Throwback Thursday: The Well of Ascension: A Review

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read The Final Empire or The Well of Ascension by Brandon Sanderson is hereby advised that this post may contain a few unavoidable spoilers.

Some of you might have fallen into the trap of thinking I only ever do really short reviews because I do them so darn often [2] [3] [4] [5] [6] [7]. But I vowed at the start of this year that Penstricken was going to feature more reviews and that’s just what I intend to do. So, here we have it: my full scale review of The Well of Ascension by Brandon Sanderson; the second book in the high fantasy Mistborn series. As ever, this review reflects only my own personal opinions and impressions.

Before I begin, I just want to say one thing about the series as a whole. It features two of the most complex but beautifully constructed systems of magic I have ever come across: Allomancy and Feruchemy. I love these magic systems. I don’t have nearly enough time to explain in any detail how these work so for those of you who haven’t read the books, here’s a link to the Mistborn wiki’s articles on Allomancy and Feruchemy.

Now, down to business.

In the previous book (The Final Empire), the street urchin Vin discovered herself to be a powerful Allomancer and joined a crew of thieves who led a successful rebellion against the “god-like” Lord Ruler of the gloomy Final Empire. Now that the Lord Ruler is dead, the Empire is fractured. Various lords come against the capital city (Luthadel) amid rumours that it contains a wealth of atium: one of the most valuable Allomantic metals there is. Vin, her crew and her boyfriend-turned-king quickly find themselves living in a city under siege by forces they cannot possibly overcome.

Did I like this book? Yeah, I did. Sanderson set himself an incredibly high standard in the first book, The Final Empire and while I don’t think The Well of Ascension quite lives up to that standard, it’s still a pretty strong sequel.

As well as an excellent magic system, this book also boasts a strong cast of characters. I often find the characters in some high fantasies to be a bit samey and it can be difficult to remember who’s who. Not so in The Well of Ascension. It’s easy to see each character clearly in my minds eye as I’m reading; their backstories are well researched and they all have recognisable motives and goals. If I’m being critical, I would say that some characters — particularly Vin — have perhaps changed a little too dramatically since the last story but not in a way which seriously ruins things. While I agree it’s important for characters to grow and change, I do think she has taken a little too naturally to being the king’s consort, while in the previous novel she was a cowering street urchin, still haunted by the memory of her abusive brother. She does have inner demons in this instalment, but they seem more largely focused on her destiny and whether or not she deserves Elend’s affections. On the other hand, I did enjoy how Elend himself developed from a scholarly and naive king to someone who, though technically deposed, nevertheless takes charge of himself and shows himself to be a true king in every way that matters. Through adversity he learns and becomes a better man, which is what you want in any good guy’s character arc.

The dialogue is not bad, though could do with a polish. The individual character’s voices are not terribly distinctive, making it sometimes difficult to remember who is speaking (with the possible exception of Tindwyl and, to a lesser extent, Clubs). In a similar way the narrative itself is decidedly alright. Sanderson’s use of language is accessible without being infantile, allowing the reader to easily step into the misty grey Empire with its red sun and constant ash-fall. However, the pacing did sometimes drag a little bit. My main beef in this regard was with the fight scenes. There’s a lot of them, they’re often very long and tend to focus a little too heavily on the details of who’s burning what metal and what they’re pushing or pulling against. More than anything, these are the scenes which caused me to switch off because — irony of ironies — they often caused the narrative to drag more than the intentionally ‘slow’ scenes.

The plot itself excellent, with several complicated and important social, political and religious themes weaved throughout in a way which is not too in-your-face. I don’t want to give anything away but it essentially involves a struggle for power after the demise of the Lord Ruler, a few prophetic mutterings hinting at a much larger picture and a surprising twist at the end which will have you eagerly reaching for the third book. There is much more emphasis on the personal needs and feelings of the individual characters, most of whom were once fairly anonymous individuals who now find themselves at the centre of their Empire’s political turmoil. The romantic subplots could perhaps have done with a little bit more unpacking but they were there in the form of a love-triangle (of sorts) between Vin, Elend and Zane and a short-lived (but far better written) relationship between the two Keepers, both of whom were previous victims of the Lord Ruler’s controlled breeding program.

All in all, a strong sequel. And I don’t normally like sequels. Not as good as the first, but still pretty darn excellent.

My rating: 🌟🌟🌟🌟

Buy the Mistborn Trilogy on Amazon


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Throwback Thursday: The Malice Restored My Faith In Sci-Fi/Fantasy Trilogies

First published 05/03/2017
SPOILER ALERT

While every effort has been taken to avoid spoilers, anyone who has not read The Malice or The Vagrant by Peter Newman is hereby advised that this post may contain a few unavoidable spoilers.

I was rather reluctant to write a post reviewing Peter Newman’s The Malice (the second book in Newman’s The Vagrant trilogy) for the simple reason that I seem to be constantly bigging up Peter Newman on this site, as well as on Twitter. Frankly, if I keep this up, there’s a very real danger of Penstricken turning into The Peter Newman Appreciation Society (I may have raved about The Vagrant once, twice, or thrice before).

