If you’ve been following Penstricken since it started in 2015, you may recall that on one occasion I set myself the challenge of writing 6 six-word stories using Thinkamingo’s Story Dice as stimuli. Since I am in an unoriginal sort of mood today, I’ve decided to do it again. The only difference is that this time, in addition to taking my cue from the story dice, I also intend to make each story a different genre, i.e. sci-fi, historical fiction, etc.
As before, I am using one die per story.
Alea iacta est (again!).
Now let’s see what I can come up with based on that starting from the top left and working my way down to the bottom right. As ever, the following are all my own work and have not been published anywhere else before:
KING FELIX DEAD: Nine assassins executed (fantasy).
‘I shall avenge thee!’ Bambi vowed. (fan fiction)
Rose wrote to Henry: ‘Dear John…’ (romance).
‘Butler dunnit’, written in Butler’s blood. (murder/mystery)
MARTIANS: No spacesuits on the beach! (sci/fi)
Sword drawn, Julius crossed the Rubicon (historical)
That was even harder than last time! Without a shadow of a doubt, the most difficult one was the cat (though I will admit, I was scraping the bottom of the barrel a bit including a Bambi fan fiction as well). I didn’t have the foggiest idea what to do with it and I’m not even all that sure that I pulled it off terribly well but never mind. It was always meant to be a challenge.
Why not grab some story dice (or use the images I’ve posted here; I am certain you can come up with much better stories than I have) and give it a bash yourself? And remember to share your efforts with the rest of us by posting them in the comments section below!
Anyone who has not seen series 1-3 of the NRK TV series Norsemen is hereby advised that this post may contain a few unavoidable spoilers.
My wife and I were, once again, looking for something new and light-hearted to watch on Netflix when we stumbled upon a curious little number which we affectionately dubbed ‘silly Vikings.’ Norsemen is a Norwegian historical comedy which chronicles the silly, base and often senselessly violent comings and goings of a group of Vikings living in the village of Norheim in 790 AD.
I’ll be perfectly honest and say it took a long time for us to decide if we actually liked this program. Normally when we watch a new thing on TV we have a strict ‘turn it off if you don’t like it’ policy and this show took a good two or three episodes to really get going. Nevertheless there was something compelling about it even then and we stuck with it until the very end.
‘But was it any good?‘ I hear you cry.
There’s something in me that says this map will create a lot of problems for many people for several seasons.
Jarl Varg breaks the fourth wall in, s.3, e.6 ‘Scrotum Whipping’
In spite of the fact this show is sold as a comedy (and with its off-beat style, low-brow gags and occasional winks at the fourth wall, it unmistakably should be defined as such), I didn’t actually find it that funny. It had its moments, sure, but I hardly cracked a rib watching it either. But let me tell you why I enjoyed it anyway.
Unlike a lot of comedies which focus on an individual character getting into funny situations, this show actually had quite a few main players, all with well defined motives, goals and conflicts which the viewer could easily sympathise with. I don’t have time to list every one but a few that stood out include:
Arvid (Nils Jørgen Kaalstad) – torn between settling down in the village with a wife and his love of raiding and just a little sensitive about his weight, Arvid is hand picked by the chiefton on his deathbed to be his successor though he is not the next in line.
Orm (Kåre Conradi) – cowardly, lonely and with a fondness for spying on people as they defecate, this slipperly little man is next in line to be chiefton though no one wants him around.
Frøya (Silje Torp) – this muscle-bound female warrior loves to go on raids (including raping men). She also has the misfortune of being married to Orm, whom she despises.
Liv (Kristine Riis) – gold-digger and nagging wife par excellence.
Jarl Varg (Jon Øigarden) – one of the nicest guys you could ever hope to meet turned murderous tyrant because his friends made fun of his hair loss, Varg is obsessed with procuring a map to the West where he believes he will find endless plunder.
The character driven nature of the plot and the interplay of the various subplots was frankly excellent for a comedy series.
A little word of warning: while not especially graphic, there are some pretty adults themes referred to in this show. There’s a fair bit of casual violence and bad language, as well as jokes about sexual violence and a small number of mild/non-graphic depictions of the same.
