My Thoughts on Kindle Paperwhite

After a whopping ten years of blissful happiness, my trusty old third generation Kindle Keyboard was finally starting to show its age and so I decided it was time for an upgrade. New decade, new Kindle and all that, and so I asked Santa Karen and she very kindly obliged by leaving a shiny new Kindle Paperwhite under my tree.

So, I hear you cry, what has it got that the old Kindle Keyboard hasn’t got?

Well the hardware itself is certainly easier on the eye. As well as being smaller, the Kindle Paperwhite has no physical keyboard, page turn buttons or any buttons of any kind save a titchy little power button and despite being smaller and thinner, it also feels a lot sturdier than the Kindle Keyboard. It is, apparently, waterproof and although I have no interest in personally testing that claim, I could certainly believe it to be so. There are no obvious cracks in the hardware for water to seep into when compared with its 3rd Gen progenitor. According to Amazon, ‘Paperwhite is IPX8 rated to protect against accidental immersion in up to two metres of fresh water for up to 60 minutes.’ How you could accidentally leave your Kindle under two meters of water for as long as 60 minutes is a mystery to me, but it’s reassuring to know if that does happen, I still won’t have to fork out for a new one.

So, let’s turn it on. At first glance, the home screen appears a lot busier than the Kindle Keyboard, which essentially just gave us a list of all the books we owned. The home screen on the Paperwhite, on the other hand, displays both your own library and reading lists as well as key lists from the Kindle Store, such as book recommendations. The menu bar along the top of the screen provides links to everything you’ll need to start reading right away, while everything else is tucked away neatly in the side menu. You can link into your GoodReads account, listen to your Audible books and even browse the internet on the ‘experimental browser.’ Book covers and other images are also beautifully rendered in crystal clear high-resolution.

The front-lighting is very nice indeed. One of the things I liked about my old Kindle Keyboard was how easy it was to read the screen for hours on end without hurting your eyes, even in brilliant sunshine, thanks to its unlit anti-glare screen. I was a little bit concerned that by introducing illumination, it might become a little less kind to my eyes (as someone who wears glasses and suffers from frequent headaches, this was not something I wanted). I needn’t have worried. I don’t know exactly what sorcery they’ve used to illuminate the screen, but the illumination is soft, milky and even, giving it just enough of a glow to make it visible in the dark without any harsh glare. When reading in a well lit room, the screen appears just slightly more luminescent than would be natural if you were reading on white paper (hence the name, I guess) and when reading in the dark, it does not flood the rest of the room with light, meaning I can read in bed even while the wife is trying to sleep. Of course, if you find the front-lighting a little too brilliant, you can adjust it to just the right level for your own needs (though it took me ages to figure out how to do).

The complete lack of any physical buttons means everything is controlled by touch screen. If you are familiar with using touch screen on your phone, you’ll already know the basic principles: tapping, swiping, long pressing and so forth. It all works the same as on your phone and I personally find it a lot smoother to use than physical buttons, especially when it comes to typing notes. The majority of books that I read on Kindle are books that authors have gifted me for author interviews or book reviews, and so I often want to add notes to what I’m reading. You could do this with the Kindle Keyboard, but the tiny little buttons were just so fiddly and awkward that I often resorted to a crude form of short hand and wilfully ignored all my typos because it just wasn’t worth the fuss. Not so with the Kindle Paperwhite! The on screen keyboard is a breeze to use and I can write long winded notes to myself until the cows come home.

If I was being hypercritical, I would say the touch screen takes a little bit of getting used to while reading. It’s not overly fiddly, just takes a bit more practice than its predecessors. For instance, you need to tap just the right point on the screen to bring up the menu bar and if you tap anywhere else by mistake, it turns to the next page. In a similar way, you turn the page back by swiping left but if your swipe isn’t quite swipey enough, you’ll find yourself turning forwards instead of back. It is possible to temporarily display touch screen while reading so all controls are locked save the ability to turn to the next page, however this is probably more trouble than its worth since you have to lock the Kindle and then unlock it again to turn this feature off. You can’t even turn the power off without first turning touch screen back on, so it’s not really worth the trouble. Hardly a deal breaker though.