However, a few days ago someone very kindly (but not entirely accurately) referred to Penstricken as a ‘writing tips blog’ when really I intended this site to be for both story writers and their audiences. So, I decided it was time to write a post for those of you who have put up with me rambling about writing week in and week out when all you really want is a book recommendation. And since I have recently finished The Malice, it seemed a logical choice to review it on this week’s post.

Naturally I will try to give a fair, balanced and critical review but you know…

The Vagrant trilogy is arguably the best sci-fi/fantasy series I’ve come across in a long time!* It has made me believe in sci-fi/fantasy trilogies again! I wish the third book would just hurry up and COME OUT already!

… and relax.

Okay, now that I’ve got that out of my system, let’s get down to business.

The Malice is the second book in the Vagrant trilogy, based several years after the events of The Vagrant. When I read the first book a year or so ago, I did so believing that it was a stand-alone novel. You see, over the years, I have grown cautious about reading novel series (especially sci-fi/fantasy) from authors I don’t know because I have often found myself getting bored with them by the second or third book. As we know, some series just go on and on and on and on and on forever. Therefore, since there’s nothing worse than abandoning a story halfway through, I tend to think long and hard before picking up a new series. As much as I loved the originality, the poetic language and the vivid world-building I found in The Vagrant, when I learned that it was part of a trilogy I was a little anxious that it might go the way of so many other series I’ve started but never finished.

I was wrong. I devoured The Malice with as much proverbial** relish as I did The Vagrant. I think the reason it works so well as a sequel is because Newman has managed to strike that difficult balance between continuity with the first book and not rehashing the same story all over again. For example, there is a definite continuity in the style of story-telling. Newman’s distinctive voice has carried on into the sequel and draws us easily back into the same vivid and original world he has created. However, the characters are, as always, where Newman really works his magic.

As with the previous book, we have the protagonist who leads the adventure; the protagonist’s companion who supports and defends her and a capra aegagrus hircus (in this case, a kid), who serves in a comedy relief kind of capacity. However, Newman hasn’t relied on reusing the same (or virtually identical) group of heroes as before. The protagonist, Vesper, for example, is a young girl; chatty, a little unsure of herself, optimistic to the point of naivety and with an iron core of purity and unhindered free-thinking that suits her age and background. This is quite the opposite of her father and protagonist from the previous book: the strong and silent Vagrant who pushed his way relentlessly through whatever adversity he encountered.

Her companion, Duet, brings a similarly refreshing spin on the familiar role she plays. She is a Harmonised; an single entity made up of two joined individuals (as far as I could tell). Having been forced to kill her other self in the early chapters of the book, Duet grows increasingly bitter and cynical throughout the story as her health begins to fail her. Again, this contrasts sharply with the companion from the previous book, who served mainly as a very positive influence to encourage the Vagrant on his journey.

It was also good to get something more of the origins and inner-politics (if you can call it that) of the infernals who feature heavily in both books.

This book (both of them, in fact) also beautifully accomplishes something which very few other sci-fi novels do. It draws the reader into a dark and dangerous dystopian world while yet retaining a sense of optimism and even fun; exploring important themes of friendship, compassion (especially in the character of Vesper, who often resolves to help and heal others even at great risk to herself and her mission) and duty. For me, this sets it apart from many other sci-fi stories which are often either unremittingly depressing from the get-go or else are a little too fun to have any realism or tension about them (not that I’m knocking that. I like fun). This gives it a sense of believably, even though it is set in a world that is so completely different from our own.

If I must criticise something about this book (and I really would rather not), it would be that the pacing of the last few chapters could possibly have benefited from a little tightening up. I don’t want to give away what happens, but it did feel a little bit like having dramatically saved the day, Vesper then goes back home via the long and not-terribly-thrilling route which left me thinking ‘I hope something good happens to justify all this excess narrative that’s been stuck on the end’. Well, I don’t want to give away what it is but trust me: something good does happen. It is definitely worth reading on, especially if you’ve got any plans (as I do) to read the third instalment, The Seven, when it comes out in April.

All in all, The Malice was every bit as excellent a story as its predecessor; perhaps even better. While it remains firmly rooted in its predecessor, it carries the story forward in great strides, opening up the possibilities for the next instalment and leaving the reader feeling both fully satisfied and eager for the next one. Go get it!


*Having said that, I have just started The Mistborn series. It’s off to a promising start too.

**Don’t put literal relish on your book. It leaves a stain. LFMF.

Buy The Vagrant Trilogy on Amazon


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

As an Amazon Associate I earn from qualifying purchases in this post.

Want a blog of your own? Start writing today with WordPress.com!

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Super Snappy Speed Reviews: Children’s Edition (Vol. 3)

SPOILER ALERT

Anyone who has not read Loving Comfort by Julie Dillemuth, Tiddler: The Story-Telling Fish by Julia Donaldson, Postman Pat: The Secret by John Cunliffe, Charlie Crow in the Snow by Paula Metcalf or Nicola Baxter’s version of Goldilocks and the Three Bears (Ladybird Picture Books) is hereby advised that this post may contain a few unavoidable spoilers.

My daughter has been into books ever since she was a baby. Now, being just shy of two and a half years old, she’s more story daft than ever before and so I thought it was time for yet another exciting instalment of Super Snappy Speed Reviews: Children’s Edition (you can check out al the previous editions at the bottom of this post).

