App Review: Text Adventure

Many years ago, before we had fancy graphics and things, computer games were entirely text based. Scenes would be described and the player would navigate his way through the story by typing in basic commands such as ‘walk east’ or ‘open door’.

It was a simpler time. Harder games, but a simpler time. And if you long for the glory days of graphics-free interactive stories then let me introduce you to Text Fiction by Onyxbits.

This Z-machine interpreter for Android brings text based interactive stories straight to your phone, beautifully drawing together the simplicity of old fashioned text adventures with the crisp, modern layout of bubble-style text messaging. It’s not a single text based game, but ‘an interpreter for interactive fiction stories’ with a library of a whopping 183* different interactive stories to choose from, including the Z-machine’s crowning glory: Zork.

I have very few negative things to say about this app. It’s a thing of sheer beauty.

When you open the app, the first thing you will see is the library of stories you have on your device. Adding new stories is a piece of cake. You will notice on the library screen that there are three icons along the top: a little downward pointing arrow, a little collection of squares with a cross in the middle and three parallel dots. Tapping on the downward arrow will take you to the online story library where you can browse and download any of 183 text adventures by various authors, most of which are in the public domain and are therefore completely free. Once you’ve downloaded a story, you can then import it into Text Fiction by clicking the middle icon and choosing which story/stories you want to import. It’s a cinch to do. Even an educated idiot like me can do it in about two minutes flat (unless of course you find yourself completely overwhelmed by indecision in the face of so many free stories, all at your fingertips).

It also goes without saying that deleting a story from your library is as simple as clicking the little bin icon beside the story you’re finished with. Simple, simple, simple. Everything about this app is just so darn simple and intuitive.

Screenshot_2018-08-06-09-58-47.pngNowhere is this truer than with the actual gameplay itself. The screen is set up like a bubble-based messaging app, similar to most modern apps for text messaging. Information appears in bubbles from the left and you ‘reply’ in the same way you would if you were texting, by typing simple commands such as ‘walk north’ or ‘pick up key’. If even that all seems too much like hard work, there is a simple icon-based menu at the bottom allowing you to quickly issue basic verbs. You can also tap on certain key words in the text itself (directions for example) to instantly add that word to the command box, thus minimising the length of time you spend battling with your phone’s positive precocious postcard predictive text.

The app is also highly customisable for accessibility. There are a variety of colour themes to choose from (with strange names like Alice and Jason; you’ll just have to use trial and error to find your favourite I’m afraid) and you can also change the font and font size. There is also a ‘text to speech’ option which, according to Onyxbit’s website, makes the app ‘easy to handle for blind and visually impaired users’. This works okay, but I think it would’ve been nice to include audio input, as well as output, for users with especially poor eyesight. As it is, the blind and visually impaired user can easily hear the story (in fact, the ‘text to speech’ is a little bit on the shouty side) but there is no help to be had when it comes to inputting commands. Audio input, or even the ability to increase the size of the verb icons, would have probably been helpful in this regard.

In terms of how well the app runs, I have very few complaints. It goes easy on the battery and takes up very little of your phone’s memory. It’s fast, smooth, responsive and best of all, ad free! The app itself seems to be completely bug-free as far as I can tell; however I have experienced a bug with one game in particular (I don’t know if any others have this or not) where every time I tried to play the game, the app would crash and I’d get an ‘unfortunately Text Fiction has stopped’ message. I don’t know whether this is a fault with the game or with the app itself, however I have not found any other bugs like this with any of the other games I’ve played (note: I’ve only played 4 of the 183 games available) so I’m inclined to blame it on the game.

Oh one more thing: this app is completely free so you’ve got nothing to lose. Give it a go! I’m certain you’ll love it.

My rating: 🌟🌟🌟🌟🌟

FOOTNOTES:

*Correct at time of publication.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what pickles your onions.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Book Review: Ready Player One

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read Ready Player One by Ernest Cline is hereby advised that this post may contain a few unavoidable spoilers.

‘Enchanting. Willy Wonka meets The Matrix‘ (USA Today). That’s what the little quotation says on the front cover of Ready Player One by Ernest Cline.

