Super Snappy Speed Reviews – TV Edition (Vol. 2)

SPOILER ALERT

While every effort has been made to avoid spoilers, anyone who has not seen Star Trek: Discovery, Lois and Clark: The New Adventures of Superman, Hooten & The Lady, Endeavour or Doc Martin is hereby advised that this post may contain a few unavoidable spoilers.

Yes it’s another day and another instalment of Super Snappy Speed Reviews. So far we’ve reviewed books [2] [3], TV showsfilmscomputer games, writers’ apps and even the Star Trek movies, so this time it’s going to be all about TV shows. I’ve picked 5 TV shows entirely at random from my DVD rack/Now TV/Lovefilm/etc. accounts and reviewed them all in no more than four or five sentences.

As ever, these reviews reflect nothing but my own personal opinion. The TV shows I have selected have nothing in common, save the fact that they are all fictional stories. They are not necessarily stories of the same genre, nor are they necessarily TV shows that I particularly liked or disliked, nor are they sorted into any particular order. These reviews reflect nothing but my own impressions and opinions, reduced, powdered and decimated into a few short sentences. So without further ado…

Star Trek: Discovery

Star Trek: Discovery promised a lot more than it actually delivered. Roddenberry’s utopia has been replaced with a grim world where Starfleet personnel see nothing wrong with using living creatures to power their engines and the crew are all at each others’ throats. It’s also got far more bad language and other adult content than we’ve become used to after fifty years of Star Trek. Don’t get me wrong, it’s a top-notch TV space opera, almost as good as Star Trek… but it’s not Star Trek.

My rating: 🌟🌟🌟🌟

Lois and Clark: The New Adventures of Superman

If you’re sick of the dark and gloomy superhero films/TV shows we’ve been getting served up recently, you might want to have a look at this ’90s gem. From a story writing point of view, it focuses far more on the developing relationship between Lois Lane and Clark Kent than on any superheroing (verb: using superpowers to rescue people while wearing impossibly tight spandex) and I think that is what makes it so compelling. It’s lighthearted, cheesey in the extreme and yet not entirely without substance. Be warned, it does end on an unresolved cliffhanger.

My rating: 🌟🌟🌟

Hooten & the Lady

My wife and I were perusing Now TV one day when we stumbled across this ‘rip-off Indiana Jones meets rip-off Lara Croft’ type show. Don’t be put off by my use of the word ‘rip-off’, however. This is a thoroughly entertaining show, especially if you long for the days of feel-good adventures and light-hearted love triangles that don’t really come to anything. I should point out, however, that if you have even the most elementary knowledge of history, religion or archaeology, you might want to switch your brain off. It’s a fun show, but there’s a lot of nonsense in it.

My rating: 🌟🌟🌟

Endeavour

Prequels are often rubbish; Endeavour is not. This show balances complex mysteries (a little too complex, if I’m being critical) with a rich cast of characters that can just as easily stand alone, apart from the original Morse canon. In addition to solving mysteries that his (rather lazy and/or inept) superior officers cannot, this show focuses heavily on the formative years of the Morse character and the personal issues he faces as he develops into the character portrayed by John Thaw. It’s intense, but not overwhelmingly so. Do yourself a favour and watch it.

My rating: 🌟🌟🌟🌟🌟

Doc Martin

I really like this show. It balances drama, comedy and a rich cast of distinctive, well-written characters in a way few modern prime time TV shows manage. Having said that, I feel like they should’ve probably axed it after series 7 or so. The story is clearly finished now and it is beginning to feel a little bit like ITV is flogging a dead horse.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what teles your vision.

ATTENTION AUTHORS: 

I’m hoping to do author interviews here on Penstricken over the coming year, especially with new fiction authors. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Until next time!

Flash Fiction: The Girl & The Car

You know what? Sometimes, it’s murder coming up with a good title for your story. I wrote this little flash-fic ages ago, and although I don’t think it’s the best story I’ve ever written, I wanted to at least share it on the blog but… I just haven’t been able to come up with a decent title for it to this day; and believe me, it hasn’t been for a lack of trying. Still, it’s been sitting on my computer doing nothing for too long so for better or worse, here it is. Feel free to suggest better titles in the comments.

As always what follows is entirely my own work and has not been published anywhere else in the world, whether in print or online, nor do I expect or permit it to be. And so without further ado, I give you:

The Girl & The Car

by A. Ferguson

 

The car was mine. I found it, so it was mine.