You know the drill by now. These reviews reflect nothing but my own personal opinions and impressions, reduced, flattened and shrink-rayed into a few short sentences. The books I have selected have nothing in common, save the fact that they are all fictional stories for very young children. They are not necessarily books I particularly liked or disliked, nor are they sorted into any particular order. So, here we go.

Loving Comfort by Julie Dillemuth

This little book is aimed particularly at young toddlers who about to take that difficult step towards being fully weaned. It tells the story of baby Jack and how, with the help of his parents, he eventually managed to stop nursing when the time came for him to do so.

If you’re not American, you might find some of the language a little foreign (my daughter calls her grandfather papa, not me) but it’s a well written story which my daughter appears to understand. She certainly enjoys it.

My rating: 🌟🌟🌟🌟

Tiddler: The Story-Telling Fish by Julia Donaldson

When it comes to writing books for toddlers, Julia Donaldson can do no wrong. I’ll be honest and say that I don’t think Tiddler quite reaches the lofty standards of The Gruffalo or Monkey Puzzle (at least, my daughter doesn’t ask for it quite as often) but still a very solid offering from the author who seems to write all my daughter’s favourite books. No toddler’s bookshelf should be without it.

My rating: 🌟🌟🌟🌟

Postman Pat: The Secret by John Cunliffe

My daughter is a huge Postman Pat fan. This book was first published way back in 1982 and is based on a particular episode of the original TV series, in which the friendly Yorkshire postman Pat Clifton is surprised to discover that everybody in the village has learned his secret: that today is his birthday.

Personally, I find the book a bit of a drag to read when compared to some of my daughter’s other books and, in true classic Postman Pat style, the story is very genteel even for a toddler’s book, but my daughter seems quite taken with it.

My rating: 🌟🌟🌟

Charlie Crow in the Snow by Paula Metcalf

This book is one of my daughter’s hot favourites right now. Personally, there’s something about it I find a little jarring, though I can’t quite put my finger on it. It’s a perfectly cute little story about a crow and his animal friends facing winter for the first time (presumably).

If I’m being clinical and analytical, I can find nothing wrong with this book. It’s sweet, educational, and my daughter loves it. It just doesn’t quite ring my bell, but then I don’t suppose it’s aimed at me.

My rating: 🌟🌟🌟

Goldilocks and the Three Bears by Nicola Baxter

It’s really difficult to pick just one version of this classic folk tale, so I went for Nicola Baxter’s version published by Ladybird Books (1999) because it is, hands down, my daughter’s favourite. The repeated contrast between Father Bear’s big things, Mother Bear’s medium sized things and Baby Bear’s tiny little things is a particular source of entertainment to my daughter, who enjoys trying to impersonate the booming voice I use for Father Bear and the squeaky one I use for Baby Bear.

Goldilocks was never my favourite folk tale, not even as a child, but I really enjoy this version of it and so does my wee girl.

My rating: 🌟🌟🌟🌟

DON’T FORGET TO CHECK OUT ALL THE PREVIOUS EDITIONS OF SUPER SNAPPY SPEED REVIEWS
Super Snappy Speed Reviews: Books (Vol. 4)Super Snappy Speed Reviews: Children’s Edition (Vol. 2)
Super Snappy Speed Reviews: Doctor Who Edition Super Snappy Speed Reviews: Children’s Books Edition (vol 1)
Super Snappy Speed Reviews: TV Edition (vol. 2) Super Snappy Speed Reviews: Writing Apps for Android
Super Snappy Speed Reviews: Books (vol. 3) Super Snappy Speed Reviews: Games Edition
Super Snappy Speed Reviews: Star Trek Edition Super Snappy Speed Reviews: Books (vol. 2)
8 Super Snappy Speed Reviews: Film 5 Super Snappy Speed Reviews: TV Edition
8 Super Snappy Speed Reviews

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook, if that’s what eats your porridge.

Want a blog of your own? Start writing today with WordPress.com!

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ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Super Snappy Speed Reviews: Books (vol. 4)

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read: Lust by Roald Dahl, Dune by Frank Herbert, Of Mice and Men by John Steinbeck, The Mystery of the Blue Train by Agatha Christie or The Big Sleep by Raymond Chandler is hereby advised that this point may contain a few unavoidable spoilers.

Well, it’s been a while since I’ve done one of these things so I thought it was time for another exciting ‘books’ edition of Super Snappy Speed Reviews. You know how it all works by now: I review a bunch of books in a few short sentences and give a rating out of five stars for each. As ever, these reviews reflect nothing but my own personal opinions and impressions, condensed, crushed and deflated into a few short sentences. The books I have selected have nothing in common, save that they are all fictional. They are not necessarily books I particularly liked or disliked, nor are they sorted into any particular order. So, here we go.

Lust by Roald Dahl

Yes, the author of the B.F.G and James and the Giant Peach also wrote a few short stories about two friends who swap wives for the night, leper-loving-ladykillers and the devastating effects of combining politics with powerful aphrodisiacs. In true Roald Dahl style, this collection of short stories is often strange, occasionally dark and profoundly compelling. An excellent book.

Just not for children.