High praise indeed. High enough to make me buy it and read it. But I know what you’re thinking: ‘did it deliver?’

The opening chapters of this novel introduce us to Wade Watts: a super-geek teenage boy living in a dystopian not-too-distant future. He’s bitter, cynical and spends most of his time hiding from his abusive aunt in the OASIS: a (seemingly endless) online virtual reality/computer game. There, he dreams of finding the ‘Easter egg‘ which the OASIS’ programmer created, promising in his will that whoever found it would gain full control of the OASIS and get all of his considerable wealth. There’s also a fairly unremarkable romantic sub-plot thrown in there for good measure (Wade meets a girl on the internet, falls in love with her though he’s never met her, she keeps him at arms length because she’s insecure about something, turns out she’s got a birth mark on her face, Wade still loves her anyway, they meet in real life after thwarting the bad guys, kissy kissy, the end).

In a word, Ready Player One is a good, fun story. Not at all bad for a debut novel. It was a little hard to suspend my disbelief at points, as he breezes through impossible odds just a little too often for my taste (I know he’s smart and I know he’s good at computer games, but come on). Don’t get me wrong though, this book is still a real page-turner. I think geeks, gamers and lovers of retro will probably find it far more enjoyable than the rest of humanity because it is bursting with gaming lingo and references to computer games, TV shows, movies and music from the 1980s, some of which may be lost on the uninitiated, though I think Cline still does a pretty good job explaining everything without too much info-dumping. No small achievement in a story of this kind.

The first-person narrative style was, for the most part, a joy to read and let us get right under the skin of Wade as all good first person narratives should. If I was being hyper-critical about the narrative voice, I would only add that it sometimes felt like Wade spent the whole novel ‘getting the hell out of Dodge’. I don’t know how often he used that expression but… it was a lot. I know people tend to use the same expressions over and over in real life but still…

Anyway, let’s talk bad guys. Innovative Online Industries (led by the unrepentant Nolan Sorrento) are a global internet service provider who are determined to seize the Easter Egg before anyone else so that they can charge people to use the OASIS and use it as an advertising space. Their methods range from the unfair to the downright brutal (blowing up houses, throwing people out of windows and so forth). Absolutely no redeeming qualities whatsoever as far as I could tell. If you like a bad guy you can boo and hiss at, you’ll love these guys. If you want a bad guy you can sympathise with, you’d better look elsewhere because these guys are b-b-bad to the bone: slippery, devious and with seemingly limitless resources, there is simply no low to which they will not stoop in their quest for the Egg. In spite of this, I actually quite liked them. Yeah they’re a bit two dimensional but… dang, they’re just so much fun to boo at. However, without wanting to give too much away, I will say that I was really looking forward to an epic final battle between Wade and Sorrento and I didn’t really get one. I mean, yes, there’s a battle but it was over before it started. Wade kicked butt, raced Sorrento to the Egg and… got there first. Wade wins. The end. If only Sorrento had had one more ace up his sleeve in that final scene, I would’ve been satisfied but no. He just loses.

Digging a little deeper, I get the impression Cline was trying to build a bit of a theme, paralleling Wade’s search for the Easter Egg with religion; or at the very least, with higher causes in general (for instance, consider the way Wade treats Anorak’s Almanac almost as if it were some kind of holy scripture). I’m not sure if this was deliberate but I think it was. It’s the only explanation I can think of for the lengthy ‘religion-is-stupid’ diatribe in chapter one, and for the devout Christian minor-character who appears just long enough for Wade to compare the Hunt for the Easter Egg to Christianity:

I never had the heart to tell her that I thought organised religion was a total crock. It was a pleasant fantasy that gave her hope and kept her going– which was exactly what the Hunt was for me.

Ernest Cline, Ready Player One, ch. 1

It’s either that or he was soapboxing. Possibly both. Either way, it was a good idea for a theme but it could’ve done with a bit of work. It kind of fizzles out without reaching any conclusion that I can see.