I don’t know how it got there. I was just playing in the bushes at the bottom of the hill one day and there it was, in the clearing. It didn’t have any glass in the windows and two of the doors were missing. Also the steering wheel came off if you turned it too hard.

I couldn’t have been happier. My own car. A real one. I let Michael and Paul use it too, and sometimes I even let them drive it because it’s no fun on your own. That was okay because they knew it was mine because I found it. I didn’t tell Mum and Dad about it and I told Paul and Michael not to tell their mums and dads either. Adults have funny ideas about things like that. I knew they wouldn’t let me keep the car, even though I found it fair and square and it didn’t really go.

It was Sunday. Me and Michael were playing Batman in the car while we waited for Paul. His family went to a different church from me and Michael so we always met him after lunch. I was Batman (obviously, because it was my car) but it was Robin’s turn to drive.

When Paul arrived, he had a girl with him.

‘Girls aren’t allowed in the car!’ Michael objected. ‘Why’d you even bring her here? This is private property.’

‘Aw, c’mon Mikey, she’s my cousin!’ Paul whined. ‘Mum said I had to. It’s just for today. I swear I tried not to but they said I had to or I couldn’t come out. I swear I tried!’

‘Well, she’ll have to sit in the back!’ I decreed, thinking myself generous. I don’t know how old she was but she was younger than us. Too young. And a girl.

‘I want to drive!’ She cried with glee. ‘Please please please please, pretty, pretty please!’

‘No.’ I said. Enough was enough.

‘How not?’

‘Cause. It’s my car. Girls aren’t allowed.’

‘Come on, Haitch, let her have a go.’ Paul said. ‘It’s only for today.’

‘He’s siding with her!’ Michael jeered, gripping the wheel even though it had fallen off again.

‘I’m not! It’s just Mum said I had to or I couldn’t come out. It’s only for today. Come on!’

‘Your mum only said she had to come with you. She’s with you.’ I ruled. ‘She doesn’t even know about the car so that doesn’t count.’

‘Henry!’ Michael hissed, grabbing my arm. ‘What if she tells?’

‘I’m telling!’ The girl taunted us. ‘I’m telling, I’m telling!’

‘That was your fault!’ I said, punching Michael in the arm.

‘How’s it my fault? Paul brought her!’ He hit me back, though not hard. I guess he knew it was his fault.

‘I’m telling, I’m telling!’ The girl sang in words that didn’t rhyme. ‘Let me drive or I’m telling!’

‘Henry, just let her drive!’ Paul pleaded. ‘What’s the big deal? It’s only for one day.’

‘She’s a girl!’ I exploded. ‘And she’s too wee, she’ll tell!’

‘I’ll not tell if you let me have a go.’ She promised. I was about to argue but–

‘Alright.’ Michael said, opening the imaginary door and climbing out. ‘You can have a go, just a quick one mind! But you’d better not tell!’

Treachery!

‘That’s not how it works!’ I said, clambering across to the driver’s seat and grabbing the wheel. ‘It’s mine!’ I said, pointing to the place on the dash where I had scratched ‘HBS’ into the dashboard. That’s my initials: Henry Barrington-Smyth. ‘I found it, so it’s mine!’

‘Fine!’ The girl shouted. ‘It’s a stupid car anyway! I’ve got a better one at my bit, with proper doors and windows and everything! And it drives for real! And you’re not getting a go!’

Then she went away. Paul went after her.

‘Just let her go!’ I shouted after him. He turned to face us but kept walking backwards slowly.

‘I can’t! My mum, she said…’ He trailed off. Then he turned and ran after her.

‘Paul! Paul! Just let her go, Paul!’

He ignored me. Michael ran after him, leaving me alone in the car. I couldn’t move. It felt important to hold my ground in the car. The car was mine as long as my bottom was on the seat and my hands were on the wheel. Ahead, at the edge of the clearing, I saw Michael grab Paul by the arm to pull him back. Paul shrugged him off and shouted something at him. I don’t know what it was but his face was livid. He stormed off through the bushes, out of the clearing. Michael followed him, shouting after him but was back a few moments later. He came back to the car.

‘Henry, what if she tells?’ Michael asked again. His voice was quivering and his face was ashen.

‘She won’t tell.’ I said, fighting to ignore a hollow sensation in my stomach. ‘Paul won’t let her. She won’t tell. She was just saying that.’

* * *

Well, she told. Ten minutes later, Michael’s mum came down into our clearing where our car was parked. We were still sitting there, forcing ourselves to be Batman and Robin. Michael got such a blazing row off his mum that I didn’t know where to look. She gave me a good tongue lashing as well, then I went home and got more of the same from my own mum. I wasn’t surprised by that. Once one adult knows something, they all know it.