My rating: 🌟🌟🌟🌟🌟

Dune by Frank Herbert

An absolute classic of the sci-fi genre: Dune is a complex, multifaceted and inventive. It is full of detailed world building, a well written cast of characters and undeniably forms part of the bedrock of the modern space opera genre.

Unfortunately, I did find it a bit of a drag at points. It feels needlessly wordy at times, has an increasingly grim tone from start to finish (and beyond if you read the whole series) and often sacrifices entertainment value to make way for its own cleverness. The dialogue was a bit dry at points too.

My rating: 🌟🌟🌟

Of Mice and Men by John Steinbeck

If you ask me what my favourite book of all time is, there’s a very good chance I’ll say ‘Of Mice and Men by John Steinbeck.’

Where do I begin? Rich characters, a simple but compelling plot, vivid description, excellent use of figurative language, excellent narrative voice, carefully explored themes and a tragic ending. I can’t sing its praises highly enough.

My rating: 🌟🌟🌟🌟🌟 + ∞

The Mystery of the Blue True by Agatha Christie

Reading a Poirot novel has become like putting on a pair of comfortable slippers to me. You expect a similar blend of 1920s well-to-do types, scandal, bridge games, drawing rooms/steam trains and so forth while Poirot confidently pursues the truth all the while being patronised by those who think they know better. If that’s all you’re looking for, The Mystery of the Blue Train will not disappoint. It’s everything a Poirot novel should be (Oh, and I didn’t figure out ‘who dunnit’ prematurely which is always a plus).

My rating: 🌟🌟🌟

The Big Sleep by Raymond Chandler

I read this book for one simple reason: I didn’t have enough hard boiled detective fiction in my life and Raymond Chandler’s work is widely and justifiably considered to be the daddy of them all. The dialogue and narrative voice are both rich and striking (a little too rich at points; my ’30s American slang is a little rusty and I didn’t always understand it), the mood is dark without being depressing and the mystery is complex enough to keep the reader trying to figure out ‘who dunnit’ from cover to cover.

In spite of that, I personally found it a bit of a slog to read and, at times, a little difficult to understand, perhaps because the 1930’s American language and culture was so foreign to me. A very well written novel to be sure but not my cup of tea.

My rating: 🌟🌟🌟🌟

DON’T FORGET TO CHECK OUT ALL THE PREVIOUS EDITIONS OF SUPER SNAPPY SPEED REVIEWS
Super Snappy Speed Reviews: Children’s Edition (Vol. 2) Super Snappy Speed Reviews: Doctor Who Edition
Super Snappy Speed Reviews: Children’s Books Edition (vol 1) Super Snappy Speed Reviews: TV Edition (vol. 2)
Super Snappy Speed Reviews: Writing Apps for Android Super Snappy Speed Reviews: Books (vol. 3)
Super Snappy Speed Reviews: Games Edition Super Snappy Speed Reviews: Star Trek Edition
Super Snappy Speed Reviews: Books (vol. 2) 8 Super Snappy Speed Reviews: Film
5 Super Snappy Speed Reviews: TV Edition 8 Super Snappy Speed Reviews

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook, if that’s what boils your detective.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Book Review: Mark of the Raven

SPOILER ALERT:

Anyone who has not read Mark of the Raven by Morgan L. Busse is hereby advised that this post may contain a few unavoidable spoilers.

I love a good old fashioned high fantasy set in faintly medieval inspired magical worlds and Christian fantasy Mark of the Raven by Morgan L. Busse promised to be exactly that. The protagonist, Lady Selene of House Ravenwood, has the ability to enter and even manipulate the dreams of other people and stands to become the head of her royal house. As she learns, under the cold instruction of her mother, to use her gift to spy upon and even assassinate the enemies of her house she becomes torn between the dark destiny set before her and the dream of a more peaceful way of life.

In general, an enjoyable book. I liked it. It didn’t knock my socks off but it was okay.

Most of the drama in this story focuses on Selene’s own internal conflict. Oh, yes, there’s an apparent threat to the Great Houses from the encroaching Dominia Empire but this never really matures into any direct conflict for any of the main characters. Instead, the main characters are simply squabbling about how best to deal with the threat of invasion, or indeed, if such a threat even exists. That side of things, however, is fairly by-the-by, for which I was immensely grateful as it could have become incredibly boring otherwise. Selene’s internal conflict about her own destiny and whether or not she can (or even should) carry out her mother’s instructions for the sake their house and their people is far more interesting, and the author very wisely focuses on this throughout and it is this particular arc which is concluded by the end of the novel. As part of a series, the conflict with the Dominia Empire and the break-down of relations between the great houses is left very much open and will, I trust, be fulfilled in the following instalments.

The world-building was strong, if not particularly mould breaking. It was easy to imagine the sights, sounds and smells of Rook Castle and the Magyr Mountains and the history of the world is also well developed and feeds directly into the story in a way which seems natural and believable. I did feel like the religions practised by the main players (in particular the followers of the Light and of the Dark Lady) were a little underdeveloped, which seemed like an especially odd thing to leave so half cooked in a Christian fantasy. On the plus side, this prevented the story from feeling obviously preachy. Indeed, I have a sneaking suspicion that the true allegory lies in the inter-house politics and the Dominia threat, where I suspect the different houses possibly represent church denominations and the Dominia represent all the forces of hell or something along those lines. If that is the case, however, it is not delivered in a way which ruins the story or makes the reader feel preached at. The author clearly knows how to incorporate theme effectively.