All in all, a bizarre little show, undeniably low-brow in some respects and with off-beat humour that only managed to tickle me slightly. It took a little while to get started, but once it finally did get going, I found myself quickly starting to love it. Well written, well acted, full of rich characters and perfectly rounded off plot. If you can stomach a few adult themes and don’t mind the odd nod to the fourth wall then give it a go.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Anyone who has not read From Waterloo to Water Street by S.E. Morgan is hereby advised that this post may contain a few unavoidable spoilers.
I’m going to be completely honest: as much as I find history fascinating in a casual sort of way, I am no historian beyond what I had to study at school (mostly Nazis and the Civil Rights movement) and what I studied in college (church history). And so, as much as I am interested in history, I often find I am hindered by my lack of knowledge whenever I come to read a piece of historical fiction. The world I’m reading about is often too alien for me to truly appreciate the significance of what’s going on, especially if the author focuses heavily on giving a history lecture rather than telling a story of human beings and the things they care about.
That was not my experience with From Waterloo to Water Street by S.E. Morgan: a frankly beautiful piece of writing which is set in 19th century Wales, where the Rebecca Riots are in full swing. In addition to the civil unrest which took place in Wales at that time, this book also draws heavily on the Napoleonic Wars, as one of the main characters (Gu) recounts his own personal memories of serving as a soldier for the British army in those conflicts.
For an entry-level historian such as myself, there is real potential to be bogged down by tedious details which I had little prior knowledge of in a story like this one; and while I am sure a little extra knowledge would have been a boon for me (isn’t it always?), this simply wasn’t the case with From Waterloo to Water Street. Morgan’s character driven writing immediately draws even the most uninitiated reader into the 19th century Welsh country, where desperate farmers are battling for their livelihoods. You really get a feel for the plight of the individual characters (e.g.: Gu’s struggle with PTSD or Will’s conflicting sense of estrangement and solidarity with his own people) as well as the battle that is being fought in the background between agricultural workers and the local authorities.
I have very little to say that is negative about this book. I will concede that the beginning was a little slow as we were introduced to a fair number of characters early on while still trying to understand what was at stake at that point in history but this had very little impact on my overall enjoyment of the novel. Once the story got underway, it was easy to get into the skin of all the main players; to hear their distinctive voices, to understand their motives and to care about what they hoped to accomplish. Gu, in particular, was a deeply complex and well rounded character, so expertly crafted and cooked to perfection that he almost felt like a real person. By the time we reached the climax both in Gu’s memories and in the events unfolding in Will’s own life, I was so deeply involved in the events described in this book that I could not put it down until it was finished.
If you’re wanting to read a piece of intelligent historical fiction with real character-driven substance and a plot which marches decisively towards a satisfying climax, you should read this book. There is no doubt in my mind that anyone who loves a rich story, both history buffs and laymen alike, will appreciate From Waterloo to Water Street for the masterpiece it is.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
S.E. Morgan is a Celtic history enthusiast and the author of the frankly marvellous novel, From Waterloo to Water Street, which chronicles one old Welsh soldier sharing his memories of the Napoleonic Wars with his grandson against the backdrop of the Rebecca Riots.
I had the pleasure of chatting with Morgan about her debut novel From Waterloo to Water Street which is available to buy now on Amazon.
How did you get into writing?
Retiring from a busy job that I loved was harder than I anticipated. I needed to put structure into my day and decided to fulfil a lifetime’s ambition and write a novel.
From Waterloo to Water Street is probably the best book I’ve read in months. You have expertly woven together the story of a young man living through the Rebecca Riots with an old soldier’s memories of the Napoleonic Wars into one hearty and thoroughly enjoyable novel. Where do you even begin trying to craft something so intricate?
I was naive. I had no idea how hard writing was. This was a story I need to write. After all, no one else can tell your tale, only you.