We never saw Paul again for weeks. He didn’t go to the same school as me and Michael and whenever we went in for him, we were told he couldn’t come out. I felt sick. What if he wasn’t talking to us any more, all because of some stupid burnt out car? Michael and me never spoke about it but I think he felt the same. Then one day Paul came in for me. Turned out his parents had just grounded him and never told us, not even when we went in for him.

We never saw the car again. In some ways, it was a relief. We went back to the clearing a while later (and I mean a long while later) but the car was gone. I don’t know where. We didn’t dare ask. It didn’t matter that it had my initials on it or that I found it. It wasn’t mine any more. I don’t think it ever had been.

THE END


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what crashes your car.

ATTENTION AUTHORS: 

I’m hoping to do author interviews here on Penstricken over the coming year, especially with new fiction authors. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Until next time!

Writing a Good Character Description

If I’ve said it once, I’ve said it a thousand times: characters are the beating heart of every good story. Good characters, more often than not, make for a good story. That means you need to write a character with strong goals, strong motives and a clear problem to overcome. We know this. Nevertheless, it also goes without saying that your characters must all have a physical appearance, which you can describe to the reader (unless, of course, you’re writing some highly ambitious piece of supernatural fiction where all your characters are non-corporeal beings who never interact with physical reality as we know it).

Let me tell you right now, there’s an art to describing characters. Do it right and your audience will have such a vivid image in their minds that they’ll swear they’ve actually met your character. Do it wrong and you might just produce one of the most pedestrian scenes in your entire story. Nothing drags the pace of a narrative down quite like a long winded description of Jimmy’s hair colour, eye colour and whatever unremarkable clothes he might be wearing. I say it’s better to have no physical description than a bad one.

If you give a simple description of height, weight, hair colour, eye colour and so on you will not only bore the reader to tears but you will also, in the most long-winded way possible, tell us nothing significant about the character. Instead, focus on distinguishing features and other details which help us to really get to know the character. Let us refer, once more, to the master, John Steinbeck. He described his character, Lennie Small, in this way:

A huge man, shapeless of face, with large, pale eyes, with wide, sloping shoulders; and he walked heavily, dragging his feet a little, the way a bear drags his paws. His arms did not swing at his sides, but hung loosely and only moved because the heavy hands were pendula.

(John Steinbeck, Of Mice and Men).

If you’ve read Of Mice and Men, you’ll know there are two essential things to know about Lennie Small: 1) he’s a large and strong man and 2) he has a childlike mind. These two facts form the basis for his entire plotline from start to finish. Is it any surprise, then, that Steinbeck’s description emphasises these qualities? Just look at the adjectives/adverbs: ‘huge’, ‘large’, ‘wide’, ‘heavily’, ‘heavy’. All these words signify bigness. Notice, incidentally, that Steinbeck never says ‘tall’, nor does he give a specific height. After all, Steinbeck’s purpose is to emphasise how physically imposing Lennie is but not all tall people are imposing. Whether Lennie is tall or not is unimportant. What matters is that he is huge.

Similarly words like ‘shapeless’, ‘pale’ and ‘hung loosely’, used to describe his face, eyes and body language all have a certain vacant quality to them. The bear metaphor is especially powerful, as bears are animals which are known to be physically imposing but not frightfully intellectual. Nothing in this description is superfluous. It tells us everything we need to know about Lennie. We can imagine unimportant details like his hair colour for ourselves.

Another important thing to consider is how subjective/objective your word choice is. Objective language sticks to the facts. For example: ‘Johnny had brown eyes’. Subjective language is based on one’s personal impressions: ‘Johnny had eyes of the richest chocolate’. Or alternatively, ‘Johnny had eyes like a pair of dirty brown pebbles’. Striking the right subjective/objective balance can be hard and will be largely dependent on your narrative POV. As a rule, First Person and Third Person (Limited) narratives can and should include a generous dose of subjective language, since we are being given the personal impressions of a particular character. We want to know whether or not the narrator is attracted to or repelled by the character in question. Third Person (Omniscient), on the other hand, should be more reserved with its use of subjective language. But that’s only a guideline.