My only major criticism of this novel is that it was a little predictable, especially the outcome of the relationship between Selene and Damien. Pretty much from the first moment we saw the noble and true Damien, servant of the Light and all round good guy (who certainly wouldn’t ever dream of marrying a lady of Ravenwood!), I knew he was going to end up marrying Selene. I was not remotely surprised by this and I frankly got a little fed up waiting for it to happen, especially given Selene’s obvious attraction to his soul and Damien’s fascination (though certainly not love or desire, no sir-ee!) with her. I will say this however: exactly how the two characters got from ‘stranger’ to ‘husband and wife’ stage wasn’t quite how I expected it to happen and it was, therefore, still worth reading.

Speaking of characters, the main players in this story (specifically: Selene, Damien, Selene’s Mother and, to a lesser extent, her father) are fairly well developed, if a little unremarkable. They are all distinctive enough and driven by clear motives to accomplish specific goals. There are loads of other characters (twenty four if the ‘character list’ at the start of the book is to be believed), each distinctive enough in their own ways, however some of them feel a little superfluous, as if they are only there to make up the numbers at the summit.

All in all, an easy enough read with jut enough excitement and intrigue to keep me going, but a little predictable at points and slow to begin with. If you like Christian fantasy, you’ll probably enjoy it in a ‘no fuss’ sort of way. Even if you’re not particularly interested in religious fiction, you’ll probably still enjoy this book well enough without feeling like its intruding on your beliefs. A nice, safe bit of easy reading fantasy.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what marks your raven.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

10 Great Book Reviews

As you might have guessed by now, when I’m not writing, I’m reading; and when I’m not blogging, I’m reading other people’s blogs. One of my favourite things to read is book reviews (what better way to find new books to read?), and so today I’ve decided to share a few book reviews I’ve read from my fellow bloggers over the last few days.

None of these posts have necessarily got anything in common, save for the fact that they are all novel reviews I enjoyed reading. Some of these reviews are quite short; others longer and more detailed. They don’t necessarily deal with novels in the same genre or by the same author. As ever, this is simply a selection of my personal favourite reviews, not an exhaustive list; and as ever, this list is in no particular order.

And so, without further ado:

K DeMers Dowdall: ‘Book Review: Catling’s Bane’

Shalini’s Books and Reviews: ‘Book Review – Sleep by C. L. Taylor’

Stephanie’s Book Reviews: ‘Review: Summer by the Tides by Denise Hunter’

This Is My Truth Now: ‘Book Review: Endgame by Patrick Hodges’

FictionFan’s Book Reviews: ‘Song of Solomon by Toni Morrison’

Suzy Approved Book Reviews: ‘In The Neighborhood Of True by Susan Kaplan Carlton’

Keeper of Pages: ‘Book Review: The Silent Patient by Alex Michaelides’

Lifesfinewhine: ‘The Dioramist by Eric Keegan (Book Review)’

KayCKay Book Reviews: ‘If Cats Disappeared from the World by Genki Kawamura ★★★★★ #BookReview’

Beetleypete: ‘Book Review: The Summer of Madness’


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what reviews your book.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

Book Review: Steelheart

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read Steelheart by Brandon Sanderson is hereby advised that this post may contain a few unavoidable spoilers.

There are two things I really like: Brandon Sanderson and superhero stories, so when I heard that Sanderson had written a series of superhero stories, I knew I had found my next book. I was so confident that I would like it that I even bought the first two books at the same time, despite normally being wary of blowing money on serialised novels in case they’re rubbish (I would’ve bought the whole series but my Waterstones vouchers didn’t stretch that far on top of everything else I wanted to buy).

This story is set in a not-too-distant post-apocalyptic dystopia where a mysterious stellar event, known as Calamity, has gifted certain people with super powers. These individuals, known as Epics (Sanderson consistently shies away from the word superheroes/super villains), have taken over the world, oppressing ordinary humans and imposing their own despotic rule on whatever territory they deem to be their own. The main antagonist in this story is one such Epic: Steelheart, a seemingly invulnerable man who kills David’s (the protagonist) father in front of him. However, the boy David also saw something impossible at the same time: he saw Steelheart bleed, and swore he would make it happen again to avenge his father. As an adult, David joins a group of anti-Epic resistance fighters known as Reckoners and together they hatch a daring plan to kill Steelheart and put an end to his ruthless reign over Newcago (formerly Chicago).

There are a lot of things I like about this novel, and I am looking forward to reading the next instalment, but I won’t lie to you: it was a bit of a disappointment compared to Mistborn.

Let’s get down to brass tacks.

In a similar way to the The Final Empire, Steelheart features a young protagonist who joins a group of rebels (the other ‘good guys’) with the primary goal of taking down a seemingly indestructible despot who barely appears in the narrative until the story’s climax. The characters all have their own little distinctive quirks and are, for the most part, likeable. My only criticism is that they were, perhaps, a little half-baked by Sanderson’s usual standards. For instance, David, the protagonist, was okay in general but he seemed little too ridiculous to believe insofar as things seemed to fall into place a little too easily for him despite impossible odds, especially in the beginning.

