Remember: a character is defined what they do and say, not by their physical appearance. Therefore, use physical descriptions to bring out their key traits. First ask yourself who this character is and what important details of their life and personality you wish to convey.
Wise and learned authors know that before you can sign that publication deal and pick up all those awards, you’ve got to actually do something with your wave of inspiration to turn it into a fully fledged story. Initial ideas (especially plot bunnies which unexpectedly pop into your head) are always full of holes, not all of which can be easily plugged. It takes effort to craft it into something that really works.
Those experienced and wise authors I mentioned will know exactly how to handle their ideas and will churn out a good story in no time at all. The rest of us, however, if we’re not careful, might find ourselves languishing somewhere in INSPIRATION HELL.
Abandon hope ye who enter here. Wanderers in this dismal place may find themselves endlessly going around and around the same circle for weeks, months or even years before moving onto another or, worse yet, back to one they’ve already been on. They are damned to be forever inspired without completing a single draft. As a former inmate, it is my sorrowful privilege to shew unto thee the Five Circles of Inspiration Hell.
Okay, so for reasons best known to yourself, you want to know where to find the House of the Magical Idea Wizard and think that perhaps I, or one of my author colleagues (you know, the ones that have actually got a few novels published), might have the answers you seek. I know I’m not alone in having people ask me about this. Writers’ blogs seem to be replete with authors whining and complaining about how often their family, friends and fans (those of you who have fans) ask them this same question.
Well… today, O seeker of insight, I am going to attempt to answer this singularly annoying and misguided question in the only way I can: from my own narrow experience.
Well you’ll be relieved to hear that this will be the last week of my impromptu series on writing non-human characters. We’ve already covered animals, aliens and robots so this week we’re going to finish up with what I’ve very broadly defined as mythical creatures.
When I Googled ‘mythical creatures’ to help me prepare for this post, I was presented with a very helpful list of about thirty different kinds of mythical creature. Gods-and-Monsters.com managed a much longer list of about 72 distinct creatures from mythology. And so writing a single 1,000 word post on how to write any mythical creature is going to be quite a challenge so I hope you’ll bear with me while I go over a few very general principles.
I’ll be spending most of this week dealing with how to write animals in particular (because it’s ever so slightly more complicated), however, no matter what non-human species your protagonist may be, there is one golden rule you absolutely must keep in mind at all times. Ready? This is it:
Your audience is made up entirely of human beings; therefore, your audience must be able to sympathise with your character as human beings.
In other words, you need to anthropomorphise your character to one extent or another. Perhaps only a little, perhaps a lot, but to some extent, you need to give your non-human character certain human traits to make them relatable. At the very least, they will probably need to be able to think like humans in order to work through their goals, conflicts, epiphanies, etc. and possibly will need to speak like humans too (though there are numerous examples of strong animal characters who do not speak).
Nowhere Nowhen Syndrome (NNS) is when your setting is too vague. In the same way that Phantom Protagonists are characters who lack the substance to create convincing people, a setting with NNS lacks the substance to create a convincing time and place. You may know that your story is set in post-apocalyptic London, circa AD 2084, but that is not the same as creating a setting. That’s just telling us the name of the place.
Creating a setting involves stimulating the imaginary senses of your reader so that they know what it’s like to really be there…
Sometimes, I just can’t say it better than my fellow bloggers, and since it’s been a while since I’ve compiled a ‘list of things I like’ kind of post (in fact, I don’t think I’ve done it since the very first post I ever wrote for Penstricken; sigh) I decided that it was about time I did another one. And what better thing to list than some of the best story-writing related posts from other blog sites that I have found particularly useful or insightful in recent weeks.
In reality, there’s dozens of writing and fiction related blogs I like to read on a regular basis and there have been numerous posts I’ve read lately that I could include in this list. I could not even begin to list them all. This is just a selection of some that I have recently come across (not necessarily ones that were written recently) which proved invaluable to me.
Research is, undeniably, one of the most important stages of writing a story. Understanding the time and place your story is set in will enable you to make that story more true to life, and therefore, more compelling. But what if you are writing a fantasy, set in an imaginary world? Make no mistake: research is just as important in fantasy as it is in non-fantasy, perhaps even more so since you are creating a world from scratch. If you’re writing a historical fiction set during the Spanish Civil War, you probably won’t need to research whether or not gravity existed in Spain or what colour the grass was. We can take these things for granted in non-fantasy, but in fantasy you need to become an expert on your entire world… and still make time to actually write the story!
I decided, therefore, to stop complaining about how much more painstaking it would be and start trying to plan my large projects properly (I still pants the shorter things – like this blog!); beginning with research, then planning out the particulars of my story and finally, when all that was done, writing up the story as I planned it.
I immediately hit an obstacle; my own easily distracted, wandering mind. Sometimes, as I was researching my story, I got bored and ended up daydreaming about the writing (or even publishing – ha!) stage. Other times I would go too far the other way; I would find the research so interesting that I would forget what it was I was actually researching for and would begin perusing the internet for increasingly irrelevant things … Try as I might, I could not resist the pull of distraction …. However, not willing to be deterred from my recent conversion to planner, I decided to try a new approach. Instead of trying to force myself to focus on the task, I decided to try and reach a compromise with myself which I am pleased to say, appears to be paying off. It’s quite simple really.