Book Review: The Alloy of Law

If there is one series of fantasy novel I absolutely loved, it was the Mistborn trilogy by Brandon Sanderson, so I felt I was on pretty safe ground picking up this spin-off novel set some 300 years after the events of the original Mistborn trilogy.

This book follows the story of Lord Waxillium ‘Wax’ Ladrian, a lawman and Twinborn who spent most of his life trying to establish law and order in the aptly named Roughs until he is forced to return to the city of Elendel to fulfil his duties as head of a noble house. However when a spate of train robberies and kidnappings leave the local constabulary baffled and Wax’s intended fiancee is also kidnapped, Wax teams up once again with his old partner Wayne (I know…) to save the day with a whole lot of gun slinging and, of course, Sanderson’s trademark magic systems.

Sounds good, doesn’t it? And you’re right, it was pretty good.

Let’s start, as we always must, with the most important factor of any good story: characters. As was the case in the original trilogy, The Allow of Law boasts a stellar cast of larger-than-life characters whom you can’t help but fall in love with, especially the four main players: Wax (protagonist), Wayne (sidekick), Marasi (love interest) and, to a lesser extent, Miles (antagonist). All of these speak with their own distinctive voice, have well established and consistent traits which makes them stand out from one another and are reasonably well established in their goals and motives. I really can’t say anything bad about the characters and that alone makes a book worth reading.

Worldbuilding, of course, is something Sanderson is famous for doing well and the worldbuilding in The Allow of Law is no exception. While still firmly rooted in the world he established in the original trilogy, three centuries have passed since the events of The Hero of Ages and the world has moved on into industry, science and all the challenges any society might face while it is on the brink of modernity. It is unsurprising then that an emphasis is placed on crime, law and civil order, however we also get a good flavour for how religion and culture has developed over the centuries in a world in which metal endows some people with magic.

My main criticism of this book is that the pacing was just a shade too fast without much respite. There were a lot of action and fighting scenes, which can be cumbersome at the best of times, and even more so when the reader has to pause to remember what happens when a Coinshot pushes steel or a Bloodmaker taps his goldmind. And let me tell you, there’s a lot of that in this book.

Readers who are unfamiliar with the Mistborn world might want to read the original trilogy first. While the story is distinct enough from the original that it can stand alone, it is nevertheless deeply grounded in Sanderson’s original creation and tends to assume a certain level of knowledge from the reader about the world the story is set in (especially the magic system).

All in all, a fantastic little book. I’m not convinced it’s Sanderson’s finest work (he has set his standards so high) but it’s a good read and a strong successor to his earlier masterpiece.


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Due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

Throwback Thursday: The Well of Ascension: A Review


While every effort has been made to avoid spoilers in this post, anyone who has not read The Final Empire or The Well of Ascension by Brandon Sanderson is hereby advised that this post may contain a few unavoidable spoilers.

Some of you might have fallen into the trap of thinking I only ever do really short reviews because I do them so darn often [2] [3] [4] [5] [6] [7]. But I vowed at the start of this year that Penstricken was going to feature more reviews and that’s just what I intend to do. So, here we have it: my full scale review of The Well of Ascension by Brandon Sanderson; the second book in the high fantasy Mistborn series. As ever, this review reflects only my own personal opinions and impressions.

Before I begin, I just want to say one thing about the series as a whole. It features two of the most complex but beautifully constructed systems of magic I have ever come across: Allomancy and Feruchemy. I love these magic systems. I don’t have nearly enough time to explain in any detail how these work so for those of you who haven’t read the books, here’s a link to the Mistborn wiki’s articles on Allomancy and Feruchemy.

Now, down to business.

In the previous book (The Final Empire), the street urchin Vin discovered herself to be a powerful Allomancer and joined a crew of thieves who led a successful rebellion against the “god-like” Lord Ruler of the gloomy Final Empire. Now that the Lord Ruler is dead, the Empire is fractured. Various lords come against the capital city (Luthadel) amid rumours that it contains a wealth of atium: one of the most valuable Allomantic metals there is. Vin, her crew and her boyfriend-turned-king quickly find themselves living in a city under siege by forces they cannot possibly overcome.

