Throwback Thursday: The Malice Restored My Faith In Sci-Fi/Fantasy Trilogies

First published 05/03/2017
SPOILER ALERT

While every effort has been taken to avoid spoilers, anyone who has not read The Malice or The Vagrant by Peter Newman is hereby advised that this post may contain a few unavoidable spoilers.

I was rather reluctant to write a post reviewing Peter Newman’s The Malice (the second book in Newman’s The Vagrant trilogy) for the simple reason that I seem to be constantly bigging up Peter Newman on this site, as well as on Twitter. Frankly, if I keep this up, there’s a very real danger of Penstricken turning into The Peter Newman Appreciation Society (I may have raved about The Vagrant once, twice, or thrice before).

However, a few days ago someone very kindly (but not entirely accurately) referred to Penstricken as a ‘writing tips blog’ when really I intended this site to be for both story writers and their audiences. So, I decided it was time to write a post for those of you who have put up with me rambling about writing week in and week out when all you really want is a book recommendation. And since I have recently finished The Malice, it seemed a logical choice to review it on this week’s post.

Naturally I will try to give a fair, balanced and critical review but you know…

The Vagrant trilogy is arguably the best sci-fi/fantasy series I’ve come across in a long time!* It has made me believe in sci-fi/fantasy trilogies again! I wish the third book would just hurry up and COME OUT already!

… and relax.

Okay, now that I’ve got that out of my system, let’s get down to business.

The Malice is the second book in the Vagrant trilogy, based several years after the events of The Vagrant. When I read the first book a year or so ago, I did so believing that it was a stand-alone novel. You see, over the years, I have grown cautious about reading novel series (especially sci-fi/fantasy) from authors I don’t know because I have often found myself getting bored with them by the second or third book. As we know, some series just go on and on and on and on and on forever. Therefore, since there’s nothing worse than abandoning a story halfway through, I tend to think long and hard before picking up a new series. As much as I loved the originality, the poetic language and the vivid world-building I found in The Vagrant, when I learned that it was part of a trilogy I was a little anxious that it might go the way of so many other series I’ve started but never finished.

I was wrong. I devoured The Malice with as much proverbial** relish as I did The Vagrant. I think the reason it works so well as a sequel is because Newman has managed to strike that difficult balance between continuity with the first book and not rehashing the same story all over again. For example, there is a definite continuity in the style of story-telling. Newman’s distinctive voice has carried on into the sequel and draws us easily back into the same vivid and original world he has created. However, the characters are, as always, where Newman really works his magic.

As with the previous book, we have the protagonist who leads the adventure; the protagonist’s companion who supports and defends her and a capra aegagrus hircus (in this case, a kid), who serves in a comedy relief kind of capacity. However, Newman hasn’t relied on reusing the same (or virtually identical) group of heroes as before. The protagonist, Vesper, for example, is a young girl; chatty, a little unsure of herself, optimistic to the point of naivety and with an iron core of purity and unhindered free-thinking that suits her age and background. This is quite the opposite of her father and protagonist from the previous book: the strong and silent Vagrant who pushed his way relentlessly through whatever adversity he encountered.

Her companion, Duet, brings a similarly refreshing spin on the familiar role she plays. She is a Harmonised; an single entity made up of two joined individuals (as far as I could tell). Having been forced to kill her other self in the early chapters of the book, Duet grows increasingly bitter and cynical throughout the story as her health begins to fail her. Again, this contrasts sharply with the companion from the previous book, who served mainly as a very positive influence to encourage the Vagrant on his journey.

It was also good to get something more of the origins and inner-politics (if you can call it that) of the infernals who feature heavily in both books.

This book (both of them, in fact) also beautifully accomplishes something which very few other sci-fi novels do. It draws the reader into a dark and dangerous dystopian world while yet retaining a sense of optimism and even fun; exploring important themes of friendship, compassion (especially in the character of Vesper, who often resolves to help and heal others even at great risk to herself and her mission) and duty. For me, this sets it apart from many other sci-fi stories which are often either unremittingly depressing from the get-go or else are a little too fun to have any realism or tension about them (not that I’m knocking that. I like fun). This gives it a sense of believably, even though it is set in a world that is so completely different from our own.

If I must criticise something about this book (and I really would rather not), it would be that the pacing of the last few chapters could possibly have benefited from a little tightening up. I don’t want to give away what happens, but it did feel a little bit like having dramatically saved the day, Vesper then goes back home via the long and not-terribly-thrilling route which left me thinking ‘I hope something good happens to justify all this excess narrative that’s been stuck on the end’. Well, I don’t want to give away what it is but trust me: something good does happen. It is definitely worth reading on, especially if you’ve got any plans (as I do) to read the third instalment, The Seven, when it comes out in April.

All in all, The Malice was every bit as excellent a story as its predecessor; perhaps even better. While it remains firmly rooted in its predecessor, it carries the story forward in great strides, opening up the possibilities for the next instalment and leaving the reader feeling both fully satisfied and eager for the next one. Go get it!


*Having said that, I have just started The Mistborn series. It’s off to a promising start too.

**Don’t put literal relish on your book. It leaves a stain. LFMF.

Buy The Vagrant Trilogy on Amazon


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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Throwback Thursday: 5 Sci-Fi Tropes I Could Live Without

First published 29/10/2017

Among the many styles and genres of fiction which I enjoy, I must unashamedly confess to a particular fondness for popular sci-fi and fantasy. Yes I know it’s all just unrealistic escapism into a nonsense world of space adventures, suspiciously human shaped aliens and humanity being conquered by the very robots we built to help us but still… it’s fun. And you know… fun’s allowed, even if you like serious literature.

All the same… there have to be limits. But for some reason, sci-fi is just chock full of certain clichéd tropes, some of which are so very ridiculous that it frankly beggars belief that they ever became clichés. The others are just plain done to death. What follows are some of my (least) favourites.