The key elements are taken from my family history. My ancestor was that Waterloo veteran, and the carpenter’s apprentice, my great-great-great grandfather. The events are factual and taken from contemporary accounts. My ancestors, like most other working people in west Wales, had to fight for social justice their livelihoods were being destroyed by tolls and taxes. I have even seen signatures on petitions.
Were there any particular themes you were keen to explore in this novel?
The fight for social justice in early Victorian Wales, but also the how people with mental illness and learning disability were treated before the asylums. My characters experience survivor guilt and PTSD, depression, and Down’s syndrome. Learning disability in particular is often written out of history and ‘madness’ is not necessarily treated as much more than an artistic device in fiction.
Who was your favourite character in this story?
Cantankerous, curmudgeonly Gu, the Waterloo veteran is in many ways the hero of the tale, although he has feet of clay. He’s riddled with guilt for all sorts of reasons. His journey across the Iberian Peninsular and through the Low Countries and on to Waterloo was fascinating for me. I’d never have dreamed of reading about it as a pacifist, but of course had no choice.
What’s your writing routine like?
I’m a morning person. Unless the sun is shining when I may take a walk instead, I try to write one thousand words each day. I think you have to write at a time and in a way that works for you but be disciplined. Whenever works do it regularly.
In reality though it’s the editing that takes the time and more often I plough on revising polishing and correcting.
You’re obviously a very skilled author. Where did you learn to write?
I realised it was a craft I’d need to relearn almost from scratch. I considered studying for an expensive OU degree but was worried I might have nothing to write about at the end of it. How do you know you’ve even got a novel in you until you try? I use books, websites and blogs like Penstricken for motivation and encouragement.
I also joined my local writers’ circle. They are a great bunch and what I love is that members range from 18-80’, there aren’t many groups that are as inclusive , whatever their age or background. Writing binds us together. We each read extracts and give supportive constructive advice to strengthen work. Identifying what people get right and wrong, what works or doesn’t, in all genres and poetry is illuminating. Emotional support and encouragement also important, writing can be lonely if you’ve no one to share the challenges with.
Any research tips for budding historical fiction authors?
Rather than the usual ones, I say join your local library. I have saved so much money and time by looking for research materials on line in my library’s search engine. A click of a button and a couple of days later I can walk down and collect them. I’ve been amazed how often Cardiff libraries have the books I need in their back catalogue. They have some old ones from the turn of the century, which are particularly useful in historical fiction, that I couldn’t possibly have bought even if I’d wanted to. Searching by key word tends to throw up books you’d not find or think of otherwise too.
What do you think is the most important element in good story?
I’d always thought it was an exciting plot, but since starting my journey have learnt unless you can inhabit your tale with people readers care about and settings they can imagine, even a brilliant plot is empty.
Can we look forward to any more books soon?
Like many doctors, I’m probably going to have to return to work during the coronavirus crisis, so I won’t have as much time for a while.
I’ve finished a second novel, The King over the Sea, set in 5th century Wales and Ireland. It’s a romp, and looks at the lives of early Welsh saints like Dwynwen, patron saint of lovers in Wales, but it is based on historical, archaeological facts with some legends thrown in. I wrote it for fun really, it’s not serious fiction.
I’m also 33,000 words into a sequel for From Waterloo to Water Street. It’s about education, the battle for the vote, and emigration in the 1860’s and 1870’s.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
While every effort has been made to avoid spoilers in this post, anyone who has not read The Pillars of the Earth by Ken Follett is hereby advised that this post may contain a few unavoidable spoilers.
This review reflects only my own personal opinions and impressions.
Well last week it was all about children’s books; this week I’m reviewing a book that is definitely not suitable for children. The Pillars of the Earth by Ken Follett is a hefty tome about the building of a cathedral in the fictional town of Kingsbridge in 12th century England. It’s full of lovable and deplorable characters, political intrigue, technical details about medieval construction and just a little bit more sex and sexual violence than was necessary.
One of my favourite things about this story was how well paced it was. Given that this is a story about building a cathedral and is set over a period of several decades, and also bearing in mind that thrillers are Ken Follett’s usual racket, there was a very real danger of this story either being an absolute drag or being inappropriately fast-paced. I needn’t have worried. The blend of fast scenes and slow scenes is beautiful and appropriate, making this lengthy novel a constant page-turner from start to finish.