All in all, a great story. A little weak on a few technical points, but an enjoyable read and an enthralling adventure all the same. And yes, it is vaguely reminiscent of Willy Wonka and The Matrix.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what blows your nose.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Super Snappy Speed Reviews – TV Edition (Vol. 2)

SPOILER ALERT

While every effort has been made to avoid spoilers, anyone who has not seen Star Trek: Discovery, Lois and Clark: The New Adventures of Superman, Hooten & The Lady, Endeavour or Doc Martin is hereby advised that this post may contain a few unavoidable spoilers.

Yes it’s another day and another instalment of Super Snappy Speed Reviews. So far we’ve reviewed books [2] [3], TV showsfilmscomputer games, writers’ apps and even the Star Trek movies, so this time it’s going to be all about TV shows. I’ve picked 5 TV shows entirely at random from my DVD rack/Now TV/Lovefilm/etc. accounts and reviewed them all in no more than four or five sentences.

As ever, these reviews reflect nothing but my own personal opinion. The TV shows I have selected have nothing in common, save the fact that they are all fictional stories. They are not necessarily stories of the same genre, nor are they necessarily TV shows that I particularly liked or disliked, nor are they sorted into any particular order. These reviews reflect nothing but my own impressions and opinions, reduced, powdered and decimated into a few short sentences. So without further ado…

Star Trek: Discovery

Star Trek: Discovery promised a lot more than it actually delivered. Roddenberry’s utopia has been replaced with a grim world where Starfleet personnel see nothing wrong with using living creatures to power their engines and the crew are all at each others’ throats. It’s also got far more bad language and other adult content than we’ve become used to after fifty years of Star Trek. Don’t get me wrong, it’s a top-notch TV space opera, almost as good as Star Trek… but it’s not Star Trek.

My rating: 🌟🌟🌟🌟

Lois and Clark: The New Adventures of Superman

If you’re sick of the dark and gloomy superhero films/TV shows we’ve been getting served up recently, you might want to have a look at this ’90s gem. From a story writing point of view, it focuses far more on the developing relationship between Lois Lane and Clark Kent than on any superheroing (verb: using superpowers to rescue people while wearing impossibly tight spandex) and I think that is what makes it so compelling. It’s lighthearted, cheesey in the extreme and yet not entirely without substance. Be warned, it does end on an unresolved cliffhanger.

My rating: 🌟🌟🌟

Hooten & the Lady

My wife and I were perusing Now TV one day when we stumbled across this ‘rip-off Indiana Jones meets rip-off Lara Croft’ type show. Don’t be put off by my use of the word ‘rip-off’, however. This is a thoroughly entertaining show, especially if you long for the days of feel-good adventures and light-hearted love triangles that don’t really come to anything. I should point out, however, that if you have even the most elementary knowledge of history, religion or archaeology, you might want to switch your brain off. It’s a fun show, but there’s a lot of nonsense in it.

My rating: 🌟🌟🌟

Endeavour

Prequels are often rubbish; Endeavour is not. This show balances complex mysteries (a little too complex, if I’m being critical) with a rich cast of characters that can just as easily stand alone, apart from the original Morse canon. In addition to solving mysteries that his (rather lazy and/or inept) superior officers cannot, this show focuses heavily on the formative years of the Morse character and the personal issues he faces as he develops into the character portrayed by John Thaw. It’s intense, but not overwhelmingly so. Do yourself a favour and watch it.

My rating: 🌟🌟🌟🌟🌟

Doc Martin

I really like this show. It balances drama, comedy and a rich cast of distinctive, well-written characters in a way few modern prime time TV shows manage. Having said that, I feel like they should’ve probably axed it after series 7 or so. The story is clearly finished now and it is beginning to feel a little bit like ITV is flogging a dead horse.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what teles your vision.

ATTENTION AUTHORS: 

I’m hoping to do author interviews here on Penstricken over the coming year, especially with new fiction authors. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Until next time!

The Collapsing Empire: A Review

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read The Collapsing Empire by John Scalzi is hereby advised that this post may contain a few unavoidable spoilers.

As ever this review reflects only my own personal opinions and impressions.