The Holographic Hook

You’ve got to write a space opera and are struggling to come up with an exciting opening scene to draw the audience in from the very beginning. Solution: an exciting space battle! Ships firing at one another, hand to hand combat between aliens and humans, lasers, explosions–

Then an admiral calmly walks onto the scene and ends the simulation. It was all just a holographic training exercise!

This kind of scene, made famous by the Kobayashi Maru scene in Star Trek II: The Wrath of Khan (and then repeated time and time again in one form or another), gives the audience a burst of excitement that has very little bearing on the story which is to follow. The best it can do is foreshadow some internal conflict the protagonist may face later on in the story.

Please… it’s been done too often. Put some effort in and come up with a proper hook for your story.

Is That You Clive?

You’re alone on an abandoned space station or a spooky castle. Or maybe you’re just home alone, meticulously colouring in your colouring-in book on a dark and stormy night. Suddenly you hear something… something rattling, hissing, banging… perhaps even a sinister inhuman voice whispering your name.

You spin around wildly.

‘Is that you Clive?’

No. No, it’s not Clive. It’s never Clive. And really, ask yourself, is this the sort of thing Clive normally does? If it is… you need to dump Clive and get yourself some nicer friends. Just saying.

Just once I’d like to read or watch something where the victim doesn’t automatically assume that the scary noise is their friend pulling a cruel prank on them. Or better still, just once, I’d like it to really be Clive pulling a cruel trick. At least I’d be surprised.

Hey Clive, Are Those New Horns?

Something terrible has happened to Clive. He’s being controlled by an alien or replaced with a robot duplicate. His behaviour is erratic. His speech has become strange. His eyes have turned luminous green and he has grown horns.

And no one really notices until it’s too late.

My personal favourite example of this occurs in the Doctor Who episode, Rose. Rose returns to her boyfriend’s car to find he is now made entirely of plastic and is talking funny. And what does she do?

Goes out for dinner with him. She suspects nothing until the Doctor fires a corkscrew straight through his skull without injuring him. And she’s supposed to be his girlfriend.

Sigh. 

We, The People of Earth…

So it finally happened. Aliens have made contact with humanity. They may have come in peace or they may have come laser guns blazing, but one way or another, it’s first contact day for the people of Earth.

You know Earth, don’t you? Seven-point-four billion different versions of the truth, spread across one hundred and ninety five independent sovereign states (to say nothing of those who want to break away and start their own nation or conquer others) all gathered together on one planet, unable to agree on even the most trifling of matters?

A whole host of different political ideologies, systems of government, international treaties and religious beliefs, and yet when the aliens finally come, humanity all rallies around a single leader, or at the very least, sets aside all their differences. Usually it’s the President of the USA, except in Doctor Who where it can be just about anyone except the President. In any event, I have a sneaking suspicion that if aliens did make themselves known to us today, humanity would not respond with a single unified voice, or even two or three differing voices. Call me cynical but I think it would probably be chaos.

Ask yourself this. If aliens landed on Earth today:

How would Donald Trump respond?
What about Kim Jong-Un?
What about Angela Merkel?
What about ISIS?
What about the Pope?
What about the World Health Organisation?
The Scottish National Party?
The British National Party?
Richard Branson?
Kim Kardashian?
The writers of Doctor Who?
The guy that sells the Big Issue in the town centre?

You get the idea.

Magical Alien Artefacts

I don’t really have a problem with functioning magical artefacts if you’re writing a fantasy, set in a world of magic and myth, rather than a sci-fi set in space and/or the future. At its core, sci-fi (even silly popular sci-fi) tends to speculate on the advancement of technology and science, rather than the possibility that magic might actually work. If we are assuming that magic is not real, as sci-fi tends to do, we have to ask some serious questions about why it would work on an alien planet.

‘Ah, but, you see, it’s not really magic!’ I hear you cry. ‘It’s just technology that seems like magic!

But if it’s just technology… why dress it up like magic? Star Trek is very guilty of this. Whether it’s the legend of the Tox Uthat (a quantum phase inhibitor which appeared in TNG: Captain’s Holiday), or Vulcan mythology concerning the psionic resonator (TNG: Gambit), there just seems to be no end of magical artefacts in space which are actually just very clever technology. Technology made of stone. Stone technology that does magic. Heck, some even involve meditating and muttering incantations.

Dishonourable Mentions:

  • Everybody knows how to fly every kind of spaceship in the universe, even if it is of completely alien design.
  • Everybody knows everything about science.
  • Rough alien taverns. Just once, give me a classy alien wine bar.
  • With just a slight modification to the engine/shields/BBQ grill, we can do some sci-fi magic to save the day!
  • The bad guys believe emotion is a weakness and that is their Achille’s heel.
  • Love conquers all (exemplified in the Doctor Who episode Closing Time, where Craig is turned into a Cyberman then somehow manages to turn himself back into a human simply because he hears his baby son crying… as if he was the first parent the Cybermen ever upgraded. Seriously, I preferred it when the Cybermen’s greatest weakness was gold).
  • Universal translators.
  • Legendary technology, planets or lifeforms which really do exist.
  • Having a weapon of mass destruction called ‘The Weapon’. By all means call it the Super Zappy Death Ray, but don’t call it The Weapon. Use your imagination and give it a name.
  • Shooting the control panel/monitor shuts down everything on the entire spaceship, unlocks every locked door and/or disarms the Weapon.
  • Snippets of news reporters telling the general public how to survive the alien invasion. I repeat, do this to survive the alien invasion!
  • Jeanie who works at the shop is actually THE PROPHESIED CHOSEN WARRIOR QUEEN OF ALL THE MULTIVERSE and she doesn’t even realise it.