All in all, a fantastic piece of kit. I fully expect it to provide me with another decade or so of reading pleasure (and audio-book listening pleasure, if that’s your bag) and would highly recommend it to anyone looking for a snazzy new e-book reader that won’t burn your eyes out.

My rating: 🌟🌟🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

Book Review: From Men and Angels by H.L. Walsh

SPOILER ALERT

While every effort has been taken to avoid spoilers in this post, anyone who has not read From Men and Angels by H.L. Walsh is hereby advised that this post may contain a few unavoidable spoilers.

Imagine a world where Angels and Demons are not just spiritual beings but physical beings we can see an interact with. How would that change our world? If humans fought alongside with and also against these titans; what kind of world would that be?

H.L. Walsh, author of From Men and Angels

Debut author H.L. Walsh answers his own question in his new book, From Men and Angels, chronicling the adventures of Malach, a hunter and son of an angel and Amara, an exiled thief living in a world of fully corporeal angels and demons. These two protagonists, despite their very disparate origins, come together in the city of Newaught where they are quickly caught up in an ancient war which has been silently raging between angels and demons for over two thousand years.

The world-building in this novel is excellent. The blending together of fantasy with real-world religious elements can be a tricky business but Walsh accomplishes this masterfully, creating a world which is vividly imagined, inspired by certain aspects of Christian theology without creating obvious allegories to patronise the reader or crude caricatures to offend the believer. Indeed, where most authors writing this type of story might be tempted to create allegorical ‘God figures’ and ‘Satan figures’ with different names, Walsh has taken the bold step to make specific references to God and Satan, as well as one more indirect reference to Christ. A risky move in some ways, but one which I feel has paid off.

Many fantasy authors create detailed and vivid fantasy worlds only to be let down by presenting them in a way which bogs the reader down with tedious descriptions of the world’s political, historical and geographical landscape and forcing the reader to constantly refer back to the map(s) on at the front of the book. From Men and Angels does not have this problem. Thanks to Walsh’s clear and direct writing style, the reader is fed a gentle and steady diet of everything they need to know about Walsh’s fantasy world in a way which feels natural and enjoyable to read without info dumping.

The characters in this story are, for the most part, all reasonably well rounded with clear motives driving their actions. Malach is a hunter with of unusual physical strength, owing to his angelic ancestry. All he wants is a quiet life of hunting in his home village, but his life is quickly turned upside down when it is revealed that his parents are alive in a demon prison and that he personally has a crucial role to play (for some reason?) in the coming conflict between the Angels and Demons. In some ways, he’s a little bit typical for a fantasy hero: strong, solitary, plagued by demons and reluctant to follow the call of his destiny. He is accompanied throughout the story by his friend, Daziar and his wolf, Skie.

As much as I liked Malach, I liked the Amara character just a little bit more. She seemed just a shade or two more complex than Malach, more driven by her own needs rather than having other characters popping out of the woodwork and telling her about her destiny. My only real criticism of this character was how she responded to Malach. Given the life she has lived until this point, it struck me as more than a little odd that, in her darkest hour, a streetwise thief like Amara would turn to a relative stranger (not to mention a natural enemy) simply because she finds him attractive and perhaps a little mysterious.

There’s one more character I’d like to mention: Malach’s sword, Reckoning. It’s an angel blade: a living weapon Malach liberates from a demon early in the story, with a personality all of its own, which is a fascinating concept in and of itself. When Malach first acquires this weapon, he is cautious, fearful of its ability to read his thoughts. In spite of this, he quickly comes to trust Reckoning and the reader is left wondering if Reckoning really is to be trusted. Having now finished the book, the short answer seems to be: yes, Reckoning is exactly who he claimed to be. In some respects, that was a bit of an anticlimax. There’s nothing wrong with Reckoning being a good guy as such, but it might have been nice to find a few darker shades to Reckoning’s character or even just to learn that he does have a few secrets or agendas of his own. Having said that, I’m also conscious that this is only the first book in the series so you never know what’s still to come!