Oh, and while I’m complaining about my least favourite characters, can I mention Megan? Apart from being one of only two major female characters and the only one with a clear personal tie to the protagonist, she doesn’t even come across as a particularly well written character, at least before the last few chapters. She’s beautiful, feisty, with a hidden vulnerability and (you guessed it!), she’s the obvious love interest. David thinks she’s hot but doesn’t know if she likes him or not because she seems to be sending him mixed signals. I will admit that I wasn’t prepared for what happened to her and who she turned out to be, so it’s maybe worth persevering with Megan until the end of the book but it took me quite a lot of chapters to actually like her as a character.

The plot worked, although I felt there was a certain inevitability about it. David wanted to join the Reckoners, so he did. He talked them into killing Steelheart. They planned to do it. Executed plan. Did it. End. It lacked that all important sense of rising action, conflict, tension, greater conflict, greater tension and final climax when it came down to the main story of David’s quest for revenge and the Reckoners’ plan to kill Steelheart. On the plus side, there were a few interesting twists regarding the identities of characters like Megan and Prof. I won’t spoil what they were, but I will only say that I had my suspicions about Prof from fairly early on; I wasn’t ready for what happened with Megan at all, however. That was glorious and her only saving grace.

As usual, Sanderson’s writing style was a joy to read: clear, straight-forward and written in a solid 1st person voice from David’s point of view. In keeping with that character’s tendency to use lousy metaphors in his speech, the narrative itself was also replete with eccentric figurative language which was appropriate (though perhaps not always quite as funny as Sanderson intended it to be).

I did find the profanities used by the characters a little odd. Don’t get me wrong, I tend to have a ‘less is more’ attitude towards profanity in fiction, but it seems that all but the mildest of swear words we use in the real world have been replaced by made up swear words including ‘sparks’ , ‘slontze’ and ‘Calamity’. Depending how far in the future this book is set, I suppose its possible we’ll chuck out all the old curses and invent brand new ones, but I get the impression this book is set in a period relatively close to our own. As much as I dislike bad language, I personally found this stuff a bit jarring.

I know what you’re thinking. I sound like I hated this book. I did not hate this book. In fact, I really liked this book. It’s a great bit of highly enjoyable, action packed, funny-in-places escapism. If I sound like I’ve been hard on it, it’s only because Sanderson has set the bar so high with all his other books that it’s hard not to compare them. This is not my favourite Brandon Sanderson book, not by a long way; but it is a great book. You should definitely read it.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what steals your heart (you see what I did there?).

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

Super Snappy Speed Reviews: Children’s Edition (vol. 2)

SPOILER ALERT

While every effort has been made to avoid spoilers, anyone who has not read Monkey Puzzle by Julia Donaldson, Little Miss Inventor by Adam Hargreaves, Elmer in the Snow by David McKee, Perky the Pukeko by Michelle Osment or The Gruffalo’s Child by Julia Donaldson is hereby advised that this post may contain a few unavoidable spoilers.

Believe it or not, the last edition of Super Snappy Speed Reviews was way back in October, just before series 11 of Doctor Who started, so I decided it was time for another exciting instalment. This time (though not for the first time) I’m looking at children’s books. Just to be clear, my daughter is not quite two years old yet, and so, when I say ‘children’s books’, I am talking about books aimed at very young children, rather than children’s novels.

You know the drill by now. These reviews reflect nothing but my own personal opinions and impressions, sliced, diced and shredded into a few short sentences. The books I have selected have nothing in common, save the fact that they are all fictional stories for very young children. They are not necessarily books I particularly liked or disliked, nor are they sorted into any particular order. So, here we go.

Monkey Puzzle by Julia Donaldson

My daughter loves this book and so do I. The narrative is uncomplicated, written in rhyme (always a plus for small children) and with a goodly dash of humour which does not seem to be lost on my one year old. It’s also not without its educational value, giving descriptions of a whole bunch of different types of animals.

My rating: 🌟🌟🌟🌟🌟

Little Miss Inventor by Adam Hargreaves

I think this is my daughter’s favourite at the moment, judging by the fact I have to read it to her at least fifty times per hour. Little Miss Inventor is a fun character, intelligent and not to be deterred from making Mr Rude a birthday present he’ll really love despite him being one of the most unpleasant individuals in all Mr Men lore. If I’m really picking nits, I think the writing style was a bit clumsy at points, with sentence breaks in places I would not have expected them, for example: ‘She made a back-pack-snack-attack fridge for Mr Greedy. For snacks on the go.’

I’m pretty sure that could have been one sentence.

My rating: 🌟🌟🌟🌟

Elmer in the Snow by David McKee

My daughter’s got a few Elmer books and she seems to enjoy them. Personally, I find this one a bit of a drag. The narrative lacks the snappy rhythm required to hold a toddler’s interest and the plot is frankly boring. Even toddler’s books should have a little bit of safe, inoffensive conflict to make the story worth reading (e.g.: Little Miss Inventor couldn’t think of a good invention for Mr Rude; Monkey lost his mum and his only helper is completely useless; etc). All in all, on the rare occasions my daughter asks for this one, I tend to sigh inwardly (though outwardly I’m enthusiastic for her sake) and hope she won’t want me to read it over and over too many times.