Did I like this book? Yeah, I did. Sanderson set himself an incredibly high standard in the first book, The Final Empire and while I don’t think The Well of Ascension quite lives up to that standard, it’s still a pretty strong sequel.

As well as an excellent magic system, this book also boasts a strong cast of characters. I often find the characters in some high fantasies to be a bit samey and it can be difficult to remember who’s who. Not so in The Well of Ascension. It’s easy to see each character clearly in my minds eye as I’m reading; their backstories are well researched and they all have recognisable motives and goals. If I’m being critical, I would say that some characters — particularly Vin — have perhaps changed a little too dramatically since the last story but not in a way which seriously ruins things. While I agree it’s important for characters to grow and change, I do think she has taken a little too naturally to being the king’s consort, while in the previous novel she was a cowering street urchin, still haunted by the memory of her abusive brother. She does have inner demons in this instalment, but they seem more largely focused on her destiny and whether or not she deserves Elend’s affections. On the other hand, I did enjoy how Elend himself developed from a scholarly and naive king to someone who, though technically deposed, nevertheless takes charge of himself and shows himself to be a true king in every way that matters. Through adversity he learns and becomes a better man, which is what you want in any good guy’s character arc.

The dialogue is not bad, though could do with a polish. The individual character’s voices are not terribly distinctive, making it sometimes difficult to remember who is speaking (with the possible exception of Tindwyl and, to a lesser extent, Clubs). In a similar way the narrative itself is decidedly alright. Sanderson’s use of language is accessible without being infantile, allowing the reader to easily step into the misty grey Empire with its red sun and constant ash-fall. However, the pacing did sometimes drag a little bit. My main beef in this regard was with the fight scenes. There’s a lot of them, they’re often very long and tend to focus a little too heavily on the details of who’s burning what metal and what they’re pushing or pulling against. More than anything, these are the scenes which caused me to switch off because — irony of ironies — they often caused the narrative to drag more than the intentionally ‘slow’ scenes.

The plot itself excellent, with several complicated and important social, political and religious themes weaved throughout in a way which is not too in-your-face. I don’t want to give anything away but it essentially involves a struggle for power after the demise of the Lord Ruler, a few prophetic mutterings hinting at a much larger picture and a surprising twist at the end which will have you eagerly reaching for the third book. There is much more emphasis on the personal needs and feelings of the individual characters, most of whom were once fairly anonymous individuals who now find themselves at the centre of their Empire’s political turmoil. The romantic subplots could perhaps have done with a little bit more unpacking but they were there in the form of a love-triangle (of sorts) between Vin, Elend and Zane and a short-lived (but far better written) relationship between the two Keepers, both of whom were previous victims of the Lord Ruler’s controlled breeding program.

All in all, a strong sequel. And I don’t normally like sequels. Not as good as the first, but still pretty darn excellent.

My rating: 🌟🌟🌟🌟

Buy the Mistborn Trilogy on Amazon

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Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

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Book Review: Steelheart


While every effort has been made to avoid spoilers in this post, anyone who has not read Steelheart by Brandon Sanderson is hereby advised that this post may contain a few unavoidable spoilers.

There are two things I really like: Brandon Sanderson and superhero stories, so when I heard that Sanderson had written a series of superhero stories, I knew I had found my next book. I was so confident that I would like it that I even bought the first two books at the same time, despite normally being wary of blowing money on serialised novels in case they’re rubbish (I would’ve bought the whole series but my Waterstones vouchers didn’t stretch that far on top of everything else I wanted to buy).

This story is set in a not-too-distant post-apocalyptic dystopia where a mysterious stellar event, known as Calamity, has gifted certain people with super powers. These individuals, known as Epics (Sanderson consistently shies away from the word superheroes/super villains), have taken over the world, oppressing ordinary humans and imposing their own despotic rule on whatever territory they deem to be their own. The main antagonist in this story is one such Epic: Steelheart, a seemingly invulnerable man who kills David’s (the protagonist) father in front of him. However, the boy David also saw something impossible at the same time: he saw Steelheart bleed, and swore he would make it happen again to avenge his father. As an adult, David joins a group of anti-Epic resistance fighters known as Reckoners and together they hatch a daring plan to kill Steelheart and put an end to his ruthless reign over Newcago (formerly Chicago).

