Nowhere Nowhen Syndrome (NNS) is when your setting is too vague. In the same way that Phantom Protagonists are characters who lack the substance to create convincing people, a setting with NNS lacks the substance to create a convincing time and place. You may know that your story is set in post-apocalyptic London, circa AD 2084, but that is not the same as creating a setting. That’s just telling us the name of the place.
Creating a setting involves stimulating the imaginary senses of your reader so that they know what it’s like to really be there…
Someone recently asked me how I decide what books I want to read. Good question, I thought. The truth is, I find choosing new books (and new TV shows, movies and everything else) exceptionally difficult. As a rule, I try never to immediately follow a sci-fi with another sci-fi or a mystery with another mystery but that still leaves me spoiled for choice….
As you might expect, the internet is ready and eager to try to help. Here’s a whistle-stop tour of three websites that give you customised book recommendations.
Well this might be a great idea or it might not be, but I thought it might be fun to knock together a couple of two or three sentence book reviews based on a selection from my bookshelf. Who knows, if it’s a hit, I’ll maybe do it again… maybe with movies or TV shows. But for today, it’s books.
I selected the books for review entirely at random. They are not necessarily of the same genre, nor are they necessarily books I particularly liked or disliked, nor are they sorted into any particular order.
What I have written about them are my entirely own impressions and opinions, compressed, squeezed and crammed into a few short sentences.
Magic (as I’m loosely defining it here) features heavily in fantasy. The forms magic can take from one fantasy story to another, however, greatly vary. If you think I’m going to give you an exhaustive break-down of all the kinds of magic that appear in fantasy fiction, you’re sadly mistaken because I have neither the time nor the inclination do so, but I do want to try and break down what it takes to construct a good one as Sanderson has.
A few days ago someone very kindly (but not entirely accurately) referred to Penstricken as a ‘writing tips blog’ when really I intended this site to be for both story writers and their audiences. So, I decided it was time to write a post for those of you who have put up with me rambling about writing week in and week out when all you really want is a book recommendation. And since I have recently finished The Malice, it seemed a logical choice to review it on this week’s post.
Naturally I will try to give a fair, balanced and critical review but you know…
The Vagrant trilogy is arguably the best sci-fi/fantasy series I’ve come across in a long time! It has made me believe in sci-fi/fantasy trilogies again! I wish the third book would just hurry up and COME OUT already!
… and relax.
They say we all smile in the same language. Fortunately for us writers, just about everything else we say, we say in our own unique way. It doesn’t matter if everybody in the room speaks the same language (English, for instance); accent, dialect and all the different words and idioms we tend to use have given each one of us a way of speaking which is almost as peculiar to ourselves as our fingerprints. For us story tellers, understanding and harnessing this knowledge can be the difference between writing a good story and creating a masterpiece.
As we all know, characters are the beating heart of any good story. However, no character is an island. How they respond to other characters is often essential in making your plot work (indeed, this arguably is your plot), so don’t be fooled into thinking it’s obvious how your characters will respond to one another. Just because you would respond in a particular way to Character A doesn’t mean that Character B will respond to Character A in the same way you would. Even though you, as the author, know all the facts about all of your characters, you’ll still have your own narrow opinion about what sort of person they are just the same as anyone else. That is why it is vital to know what every character thinks about every other character if you want to create a rich, vibrant and believable story.
Fortunately, it’s easy to do this.
“Just write every day of your life. Read intensely. Then see what happens. Most of my friends who are put on that diet have very pleasant careers.” –Ray Bradbury
Makes it sound simple, doesn’t it? It’s quite another thing entirely when you’ve got a headache, a family to look after, a day job which drains every iota of energy and the will to live from you and a gas engineer in your kitchen drilling and hammering so loudly that you think the whole house may collapse from the noise alone. Just finding the time, never mind the motivation, to write and to read every day can be a challenge for those of us who live in the real world. Throw in a few unavoidable distractions from external sources and you’ve got a recipe for accomplishing nothing at all. Nevertheless, Mr Bradbury was quite correct in saying that the best way to be a writer is to read with gusto and write without ceasing. In fact, I do not believe that it is possible to succeed as a writer if you do not read widely and I am convinced that it is impossible to be a writer if you do not write often.
If you’re anything like me, however, you might find that it’s easier said than done on both counts.
Sometimes when you’re stuck trying to come up with a story, it helps to have a little nudge to spark off your creativity. The internet is, of course, bursting at the seams with all kinds of writing prompts and other creative stimuli and it can be difficult to know where to begin. So, today I’ve listed a selection of prompts for fiction writers (please, use them and abuse them; maybe even show us your efforts in the comments section below) but what I really want to do is explain how I like to use these kinds of prompts and what I feel their relative strengths and weaknesses are.
The worst possible thing that can happen to any writer is for them to look at their work (especially their half finished work) and decide that it’s rubbish. Any idiot can overcome writer’s block with just a little bit of perseverance, but despairing over your story can be crippling. Not only will it halt you in your tracks, but it will probably make you want to give up writing altogether. Well, I’ve said it before and I’ll say it again: Quitting is NOT an option! That includes quitting your current story, as well as quitting writing altogether.