Now let’s talk characters. I honestly can’t decide if the characters in this story are one of its best qualities or one of its worst. In some ways I liked them. They’re all quite distinctive with clearly defined personality traits and its also pretty clear that each character is driven by firmly established motives and goals. Very good indeed. If we know what drives a character, it’s easy to care about what happens to him, even if the subject matter is foreign or uninteresting to us. This makes The Pillars of the Earth a real page-turner when it could have just as easily been a bore.
When I first began to talk about the idea for Pillars, some people hated the idea. “Nobody cares about building a church in the Middle Ages,” they said. But readers will care about it if the characters care.
Having said that, there was also something a little bit tedious about some of the characters (with the major exception of Philip and, to a lesser extent, Jack). The female protagonists are strong and beautiful (oh and Aliena has huge breasts, we’re constantly reminded); the male protagonists are brave and noble and the antagonists are devious and brutal. William Hamleigh, the primary antagonist, is the worst for this. He’s devious, cowardly, violent, greedy and licentious with absolutely no redeeming qualities. But just in case we’re in any doubt that he’s the bad guy, he rapes way more people than is necessary for one story. Seriously, this guy does a lot of raping, pretty much whenever he’s not tormenting the poor or burning villages. The good guys in this story never rape of course, but they do have lots of consensual sex to the point of implausibility. While most of the sex scenes are not explicitly described (though a few are), some of the characters are portrayed as being at it on a several-times-a-day-every-day basis and still find time to build a cathedral, overcome one disaster after another and fight the bad guys. I dunno, maybe they’re just really good at organising their time, but between this and the manifold references to the size of Aliena’s breasts, it sometimes just felt a bit like the authors’ mind was wandering. That’s just my opinion though.
In many respects, this is a story with several different layers to it. There are several protagonists whose stories we follow, each overlapping and interacting with one another while yet remaining distinctive. Tom wants nothing more than to build a cathedral but cares for his family. Jack is a boy who lived in the forest, now growing into a man who is consumed with questions about his deceased father. His very much a coming-of-age type story. Aliena is the daughter of a disgraced earl who has sworn to help her brother reclaim the earldom, and finds herself constantly pulled in all directions by her sense of duty to others. Prior Philip is driven by his zealous faith in God and his sense of righteousness. He tries earnestly to do what is right on earth and to glorify God by the building of the cathedral and yet is in constant conflict with his own sense of pride and self-doubt. These are just a selection of the main players in this story, all of whose individual story-lines overlap and diverge to create an intricate tapestry of skilfully executed fiction. It really is a thing of beauty.
All in all, The Pillars of the Earth is a great story. It’s got plenty of excitement, plenty of sentiment and Aliena has big breasts all of the characters are driven by goals and motives that we really care about. The many threads that comprise the plot are magnificently woven together to form a novel which is well constructed and handles potentially dry subject matter in a way which is enjoyable and entertaining. Worth a look, even if it’s not your usual preferred genre. Just don’t read it to your kids.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
West Wales 1843: Daughters of Rebecca are marching, breaking down toll gates that circle Carmarthen. Cantankerous veteran, Thomas Lewis, is tormented by nightmares of the wars against the French in Spain and the Low Countries nearly thirty years earlier. The Welsh countryside is in turmoil; livelihoods destroyed by unfair tithes and taxes. The workhouse provides a starvation diet for the “deserving poor”. The people’s fight for fair-handed justice has begun. In the Newport uprising three years earlier protesters were gaoled, transported and shot by a government afraid Wales might follow the path of revolution, like France. Carpenter’s apprentice, clever but cautious Will, grapples with resentment that he will not inherit the family farm. Will’s jealousy increases when his handsome, radical older brother falls in love with his best friend, Ellen. Could telling Will the story of his campaigns and battles with the 44th East Essex Regiment help Thomas find peace?