My rating: 🌟🌟

Perky the Pukeko by Michelle Osment

This story is okay. My daughter likes it, perhaps not with the same enthusiasm as Little Miss Inventor, but she asks for it now and again.

It’s written in rhyme, which is a plus for toddler’s stories, though I find the rhythm of narrative is a little off beat at times, often, I fear, because the author was trying a bit too hard to be clever. It is the only toddler’s book I have ever read which actually featured a glossary at the back.

My rating: 🌟🌟🌟

The Gruffalo’s Child by Julia Donaldson

This book is, by all accounts, a sequel to The Gruffalo so it probably helps to be familiar with that story before you read this one. It’s not really necessary though. The story makes perfect sense on its own merits. In Donaldson’s usual masterful style, this story ticks all the boxes for repetition, rhythm and rhyme. Young children can easily relate to the protagonist who initially ignores her father’s instructions, designed to keep her safe, only to quickly realise her mistake and return to the safety of her father’s cave.

My rating: 🌟🌟🌟🌟

Don’t forget to check out all the previous editions of Super Snappy Speed Reviews
Super Snappy Speed Reviews: Doctor Who Edition Super Snappy Speed Reviews: Children’s Books Edition (vol 1)
Super Snappy Speed Reviews: TV Edition (vol. 2)Super Snappy Speed Reviews: Writing Apps for Android
Super Snappy Speed Reviews: Books (vol. 3)Super Snappy Speed Reviews: Games Edition
Super Snappy Speed Reviews: Star Trek EditionSuper Snappy Speed Reviews: Books (vol. 2)
8 Super Snappy Speed Reviews: Film5 Super Snappy Speed Reviews: TV Edition
8 Super Snappy Speed Reviews

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what tickles your toes.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

Book Review: Burning Bright

SPOILER ALERT

Anyone who has not read Burning Bright by John Steinbeck is hereby advised that this post contains spoilers.

Well, well, well, believe it or not, I’ve never reviewed a John Steinbeck book before, despite repeatedly implying that he’s one of my all time favourite authors. That changes today with this review of John Steinbeck’s tiny and much maligned little ‘play-novelette’, Burning Bright.

Steinbeck himself described this book as an experiment in writing a play in the form of a novelette, and it becomes immediately obvious what is meant by that when you read it. Unlike most novels which are split into numerous chapters, set in various locations with a wide cast of characters, Burning Bright is split into three acts, each set in a single room (a circus tent, a farmhouse, a ship and a hospital to be precise). There are only four characters and the action is entirely driven by Steinbeck’s masterful use of dialogue and, to a lesser extent, description of setting.

So, did this little ‘experiment’ pay off? Well, if the critics are to be believed, the answer is no. It seems everybody and their granny hates this book. But I’m not everybody’s granny and I do not hate this book! True, it’s not my favourite Steinbeck book and it could certainly stand a little constructive criticism (in fact, it’s just about to do so), but it’s definitely not my least favourite Steinbeck book either. So let’s get down to brass tacks and look at the story in more detail.

Joe Saul is our protagonist in this story: an everyman who desperately wants to have a child but alas, is sterile. He suspects it but refuses to acknowledge it, preferring to wallow in his misery. His younger wife, Mordeen, also suspects his sterility. She is so determined to produce a child for Joe that she is willing even to sleep with a man she frankly doesn’t care for, not because she desires another man but because she is desperate to give Joe a child.

Victor is the other man: an altogether arrogant, unlikable and ignorant little man who works as Joe’s right hand man in each act and who wants Mordeen for himself. Then there’s Friend Ed: supportive, protective and loyal towards Joe even if it means hurting him. None of the above are the deepest or most complex character’s Steinbeck has ever written, but they’re okay. I liked them well enough and it was pretty plain to see what they all needed and what stood in their way.

The plot itself is perfectly good in that it follows a natural and plausible progression, though there is a certain inevitability about it. Almost from the very start, we just know that Mordeen is going to try and get pregnant by Victor and pass it off as Joe’s, and we just know that Victor is going to become attached to Mordeen, and we just know that in his jealousy, Victor will threaten to tell Joe the truth and most inevitably of all, we just know that the story will climax with Joe finding out the child is not his. For most writers, this would be an express ticket to Rubbish Novel Land. Fortunately Steinbeck’s writing style is a joy to read even at the worst of times and beautifully carries this rather plain story along.

The action is heavily dialogue-driven, which is appropriate for a play. It is, however, less appropriate for a novel, and I think this is one key area in which the incompatibility of the play form and prose form is made obvious. The two forms just don’t blend, any more than clay blends with iron. However, while critics are often quick to bemoan Steinbeck’s use of lengthy and the unsuitably flowery language, I personally found that Steinbeck’s trademark artistry with words was sufficient that I still found the dialogue enjoyable (if a little jarring) to read.

There was one other very strange thing about this story, even within the experimental context of the story’s structure, and I’m not sure I liked it: the characters’ backgrounds change from one act to the next, yet the individual characters remain fundamentally the same people. For instance, in Act One, the characters are all circus performers, whereas in Act Two they live on neighbouring farms and in Act Three, they are sailors. They are all the same people, they all relate to each other in the same way and there is continuity with the key events of the plot, but their day-to-day situation is portrayed as variable and irrelevant.

