Originally published 05/08/2018
If you’re the sort of person who spends a lot of time reading up on story writing, you’ve probably heard myself or other writing bloggers talk about the differences between planners, pantsers and plantsers. It’s a spectrum we writers are all spread out across, separating those on the one extreme who plan everything before they write from those who pants their way through their story (that is, they write ‘by the seat of their pants’, making up the story as they go along with absolutely no forward planning whatsoever). And of course, slap bang in the middle of the spectrum, we have Plantsers (because it’s a combination of the words ‘planner’ and ‘pantser’, see?).
We all naturally gravitate to one side or another on this spectrum. However that doesn’t mean we can’t choose to plan, pant or plant even if it doesn’t come naturally to us. After all, we might be tempted to think that one method is inherently better than the others, and that we should try this.
We might even be right. For my money, I think there are some situations where planning is more appropriate and others where pantsing is more appropriate. I’m not going to tell you categorically that any one method is better than another* but there are pros and cons to each. If you’re struggling with whatever method comes naturally to you, it may be time to try a different approach. And so, what follows is my own short and ill-informed concise analysis of each approach, comparing pros and cons as evenly as I can.
Planning
Strengths: Planning everything in advance saves buckets of time. If you already know exactly what is going to happen, how it’s going to happen and who it’s going to happen to, all neatly ordered into chapters and scenes, you won’t waste time writing lengthy portions of narrative you won’t use. You can also rest easy in the knowledge that your first draft won’t have too many large plot holes to sort out.
This makes it easy to work to a schedule. If you know you can knock out 1000 words a day, you can reasonably well estimate that it will take you about three months to complete a draft, especially in those first drafts, because you won’t get stuck about what to write.
Weaknesses: it’s easily the most strict approach to writing. The writer must be disciplined enough 1) not to begin writing a draft too earlier and 2) not to deviate from the plan when he does start drafting. This does not suit everybody. Many authors find it sucks the pleasure out of writing and stifles the imagination, as new ideas insist on being heard throughout the writing process.
Tips for Planning: Be disciplined. Plan everything and resist the urge to draft until you have completed all your chapter outlines, character biographies, the lot. When you finally do begin to draft, don’t deviate from the plan. Add nothing, change nothing, remove nothing. Write it exactly as you planned it. Remember, dear planner, you’re not making art. You’re constructing an intricate machine.
Pantsing
Strengths: This approach to writing allows the imagination to run wild. Most people who write stories tend to do it because they’re people who like to dream, to create and to give artist form to their flights of fancy. Pantsing lets you do just that. I often find that, while pantsing can produce a lot of excess material, some of it can even be later recycled to create a whole new story. Many of my story ideas have come from material I rejected while pantsing an earlier work.
Weaknesses: If you’re serious about writing for any reason other than as a hobby, you will probably find this approach seriously undermines your productivity and success, especially if you’re writing anything longer than a short story. Pantsing out a novel length story in a couple of months is easy in theory but it is doomed to be full of half baked themes, plot holes and other inconsistencies that will need to be fixed before they can pass over any agent or publisher’s desk. You may find yourself virtually starting from scratch when you come to do your second draft, assuming you ever reach the second draft stage.
Tips for Pantsing: Don’t get too attached to your work. A draft that has been fully pantsed will require a lot more editing than a meticulously planned draft. While killing your darlings is always good advice for any writer, pantsers will probably find themselves producing a lot more darlings (because their imagination has been given unlimited credit in the sweetie shop) that have to be killed (because their story will be full of things that simply don’t work).
Plantsing
Strengths: Plantsers have the best of both worlds. They are anchored to a plan but they are not enslaved to it. If the author wants to make changes halfway through writing their draft, or if they identify problems with their story, they can simply adjust the plan as they go along. The imagination is thereby given space to work but is also kept under a tight leash.
Weaknesses: It’s probably the hardest method to strike the correct balance with, even if you do find yourself naturally gravitating towards it. Planners know to write nothing until their story is fully planned out and pantsers don’t give a rip if their story doesn’t make sense in the first draft, but plantsers must learn to bring these two extremes together and make them work in harmony. It is difficult to create a systematic approach to plantsing and will be largely figured out by trial and error. This can be time consuming and frustrating.
Tips for Plantsing: Plantsing is not creating a plan then disregarding it, nor is it writing a draft then making a plan around it. Both of these are a waste of time. Plantsing involves blending these two seeming opposites in a way which allows you to work to your strengths, while still enjoying the benefits of both extremes. For example, you might pants out a few zero drafts to stimulate your imagination while you plan. Alternatively you might create a very loose-fitting plan (story beats for example, but no chapter outlines) and pants out your novel within the boundaries of that limited plan. You might also decide to forsake character biographies in favour of conducting several ‘interviews’ or ‘auditions’ with your characters to help you get to know them better. The possibilities are truly endless when it comes to plantsing. My best advice is to spend a little time finding an approach which works for you.
Footnotes:
*I know what you’re thinking: ‘if he’s going to be so unbiased in his approach, why has he only got pants in the featured image and nothing else?’ Well the short answer is I just couldn’t find a single picture on the internet which depicted a plan, a pair of pants and a potted plant so I had to pick one. I picked pants because pants are funnier. Sue me.
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AUTHOR INTERVIEWS:
Unfortunately, I am unable to take on any more author interviews or solicited book reviews at this time.
You can check out our previous interviews here:
- Sharleen Nelson, author of The Time Tourists [2]
- D. Wallace Peach, author of the Shattered Sea duology [2]
- Jacob Klop, author of Crooked Souls
- H.L. Walsh, author of From Men and Angels [2]
- G.M. Nair, author of Duckett and Dyer: Dicks for Hire
- Georgia Springate, author of Beyond
- S.E. Morgan, author of From Waterloo to Water Street
- Megan Pighetti, author of Fairy-Tailed Wish [2]
- Nancet Marques, author of Chino and the Boy Scouts [VIDEO]