There are a lot of things I like about this novel, and I am looking forward to reading the next instalment, but I won’t lie to you: it was a bit of a disappointment compared to Mistborn.

Let’s get down to brass tacks.

In a similar way to the The Final Empire, Steelheart features a young protagonist who joins a group of rebels (the other ‘good guys’) with the primary goal of taking down a seemingly indestructible despot who barely appears in the narrative until the story’s climax. The characters all have their own little distinctive quirks and are, for the most part, likeable. My only criticism is that they were, perhaps, a little half-baked by Sanderson’s usual standards. For instance, David, the protagonist, was okay in general but he seemed little too ridiculous to believe insofar as things seemed to fall into place a little too easily for him despite impossible odds, especially in the beginning.

Oh, and while I’m complaining about my least favourite characters, can I mention Megan? Apart from being one of only two major female characters and the only one with a clear personal tie to the protagonist, she doesn’t even come across as a particularly well written character, at least before the last few chapters. She’s beautiful, feisty, with a hidden vulnerability and (you guessed it!), she’s the obvious love interest. David thinks she’s hot but doesn’t know if she likes him or not because she seems to be sending him mixed signals. I will admit that I wasn’t prepared for what happened to her and who she turned out to be, so it’s maybe worth persevering with Megan until the end of the book but it took me quite a lot of chapters to actually like her as a character.

The plot worked, although I felt there was a certain inevitability about it. David wanted to join the Reckoners, so he did. He talked them into killing Steelheart. They planned to do it. Executed plan. Did it. End. It lacked that all important sense of rising action, conflict, tension, greater conflict, greater tension and final climax when it came down to the main story of David’s quest for revenge and the Reckoners’ plan to kill Steelheart. On the plus side, there were a few interesting twists regarding the identities of characters like Megan and Prof. I won’t spoil what they were, but I will only say that I had my suspicions about Prof from fairly early on; I wasn’t ready for what happened with Megan at all, however. That was glorious and her only saving grace.

As usual, Sanderson’s writing style was a joy to read: clear, straight-forward and written in a solid 1st person voice from David’s point of view. In keeping with that character’s tendency to use lousy metaphors in his speech, the narrative itself was also replete with eccentric figurative language which was appropriate (though perhaps not always quite as funny as Sanderson intended it to be).

I did find the profanities used by the characters a little odd. Don’t get me wrong, I tend to have a ‘less is more’ attitude towards profanity in fiction, but it seems that all but the mildest of swear words we use in the real world have been replaced by made up swear words including ‘sparks’ , ‘slontze’ and ‘Calamity’. Depending how far in the future this book is set, I suppose its possible we’ll chuck out all the old curses and invent brand new ones, but I get the impression this book is set in a period relatively close to our own. As much as I dislike bad language, I personally found this stuff a bit jarring.

I know what you’re thinking. I sound like I hated this book. I did not hate this book. In fact, I really liked this book. It’s a great bit of highly enjoyable, action packed, funny-in-places escapism. If I sound like I’ve been hard on it, it’s only because Sanderson has set the bar so high with all his other books that it’s hard not to compare them. This is not my favourite Brandon Sanderson book, not by a long way; but it is a great book. You should definitely read it.

My rating: 🌟🌟🌟

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what steals your heart (you see what I did there?).


I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

Super Snappy Speed Reviews – Books (vol. 2)


While every effort has been made to avoid spoilers in this post, anyone who has not read: The Final Empire by Brandon Sanderson, The Colour of Magic by Terry Pratchett, A Game of Thrones by George R.R. Martin, The Moon is Down by John Steinbeck, Different Seasons by Stephen King, Curtain by Agatha Christie or Dr Jekyll and Mr Hyde with The Merry Men & Other Stories by Robert Louis Stevenson is hereby advised that this point may contain a few unavoidable spoilers.

It’s that time again! We’ve already had super snappy speed reviews for books, TV shows and films, and now it’s time to return for a second helping of super snappy book reviewsAs before, the books I have reviewed here have been selected entirely at random from my ever-growing book collection and do not necessarily have anything in common apart from the fact that they are all books. They are not necessarily books that I particularly liked or disliked, nor are they sorted into any particular order.