Praise for From Waterloo to Water Street
From Waterloo to Water Street by S.E. Morgan is one seriously good read. Meaty, gripping and full of interesting We… twitter.com/i/web/status/1…
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
“All fiction has to have a certain amount of truth in it to be powerful.” — George R.R. Martin
“Literature is a luxury; fiction is a necessity.” — GK Chesterton
“The best fiction is geared towards conflict. We learn most about our characters through tension, when they are put up against insurmountable obstacles. This is true in real life.” — Sufjan Stevens
“Truth is so hard to tell, it sometimes needs fiction to make it plausible.” — Francis Bacon
“The power of historical fiction for bad and for good can be immense in shaping consciousness of the past.” — Antony Beevor
“The nature of good fiction is that it dwells in ambiguity.” — E.L. Doctorow
“It’s no wonder that truth is stranger than fiction. Fiction has to make sense.” — Mark Twain
“Fiction is like a spider’s web, attached ever so slightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible.” — Virginia Wolf
“Imagination and fiction make up more than three quarters of our real life.” — Simon Weil
“Science fiction is any idea that occurs in the head and doesn’t exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible.” — Ray Bradbury
“Human kind has been telling stories forever and will be telling stories forever.” — Jim Crace
“Fiction is the lie through which we tell the truth.” — Albert Camus
“I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which ‘Escape’ is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls?” ― J.R.R. Tolkien
“The good ended happily, and the bad unhappily. That is what Fiction means.” — Oscar Wilde
“There is no doubt fiction makes a better job of the truth.” — Doris Lessing
“Life is infinitely stranger than anything which the mind of man could invent.” — Sir Arthur Conan Doyle
“If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales.” — Albert Einstein
“Fiction reveals truth that reality obscures” — Ralph Waldo Emerson
“While we read a novel, we are insane—bonkers. We believe in the existence of people who aren’t there, we hear their voices… Sanity returns (in most cases) when the book is closed.” — Ursula K. Le Guin
“It’s the truth even if it didn’t happen.” — Ken Kesey
“Fiction wouldn’t be much fun without its fair share of scoundrels, and they have to live somewhere.” — Jasper Fforde
“General fiction is pretty much about ways that people get into problems and screw their lives up. Science fiction is about everything else” — Marvin Minsky
“Fiction just makes it all more interesting. Truth is so boring.” — Charlaine Harris
“The story you are about to read is a work of fiction. Nothing – and everything – about it is real.” — Todd Strasser
“Fantasy is storytelling with the beguiling power to transform the impossible into the imaginable, and to reveal our own “real” world in a fresh and truth-bearing light.” — Leonard S. Marcus
“Stories of imagination tend to upset those without one.” — Terry Pratchett
“Fiction is the only way to redeem the formlessness of life” — Martin Amis
“History has its truth, and so has legend. Legendary truth is of another nature than historical truth. Legendary truth is invention whose result is reality. Furthermore, history and legend have the same goal; to depict eternal man beneath momentary man.” — Victor Hugo
“Even in the world of make-believe there have to be rules. The parts have to be consistent and belong together.” — Daniel Keyes
“A well-thought-out story doesn’t need to resemble real life. Life itself tries with all its might to resemble a well-crafted story.” — Isaac Babel
“There is no society that does not highly value fictional storytelling. Ever.” — Orson Scott Card
“The best fiction is true.” — Kinky Friedman
“To write something out of one’s own mind, worth reading for its own sake, is an arduous contrivance only to be achieved in fortunate moments, few and far in between. Personally, I would sooner have written Alice in Wonderland than the whole Encyclopedia Britannica.” — Stephen Leacock
“Just as pilots gain practice with flight simulators, people might acquire social experience by reading fiction.” — Raymond A. Mar
“It’s never too late – in fiction or in life – to revise.” — Nancy Thayer
“All fiction is about people, unless it’s about rabbits pretending to be people. It’s all essentially characters in action, which means characters moving through time and changes taking place, and that’s what we call ‘the plot.'” — Margaret Atwood