When I first heard about John Scalzi’s The Collapsing Empire, I thought ‘that sounds like my kind of book’. I love a good space opera and the manifold positive reviews I read all suggested that was exactly what I was going to get, so I thought it was a safe bet. But I’ll be perfectly honest. I have mixed feelings about this book. Don’t get me wrong, there was a lot of stuff I absolutely loved about it, but there was also plenty of stuff I wasn’t so keen on.

First let me say that Scalzi’s world-building is top-notch. It’s hard to be original, interesting and scientifically not-too-ridiculous when writing a space opera but I think Scalzi has done an excellent job balancing these three. There is a certain homage paid to the tropes found in classic space operas like Star Trek, Star Wars and especially Dune but this is by no means a cheap knock off of any of those. In this story, Earth has long since been abandoned and humanity now lives in a galactic empire called the Interdependency. The various worlds of the Interdependency are thinly spread across the galaxy and joined together by the Flow (this story’s answer to hyperspace; a naturally occurring network through which vessels may travel from one place to another, kind of like a space-subway) and have been carefully organised so as to be interdependent on one another for resources. Trade in the Interdependency is controlled by various Guilds who each have their own government sanctioned monopolies. And now, horror of horrors, the Flow is beginning to collapse and society as we know it is about to end. I love all that stuff. That stuff’s brilliant.

Not only do I like what Scalzi has created, but I also like how accessible it is for the reader. Sometimes when you read sci-fi, you have to take notes to figure out just how the heck everything works when all you really want to do is enjoy the story, but that’s not the case here (although I thought the scene where the guy at the university lectures a group of school children on how the Flow works was a bit of a cheap trick). However, apart from the accessibility of the speculative elements, I found myself a little but underwhelmed by the overall writing style. Don’t misunderstand me, it was okay but all the reviews I had read suggested it was going to knock my socks off. I thought it was decidedly alright. The narrative is fast paced but not in a way that is dizzying or confusing. There are generous dollops of humour in his narrative which, although not entirely to my taste (when I read ‘explody bits of metal’, a grimace the closest thing to mirth I could manage), nevertheless make the book a pleasant enough read.

The characters are, in some respects, very good indeed. Each one has clearly established goals which derive from their individual motives and these shine through consistently, making it easy to get to know who’s who, what they want and why we should care about them; whether it’s the slippery Nohamapetans, the potty-mouthed Kiva or the reluctant but faithful Emperox– all these well researched characters form the foundation of this story and drive the story along in a way which is both believable, compelling and satisfying. I do think he could have improved these, however, by working a little bit harder to create distinctive voices for each character to bring out their individual backgrounds and personalities more fully. As it is, the characters’ voices can be divided into two categories: the ones who don’t swear much and the ones who swear like a sailor who just stood on a Lego brick.

My biggest complaint about this story is the ending. Or, to be more precise, the distinct lack of ending. It’s a ‘buy the next book!’ ending. And that makes me never want to buy the next book. Yes, yes, I know it’s the first in a series and I know we need to have something to look forward to in the next book, but I nevertheless would have liked a bit more resolution on some of the main issues in this first instalment.

All in all, a strong enough piece of work if space operas are your thing and you don’t mind excessive profanity. Just make sure you’re prepared to buy the next instalment before you go spending any money because this is most definitely not a book which can stand alone and apart from the rest of the series.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what collapses your Flow.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Super Snappy Speed Reviews – Books (Vol. 3)

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read: Uncommon Type: Some Stories by Tom Hanks, The Seven by Peter Newman, Goldfinger by Ian Fleming, A Touch of Frost by R.D. Wingfield, Ben-Hur: A Tale of the Christ by Lew Wallace or The Green Mile by Stephen King is hereby advised that this point may contain a few unavoidable spoilers.

You know the rules by now! After all, we’ve already had super snappy speed reviews for books [2], TV showsfilmscomputer games and even the Star Trek movies. And so today we’re back for a third dose of super snappy book reviews. As before, the books I have reviewed here have been selected entirely at random from my ever-growing book collection and do not necessarily have anything in common apart from the fact that they are all books. They are not necessarily books that I particularly liked or disliked, nor are they sorted into any particular order.