Well that was a far from exhaustive list but I’m glad to have got it off my chest anyway. Thanks for taking the time to read this post. Be sure to leave us a wee comment below and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what reverses your polarity.

Until next time!


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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Book Review: Mark of the Raven

SPOILER ALERT:

Anyone who has not read Mark of the Raven by Morgan L. Busse is hereby advised that this post may contain a few unavoidable spoilers.

I love a good old fashioned high fantasy set in faintly medieval inspired magical worlds and Christian fantasy Mark of the Raven by Morgan L. Busse promised to be exactly that. The protagonist, Lady Selene of House Ravenwood, has the ability to enter and even manipulate the dreams of other people and stands to become the head of her royal house. As she learns, under the cold instruction of her mother, to use her gift to spy upon and even assassinate the enemies of her house she becomes torn between the dark destiny set before her and the dream of a more peaceful way of life.

In general, an enjoyable book. I liked it. It didn’t knock my socks off but it was okay.

Most of the drama in this story focuses on Selene’s own internal conflict. Oh, yes, there’s an apparent threat to the Great Houses from the encroaching Dominia Empire but this never really matures into any direct conflict for any of the main characters. Instead, the main characters are simply squabbling about how best to deal with the threat of invasion, or indeed, if such a threat even exists. That side of things, however, is fairly by-the-by, for which I was immensely grateful as it could have become incredibly boring otherwise. Selene’s internal conflict about her own destiny and whether or not she can (or even should) carry out her mother’s instructions for the sake their house and their people is far more interesting, and the author very wisely focuses on this throughout and it is this particular arc which is concluded by the end of the novel. As part of a series, the conflict with the Dominia Empire and the break-down of relations between the great houses is left very much open and will, I trust, be fulfilled in the following instalments.

The world-building was strong, if not particularly mould breaking. It was easy to imagine the sights, sounds and smells of Rook Castle and the Magyr Mountains and the history of the world is also well developed and feeds directly into the story in a way which seems natural and believable. I did feel like the religions practised by the main players (in particular the followers of the Light and of the Dark Lady) were a little underdeveloped, which seemed like an especially odd thing to leave so half cooked in a Christian fantasy. On the plus side, this prevented the story from feeling obviously preachy. Indeed, I have a sneaking suspicion that the true allegory lies in the inter-house politics and the Dominia threat, where I suspect the different houses possibly represent church denominations and the Dominia represent all the forces of hell or something along those lines. If that is the case, however, it is not delivered in a way which ruins the story or makes the reader feel preached at. The author clearly knows how to incorporate theme effectively.

My only major criticism of this novel is that it was a little predictable, especially the outcome of the relationship between Selene and Damien. Pretty much from the first moment we saw the noble and true Damien, servant of the Light and all round good guy (who certainly wouldn’t ever dream of marrying a lady of Ravenwood!), I knew he was going to end up marrying Selene. I was not remotely surprised by this and I frankly got a little fed up waiting for it to happen, especially given Selene’s obvious attraction to his soul and Damien’s fascination (though certainly not love or desire, no sir-ee!) with her. I will say this however: exactly how the two characters got from ‘stranger’ to ‘husband and wife’ stage wasn’t quite how I expected it to happen and it was, therefore, still worth reading.

Speaking of characters, the main players in this story (specifically: Selene, Damien, Selene’s Mother and, to a lesser extent, her father) are fairly well developed, if a little unremarkable. They are all distinctive enough and driven by clear motives to accomplish specific goals. There are loads of other characters (twenty four if the ‘character list’ at the start of the book is to be believed), each distinctive enough in their own ways, however some of them feel a little superfluous, as if they are only there to make up the numbers at the summit.

All in all, an easy enough read with jut enough excitement and intrigue to keep me going, but a little predictable at points and slow to begin with. If you like Christian fantasy, you’ll probably enjoy it in a ‘no fuss’ sort of way. Even if you’re not particularly interested in religious fiction, you’ll probably still enjoy this book well enough without feeling like its intruding on your beliefs. A nice, safe bit of easy reading fantasy.

My rating: 🌟🌟🌟


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ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

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5 Signs You Should Quit Reading That Novel

Disappointment. There’s no other feeling in the world quite as crushing as disappointment, especially when it comes to reading a book you thought you were going to like. Apart from the fact you’ve already invested time and money into this book, you now find yourself in a horrible dilemma: to finish or not to finish?

Strange as it may seem to the uninitiated, there is a sense of personal failure and social stigma attached to giving up on a book; almost as if we were too lightweight to bear the responsibility for choosing the wrong book. And so, we grit our teeth and read on: another hundred, two hundred, or even four hundred pages of despair, anguish and disappointment.

I can count on one hand the number of books I’ve actually abandoned altogether. Some have sorely tempted me at points but there are an elite class of books which have been so abhorrent to me that I’ve been forced to quit. If you’re reading a novel you’re not too sure about, here’s a few warning signs that it might be time to abandon it altogether, randomly helpfully illustrated with Star Trek gifs.

When You Know Exactly How Many Pages Are Left Until The End

There are books of all different kinds of length out there. There are long books and there are short books; there are long books that feel short and there are short books that feel long.

Even the shortest little novellas can be a chore if we can only bring ourselves to read one or two pages at a time. On the flip-side, I read the full, unabridged version of The Count of Monte Cristo, and despite being one of the longest books on my shelf, it was a joy to read and was over far too soon. But with other books (including much shorter books), all I can think about is how many pages there are left until the end. Eventually I find myself literally doing sums to work out how many pages are left, not just once, but once or twice in every sitting. When you get to that stage, it’s time to chuck that sucker out. Life’s too short.

When You Start Making Excuses Not To Read

I read lots. I do it because I like it. I read in the evenings after my daughter’s gone to bed, I read immediately before I go to bed, I read during my lunch break at work and I read pretty much any other spare moment I get during my day when I’m not working, writing or playing with my daughter. But every now and again, with some books, all of that changes:

My daughter’s finally asleep! Time to fire up the Xbox...

