The other characters are also reasonably well developed, largely playing on your favourite Star Trek tropes (an artificial lifeform who doesn’t understand humour, a burly alien with a grim countenance and so on and so forth) but distinctive enough in their own right.

The first episode or two seemed a little heavier on the immature spoof humour than the rest. Off-beat gags about how frequently aliens need to urinate, whether or not the navigator was allowed to bring drinks onto the bridge and how badly framed the Krill commander appeared on the view screen while he threatened to destroy the Orville jarred slightly, however as the show wore on it began to develop a much more even balance of humour, drama and suspense, seasoning each story with humour rather than depending on it to carry the narrative.

Critics have largely slammed this show’s mixture of drama and comedy, perhaps because it doesn’t quite fit the pattern for your typical spoof or a sci-fi drama, but instead mashes them together in a way which is, perhaps, a little unusual. But this show isn’t your typical spoof. It’s a homage to Star Trek by someone who clearly loves the show and wants to do it justice; as such there are episodes which tickle you, others which have you on the edge of your seat and others make you stop and think. I don’t think it’s a flaw. In fact, I liked that about this show. It made it stand out among other tedious spoofs and depressingly grim actual Star Trek shows like Discovery. “Majority Rule” for instance (easily my favourite episode of the season) brings together a well measured dose of humour and a plot the audience could really care about. There was something at stake. Lt. LaMarr was in real danger and we cared about his plight while also bemoaning his hilariously cringe-inducing attempts to save himself. I think this episode even has something to say about real life and the negative impact of social media on the modern world. It’s everything a meaty but light-hearted TV comedy drama should be.

Source: https://media.giphy.com/media/l1J3KYz77HU9H8Xdu/giphy.gif

I will say this against the first season: some of the stories have slightly disappointing endings. I don’t want to get too detailed and spoil it for anyone who hasn’t seen it so I’ll just give one example of what I’m talking about. Be warned, there is a big stinking spoiler coming up in this next paragraph. Ready? Here it comes:

In the episode “If the Stars Should Appear”, the Orville crew discover a massive ship with an artificial biosphere inside: grass, trees, cities and farms. The people living there have never seen a night sky because the ship’s roof constantly displays a day sky. They do not realise they are on a ship and, apart from a small and fiercely persecuted group of heretics called Reformers, they all revere a deity called Dorahl. Social tension is at boiling point between the Reformers and the established theocracy. Then in the final moments of the episode, the Orville crew find a way to open the ship’s ‘sunroof’, thus allowing the inhabitants to see a night sky and proving the Reformers right. Good night. The end. Mission accomplished. All social tensions resolved, truth wins over ignorance and…

Yeah. This is a dissatisfying ending, no denying it. It was too easy. You can’t just flick a switch and resolve centuries of false belief, social tension and theocratic dictatorship. Remember, these guys have never even seen stars. What do you think would happen in real life if the sky was suddenly replaced with something bizarre, like brickwork or something. Rioting, surely. Certainly not a quick fix to the main conflict that’s blighting society. Not only was it hard to believe, but it’s also one step away from deus ex machina, which is unforgivable even in a comedy. And there are a few episodes which end like that.

I do have one more complaint about this series. Sometimes, especially on the more serious episodes, key issues will be left hanging and are never referred to again. For instance, it is strongly implied at the beginning of one episode that Bortus and Klyden are having marital difficulties, as Bortus leaves for work in a huff while Klyden whines that he feels neglected. Given that in a previous episode they had recently been to court over whether or not their newborn should be given gender reassignment surgery (being female is considered a birth defect on their world), I naturally imagined that this was going to be an on-going part of the story arc but… it wasn’t. It was never referred to again and that was pretty much it.

All in all, a very enjoyable show. There’s probably a lot of good reasons why the critics can find fault with it at a technical level but if you just take it for what it is — a bit of Star Trek inspired fun — it’s a thoroughly enjoyable show. I loved every minute of it and I will certainly be purchasing season 2.

My rating: 🌟🌟🌟🌟

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what opens your pickles.

ATTENTION AUTHORS:

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

5 Elements of a Great Story

Posted on 19/05/201918/05/2019 by Ndrw

Writing is like baking a cake. You need just the right ingredients in just the right measure, or else you’ll just end up with an unappetising mess. In the same way that a tasty cake should be soft but firm, sweet but not overly so, moist but not wet and ~~covered in lots of chocolate~~ tastefully decorated, so too, a good story will stimulate the audience emotionally and intellectually; it will thrill them as well as make them think; frighten them as well as make them laugh and it will take them on a journey which is both meaningful and enjoyable.