One last tip: use vivid but precise language. Consider again Steinbeck’s description of Lennie. The word ‘pendula’, used to describe the movements of Lennie’s arms, creates a very sharp image in the reader’s mind. After all, we’ve all seen the lazy, mindless but unceasing swing of a pendulum that hangs from a clock, powered by nothing but simple physics. We can imagine that motion so clearly that it is easy to picture Lennie’s arms as they swing in a way that more bland language might not have been able to convey. Beware, however. Don’t let clever sounding words get in the way of a description which is also precise. Steinbeck is a master of description not only because of the vivid imagery he employs, but also because the imagery is so very appropriate. If simple language creates desired effect, use it. Don’t bamboozle your reader with peripheral unnecessary purple prose, especially not if it is less precise than simple language. You will lose your reader’s attention if you do. Instead, aim to use words and metaphors which convey an accurate and vivid image in the most direct way possible.

Remember, your reader doesn’t really care what your character looks like. They care about who your character is. So when you describe your character’s looks, cut to the chase. Keep it snappy, keep it sharp and most importantly of all, keep it relevant.


ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Super Snappy Speed Reviews – Writing Apps for Android

It occurred to me this week that we’ve had a lot of Super Snappy Speed Reviews here on Penstricken over the years. We’ve reviewed books [2] [3], TV showsfilmscomputer games and even the Star Trek movies. But we’ve never had speed reviews for writers’ apps. And so today I am proud to present Super Snappy Speed Reviews: Writing Apps for Android.

As ever, the apps I have reviewed here are not necessarily apps that I particularly liked or disliked, but are simply a random selection of writers’ apps that I have tried out at one point or another. As usual, these reviews only reflect my own personal opinions and impressions, squished, squashed and squeezed into a few short sentences. So without further ado…

JotterPad by Two App Studio Pte. Ltd.

I love Jotterpad. The writing environment is uncluttered yet with plenty of the features you want from a mobile text editor. It’s also a breeze to adjust the page layout to suit the kind of writing you do. The only real problem with it is that there doesn’t seem to be any way to adjust the layout of specific documents (so  for example, if you write screenplays and poetry, you have to simply accept the fact that all of your poems are going to look like screenplays).

Also if you take my advice, you’ll stick to the free version. The Creative add-ons are alright, but hardly worth the money.

My rating: 🌟🌟🌟🌟

Writeometer by Guavabot

Writeometer is a surprisingly useful tool to help you to track your progress day by day. You can add multiple projects and assign each one a specific word or character goal which you hope to achieve in total and per day. The app will also calculate how long it will take you to achieve this goal and suggest a finish date (though you can choose your own date). Additional features include a writing timer, a daily log, customisable “rewards” for a good writing session, an integrated dictionary/thesaurus (also something about salad that I don’t understand). I didn’t think I’d like this app but I like it a lot.

My rating: 🌟🌟🌟🌟

Story Dice by Thinkamingo

If you read this blog regularly, you’ll know I find Thinkamingo’s Story Dice an invaluable source of stimuli whenever I come to write six word stories [2] [3] [4] [5] but it works just as well for long stories, too. There are squillions of different images which appear on the dice and you can have anywhere between 1 and 10 dice on the screen at a time. My only criticism is that there is no way to save the image that appears. The moment you hide the app, tap the screen or do anything, BOOM! It rolls the dice again and the previous roll is lost forever.

My rating: 🌟🌟🌟🌟

Lore Forge Creator Resources by Total Danarchy

There are lots of idea generators out there. What sets Lore Forge apart is the kinds of ideas it generates. It’s the only idea generator I’ve ever come across, for instance, which generates character motives and conflicts (complete with a detailed explanation of each motive/conflict). For me, these are easily its best feature, but it also includes some more traditional generators (character names, city names, plots, etc) and an inspiring quote generator.

My rating: 🌟🌟

Story Plot Generator Pro (a.k.a Plot Gen Pro) by ARC Apps

A lot of plot generators often produce ideas so bizarre that they’re completely useless (e.g.: ‘a pole dancer and an Eskimo must travel back in time to stop the moon being eaten by sharks. Someone loses a credit card. It’s a story about marital fidelity’).

Not so with Plot Gen Pro! This app allows you to choose from a variety of genres and then throws up several random elements of a plot (characters, settings, etc), suitable to that genre. If you don’t like any of the elements it generates, you can ask it to produce another, without removing the ones you do like. The resulting ‘plot’ can then be e-mailed back to yourself so you don’t lose it.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what pickles your onions.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

6 ‘Six Word Stories’ for the 6th (vol. III)

Well can you believe it, it’s that time again already? Today is Sunday the 6th of May and that means it’s time for another exciting instalment [2] of 6 ‘Six Word Stories’ for the 6th!