Reading just before bed? Not tonight dear, I’ve got a headache.

Work is busy; there’s no time to have a leisurely lunch/reading break.

Spare moments to read? I don’t have any spare moments to read. I’ve got to install a brand new field induction sub-processor!

All these little excuses only make the book last longer and rob me of one of my favourite past times. Time to bite the bullet and read something else.

When You Hope The Hero’s Mission Fails and They Die Horribly

Let’s be honest. Most novels conclude with the protagonist winning, or at the very least growing in some way. They seldom die a meaningless death and the bad guy generally won’t ever win.

That’s partly why it’s so important for the reader to sympathise with the protagonist. Sure, the protagonist should have weaknesses, flaws and outright bad qualities; that’s part of being a believable person. But if you find yourself developing an active hatred for the protagonist, you’re unlikely to find the end of the story satisfying. Moreover, you’ll suffer throughout the entire novel, because following the adventures of a protagonist you hate is a bit like being forced to sit next to a co-worker you hate all day, every day. It grates on your nerves and arouses your most violent instincts. You hope they die, painfully, in a pool of their own vomit*.

If you find yourself hating the protagonist with such a passion, get out of there fast.

When You feel Personally Insulted by the Author

I’ve spoken before about how important themes are to a good story, and how a theme or moral we disagree with doesn’t make it a bad story. Indeed, it’s good for a novel to challenge the things you take for granted and no subject should be off limits. It’s good to be forced to think.

Nevertheless, some novels do it better than others. If you feel personally ridiculed, attacked, stereotyped or preached at by the author, don’t feel bad about abandoning it. Remember, reading a book is a one way dialogue. You can’t answer it back when it offends you in some significant fashion**. All you can do is swallow it or chuck it, and I, for one, see no reason to sit there and be insulted in your own living room.

When You Begin Every Sitting By Telling Your Family How Much You Hate This Book

When we normal people read a book and enjoy it, we tend to read it quietly and despise interruptions. However, every now and then, I will punctuate my own reading sessions with little outbursts to my family, friends, co-workers or anyone else in earshot:

‘I’m really not enjoying this book…’

‘I hope this book gets better or I’ve wasted £12 and untold hours of my life on it for nothing…’

‘Do you think it’s too late to get a refund on this book?’

Sometimes, in extreme circumstances, I will even rant about a book before I pick it up, just to get me in the mood for reading it.

‘Urrghh, well, I suppose it’s time to read another chapter of this horrible little book…’

If you love your family, you won’t force them to share in your suffering. If you can’t read it without whining about it, just stop reading it.

Footnotes:

*Unlike with fictional characters, you can’t simply throw away co-workers you don’t like and wishing real people dead will poison your soul. Please, try to get along with them and be kind to everybody.

**Well, you could always write to the author but please don’t; they’re entitled to publish their opinions. Nobody is forcing you to read it.


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what fries your bacon.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

6 Things I’ve Learned About Writing Fiction

Writing is an art. Like any art form, it’s something you learn as you go. Even those rare child prodigies who are born excellent writers will still undoubtedly pick up a few nuggets of wisdom as they practice and hone their craft. It’s only natural. The longer you do a thing, the better you get at it.

Most of the writing tips I’ve shared on this website over the last few years have been things I have simply learned by experience, and so today I’ve decided to share a brief selection of some of the lessons I’ve learned over the years which I think have helped to make me a better writer. And so without further ado and in no particular order:

Lesson #1: You Can’t edit a blank page

Although it may go against the grain, the best way to write is to write boldly without stopping to worry about how good or bad it is. In fact, even if you know it sucks, you should still just plough on with your story until it’s finished and come back to fix it later. Heck, you’re going to do a few drafts anyway (aren’t you?).

This is no new commandment but an old one. Although it can be tempting to fix bits you’re unsatisfied with (or worse still, refuse to write them in the first place), editing as you go is ultimately crippling. You will not get anything finished writing that way.

lesson #2: Characters are the beating heart of any good story

Regular readers of this blog (God bless you kind people) will know I’ve said this a billion times before so it’s only right that I say it again: characters can make or break any story. I don’t care how clever, imaginative or well researched the rest of your story is, half-baked characters will ruin your story while excellent characters can make even the most simple of stories a joy to read.

Moreover a plot can emerge from a good cast of characters in a way which feels natural (to the reader at least; writers must sweat blood no matter what). After all, in real life events happen to people; people don’t happen to events. So too, it is better to make your characters the focus of your story and ask what happens to them, rather than creating a plot first and then populating it with characters whom you have contrived to suit it.

lesson #3: CONSISTENCY and Persistence are essential

It can be tempting for inexperienced writers to imagine inspiration is the key to being a good story writer. Such writers will only be inclined to write when they are overcome with a wave of inspiration or when they are feeling particularly ‘in the zone.’

Experienced writers know what folly that is. It might sound less exciting (in fact, it often is less exciting) but the real secret to producing a steady flow of work is to be consistent with your writing routine, regardless of how you feel and to persist with your story even when you hate it.

lesson #4: There Are No Bad Ideas; Only Bad Executions

Whenever you have an idea for a story, it can be tempting to immediately judge it in one of two ways:

  • This is the best idea ever! I can’t wait to sit down and write this masterpiece!
  • That’s a terrible idea. I’ll just pretend I didn’t have it…

In my experience, judging the quality of an idea in this way is a mistake. The fact is, ideas are a pound a dozen and have very little bearing on the quality of the final story. Even the stupidest ideas can yield a good story, if the story is well planned with characters whose goals and motives we care about; and the reverse is also true.