I don’t have many seriously bad things to say about this book. If I was being hypercritical, I would say the romantic subplot is this story’s biggest let-down. There’s nothing wrong with the idea behind it or the basic path it follows but the execution felt a bit rushed and sloppy. The two characters don’t meet until fairly near the end of the book, which is fine, however the circumstances of their meeting don’t naturally lend themselves to the kind of relationship which develops between them. Amara, having just lost everything and having no where else to go, decides to go looking for this guard (Malach) whom she barely knows and who has every reason to arrest her. When she finds his house (through educated guesswork, I might add) she breaks in and after a rather tense encounter, the two quickly become as a thick as thieves to the extent that she goes out hunting with him and joins him on a dangerous quest to liberate his father from a demon prison. That just didn’t seem natural or believable to me, especially not while both characters were pre-occupied with their own issues.

All in all, From Men and Angels is a strong debut and I can’t wait to get my hands on the next book in the series. The premise of a world with flesh and blood angelic forces is simple but fascinating and I was chomping at the bit to read it from the moment I heard about it. I was not disappointed. Well imagined, well written and with plenty of excitement; its few and minor let-downs were not nearly enough to stop this being a great read and a real page turner. If high fantasy with respectful and non-preachy religious elements is your thing, be sure to grab a copy of this book with my fullest blessing. It’s great.

My rating: 🌟🌟🌟🌟

Keep an eye out for my author interview with H.L. Walsh — coming soon!


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

Throwback Thursday: Doctor Who (Series 11) Review

Originally published 13/01/2019 under the title ‘Review: Doctor Who, series 11’
SPOILER ALERT

Anyone who has not watched any part of Doctor Who reboot series 11 (including the New Year special, Resolution) is hereby advised that this post may contain a few unavoidable spoilers.

Well, well, it may feel like it’s only just begun but Jodie Whittaker’s first series as the titular character in the BBC’s Doctor Who is finally over. Actually it was over almost two weeks ago but I had to do 6 Six Word Stories for the 6th last Sunday so you’re getting the review this Sunday instead. Lap it up.

I’ve already written in some depths about the first episode, so I’m not going to waste too much time talking about that today. What I really want to do is give an overview of the series as a whole.

Let’s start with the most important question of all: characters, specifically the four regular ones.

The Doctor in this series is lively, kindhearted and generally likable. My biggest criticism is that she seems to have completely lost all her demons, and with it, her motivation. She still abhors violence but previous Doctors (especially in the reboot) have been somewhat weighed down by the violence they’ve witnessed and committed themselves. One of the things I loved about Peter Capaldi’s Doctor, for instance, was how plagued he was by his own sense of guilt. This motivated him to chase around the galaxy seeking vindication. As a result, I cared about the Doctor’s goals, even in rubbish episodes like Into the Dalek. The Thirteenth Doctor, alas, lacks this depth.

Graham wins the ‘best character’ prize by a million miles. He is haunted by the death of his wife and is travelling with the Doctor mainly as a way of fleeing from his own grief, only to be faced with it everywhere he goes, finally culminating in his showdown with Tim Shaw whom he (quite rightly) blames for his wife’s death. My only real criticism is how suddenly his hunger for revenge comes upon him in ‘The Battle of Ranskoor Av Kolos’ (which, by the way, was the most forgettable last-episode-of-the-series since the show rebooted in 2005). It might’ve been nice to see hints of this slightly darker side to him before he finally encountered his wife’s killer again but this is the only minor grievance I have with Graham.

Ryan started strong. His dyspraxia gave him an inner struggle to overcome, as did the loss of his grandmother; he apparently had a tense relationship with both Graham and his absentee father and there was some chemistry between him and Yasmin in the first few episodes. That should’ve been more than enough to make a really interesting character. Unfortunately, most of these issues came to nothing. His dyspraxia was barely mentioned and in no way hindered him; he deals with his grandmother’s death fairly easily and the sexual tension between him and Yasmin fizzled out into nothing after a few episodes. Only the business with his dad came to any sort of resolution, and even this in a fairly clumsy manner in the New Year special.

Speaking of Yasmin, I’m still trying to think of anything I can say about her, whether good or bad. She seemed like a nice person but as characters go, she had all the substance of the Speaking Clock. That’s not a criticism of the actress. She brought Yasmin to life as well as anyone could, but the fact of the matter is, the character could have been completely cut out of this series with almost no loss to the story as whole (even in ‘Demons of the Punjab’ — arguably the only real ‘Yas episode’ — she was just there enough to make the story happen and no more). The character was, in a word, only half-written written.