You probably know the rules by now. I roll six Story Dice and I write a six word story loosely based upon whatever image is displayed on each die, starting from the top left. As ever, the following stories are entirely my own work.

So here we go.

Screenshot_2018-03-20-09-02-36

Alea iacta est.

  1. New Earth colony. Same old stories.
  2. The Englishman’s mortgage was his castle. 
  3. ‘Judas, take charge of the moneybag!’
  4. Final upstairs climb, borne by ambulancemen.
  5. Bit the coin. Not real gold.
  6. Old friends, old wine, old times.

Phew! It doesn’t get any easier! Why not give it a go yourself? Use the stimuli above to come up with six ‘six word stories’ of your own and share them in the comments below so we can all see how much better you are than me.

We’ll do it all over again on Sunday 6th January 2019.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what numbers your beast.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

 

6 Useful Posts on Fiction and Writing

Well, it’s been a while since I last shared anyone else’s fiction related blogs, so here we have it: another exciting instalment of Useful Posts on Fiction and Writing, where I share some of the most useful, insightful or just downright enjoyable posts on fiction writing that I’ve found on WordPress in the last week.

As ever, there have been numerous posts I’ve read lately that I could include in this list. I read a wide variety of blogs on fiction and writing and could not even begin to list them all. This is just a selection of some that I have recently found particularly useful or enjoyable. So, without further ado and in no particular order:

My pen My Ally by Attentionseeker16 (a poetic little post about writing).

I GIVE UP by Julia Moellers (I could just relate to this, being a bit of a perfectionist myself).

Romance Writers are Today’s Casanovas by Layla Stone (A useful little post about what works and what doesn’t work when writing romance fiction, with a particular focus on characters).

Three Joys of Writing Evil Characters by Death (because baddies really are more fun to write).

Types of Christian YA Fiction by Christianyafiction (a breakdown of Christian YA Fiction sub-genres).

Becoming a Writer by Roger (a more cerebral ‘writing rules’ post than any I’ve come across, including my own [2]).


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what shares your post.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

The Collapsing Empire: A Review

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read The Collapsing Empire by John Scalzi is hereby advised that this post may contain a few unavoidable spoilers.

As ever this review reflects only my own personal opinions and impressions.

When I first heard about John Scalzi’s The Collapsing Empire, I thought ‘that sounds like my kind of book’. I love a good space opera and the manifold positive reviews I read all suggested that was exactly what I was going to get, so I thought it was a safe bet. But I’ll be perfectly honest. I have mixed feelings about this book. Don’t get me wrong, there was a lot of stuff I absolutely loved about it, but there was also plenty of stuff I wasn’t so keen on.

First let me say that Scalzi’s world-building is top-notch. It’s hard to be original, interesting and scientifically not-too-ridiculous when writing a space opera but I think Scalzi has done an excellent job balancing these three. There is a certain homage paid to the tropes found in classic space operas like Star Trek, Star Wars and especially Dune but this is by no means a cheap knock off of any of those. In this story, Earth has long since been abandoned and humanity now lives in a galactic empire called the Interdependency. The various worlds of the Interdependency are thinly spread across the galaxy and joined together by the Flow (this story’s answer to hyperspace; a naturally occurring network through which vessels may travel from one place to another, kind of like a space-subway) and have been carefully organised so as to be interdependent on one another for resources. Trade in the Interdependency is controlled by various Guilds who each have their own government sanctioned monopolies. And now, horror of horrors, the Flow is beginning to collapse and society as we know it is about to end. I love all that stuff. That stuff’s brilliant.

Not only do I like what Scalzi has created, but I also like how accessible it is for the reader. Sometimes when you read sci-fi, you have to take notes to figure out just how the heck everything works when all you really want to do is enjoy the story, but that’s not the case here (although I thought the scene where the guy at the university lectures a group of school children on how the Flow works was a bit of a cheap trick). However, apart from the accessibility of the speculative elements, I found myself a little but underwhelmed by the overall writing style. Don’t misunderstand me, it was okay but all the reviews I had read suggested it was going to knock my socks off. I thought it was decidedly alright. The narrative is fast paced but not in a way that is dizzying or confusing. There are generous dollops of humour in his narrative which, although not entirely to my taste (when I read ‘explody bits of metal’, a grimace the closest thing to mirth I could manage), nevertheless make the book a pleasant enough read.