“I love fiction because in fiction you go into the thoughts of people, the little people, the people who were defeated, the poor, the women, the children that are never in history books.” — Isabel Allende
“I mostly associated video game storytelling with unforgivable clumsiness, irredeemable incompetence – and suddenly, I was finding the aesthetic and formal concerns I’d always associated with fiction: storytelling, form, the medium, character. That kind of shocked me.” — Tom Bissell
“When a writer is already stretching the bounds of reality by writing within a science fiction or fantasy setting, that writer must realise that excessive coincidence makes the fictional reality the writer is creating less ‘real.'” — Jane Lindskold
“In the best works of fiction, there’s no moustache-twirling villain. I try to write shows where even the bad guy’s got his reasons.” — Lin-Manuel Miranda
“I just had a crazy, wild imagination all my life, and science fiction is the greatest outlet for me.” — Steven Spielberg
“The most watched programme on the BBC, after the news, is probably ‘Doctor Who.’ What has happened is that science fiction has been subsumed into modern literature. There are grandparents out there who speak Klingon, who are quite capable of holding down a job. No one would think twice now about a parallel universe.” — Terry Pratchett
“I write essays to clear my mind. I write fiction to open my heart.” — Taiye Selasi
“A play is fiction– and fiction is fact distilled into truth.” — Edward Albee
“All my fiction starts from a feeling of unique perception, the pressure of a secret, a story that needs to be told.” — Barry Unsworth
“Politicians should read science fiction, not westerns and detective stories.” — Arthur C. Clarke
“Fiction is too beautiful to be about just one thing. It should be about everything.” — Arundhati Roy
“I can make up stories with the best of them. I’ve been telling stories since I was a little kid” — Rabih Alameddine
Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what hammers your nail.
While every effort has been made to avoid spoilers, anyone who has not read: The Count of Monte Cristo by A. Dumas, The Afrika Reich by G. Saville, The Final Act of Mr. Shakespeare by R. Winder, The House of Silk by A. Horowitz, The Gospel of Loki by J.M. Harris, I, Robot by I. Asimov, Deception by R. Dahl or Out of the Silent Planet by C.S. Lewis is hereby advised that this post may contain a few unavoidable spoilers.
Well this might be a great idea or it might not be, but I thought it might be fun to knock together a couple of two or three sentence book reviews based on a selection from my bookshelf. Who knows, if it’s a hit, I’ll maybe do it again… maybe with movies or TV shows. But for today, it’s books.
I selected the books for review entirely at random. They are not necessarily of the same genre, nor are they necessarily books I particularly liked or disliked, nor are they sorted into any particular order.
What I have written about them are my entirely own impressions and opinions, compressed, squeezed and crammed into a few short sentences. So, without further ado…
The Count of Monte Cristo by Alexandre Dumas
Justifiably a classic of the genre; a good wholesome historical adventure story and love story rolled into one. It helps to know a thing or two about the period of the Bourbon Restoration to fully appreciate everything that’s going on but don’t let it put you off if you don’t have any knowledge of that period. Oh, and make sure you read the unabridged version translated by Robin Buss. It is the best.
My rating: 5 stars
The Afrika Reich by Guy Saville
If alternative histories and non-stop heart-pounding thrill-rides are your thing, you’ll probably enjoy this. Personally, I can’t help feeling the protagonist should have died from his injuries- or at least been slowed down enough to be caught and executed by the Nazis but I suppose that’s what we have suspension of disbelief for.
My rating: 3 stars
The Final Act of Mr. Shakespeare by Robert Winder
Historical fiction featuring William Shakespeare as the protagonist. This novel is set shortly after the Gunpowder Plot and tells the fictional story of the last play Shakespeare (never actually) wrote: Henry VII. In some respects, the story is quite exciting; filled with personal danger for Shakespeare and his troupe. While the narrative does drag at some points, it is beautifully written in a way which brings many of the real historical characters to life and is kept afloat by its interesting premise and a goodly dash of humour. It also includes the full script for the fictional play this novel focuses on.