Now, what about monsters? Doctor Who has always been famous for its monsters, though since the 2005 reboot, it’s been an almost constant barage of Daleks, Cybermen and Moffat’s pet invention, the eye-gougingly tedious Weeping Angels. Not so this time! Every monster (barring the New Year special) was brand spanking new, which was a breath of fresh air for me at least. Although while I’m on the subject of Daleks, I just need to say one thing: since when could the sonic screwdriver disable the Dalek’s gun arm?! If sonic screwdrivers can do that, why was there ever a Time War?

This series has come under some pretty heavy criticism, especially on social media (where all the vitriol of society coalesces, kind of like in that Star Trek: The Next Generation episode, ‘Skin of Evil’, but I digress), for being too ‘politically correct’. I don’t know if that’s because the Doctor’s a woman, because they finally wrote an episode where the racism of modern history is shown in all its ugliness while still being a family friendly TV show (complete with a time travelling white supremacist bad guy) or what but in any event, I see nothing wrong with this. Oh, sure, you might not always personally agree with the message behind each episode, but that doesn’t make it bad writing. Quite the reverse. Give me a real life theme that offends my sensibilities over Moffat’s meaningless, sentimental fluff any day of the week (though just to be clear, I wasn’t offended by this series at all). When it comes to the themes that were explored in this particular series, my only real criticism is how poorly executed they were, often feeling obvious and preachy.

I have only one more criticism (and I know, it sounds like I hated this series, but I really did enjoy it): there was no series-long story arc whatsoever. Since the reboot began (and now and again in the old series, too), Doctor Who has boasted some excellent story arcs. This series just didn’t have one. Just a bunch of time travellers with no discernible motive (apart from Graham) going on lots of pointless but mostly entertaining mini-adventures, finally (anti-)climaxing in them bumping into Tim Shaw again who was, frankly, less scary second time around.

I know it sounds like I’ve really slammed this series. That notwithstanding, I did enjoy it. Really. And since I know you’re all just dying to know what I think about having a woman Doctor, I really did like Whittaker’s portrayal of the character. Please don’t come away from this thinking I hate series 11 or Jodie Whittaker. I do not and I’m really looking forward to series 12. It could’ve just done with a bit of tightening up here and there on some of the most basic principles of serialised story-writing: characterisation and development, subtle execution of themes, story arcs and so forth. But please, watch it with my blessing. It was, for the most part, entertaining and certainly not the worst series in the show’s mostly excellent history.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Super Snappy Speed Reviews: TV Edition (Vol. 3)

Spoiler Alert

Anyone who has not seen The Crown, Dickensian, A Touch of Cloth, Star Trek: Voyager, Fawlty Towers or ‘Allo ‘Allo is hereby advised that this post may contain a few unavoidable spoilers.

It’s that time again! I’ve selected a random assortment of TV programs and reviewed them all in just a few short sentences. As ever, these reviews reflect nothing but my own personal opinions and impressions, abridged,  compressed and foreshortened into a few brief statements of my opinion. The TV shows I have selected have nothing in common, save the fact that they are all fictional. They are not necessarily shows I particularly liked or disliked, nor are they sorted into any particular order. So, here we go.

The Crown

I love this show, far more than I thought I would. Compelling drama concerning both the personal and public lives of the British royal family, masterfully written with well rounded characters and contemporary themes delivered in a subtle and sensitive manner.

My rating: 🌟🌟🌟🌟🌟

Buy The Crown (series 1-2) on Amazon

Dickensian

I am outraged and incensed that this show was cancelled after a single series because it was fan-dabby-dosey. Combining characters and settings from all your favourite Charles Dickens stories, this story focuses primarily on Inspector Bucket (Bleak House) investigating the murder of Jacob Marley (A Christmas Carol) though interweaving subplots also abound. It doesn’t really feel like a massive crossover; it feels (I am pleased to say) like a single story in its own right, with characters who naturally belong together, despite their disparate origins. A strange program, but in the best possible way.

My rating: 🌟🌟🌟🌟🌟

Buy Dickensian on Amazon

A Touch of Cloth

A spoof British police drama which balances the traditions of teeth-clenching British crime drama grit with non-stop low brow humour, cheap gags and general silliness. A bizarre program to be sure, one which I felt faintly sullied by watching– but I have to admit, it made me laugh for the first episode or two. Got a bit bored after that though.