The characters are, in some respects, very good indeed. Each one has clearly established goals which derive from their individual motives and these shine through consistently, making it easy to get to know who’s who, what they want and why we should care about them; whether it’s the slippery Nohamapetans, the potty-mouthed Kiva or the reluctant but faithful Emperox– all these well researched characters form the foundation of this story and drive the story along in a way which is both believable, compelling and satisfying. I do think he could have improved these, however, by working a little bit harder to create distinctive voices for each character to bring out their individual backgrounds and personalities more fully. As it is, the characters’ voices can be divided into two categories: the ones who don’t swear much and the ones who swear like a sailor who just stood on a Lego brick.

My biggest complaint about this story is the ending. Or, to be more precise, the distinct lack of ending. It’s a ‘buy the next book!’ ending. And that makes me never want to buy the next book. Yes, yes, I know it’s the first in a series and I know we need to have something to look forward to in the next book, but I nevertheless would have liked a bit more resolution on some of the main issues in this first instalment.

All in all, a strong enough piece of work if space operas are your thing and you don’t mind excessive profanity. Just make sure you’re prepared to buy the next instalment before you go spending any money because this is most definitely not a book which can stand alone and apart from the rest of the series.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what collapses your Flow.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Daydreaming: An Essential Exercise for Writers

One of the main things I remember my school teachers complaining about in my report cards was that I spent too much time daydreaming. I guess they thought I should’ve been doing something more important like figuring out maths problems or some other such nonsense. I don’t know.

In any event, I found that as I got older, daydreaming came a lot less naturally. I don’t know if it’s because adult life puts too many demands on our time or if it’s because I had one too many report cards telling me to stop daydreaming, but for whatever reason, daydreaming is a habit I’ve had to make a conscious effort to get back into.

Yes boys and girls, you heard me right. Daydreaming is a habit you should definitely get back into, especially if you plan on being a story-writer. After all, stories begin in the imagination and the imagination is just like a muscle, which needs to be exercised on a regular basis to keep it strong. Fortunately, you don’t need to pump irons to keep this muscle strong. You need to daydream.

Now before I go any further, I just want to clarify exactly what I mean by daydreaming. I don’t mean staring vacantly into space. I mean tapping back into that wealth of creativity that as children we used in imaginative play which allowed us to spontaneously imagine ourselves to be anyone, anywhere, anytime doing anything. For children, it’s effortless (almost unavoidable in fact). The rest of us, alas, need to work at it.

Make Time For It

I don’t think my teachers objected to me daydreaming per se. I suspect their real problem was with when I did it. It’s really not polite to daydream while someone is trying to teach you about something “important” like mathematics. Children don’t understand this, of course, and they just daydream whenever they feel like it. They also have buckets of time specifically set aside for imaginative play. As adults, however, we have constant demands on our time, none of which are imaginative play time: jobs, family, marriage, divorce, births, deaths, dishes, mortgages, cooking, driving, social events, hospital visits, court summons, insurance claims, driving, dating, washing, buying furniture, grocery shopping, taxes, hoovering and a myriad of other “important” things.

To be sure, some of these things are important. But if you want to tell stories of your own invention, you need imagination as active and as vibrant as that of a child. So be sure to set aside time in your busy schedule to daydream.

Be Proactive

True daydreaming, where the mind simply wanders into the realms of fantasy without stopping to plan, edit or revise, is not easy to do on demand. As adults, we tend to over-complicate things and so when we come to our daydreaming time, it’s easy for us to fall into the trap of sitting there simply thinking ‘Right, I must try and come up with some flight of fancy now. Let me think, what shall I dream about? Hmmm, no, that wouldn’t work. I’m thinking, thinking…. Gagh, I feel silly just sitting here doing nothing. This is hard. I can’t do it. I have no imagination. I’m a failure’. Worse still, we might end up just thinking about all the “more important” things we have to do.

tip1So what’s the solution? Simple. Consider again what children do. They don’t just sit there daydreaming all day. They draw, they role play, sometimes they even write. In short, they express all that raw imagination soup in their head by giving it some kind of form. Why not try it yourself? Try free-writing, or buy yourself a cheap drawing pad to doodle in. Get some of your friends together for some imaginative role play. Play with finger puppets if you have to! Whatever it takes to really exercise that imagination.

Anything Goes

This isn’t writing. It isn’t even planning. It is simply exercising that part of your brain which spontaneously generates possibilities, however bizarre they might be. Therefore there is absolutely no need to edit. Plot holes, structure, and even plagiarism count for nothing in your daydreams.

