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6 Useful Posts on Fiction and Writing

Here we have it: another exciting instalment of Useful Posts on Fiction and Writing, where I share some of the most useful, insightful or just downright enjoyable posts on fiction writing that I’ve found on WordPress in the last week.

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Writing Non-Human Characters #2: Aliens

Last week, I had planned to write a single post talking about how to write non-human characters, such as animals, aliens, mythical creatures and so forth. Unfortunately, it turned into such a long post that I decided to chop it up into a series of posts instead. This week’s post is the second instalment on writing non-human characters and today I’m going to focus on how to write aliens from other other worlds. If it’s animal characters you’re interested in, that was covered in last week’s post, which you can see by clicking here. If, on the other hand, it’s robots or mythical creatures you’re after… well, you’ll just have to wait.

Before we begin, let’s take a moment to remind ourselves of the golden rule for writing non-human characters…

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What Do Your Characters Think of Each Other?

As we all know, characters are the beating heart of any good story. However, no character is an island. How they respond to other characters is often essential in making your plot work (indeed, this arguably is your plot), so don’t be fooled into thinking it’s obvious how your characters will respond to one another. Just because you would respond in a particular way to Character A doesn’t mean that Character B will respond to Character A in the same way you would. Even though you, as the author, know all the facts about all of your characters, you’ll still have your own narrow opinion about what sort of person they are just the same as anyone else. That is why it is vital to know what every character thinks about every other character if you want to create a rich, vibrant and believable story.

Fortunately, it’s easy to do this.

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3 Types of Distinctive Characters

Characters who are not just believable people (though that is vitally important), but who are intriguing, unusual, captivating and – most importantly – unique. Their distinctive qualities makes them memorable, interesting and appealing (even if they are the most sinister villains) and they don’t slot too neatly into cliched archetypes – damsels in distress, moustache twirling villains, reluctant heroes or any other such thing.

It is, therefore, naturally quite difficult to capture the formula for creating such a character. After all, any examples I can highlight (and I’ve highlighted a couple of my favourites) would only serve to be examples of unique characters who have already been written. You, dear writer, need to think of something new! But I have tried, as best I can, to sort them into three more general categories of the kind of thing you can use to add that distinctive sparkle to your character.

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Your Character’s “Thing”

The TARDIS is, after all, the Doctor’s ‘Thing’. It’s what makes him stand out as a truly unique character. Many characters in fiction have travelled through time and space; many are aliens; many speak in BBC English but no one else has a space/time capsule disguised as a British police box. If anyone did, we would all cry ‘Plagiarism! A space/time travelling police box is the Doctor’s Thing!’

Almost all of the most memorable characters in fiction have a Thing. It might be a physical object they carry, something they wear or perhaps even something they simply say. When one thinks of James Bond, we imagine a man who carries a Beretta 418 (though in reality, he did occasionally use other weapons) and drinks vodka martinis, shaken not stirred. Batman dresses like bat, drives a Batmobile and operates from a Batcave; no prizes for guessing what his thing is. Even characters from history are often assigned Things that make them recognisable when they are portrayed on stage or on film today. For example, one of the first plays I recall ever seeing included a portrayal of Henry XIII, who spent most of the play munching a turkey leg.

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8 Useful Posts on Fiction Writing

Sometimes, I just can’t say it better than my fellow bloggers, and since it’s been a while since I’ve compiled a ‘list of things I like’ kind of post (in fact, I don’t think I’ve done it since the very first post I ever wrote for Penstricken; sigh) I decided that it was about time I did another one. And what better thing to list than some of the best story-writing related posts from other blog sites that I have found particularly useful or insightful in recent weeks.

In reality, there’s dozens of writing and fiction related blogs I like to read on a regular basis and there have been numerous posts I’ve read lately that I could include in this list. I could not even begin to list them all. This is just a selection of some that I have recently come across (not necessarily ones that were written recently) which proved invaluable to me.

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A Few Thoughts on Star Trek Beyond

My main problem with Beyond was the pacing of the plot. It was fast and exciting almost from the outset, but as any good writer will tell you, speed and excitement cannot make a good story alone. Slower scenes, rich in dialogue and other details are important to allow for a build-up in suspense and to keep the audience abreast of what is actually going on. In particular, these slow scenes are essential for adding substance and meaning to a story.

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A Personal Tale of Directing The Reader’s Support

So I decided that my nation had lost a war and was forced to make hefty reparations to their enemies (among other things), resulting in the new government (instituted by the winners in the war) enforcing outrageous tax hikes on the working classes while the wealthy aristocracy continued to live in comfort. The people now had a reason to be angry and rebellion had begun. Unfortunately, I suddenly found myself sympathising with my own bad guys. Vive la revolution was all I could think; and if I was rooting for the bad guys, I was quite sure any future readers I might have would be too…. Somehow, I had to sway the reader’s support to the favour of the protagonist.

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The (Im)Perfect Protagonist

Since we talked about creating the perfect bad guy last week, I thought it seemed only meet that we should have a think about the character who (some might say) is the most important in any story: the protagonist.

Traditionally, the protagonist is the ‘hero’ and the ‘good guy’. Indiana Jones, Miss Marple, Romeo, Luke Skywalker, Sherlock Holmes, Matilda, Harry Potter, Jane Eyre, Frodo Baggins, The Doctor and James Bond are just some examples of famous protagonists who defeat the bad guy, save the day, get the girl (or boy!) and generally overcome whatever obstacles the author feels like putting between them and their ultimate goal.

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The Perfect Antagonist

For me, the antagonist – what we might loosely call ‘the bad guy’ – can make or break an otherwise good story. He is the living and breathing incarnation of the obstacle your protagonist (or ‘hero’, if you insist) needs to overcome. It’s also a good opportunity for the author to create a character who ticks differently […]

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