For me, the antagonist – what we might loosely call ‘the bad guy’ – can make or break an otherwise good story. He is the living and breathing incarnation of the obstacle your protagonist (or ‘hero’, if you insist) needs to overcome. It’s also a good opportunity for the author to create a character who ticks differently […]
It was still the worst story I had ever written. But that didn’t matter. It was a completed draft; a full blown story with a beginning, a middle and an end which more or less made sense. The difficult bit was now at hand: writing a redraft.
After the initial excitement of finishing the first draft wore off, I quickly found myself less than enthusiastic about the second draft. It can feel a little bit like you’re starting from scratch with something you’ve already spent weeks on. However, you’ll find it a whole lot more rewarding and enjoyable to do if you remember that the point of a redraft is to make your story better. In other words, it’s about taking a little time to identify and fix the problems with the first draft, rather than starting all over again.
I never started writing with a bad idea. In fact, I’m not even entirely convinced there is such a thing as bad story ideas or good story ideas. There are just ideas, some of which are well executed, some of which are badly executed and some of which are never executed because the would-be writer cannot decide the best way to do it, or is unwilling to try (though I feel that in the interests of public safety, I should point out that this only applies to story ideas; other kinds of ideas, like deciding to use Tabasco sauce as an eye-drop, really are bad ideas).
So, why do the marvellous ideas we start with so quickly turn into half-finished manuscripts that we are unable to finish and are ashamed to have even begun?
I’m beginning to learn that it comes down to perseverance (or a lack thereof) and perfectionism.
How do you go about naming characters in your story? If you’re writing a sci-fi or fantasy story, you are certain to come up against this question, not only for your characters but also fantasy organisations, races, religions, philosophies, nations, planets, galaxies and just about anything else you invent!
After all, it’s no small job creating a world!
Well, for what it’s worth I’ve decided to share with you a little bit about how I like to go about naming fantasy things in this simple, handy-dandy beginners’ guide to naming fantasy things.
So, there’s a writer inside you and he’s already sowing the seeds of a best-seller in your brain. Your inner-writer’s urge to write that story is overwhelming. Night and day, he nags you to let him write. You fear that it may only be a matter of time before you have to quit your miserable office job that you love and become a professional author instead – all because you couldn’t silence the voice in your head which said ‘Let me write!’. Because the urge – no, the need – to write is so powerful, you know you’ll never be able to simply ignore it.
All you can hope to do is keep your inner-writer at bay by pacifying him with false promises of writing, so if you want to make sure that best-seller of yours never makes it to the first draft stage (never mind the best-seller shelf!), here’s a few simple steps you can follow.
One of the biggest dangers we non-planning writers face is that you can easily end up writing screeds and screeds of excellent work, only to realise you can’t finish because you don’t know what it is you’re actually hoping to accomplish by writing. This is a recipe for another unfinished manuscript. So, before you write forty odd chapters and suddenly hit an insurmountable wall, ask yourself this question: What is my story about?
Since it’s Valentine’s Day, I thought today was as good a day as any to write a post about the tricky business of creating a half-decent love interest for your story. Even if you’re not writing a full-blown ‘romance’, there’s still a good chance you’ll want to include one.
I have commented in the past that I have a penchant for long-windedness. Unfortunately, lengthy or complex sentences can be frustrating to read and easy to misunderstand. That’s a sure way to put your reader right off. That’s where the Hemingway Editor, created by Adam and Ben Long, comes in.
There are, of course, millions of apps out there designed to help writers. There are specialist text editors, plot generators… I even found an app that ‘Rickrolled’ me if I stopped writing! But the Hemingway Editor stands out for me as something quite unique.
Not everything you write needs to be published. Therefore, it’s okay to write rubbish.
For example, a few years ago, on one particularly snowy winter, I got stuck on a bus for fifteen and a half hours on what would have normally been a twenty minute journey. The true story of what happened was pretty boring. I sat there for fifteen and a half hours, trying not to think about toilets and amusing myself by watching people building snowmen on the motorway. When I finally got home (after I had had something to eat and a good night’s sleep) I went about the business of trying to turn it into a work of fiction.
The reason I have decided to post just one more of my own stories this year is because it’s nearly Christmas and this story does have a bit of a Christmas theme going on in it. However, rather than just giving you the story to read and expecting you to like it, I’m going use this story as an example of how writers can (and should) use their rejected stories to help them develop as writers, by analysing their own work to see how they might improve upon it.