Lesson #5: In the early stages, only handwriting will do

Maybe this doesn’t apply to you, but I find that when I’m trying to come up with new material, I just can’t seem to get the creative juices flowing using a computer, tablet or phone. It has to be pen and paper. I have to be able to scribble freely. Even Scapple is a poor substitute for pen and paper at the earliest stages of brainstorming new ideas.

Once I have a rough idea of my basic plot and who the main players in my story will be, I quickly transfer to working with apps like Scapple, Scrivener or FocusWriter but until I reach that stage, it’s paper and pen all the way. Nothing else works. While this might not be the case for you, I still think it’s worthwhile having a think about what helps you to work most effectively at each stage.

Lesson #6: Like It Or Lump It, Your Intended Audience Matters

No story, no matter how well written, appeals to everybody. However, most reasonably well written stories will appeal to somebody. If you try to please everyone, you are doomed to fail but knowing your intended audience in advance will allow you to determine exactly what kind of themes, characters and adult elements are appropriate for your story. Discussed in more detail here.

What about you? What nuggets of writerly wisdom have you picked up over the years? Be sure to share them in the comments below so we can all benefit from your wisdom!


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what sautés your onions.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

Super Snappy Speed Reviews: Children’s Edition (vol. 2)

SPOILER ALERT

While every effort has been made to avoid spoilers, anyone who has not read Monkey Puzzle by Julia Donaldson, Little Miss Inventor by Adam Hargreaves, Elmer in the Snow by David McKee, Perky the Pukeko by Michelle Osment or The Gruffalo’s Child by Julia Donaldson is hereby advised that this post may contain a few unavoidable spoilers.

Believe it or not, the last edition of Super Snappy Speed Reviews was way back in October, just before series 11 of Doctor Who started, so I decided it was time for another exciting instalment. This time (though not for the first time) I’m looking at children’s books. Just to be clear, my daughter is not quite two years old yet, and so, when I say ‘children’s books’, I am talking about books aimed at very young children, rather than children’s novels.

You know the drill by now. These reviews reflect nothing but my own personal opinions and impressions, sliced, diced and shredded into a few short sentences. The books I have selected have nothing in common, save the fact that they are all fictional stories for very young children. They are not necessarily books I particularly liked or disliked, nor are they sorted into any particular order. So, here we go.

Monkey Puzzle by Julia Donaldson

My daughter loves this book and so do I. The narrative is uncomplicated, written in rhyme (always a plus for small children) and with a goodly dash of humour which does not seem to be lost on my one year old. It’s also not without its educational value, giving descriptions of a whole bunch of different types of animals.

My rating: 🌟🌟🌟🌟🌟

Little Miss Inventor by Adam Hargreaves

I think this is my daughter’s favourite at the moment, judging by the fact I have to read it to her at least fifty times per hour. Little Miss Inventor is a fun character, intelligent and not to be deterred from making Mr Rude a birthday present he’ll really love despite him being one of the most unpleasant individuals in all Mr Men lore. If I’m really picking nits, I think the writing style was a bit clumsy at points, with sentence breaks in places I would not have expected them, for example: ‘She made a back-pack-snack-attack fridge for Mr Greedy. For snacks on the go.’

I’m pretty sure that could have been one sentence.

My rating: 🌟🌟🌟🌟

Elmer in the Snow by David McKee

My daughter’s got a few Elmer books and she seems to enjoy them. Personally, I find this one a bit of a drag. The narrative lacks the snappy rhythm required to hold a toddler’s interest and the plot is frankly boring. Even toddler’s books should have a little bit of safe, inoffensive conflict to make the story worth reading (e.g.: Little Miss Inventor couldn’t think of a good invention for Mr Rude; Monkey lost his mum and his only helper is completely useless; etc). All in all, on the rare occasions my daughter asks for this one, I tend to sigh inwardly (though outwardly I’m enthusiastic for her sake) and hope she won’t want me to read it over and over too many times.

My rating: 🌟🌟

Perky the Pukeko by Michelle Osment

This story is okay. My daughter likes it, perhaps not with the same enthusiasm as Little Miss Inventor, but she asks for it now and again.

It’s written in rhyme, which is a plus for toddler’s stories, though I find the rhythm of narrative is a little off beat at times, often, I fear, because the author was trying a bit too hard to be clever. It is the only toddler’s book I have ever read which actually featured a glossary at the back.

My rating: 🌟🌟🌟

The Gruffalo’s Child by Julia Donaldson

This book is, by all accounts, a sequel to The Gruffalo so it probably helps to be familiar with that story before you read this one. It’s not really necessary though. The story makes perfect sense on its own merits. In Donaldson’s usual masterful style, this story ticks all the boxes for repetition, rhythm and rhyme. Young children can easily relate to the protagonist who initially ignores her father’s instructions, designed to keep her safe, only to quickly realise her mistake and return to the safety of her father’s cave.

My rating: 🌟🌟🌟🌟

Don’t forget to check out all the previous editions of Super Snappy Speed Reviews
Super Snappy Speed Reviews: Doctor Who Edition Super Snappy Speed Reviews: Children’s Books Edition (vol 1)
Super Snappy Speed Reviews: TV Edition (vol. 2)Super Snappy Speed Reviews: Writing Apps for Android
Super Snappy Speed Reviews: Books (vol. 3)Super Snappy Speed Reviews: Games Edition
Super Snappy Speed Reviews: Star Trek EditionSuper Snappy Speed Reviews: Books (vol. 2)
8 Super Snappy Speed Reviews: Film5 Super Snappy Speed Reviews: TV Edition
8 Super Snappy Speed Reviews

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what tickles your toes.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

What Should I Spend My Waterstones Vouchers On?

There’s never a Christmas goes past where I don’t get at least a couple of Waterstones vouchers from somebody. It’s one of the highlights of my year, every year! Free books and lots of them!