My best guess is that this is an ambitious but uncharacteristically clumsy effort by Steinbeck to highlight the everyman quality of Joe and his fellow characters. By rendering the backdrop variable, and therefore irrelevant, the reader is focused exclusively on the naked humanity of their situation which could happen to any one of us. Be that as it may, it feels like Steinbeck was trying a bit too hard to be clever at the expense of writing a good story. It strikes me that by robbing Joe Saul and the others of their backgrounds, Steinbeck has effectively created shadow characters who exist purely as symbols of the idea he was trying to communicate. They don’t read like real people, as good characters should, because real people are defined, at least in part, by where they come from and what they do.

All in all, the critics are correct about one thing: this is not Steinbeck’s best work. However, in my experience, Steinbeck’s grocery list (probably) makes better reading than the average novel– and I say that as a bona fide bookworm. While not his most adventurous story in terms of plot and characters, its still a perfectly solid bit of fiction, and would perhaps serve as a useful case study for teaching the rudiments of quality story telling to the uninitiated. The experiment of bringing together the play format and the prose format was ambitious but, alas, the two things simply don’t mix. I don’t think this was because Steinbeck did it badly. I’m just not sure it’s possible to  effectively create a true mixture of the two styles, because they’re just too different and necessarily so. I did enjoy this book, but it was, without question, only Steinbeck’s trademark wizardry with language which held it together.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what novelises your play.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

Super Snappy Speed Reviews: Children’s Books Edition

SPOILER ALERT

While every effort has been made to avoid spoilers, anyone who has not read Fish by Fiona Watt, Elmer by David McKee, A Squash and a Squeeze by Julia Donaldson, The Very Hungry Caterpillar by Eric Carle or When I Am Big by Penny Johnson is hereby advised that this post may contain a few unavoidable spoilers.

I might have mentioned once or twice before that I have a little daughter. She’s only a toddler, but she loves playing with books (not always reading from start to finish, but carefully examining them at any rate) and she loves it when we read to her (read to your kids, guys). As a result, we’ve amassed quite a collection of childrens’ books in her short lifetime.

‘And so,’ my wife suggested, ‘why not write a Super Snappy Speed Reviews post about books for children?’

‘Good idea!’ I thought. After all, I’ve already speed-reviewed books [2] [3], TV shows [2], filmscomputer gameswriters’ apps and even the Star Trek movies, so this time it’s going to be all about books for small children. I’ve picked 5 of my daughter’s favourites and reviewed them all in only a few short sentences.

As ever, these reviews reflect nothing but my own personal opinion. The books I have selected have nothing in common, save the fact that they are all fictional stories for young children. They are not books I particularly liked or disliked, nor are they sorted into any particular order. These reviews reflect nothing but my own impressions and opinions, shrank, squished and flattened into a few short sentences. So without further ado…

Fish by Fiona Watt

It’s difficult to summarise this story without plagiarising it, since the whole story is only a couple of sentences long. Suffice it to say it’s a perfectly simple little story about a fish looking for his friend and finding him without any real difficulty. The book itself is also soft, like a pillow, though my daughter has shown no interest in this aspect of it. She just hands it to me and says ‘Again!’ before waiting expectantly for me to read it again… and again… and again. Ideal for children aged one year and under.

My rating: 🌟🌟🌟

Elmer by David McKee

If you like your childrens’ books to be fun but still carry a message about diversity, you can’t go wrong with Elmer. It’s a little dated (I remember it from when I was little) but I enjoyed it then and I still like it now. The story takes a fairly heavy subject and makes it reasonably accessible and enjoyable for slightly older children, owing to its length and relatively complex narrative style.

My rating: 🌟🌟🌟

A Squash and a Squeeze by Julia Donaldson

Another story with a lesson, this time about appreciating what you’ve got. The story is written in a simple rhyme with lots of repetition making it highly accessible and enjoyable for small children. Even as an adult, I can’t help but appreciate the humour in this story as the protagonist, following the advice of the slightly puckish wise man, tries to make more room in her house by filling it up with various farm animals, before her final glorious epiphany in the end. A great story to read to your toddler.

My rating: 🌟🌟🌟🌟🌟

The Very Hungry Caterpillar by Eric Carle

My daughter, like every other toddler I’ve ever come across, loves this book. Like A Squash and a Squeeze, there is a repetitive pattern to most of the story which makes it highly accessible for a child of her age and a goodly dash of humour. It also provides her with a sly introduction to numbers and days of the week. She tends to lose interest at the part where the caterpillar makes a cocoon, and I suspect this is due to the way the narrative suddenly loses its sense of rhythm and repetition. Frankly, even I find the narrative drags a bit there, but apart from that, this book is a must-have for any toddlers bookshelf.

My rating: 🌟🌟🌟🌟
When I Am Big by Penny Johnson

This is a sweet, if not terribly exciting, little story about a rabbit wistfully looking forward to all the fun things she’ll be able to do when she’s older. It is written with a simple ‘AABBCC’ rhyming system, though it perhaps lacks that repetitive quality which would make it even more accessible to a one year old. It’s a nice enough story although it doesn’t hold always manage to hold my daughter’s attention all the way through.

My rating: 🌟🌟🌟

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what beams you up.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.