To accomplish this, there’s a few key ingredients you just can’t do without:

Characters

Stories don’t just have characters. Characters are the story. Therefore, well developed characters, each with their own motives and goals which the audience sympathise with and care about, are essential for a good story. A few key players you might want to include in your story are:

A protagonist [2]. This is your main character, that key individual whom the story is actually about and with whom the audience should sympathise the most deeply (this one is mandatory. You don’t have a story without a protagonist).
An antagonist [2]. This is your protagonist’s main opponent throughout the story. He’s not necessarily evil, or even plotting evil (though he can be). He might simply be a rival competitor in the World Tiddlywinks Championships that your protagonist needs to defeat to become the World Tiddlywink Champion. Just as long as there is a direct conflict between your antagonist and your protagonist; one which the audience cares about.
A love interest is another common feature in much fiction. Usually there is a bit of sexual tension between your love interest and your protagonist from the outset (alternatively, unrequited attraction is a common motif). The love interest may also have some chemistry with your antagonist, thus creating the ever popular love triangle (a common motif in romance fiction). But if you are creating a love interest, just remember: no character should exist solely for the benefit another. Make sure your love interest has goals and motives of their own and a purpose for existing beyond making the protagonist swoon.

Conflict

So you’ve got a strong protagonist with firmly established goals and motives. Good for you.

Now… what’s stopping him achieving his goals? Your story will largely pivot on this question. Your character wants to do something, realises he can’t for some reason (this is your conflict!), struggles to overcome whatever it is that’s hindering him and finally succeeds.

It may be an antagonist whose goals bring them into direct conflict with the protagonist (for instance, a murderer might deliberately hide evidence from a detective, thus making it difficult for your protagonist to solve the mystery) but it could also be an inner struggle with illness, crippling self-doubt or the natural forces of nature. Whatever it is, there must be something standing between your protagonist and his ultimate goal. That’s your conflict.

Plot

This is arguably the most frustrating part of writing a story (but also one of the most important). Your plot is your basic sequence of events which form the skeleton of your story. There are lots of different approaches to plot structuring which you can Google at your leisure and decide which approach works best for you and your story.

Nevertheless, all good plots have this in common: that they progress in a logical manner from beginning to end. Something happens early on in the story to disrupt the ordinary life of your character, forcing him to do something to achieve his goal(s). This action leads to another event, leading to another action, leading to another event, progressing in a rational, cause-and-effect manner which finally concludes in a final climactic crisis event which resolves the main conflict and allows life to return to normal (though it may not be the same ‘normal’ as at the beginning of the story. e.g.: Aladdin’s ‘normal’ life started out as a single poor boy; his new ‘normal’ at the end is being married to a princess as a logical conclusion of the events that went before).

Pacing

As the author, your job is to blend fast bits and slow bits to create just the right feel for your story. This will be largely dependant on your genre, but even the most fast paced stories will still need slow bits to give the audience a chance to fully assimilate what is going on and to build a sense of anticipation. Equally, fast paced scenes (such as a good fight) are important to give the audience a bit of excitement and to relieve some of that tension you’ve been building up in the slow bits.

Some scenes can be fast paced or slow paced, depending on the effect you’re trying to create and the purpose they serve in your story. Love scenes are a good example. Fast paced narrative would make a slow and sensual love scene seem rushed (‘Jim and Jane made slow passionate love’ doesn’t quite capture the feel you’re trying to create); equally if you’re writing a moment of wild abandon between two lovers, you don’t want to bog the pacing down with talk and introspection. Use language in such a way to make the audience feel the urgency (or lack thereof) of what is happening.

Theme

I’ve spoken at some length about theme before but at the risk of repeating myself let me just say this: that an awareness of your story’s key themes will allow you to create a story with a bit of substance. All stories contain themes. They’re a natural byproduct of fiction, but they grow wild like weeds, accomplishing nothing. As an author, you have the power to cultivate your themes, to structure them and to make a really clear statement about real life through your work of fiction.

Do so, and your work will echo in the minds and the hearts of audience, challenging them, troubling them, encouraging them and stirring up their feelings long after they’ve finished reading it.

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what bakes your cake.

ATTENTION AUTHORS:

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]