Daydream about being Batman if you like. It’s not plagiarism if all you’re doing is fantasising, so allow yourself to wonder what it might be like driving a batmobile, fighting crime in Gotham’s seedy underbelly or changing your clothes while simultaneously sliding down a fireman’s pole. Try and put into words, if you can, how it feels to drive the batmobile. What does Gotham’s seedy underbelly smell like? Does that fireman’s pole chafe on the way down?

And what would happen if Batman encountered the villain from your story? How would Batman handle that? Yes, I know it’s silly. So what? Have fun with it. No one is going to edit, mark or even see your daydreams so let your imagination do whatever it wants. All that matters is that you imagine widely and imagine often, so that when you do come to work on creating proper works of fiction, you’ve got a strong enough imagination to do it.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what builds your sandcastle.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Taking a Holiday From My Novel

Last week, I mentioned that I always take Sundays off from writing. However, even with that regular rest, it’s easy to become jaded when you’re working on a big project like a novel. Right now I’m at the most difficult bit of the novel-writing process (in my opinion): that dreaded second draft where I have to fix all the problems I created in the first draft. Let me tell you, it’s painstaking work. Despite the fact I fully believe in the potential of this particular project, I don’t mind telling you that I’ve found the last few days among some of the most discouraging since I started work on it at the end of last year.

And so I’m taking a holiday. Yes sirree, I’ve packed up my troubles and I’m off to spend seven days and seven nights at the Short Story Seaside* Resort.

You see, it’s not that I need a break from writing. I don’t. I love writing and I am perfectly happy with my writing/life balance (in fact, I could do with a little more writing time). All I really need is a break from this novel. It’s not that it’s a bad novel. It’s quite a good novel (even if I do say so myself), but after working solidly on it for the last few months, I’m just getting a little fed up of the sight of it. And so the solution is to set aside a short time to work on other short writing projects, allowing me to return to my novel in a few days with a fresh pair of eyes and a renewed zeal for a project I know I really love.

‘I want a holiday at the Short  Story Seaside Resort too!’ I hear you cry.

Well if you plan to take such a break, be sure to set yourself a time limit. And I mean a precise time limit. Decide in advance exactly when this holiday will start and when it will end, down to the minute if necessary.  During the holiday period, you must not work on your novel. It is forbidden. However you can and should work on other projects, preferably new projects that you wouldn’t normally have the time for. Short stories, poetry or perhaps just catching up on your blog. Whatever you feel like. The idea is to boost your confidence in your own writing ability by working on something fresh and exciting.

To that end, it’s also a good idea to keep your holiday-projects fairly simple. Simple but with clear, achievable goals. Don’t use your holiday to start work on another novel. One of the reasons it’s so easy to get discouraged working on a long project like a novel is because it can often feel like you’re never, ever, ever going to get it finished. So make sure your holiday project is something very simple that you can finish in the time allotted. At the very least, be sure to set yourself an achievable goal. There’s nothing quite like seeing a long list of scheduled posts on your blog or submitting a short story for publication to make you think: ‘Oh yes, I really can write things’ so allow yourself the satisfaction of seeing results at the end of your holiday.

‘But wait, wait, wait just a minute here!’ I hear you myself cry. ‘You don’t know how undisciplined I am. If I start taking holidays from my novel, I’ll end up spending my whole life on that figurative seaside and my novel will never get finished.’

Yes, taking breaks like this can be a very slippery slope. You don’t want to fall into the trap of jumping from project to project to project and never finishing anything. Moreover if you’re like me, you’ll rely heavily on your routine to keep the words coming day by day, week by week and month by month. You know that if you don’t treat writing like a day job which you have to turn up for every day whether you like it or not, you’ll hardly ever write.

I hear you brother. But tell me: if you have a day job, do you not have an annual leave entitlement? I know I do. Every year in my day job I get given the same allowance of so many days of paid leave which I can take whenever I want (as long as there’s someone to cover for me). I also get certain public holidays such as Christmas and Easter. So if you’re a writer who relies on that kind of routine but still like the idea of having the odd holiday, why not give yourself an annual leave entitlement? Decide in advance to allow yourself so many days a year where you can take a break from your novel. Decide in advance any public holidays you also want to take.

It works for me anyway.

*The seaside is figurative. If you want to go that extra mile, cover the floor around your desk with sand and salt water. Maybe even a jellyfish or two for added excitement.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what builds your sandcastle.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Super Snappy Speed Reviews – Books (Vol. 3)

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read: Uncommon Type: Some Stories by Tom Hanks, The Seven by Peter Newman, Goldfinger by Ian Fleming, A Touch of Frost by R.D. Wingfield, Ben-Hur: A Tale of the Christ by Lew Wallace or The Green Mile by Stephen King is hereby advised that this point may contain a few unavoidable spoilers.