My rating: 🌟🌟

Buy A Touch of Cloth (series 1-3) on Amazon

Star Trek: Voyager

Arguably the last great Star Trek spin-off before it all went downhill with Enterprise, Star Trek: Voyager follows the adventures of a single Starfleet crew stranded on the other side of the galaxy trying to find their way back to Earth. It’s certainly not my favourite Star Trek series, but it stands up well next to Deep Space Nine and The Next Generation, featuring story-writing which ranges from okay to excellent. Some episodes are very obvious rehashes of former Star Trek glories, but the more original episodes are generally worth a watch.

My rating: 🌟🌟🌟🌟

Buy Star Trek: Voyager (The Complete Collection) on Amazon

Fawlty Towers

What can I say about Fawlty Towers that hasn’t already been said? An elder statesman of British comedy despite (because of?) its subtle-as-a-brick and fairly formulaic humour (Guests annoy Basil, Basil gets a bit more mad, hits Manuel, harasses guests, climaxing in one final embarrassing disaster). In terms of writing, acting, production and just about everything else, it shouldn’t be able to stand shoulder to shoulder with other classic British sitcoms… but it does. I love it.

My rating: 🌟🌟🌟🌟

Buy Fawlty Towers (The Complete Collection) on Amazon

‘Allo ‘Allo

Another classic British sitcom based on the life of a French cafe owner during the German occupation of France who finds himself unwillingly embroiled in the French resistance while at the same time trying to run a cafe, conceal two stolen paintings, conduct two extra-marital affairs, stave off the unwanted advances of a male Nazi officer, and hide two British airmen from the Nazis. I’ll be honest: it didn’t quite tickle me to the extent it should have given how well written the humour was (though it did tickle me), perhaps because it relied too heavily on that one comedy trope I can’t stand: repeating only slight variations on the exact same joke in every episode. Still, a good show, worth watching if you’re in a silly sort of mood.

My rating: 🌟🌟🌟

Buy ‘Allo ‘Allo (The Complete Series 1-9) on Amazon

DON’T FORGET TO CHECK OUT ALL THE PREVIOUS EDITIONS OF SUPER SNAPPY SPEED REVIEWS
Super Snappy Speed Reviews: Children’s Edition (Vol. 3)Super Snappy Speed Reviews: Books (Vol. 4)
Super Snappy Speed Reviews: Children’s Edition (Vol. 2) Super Snappy Speed Reviews: Doctor Who Edition
Super Snappy Speed Reviews: Children’s Books Edition (vol 1) Super Snappy Speed Reviews: TV Edition (vol. 2)
Super Snappy Speed Reviews: Writing Apps for Android Super Snappy Speed Reviews: Books (vol. 3)
Super Snappy Speed Reviews: Games Edition Super Snappy Speed Reviews: Star Trek Edition
Super Snappy Speed Reviews: Books (vol. 2) 8 Super Snappy Speed Reviews: Film
5 Super Snappy Speed Reviews: TV Edition 8 Super Snappy Speed Reviews

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Using Google Docs for Writing Fiction

I’ve resisted using Google Docs for writing fiction for a long time. It’s not that I think there’s anything wrong with Google Docs. Lots of people swear by it and I had no reason to doubt the good reports I was hearing, however I’m already pretty well established in the apps I like to use (Scrivener for long works like novels and Focus Writer for shorter pieces). Besides, in spite of all the good things I’d heard about Google Docs, it sounded a bit too much like a plain old fashioned word processor, without any peculiar functionality that might make it stand out to a fiction writer such as myself.

However, Christmas is coming. And here on Penstricken, Christmas can only ever mean one thing: the Penstricken Christmas Special. That meant I had only a few weeks to write, edit and publish a 1,000 word Christmas story and – to be perfectly frank – I don’t have a lot of time on my hands for starting a brand new story from scratch. I have a full time job, a toddler and (lest we forget) a novel I’m supposed to be writing. Most days I’m lucky to get half an hour to write, and I can’t possibly devote it all to the Penstricken Christmas Special. Then I had a brainwave:

Google Docs stores your work online so you can continue writing on the go!