This year has been no exception, so I’m calling on you, dear reader, to help me decide what to buy from Waterstones this year (while reserving the right to ignore all your suggestions if I don’t like them). I have only one rule: it must be fiction; not that I’ve got a problem with non-fiction but… I’ve got plenty of non-fiction I’ve still not read. I’m fresh out of new fictional material and besides, this blog is all about fiction so fiction it is!

To help, I have compiled a list of all the books on my shelf which I liked at least a little bit. I’ve not included books I hated, books I never finished, books I never started or books I no longer own, so if it’s on this list I still own it and have derived at least some small modicum of pleasure from reading it.

I also tried to sort them into order of how much I enjoyed them, starting with the one I enjoyed the most and ending with the one I enjoyed the least. That proved to be a heck of a lot more difficult. The fact is, books are hard to compare in such a black-and-white fashion, especially when they are of different genres, so I’ve probably not given a very accurate reflection of how I feel about these books but I’ve done my best. I’ve tried to avoid thinking about which ones were technically better, and have focused simply on which ones I enjoyed the most; thus, this list says more about my tastes and moods than it does about the actual quality of the writing. So don’t get cross if you’re favourite is at the bottom. I’m not sure if the order of this list makes as much sense as I’d hoped anyway.

So anyway, here goes nothing:

  • Of Mice and Men by John Steinbeck
  • Cannery Row by John Steinbeck
  • Tortilla Flat by John Steinbeck
  • The Final Empire by Brandon Sanderson
  • Madness by Roald Dahl
  • The Grapes of Wrath by John Steinbeck
  • The Well of Ascension by Brandon Sanderson
  • Ben Hur by Lew Wallace
  • The Acts of King Arthur and his Noble Knights by John Steinbeck
  • The Green Mile by Stephen King
  • The Pillars of the Earth by Ken Follett (click here for my review)
  • Hero of Ages by Brandon Sanderson
  • Doctor Faustus (The ‘A’ Text) by Christopher Marlowe
  • The Wayward Bus by John Steinbeck
  • The Pearl by John Steinbeck
  • Deception by Roald Dahl
  • Cup of Gold by John Steinbeck
  • The Mysterious Affair at Styles by Agatha Christie
  • Dr Jekyll and Mr Hyde with The Merry Men & Other Stories by Robert Louis Stevenson
  • The Edge of Eternity by Isaac Asimov
  • The Red Pony by John Steinbeck
  • Sweet Thursday by John Steinbeck
  • East of Eden by John Steinbeck
  • The House of Silk by Anthony Horowitz
  • Hercule Poirot’s Christmas by Agatha Christie
  • Different Seasons by Stephen King
  • The Count of Monte Cristo by Alexander Dumas
  • The Vagrant by Peter Newman
  • Curtain by Agatha Christie
  • Murder on the Orient Express by Agatha Christie
  • Five Little Pigs by Agatha Christie
  • The Murder on the Links by Agatha Christie
  • Moriarty by Anthony Horowitz
  • The Seven by Peter Newman
  • The Malice by Peter Newman (click here for my review)
  • The Murder of Roger Ackroyd by Agatha Christie
  • Out of the Silent Planet by C.S. Lewis
  • The Final Act of Mr Shakespeare by Robert Winder
  • Ready Player One by Ernest Cline (click here for my review)
  • The Adventures of Huckleberry Finn by Mark Twain
  • The ABC Murders by Agatha Christie
  • The Collapsing Empire by John Scalzi (click here for my review)
  • The Gospel of Loki by Joanne Harris
  • The Hobbit by J.R.R. Tolkien
  • A Touch of Frost by R.D. Wingfield
  • Frost at Christmas by R.D. Wingfield
  • Winter Frost by R.D. Wingfield
  • Hard Frost by R.D. Wingfield
  • A Killing Frost by R.D. Wingfield (noticing a pattern here? One Frost novel is pretty much like another!)
  • Night Frost by R.D. Wingfield
  • The Time Tourists by Sharleen Nelson (click here for my interview with the author [2])
  • A Game of Thrones by George R. R. Martin
  • I, Robot by Isaac Asimov
  • Perelandra by C.S. Lewis
  • Men Without Women by Ernest Hemingway
  • The Fellowship of the Ring by J.R.R Tolkien
  • That Hideous Strength by C.S. Lewis
  • The Return of the King by J.R.R. Tolkien
  • The Two Towers by J.R.R. Tolkien
  • Emperor: The Gates of Rome by Conn Iggulden
  • Uncommon Type: Some Stories by Tom Hanks
  • The Winter of Our Discontent by John Steinbeck
  • The Afrika Reich by Guy Saville
  • Arena by Karen Hancock
  • The Great Dune Trilogy by Frank Herbert
  • The Man in the High Castle by Philip K. Dick
  • Hard Times by Charles Dickens

And that’s a wrap! Good golly Miss Molly, that is one mixed up list. I don’t even think it comes close to capturing how I truly feel about some of these books but meh… hopefully it will give you a vague notion of my tastes at least and help you come up with good book suggestions for me. Ready, set, go!


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what waters your stones.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

Super Snappy Speed Reviews: Children’s Books Edition

SPOILER ALERT

While every effort has been made to avoid spoilers, anyone who has not read Fish by Fiona Watt, Elmer by David McKee, A Squash and a Squeeze by Julia Donaldson, The Very Hungry Caterpillar by Eric Carle or When I Am Big by Penny Johnson is hereby advised that this post may contain a few unavoidable spoilers.

I might have mentioned once or twice before that I have a little daughter. She’s only a toddler, but she loves playing with books (not always reading from start to finish, but carefully examining them at any rate) and she loves it when we read to her (read to your kids, guys). As a result, we’ve amassed quite a collection of childrens’ books in her short lifetime.

‘And so,’ my wife suggested, ‘why not write a Super Snappy Speed Reviews post about books for children?’

