Posted on February 11, 2021 Leave a Comment
Well you’ll be relieved to hear that this will be the last week of my impromptu series on writing non-human characters. We’ve already covered animals, aliens and robots so this week we’re going to finish up with what I’ve very broadly defined as mythical creatures.
When I Googled ‘mythical creatures’ to help me prepare for this post, I was presented with a very helpful list of about thirty different kinds of mythical creature. Gods-and-Monsters.com managed a much longer list of about 72 distinct creatures from mythology. And so writing a single 1,000 word post on how to write any mythical creature is going to be quite a challenge so I hope you’ll bear with me while I go over a few very general principles.
Posted on February 10, 2021 Leave a Comment
Well, it’s week three on my impromptu series of posts on creating non-human characters for your stories. We’ve already done animals and aliens, so this week, I want to focus on creating robots. Now I don’t want to waste too much time getting bogged down on the technical differences between robots, androids, cyborgs and so on, so for the sake of this post, I’m using the word ‘robot’ simply as an umbrella term for any kind of mechanical or artificial person. Suffice it to say there are important differences between robots, androids and cyborgs and you would be well advised to understand them before attempting to create one for your story.
If you’ve been keeping up to date on the last few posts, you will have noticed a common theme running through them: the idea of anthropomorphising (that is, giving human traits to) your non-human characters to to make them more relatable to your audience. However, as we have also seen, the extent to which you anthropomorphise your character and how you go about anthropomorphising your character will vary greatly depending on the kind of character you’re trying to create and what their purpose is in your story.
Posted on February 9, 2021 1 Comment
Last week, I had planned to write a single post talking about how to write non-human characters, such as animals, aliens, mythical creatures and so forth. Unfortunately, it turned into such a long post that I decided to chop it up into a series of posts instead. This week’s post is the second instalment on writing non-human characters and today I’m going to focus on how to write aliens from other other worlds. If it’s animal characters you’re interested in, that was covered in last week’s post, which you can see by clicking here. If, on the other hand, it’s robots or mythical creatures you’re after… well, you’ll just have to wait.
Before we begin, let’s take a moment to remind ourselves of the golden rule for writing non-human characters…
Posted on February 8, 2021 Leave a Comment
I’ll be spending most of this week dealing with how to write animals in particular (because it’s ever so slightly more complicated), however, no matter what non-human species your protagonist may be, there is one golden rule you absolutely must keep in mind at all times. Ready? This is it:
Your audience is made up entirely of human beings; therefore, your audience must be able to sympathise with your character as human beings.
In other words, you need to anthropomorphise your character to one extent or another. Perhaps only a little, perhaps a lot, but to some extent, you need to give your non-human character certain human traits to make them relatable. At the very least, they will probably need to be able to think like humans in order to work through their goals, conflicts, epiphanies, etc. and possibly will need to speak like humans too (though there are numerous examples of strong animal characters who do not speak).
Posted on February 3, 2021 Leave a Comment
Nowhere Nowhen Syndrome (NNS) is when your setting is too vague. In the same way that Phantom Protagonists are characters who lack the substance to create convincing people, a setting with NNS lacks the substance to create a convincing time and place. You may know that your story is set in post-apocalyptic London, circa AD 2084, but that is not the same as creating a setting. That’s just telling us the name of the place.
Creating a setting involves stimulating the imaginary senses of your reader so that they know what it’s like to really be there…
Posted on February 2, 2021 Leave a Comment
Someone recently asked me how I decide what books I want to read. Good question, I thought. The truth is, I find choosing new books (and new TV shows, movies and everything else) exceptionally difficult. As a rule, I try never to immediately follow a sci-fi with another sci-fi or a mystery with another mystery but that still leaves me spoiled for choice….
As you might expect, the internet is ready and eager to try to help. Here’s a whistle-stop tour of three websites that give you customised book recommendations.
Posted on January 23, 2021 Leave a Comment
There are short stories, there are very short stories and then there is flash fiction: the delicate and often tricky art of telling a story in as few words as possible.The stories in this tiny little book (all originally published between 2015 and 2020 on the fiction blog, Penstricken) are deliberate exercises in brevity.
In total, this book contains twelve flash fictions ranging from fifty to 2,000 words apiece, plus six collections of six word stories.
While these stories vary in mood and genre, you will find in many that the author’s tongue was firmly entrenched in his cheek; whether it be in the brief tale of a Martian liberating his ‘kin’ from the deep fat fryer of a Glasgow chip shop or the nightmarish tragedy of Santa Claus’ true genesis, Penstricken: Collected Stories is a brief snapshot of one writer’s meandering imagination.
Posted on December 19, 2020 Leave a Comment
There are short stories, there are very short stories and then there is flash fiction: the delicate and often tricky art of telling a story in as few words as possible.The stories in this tiny little book (all originally published between 2015 and 2020 on the fiction blog, Penstricken) are deliberate exercises in brevity.
In total, this book contains twelve flash fictions ranging from fifty to 2,000 words apiece, plus six collections of six word stories.
While these stories vary in mood and genre, you will find in many that the author’s tongue was firmly entrenched in his cheek; whether it be in the brief tale of a Martian liberating his ‘kin’ from the deep fat fryer of a Glasgow chip shop or the nightmarish tragedy of Santa Claus’ true genesis, Penstricken: Collected Stories is a brief snapshot of one writer’s meandering imagination.
Posted on November 15, 2020 Leave a Comment
Jasyn T. Turley is the author behind the zombie thriller series, Weeks. I caught up with Jasyn about Weeks, his writing routine and plans for the future.
Posted on November 10, 2020 Leave a Comment
Phil, Tim, and Dakota are three survivors taking refuge in Atlanta, Georgia. The year is 2027, ten years after a nuclear fallout decimated the known world and left it in shambles. With hordes of the undead flooding their once safe home and a city now depleted of all resources and supplies the three must make a daring gamble. To trek across the States and Canada, looking for a new place to call home; safe from the monsters that plague the lands. In their daring gamble this trio encounters more than just zombies. They are relentlessly pursued and hunted by both an old and new nemesis’. Trying to survive and stick together, no matter the odds, they must rely on their faith, bond, and past experiences to live through their tribulations. In this world, a fool’s chance is usually their only chance.