You know the rules by now! After all, we’ve already had super snappy speed reviews for books [2], TV showsfilmscomputer games and even the Star Trek movies. And so today we’re back for a third dose of super snappy book reviews. As before, the books I have reviewed here have been selected entirely at random from my ever-growing book collection and do not necessarily have anything in common apart from the fact that they are all books. They are not necessarily books that I particularly liked or disliked, nor are they sorted into any particular order.

As always, these reviews only reflect my own personal opinions and impressions, sliced, diced and minced into a few short sentences. So without further ado…

Uncommon Type: Some Stories by Tom Hanks

Yes, that Tom Hanks. His debut collection of short stories was decidedly okay. He almost lost me in the first story Three Exhausting Weeks when he used emojis, and the overall flow of the narrative was a little clumsy at points throughout the collection (too many unnecessary profanities for my taste) but there was enough high quality material in there to keep me reading until the end. For me, his writing demonstrated a wonderful creativity but was just slightly deficient in the subtle use of language which can turn an excellent story into a beautiful work of art.

I expected worse but I hoped for better.

My rating: 🌟🌟

The Seven by Peter Newman

I swore I would never review this book; not because I don’t like it, but because there is just so much Peter Newman love on this website [2] [3] [4] [5] and on my Twitter account [2] [3] [4] [5] [6], I was getting scared he might think I was some kind of weirdo stalker and call the police on me. But what can I say? These books were chosen at random and this is what came up so, here we go. A nice, measured, critical review of The Seven:

I LOVE THE SEVEN. It is an excellent conclusion to an excellent series filled with sharp characters, a vividly imagined dystopian setting, nicely seasoned with just the right amount of comedy relief. I don’t know if I love it quite as much as the first book but I still love its socks off.

My rating: 🌟🌟🌟🌟

Goldfinger by Ian Fleming

The original novels upon which the James Bond movies are based tend to be quite hit or miss. Some of them are unputdownable thrill rides which have you on the edge of your seat from cover to cover. Unfortunately, Goldfinger features waaaaaay too much golf for my liking.

I’m not knocking golf. But this is a spy-thriller for goodness’ sake and my main memory of it is Bond playing golf with Goldfinger. Fleming devoted not one, but several chapters to describing this single round of golf in considerable detail. I won’t lie to you, I started skipping whole paragraphs after a while. It’s not often I say this, but just watch the film instead.

Bored, James Bored.

My rating: 🌟

A Touch of Frost by R.D. Wingfield

There are some things I loved about this novel and there are some things I did not love about this novel.

I loved the useless, bumbling and irreverant Frost character and, to a lesser extent, the Mullett character and the interplay between them. The overall plot was good and reasonably well paced.

I did not love the poorly handled third person omniscient narrative which told us almost everything every character was thinking. Nor did I love the crude and at times downright sleazy humour Wingfield invoked. The female characters are all presented as cheap sex objects and the males without exception are chauvinists at best, often making crude jokes about rape and other sensitive topics.

My rating: 🌟🌟

Ben-Hur: A Tale of the Christ by Lew Wallace

If only all Christian fiction was as excellent as Ben-Hur; for Christian fiction it is, though it is so far removed from the modern genre that it is barely recognisable as such. This novel’s got it all: conspiracy, revenge, romance, adventure and even chariot racing. Themes of family, friendship, gender, slavery and life-after-death are all explored in a way that leaves the reader thinking long after the book has been finished. The characters are excellent, especially the protagonist (Judah Ben-Hur) and his childhood friend turned arch-nemesis, Messalla. I should warn you that there is quite a lot of theo-philosophical discourse between various characters. Fortunately, I like theo-philosophical discourse and it is executed in such a way that it does not seriously harm the pacing of the story.

My rating: 🌟🌟🌟🌟🌟+ ∞

The Green Mile by Stephen King

When I reviewed the film adaptation of this novel, I gave it a glorious 5 stars +∞; a rating I give only to those stories which (in my opinion) set the standards for their particular genre. But a good film adaptation will never be born of a bad novel and the same is true here. The Green Mile is an excellent novel; by far my favourite by Stephen King. It might be something to do with the fact I’m not a particular lover of horror but I don’t think so. This novel has vibrant characters, detailed settings and a beautiful first person narrative in which the protagonist describes events that happened in his past as well as events that are happening to him now, as he writes the story decades later.

My rating: 🌟🌟🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what reviews your books.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.