‘Good idea!’ I thought. After all, I’ve already speed-reviewed books [2] [3], TV shows [2], filmscomputer gameswriters’ apps and even the Star Trek movies, so this time it’s going to be all about books for small children. I’ve picked 5 of my daughter’s favourites and reviewed them all in only a few short sentences.

As ever, these reviews reflect nothing but my own personal opinion. The books I have selected have nothing in common, save the fact that they are all fictional stories for young children. They are not books I particularly liked or disliked, nor are they sorted into any particular order. These reviews reflect nothing but my own impressions and opinions, shrank, squished and flattened into a few short sentences. So without further ado…

Fish by Fiona Watt

It’s difficult to summarise this story without plagiarising it, since the whole story is only a couple of sentences long. Suffice it to say it’s a perfectly simple little story about a fish looking for his friend and finding him without any real difficulty. The book itself is also soft, like a pillow, though my daughter has shown no interest in this aspect of it. She just hands it to me and says ‘Again!’ before waiting expectantly for me to read it again… and again… and again. Ideal for children aged one year and under.

My rating: 🌟🌟🌟

Elmer by David McKee

If you like your childrens’ books to be fun but still carry a message about diversity, you can’t go wrong with Elmer. It’s a little dated (I remember it from when I was little) but I enjoyed it then and I still like it now. The story takes a fairly heavy subject and makes it reasonably accessible and enjoyable for slightly older children, owing to its length and relatively complex narrative style.

My rating: 🌟🌟🌟

A Squash and a Squeeze by Julia Donaldson

Another story with a lesson, this time about appreciating what you’ve got. The story is written in a simple rhyme with lots of repetition making it highly accessible and enjoyable for small children. Even as an adult, I can’t help but appreciate the humour in this story as the protagonist, following the advice of the slightly puckish wise man, tries to make more room in her house by filling it up with various farm animals, before her final glorious epiphany in the end. A great story to read to your toddler.

My rating: 🌟🌟🌟🌟🌟

The Very Hungry Caterpillar by Eric Carle

My daughter, like every other toddler I’ve ever come across, loves this book. Like A Squash and a Squeeze, there is a repetitive pattern to most of the story which makes it highly accessible for a child of her age and a goodly dash of humour. It also provides her with a sly introduction to numbers and days of the week. She tends to lose interest at the part where the caterpillar makes a cocoon, and I suspect this is due to the way the narrative suddenly loses its sense of rhythm and repetition. Frankly, even I find the narrative drags a bit there, but apart from that, this book is a must-have for any toddlers bookshelf.

My rating: 🌟🌟🌟🌟
When I Am Big by Penny Johnson

This is a sweet, if not terribly exciting, little story about a rabbit wistfully looking forward to all the fun things she’ll be able to do when she’s older. It is written with a simple ‘AABBCC’ rhyming system, though it perhaps lacks that repetitive quality which would make it even more accessible to a one year old. It’s a nice enough story although it doesn’t hold always manage to hold my daughter’s attention all the way through.

My rating: 🌟🌟🌟

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what beams you up.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Pants, Plants and Plans: A Beginner’s Guide

If you’re the sort of person who spends a lot of time reading up on story writing, you’ve probably heard myself or other writing bloggers talk about the differences between planners, pantsers and plantsers. It’s a spectrum we writers are all spread out across, separating those on the one extreme who plan everything before they write from those who pants their way through their story (that is, they write ‘by the seat of their pants’, making up the story as they go along with absolutely no forward planning whatsoever). And of course, slap bang in the middle of the spectrum, we have Plantsers (because it’s a combination of the words ‘planner’ and ‘pantser’, see?).

We all naturally gravitate to one side or another on this spectrum. However that doesn’t mean we can’t choose to plan, pant or plant even if it doesn’t come naturally to us. After all, we might be tempted to think that one method is inherently better than the others, and that we should try this.

We might even be right. For my money, I think there are some situations where planning is more appropriate and others where pantsing is more appropriate. I’m not going to tell you categorically that any one method is better than another* but there are pros and cons to each. If you’re struggling with whatever method comes naturally to you, it may be time to try a different approach. And so, what follows is my own short and ill-informed concise analysis of each approach, comparing pros and cons as evenly as I can.

Planning

Strengths: Planning everything in advance saves buckets of time. If you already know exactly what is going to happen, how it’s going to happen and who it’s going to happen to, all neatly ordered into chapters and scenes, you won’t waste time writing lengthy portions of narrative you won’t use. You can also rest easy in the knowledge that your first draft won’t have too many large plot holes to sort out.

This makes it easy to work to a schedule. If you know you can knock out 1000 words a day, you can reasonably well estimate that it will take you about three months to complete a draft, especially in those first drafts, because you won’t get stuck about what to write.

Weaknesses: it’s easily the most strict approach to writing. The writer must be disciplined enough 1) not to begin writing a draft too earlier and 2) not to deviate from the plan when he does start drafting. This does not suit everybody. Many authors find it sucks the pleasure out of writing and stifles the imagination, as new ideas insist on being heard throughout the writing process.

Tips for Planning: Be disciplined. Plan everything and resist the urge to draft until you have completed all your chapter outlines, character biographies, the lot. When you finally do begin to draft, don’t deviate from the plan. Add nothing, change nothing, remove nothing. Write it exactly as you planned it. Remember, dear planner, you’re not making art. You’re constructing an intricate machine.

Pantsing

Strengths: This approach to writing allows the imagination to run wild. Most people who write stories tend to do it because they’re people who like to dream, to create and to give artist form to their flights of fancy. Pantsing lets you do just that. I often find that, while pantsing can produce a lot of excess material, some of it can even be later recycled to create a whole new story. Many of my story ideas have come from material I rejected while pantsing an earlier work.