As always, these reviews only reflect my own personal opinions and impressionssquished, sliced and diced into a few short sentences. So without further ado…

The Final Empire by Brandon Sanderson

As much as I like fantasy, I’m also picky about it. Fortunately, this book (the first instalment of the Mistborn series) has it all: a richly imagined fantasy world, compelling characters, an excellent magic system and a plot which kept me glued to its pages from beginning to end. Best of all, Sanderson has obviously understood that while good world building and detailed magic systems are important elements of fantasy, it is characters that really count when it comes to writing a good story.

My rating: 🌟🌟🌟🌟🌟

The Colour of Magic by Terry Pratchett

Speaking of fantasy, this book (the first instalment of Pratchett’s Discworld series) is arguably one of the most imaginative books I have ever come across. The characters are compelling and there is a goodly dash of wit spread throughout this rather dream-like narrative. My only complaint is that while the world building does demonstrate something of Pratchett’s superhuman imagination, the time spent he spends explaining the minute details of his world (and the additional time required for the reader to assimilate it all) does drag the pace down to a crawl at certain points.

My rating: 🌟🌟🌟

A Game of Thrones by George R.R. Martin

At the risk of being flamed to death… I found A Game of Thrones a bit of a drag. No, wait, hear me out! It’s got a lot going for it! There’s a lot of different characters’ points of view represented in the book which made it more true to life (though a bit more difficult to follow; just who is the protagonist in this story?), strong world-building, a good plot it’s just… I don’t know. I found myself getting bored as I read it. I’ve not been able to bring myself to read the next six books yet. Maybe I’ll watch the TV show one day and see what all the fuss is about.

My rating: 🌟🌟🌟

The Moon is Down by John Steinbeck

Steinbeck can do no wrong. This little novel is about a small but tactically important coal mining town which is taken over by a battalion from a non-specific nation (reminiscent of Nazi Germany) who are at war with England and Russia. It is essentially a story about freedom, democracy and oppression, crafted with the kind of fineness of style that only Steinbeck can produce. Read it now.

My rating: 🌟🌟🌟🌟🌟

Different Seasons by Stephen King

This collection of stories by Stephen King includes, among others, the classic Rita Hayworth and Shawshank Redemption. In true King style, most of these stories have a dark tone to them, although I wouldn’t really have described any of them as horrors or fantasies in the truest sense of the word (although The Breathing Method does include certain fantasy elements, I suppose). I loved, loved, loved Shawshank. The Body and The Breathing Method were alright too. Apt Pupil was also very well written, however it did focus on a young boy with an unhealthy obsession with violence and his toxic relationship with a Nazi surgeon. Personally, I found it a little too dark for my tastes.

My rating: 🌟🌟🌟🌟

Curtain by Agatha Christie

In this, the final adventure for Christie’s famous Belgian detective, we see a Hercule Poirot (now very frail and elderly) who has been drawn back to the scene of his first adventure to solve one last crime before it even takes place. The mood is somewhat more melancholy than in earlier Poirot novels and I must admit… I found the ending just a little bit ridiculous, given the otherwise serious tone of the book. It feels a bit like Christie came up with a compelling mystery but then was unable to imagine a good way to resolve it. In a word, an okay read until you get to the end.

My rating: 🌟🌟

Dr Jekyll and Mr Hyde with The Merry Men & Other Stories by Robert Louis Stevenson

I thoroughly enjoyed most of the stories in this little volume. Jekyll and Hyde is, of course, a classic tale which has justifiably earned a familiar spot in modern culture, even among those who haven’t read it. The Merry Men was okay, although I found Stevenson’s rendering of the Scottish accent difficult to follow (and I’m a Scottish person myself!). Markheim and Olalla were both enjoyable enough little reads with (not too) dark undertones. Janet Thrawn was decidedly tedious. The Treasure of Franchard, with its larger than life characters, was easily my favourite.

My rating: 🌟🌟🌟🌟

Well, I hope you enjoyed these itzy-witzy book reviews. No doubt we’ll do it all again soon! Why not comment your own thoughts on these books below? Or maybe you could give us a short review of something else that you’re reading? And if you enjoyed this post, be sure to ‘like’ it and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if you fancy it.

Oh, and be sure to come back next week for the next instalment of 6 ‘SIX WORD STORIES’ FOR THE 6TH.