As always, these reviews only reflect my own personal opinions and impressions, sliced, diced and minced into a few short sentences. So without further ado…

Uncommon Type: Some Stories by Tom Hanks

Yes, that Tom Hanks. His debut collection of short stories was decidedly okay. He almost lost me in the first story Three Exhausting Weeks when he used emojis, and the overall flow of the narrative was a little clumsy at points throughout the collection (too many unnecessary profanities for my taste) but there was enough high quality material in there to keep me reading until the end. For me, his writing demonstrated a wonderful creativity but was just slightly deficient in the subtle use of language which can turn an excellent story into a beautiful work of art.

I expected worse but I hoped for better.

My rating: 🌟🌟

The Seven by Peter Newman

I swore I would never review this book; not because I don’t like it, but because there is just so much Peter Newman love on this website [2] [3] [4] [5] and on my Twitter account [2] [3] [4] [5] [6], I was getting scared he might think I was some kind of weirdo stalker and call the police on me. But what can I say? These books were chosen at random and this is what came up so, here we go. A nice, measured, critical review of The Seven:

I LOVE THE SEVEN. It is an excellent conclusion to an excellent series filled with sharp characters, a vividly imagined dystopian setting, nicely seasoned with just the right amount of comedy relief. I don’t know if I love it quite as much as the first book but I still love its socks off.

My rating: 🌟🌟🌟🌟

Goldfinger by Ian Fleming

The original novels upon which the James Bond movies are based tend to be quite hit or miss. Some of them are unputdownable thrill rides which have you on the edge of your seat from cover to cover. Unfortunately, Goldfinger features waaaaaay too much golf for my liking.

I’m not knocking golf. But this is a spy-thriller for goodness’ sake and my main memory of it is Bond playing golf with Goldfinger. Fleming devoted not one, but several chapters to describing this single round of golf in considerable detail. I won’t lie to you, I started skipping whole paragraphs after a while. It’s not often I say this, but just watch the film instead.

Bored, James Bored.

My rating: 🌟

A Touch of Frost by R.D. Wingfield

There are some things I loved about this novel and there are some things I did not love about this novel.

I loved the useless, bumbling and irreverant Frost character and, to a lesser extent, the Mullett character and the interplay between them. The overall plot was good and reasonably well paced.

I did not love the poorly handled third person omniscient narrative which told us almost everything every character was thinking. Nor did I love the crude and at times downright sleazy humour Wingfield invoked. The female characters are all presented as cheap sex objects and the males without exception are chauvinists at best, often making crude jokes about rape and other sensitive topics.

My rating: 🌟🌟

Ben-Hur: A Tale of the Christ by Lew Wallace

If only all Christian fiction was as excellent as Ben-Hur; for Christian fiction it is, though it is so far removed from the modern genre that it is barely recognisable as such. This novel’s got it all: conspiracy, revenge, romance, adventure and even chariot racing. Themes of family, friendship, gender, slavery and life-after-death are all explored in a way that leaves the reader thinking long after the book has been finished. The characters are excellent, especially the protagonist (Judah Ben-Hur) and his childhood friend turned arch-nemesis, Messalla. I should warn you that there is quite a lot of theo-philosophical discourse between various characters. Fortunately, I like theo-philosophical discourse and it is executed in such a way that it does not seriously harm the pacing of the story.

My rating: 🌟🌟🌟🌟🌟+ ∞

The Green Mile by Stephen King

When I reviewed the film adaptation of this novel, I gave it a glorious 5 stars +∞; a rating I give only to those stories which (in my opinion) set the standards for their particular genre. But a good film adaptation will never be born of a bad novel and the same is true here. The Green Mile is an excellent novel; by far my favourite by Stephen King. It might be something to do with the fact I’m not a particular lover of horror but I don’t think so. This novel has vibrant characters, detailed settings and a beautiful first person narrative in which the protagonist describes events that happened in his past as well as events that are happening to him now, as he writes the story decades later.

My rating: 🌟🌟🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what reviews your books.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.