My rating: 4 stars
The House of Silk by Anthony Horowitz
Many have tried to capture the magic of Sherlock Holmes in books and films throughout the years. Few have done it as well as Anthony Horowitz does it in The House of Silk, balancing fidelity to the original creation of Arthur Conan Doyle with a fresh and exciting new plot for modern readers. It has everything in it you ever wanted from a Sherlock Holmes story; mystery, excitement, a dark secret to uncover and a quality of narrative which draws you right into the heart of Holmes’ London. Parental advisory: the ending is a lot darker and more disturbing than anything A.C.D. might have written.
My rating: 5 stars
The Gospel of Loki by Joanne M. Harris
This novel is an imaginative reexamination of Norse mythology, given from the unique perspective of one of its central villains: Loki, the god of mischief. This novel is full of sharp and occasionally dark humour and a very compelling antihero. Downsides? The first few chapters felt more like a list of cosmic anecdotes forming a backstory, which made it a slow read at first but it does pick up. I also found the narrative voice of Loki a little irksome, but then again, the Loki character is probably supposed to be irksome so I suppose that’s a good thing.
My rating: 3 stars
I, Robot by Isaac Asimov
What can I say about I, Robot that hasn’t already been said? Almost every robot character that has ever appeared in sci-fi since owes something to this collection of short stories which are set at different points in the lifetime of robopsychologist, Dr. Calvin (though she is not a character in every story, the stories are largely told from her perspective). Each story is generally centred around the Three Laws of Robotics (Google it) and the problems caused by human and robot interpretations of these laws. I found the pacing a bit slow occasionally, but all in all it’s a good read and an essential addition to any sci-fi buff’s bookshelf. This book sets the standard for everything modern sci-fi readers expect from a robot story.
My rating: 4.5 stars
Deceptionby Roald Dahl
As a child, I loved almost everything Roald Dahl ever wrote. Deception is certainly not for children but it is an excellent collection of short stories all dealing with theme of lies and deceit. Some of the stories are quite dark (for instance, ‘Lamb to the Slaughter’ deals with a woman who murders her husband with a frozen leg of lamb then feeds it to the police) while others are a little more lighthearted. I loved it. I think you will, too.
My rating: 4 stars
Out of the Silent Planet by C.S. Lewis
Lewis is probably more famous for the The Chronicles of Narnia and his assorted theological texts but this book (the first in ‘The Cosmic Trilogy’) is well worth a look anyway. Hard sci-fi fans, don’t waste your time. This is a story about a man who travels to Mars, but Lewis’ idea of space is clearly grounded in his interest in mythology rather than modern cosmology. Treat it as a fairy-tale rather than a sci-fi, though, and it’s a darn good read.
If you’ve been following Penstricken since it started in 2015, you may recall that on one occasion I set myself the challenge of writing 6 six-word stories using Thinkamingo’s Story Dice as stimuli. Since I am in an unoriginal sort of mood today, I’ve decided to do it again. The only difference is that this time, in addition to taking my cue from the story dice, I also intend to make each story a different genre, i.e. sci-fi, historical fiction, etc.
As before, I am using one die per story.
Alea iacta est (again!).
Now let’s see what I can come up with based on that starting from the top left and working my way down to the bottom right. As ever, the following are all my own work and have not been published anywhere else before:
KING FELIX DEAD: Nine assassins executed (fantasy).
‘I shall avenge thee!’ Bambi vowed. (fan fiction)
Rose wrote to Henry: ‘Dear John…’ (romance).
‘Butler dunnit’, written in Butler’s blood. (murder/mystery)
MARTIANS: No spacesuits on the beach! (sci/fi)
Sword drawn, Julius crossed the Rubicon (historical)
That was even harder than last time! Without a shadow of a doubt, the most difficult one was the cat (though I will admit, I was scraping the bottom of the barrel a bit including a Bambi fan fiction as well). I didn’t have the foggiest idea what to do with it and I’m not even all that sure that I pulled it off terribly well but never mind. It was always meant to be a challenge.
Why not grab some story dice (or use the images I’ve posted here; I am certain you can come up with much better stories than I have) and give it a bash yourself? And remember to share your efforts with the rest of us by posting them in the comments section below!