Weaknesses: If you’re serious about writing for any reason other than as a hobby, you will probably find this approach seriously undermines your productivity and success, especially if you’re writing anything longer than a short story. Pantsing out a novel length story in a couple of months is easy in theory but it is doomed to be full of half baked themes, plot holes and other inconsistencies that will need to be fixed before they can pass over any agent or publisher’s desk. You may find yourself virtually starting from scratch when you come to do your second draft, assuming you ever reach the second draft stage.

Tips for Pantsing: Don’t get too attached to your work. A draft that has been fully pantsed will require a lot more editing than a meticulously planned draft. While killing your darlings is always good advice for any writer, pantsers will probably find themselves producing a lot more darlings (because their imagination has been given unlimited credit in the sweetie shop) that have to be killed (because their story will be full of things that simply don’t work).

Plantsing

Strengths: Plantsers have the best of both worlds. They are anchored to a plan but they are not enslaved to it. If the author wants to make changes halfway through writing their draft, or if they identify problems with their story, they can simply adjust the plan as they go along. The imagination is thereby given space to work but is also kept under a tight leash.

Weaknesses: It’s probably the hardest method to strike the correct balance with, even if you do find yourself naturally gravitating towards it. Planners know to write nothing until their story is fully planned out and pantsers don’t give a rip if their story doesn’t make sense in the first draft, but plantsers must learn to bring these two extremes together and make them work in harmony. It is difficult to create a systematic approach to plantsing and will be largely figured out by trial and error. This can be time consuming and frustrating.

Tips for Plantsing: Plantsing is not creating a plan then disregarding it, nor is it writing a draft then making a plan around it. Both of these are a waste of time. Plantsing involves blending these two seeming opposites in a way which allows you to work to your strengths, while still enjoying the benefits of both extremes. For example, you might pants out a few zero drafts to stimulate your imagination while you plan. Alternatively you might create a very loose-fitting plan (story beats for example, but no chapter outlines) and pants out your novel within the boundaries of that limited plan. You might also decide to forsake character biographies in favour of conducting several ‘interviews’ or ‘auditions’ with your characters to help you get to know them better. The possibilities are truly endless when it comes to plantsing. My best advice is to spend a little time finding an approach which works for you.

Footnotes:

*I know what you’re thinking: ‘if he’s going to be so unbiased in his approach, why has he only got pants in the featured image and nothing else?’ Well the short answer is I just couldn’t find a single picture on the internet which depicted a plan, a pair of pants and a potted plant so I had to pick one. I picked pants because pants are funnier. Sue me.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what tickles your toes.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

App Review: Goodreads Android App 2.0.2

Anyone who is serious about reading is bound to come across Goodreads sooner or later. They might not like it or see the point of it, but they’ll encounter it. And if they happen to sign up for the bookworm’s social network, it won’t be long before they get emails asking them to download the Goodreads App.

Personally, I’ve used Goodreads on and off a couple of times throughout the years. It’s a handy place to read reviews on almost every book ever published and it’s quite a good place to discover new things to read. It’s also great for those people who feels the need to organise and display everything they’ve ever read on the internet like it’s some kind of virtual trophy room.

Anyway, today I got an email asking me to download the new and improved Goodreads Android App.

‘Yes, I will.’ I thought. ‘And then I’ll tell all my faithful readers exactly what I thought of it, mwahaha!’

So, first impressions: it’s much easier on the eye than it used to be. In fact, it’s much easier on the eye than the actual website itself. The home page is a clear and simple single column consisting of your name, your books (ordered into shelves and neatly compressed so that you don’t see all your books on the homepage), your friends/groups and all your updates. Everything you could possibly want to do is accessible from the sidebar menu (again, this is hidden unless you open it) and a single icon for all notifications on the top right. There is also a search bar for looking up books.

There isn’t much in the way of new features. Just a few badly needed improvements on the old ones, making version 2.0.2 oh so much more pleasant to use than the older ones.

One of the newest features (also available on the website) is the ‘Explore’ page. ‘Try the new Explore page!’ The Goodreads blog says. ‘Browse books trending on Goodreads, new releases hot off the presses, and community-created reading lists across every genre’, it says. So I did, I tried it. It was alright. I don’t know if it’s new as much as newly packaged, but it’s still worth a look if you’re looking for something new to read. If you live in the US you can also use the Explore page to get deals on books by your favourite authors or from your ‘want to read’ shelf sent directly to your inbox.

The ‘My Books’ section has also been improved to make it somewhat more customisable. Books can now be sorted in order of title, author, average rating, number of ratings, publication year and a whole bunch of other things. As far as I can tell, doing this on the app does not in any way affect the order of your books on the website. You can also use the ‘My Books’ section to access your Kindle notes.

Another feature that has been added to the ‘My Books’ section is the ability to add additional dates for when you read a book. This is handy if you’re the sort of person who likes to re-read books. On the surface, this feature is very intuitive and easy on the eye however when I attempted to add a second set of dates for a book I had previously read, I discovered I had to add a finishing date at the same time, which was a little annoying though hardly the end of the world.

As before, the app has one major advantage/annoyance (delete as appropriate) that the website does not have: the ability to use your phone’s camera to scan a book’s bar code, and use that information to automatically add said book to your Goodreads bookshelf. If you do it that way, you even stand a fair chance of finding the correct edition of your book! Alas, even with this new and improved version of the app, it still took about a hundred attempts at holding my camera perfectly still and exactly the right distance from my book just to scan a single bar code, however when it finally did scan, it did scan accurately. You can also scan front covers, which is nice. Covers are a heck of a lot easier to capture with a camera if, like me, you’re not a photographer and you do not have arms of stone.

All in all, not a bad app. There isn’t a whole lot of new features to scream about and it’s certainly not perfect but it’s much easier on the eye than before and runs a lot more smoothly. It’s hardly blown my socks off but it’s alright.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what blows your nose.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.