My plan was to use a set portion of my normal writing time to work on the Christmas story using Google Docs on my PC, while using the Google Docs Android app on my phone to continue writing whenever I had a spare five minutes in my day (when I’m on the bus, during lunch breaks, etc).

Seeing no alternative to this plan, I swallowed my pride and began writing my first draft on Google Docs, starting with the browser version. The first thing to do is choose a template for your document. There are loads to choose from and not one of them has anything to do with fiction writing. Unwilling to be deterred, however (I mean, really, you don’t particularly need a fancy template for writing short works of fiction), I decided to start with a blank template.

So far, my thoughts on the subject had been proven absolutely right. At first glance, Google Docs really is just another word processor. In some respects, this was a good thing. It took absolutely no time to learn how to use, since everything is very familiar to anyone who has ever used a bog-standard word processor before. Another major selling point was the fact it automatically saved your work to Google Drive and instantly made it available to you anywhere in the world. You can also make your work available offline.

Perhaps its most obvious selling point is the fact you can share your work with other users who can edit your work or add comments. This is handy if you’re writing collaboratively or are looking for someone to give feedback on your work. Comments appear in small boxes to the side of your work which are anchored to particular portions of the document. You can reply to each comment, allowing for easy discussion with your fellow editors and, once you’re happy the issue has been resolved, you just click the button labelled ‘resolve’ to hide the comment. Personally, I like to write alone but I do find the comments function a useful tool for getting feedback on my writing.

Another key feature I found useful as a story writer was the outline function. It took me a little while to figure out just how to use this, but essentially the outline feature allows you quickly navigate around your document using headers, which is essential if you’re creating a lengthy piece of work and don’t have the benefit of Scrivener’s binder for separating your work into chapters and scenes. Alas, you can’t do too much to customise your outline. It’s basically just a list of links to every portion of text you’ve formatted as a heading, but you can’t use it for actually outlining or planning your story in any meaningful way.

My one big concern with using Docs to write my Christmas story was the mobile app. My plan relied pretty heavily on being able to seamlessly transition between the PC browser and the mobile app, but in my experience, mobile writing apps are often clunky, cluttered and have limited functionality. Fortunately, it wasn’t nearly as bad as I feared. There’s a small menu bar at the top and bottom of the screen as you write, allowing you to easily access to basic functionality such as formatting your text, adding comments or undoing and redoing. Everything else is discreetly tucked away in a menu you can access by tapping the button on the top right hand corner of the screen.

In short, Google Docs is a good online word processor and is has more than adequately served my needs when it comes to writing this Christmas flash fiction. I don’t think it would be much use in the planning stages of any story and I certainly wouldn’t fancy writing a longer piece of work on it, but for every day short story writing on the go, it’s more than equal to the task.

And hey, it’s free.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Throwback Thursday: The Well of Ascension: A Review

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read The Final Empire or The Well of Ascension by Brandon Sanderson is hereby advised that this post may contain a few unavoidable spoilers.

Some of you might have fallen into the trap of thinking I only ever do really short reviews because I do them so darn often [2] [3] [4] [5] [6] [7]. But I vowed at the start of this year that Penstricken was going to feature more reviews and that’s just what I intend to do. So, here we have it: my full scale review of The Well of Ascension by Brandon Sanderson; the second book in the high fantasy Mistborn series. As ever, this review reflects only my own personal opinions and impressions.

Before I begin, I just want to say one thing about the series as a whole. It features two of the most complex but beautifully constructed systems of magic I have ever come across: Allomancy and Feruchemy. I love these magic systems. I don’t have nearly enough time to explain in any detail how these work so for those of you who haven’t read the books, here’s a link to the Mistborn wiki’s articles on Allomancy and Feruchemy.

Now, down to business.

In the previous book (The Final Empire), the street urchin Vin discovered herself to be a powerful Allomancer and joined a crew of thieves who led a successful rebellion against the “god-like” Lord Ruler of the gloomy Final Empire. Now that the Lord Ruler is dead, the Empire is fractured. Various lords come against the capital city (Luthadel) amid rumours that it contains a wealth of atium: one of the most valuable Allomantic metals there is. Vin, her crew and her boyfriend-turned-king quickly find themselves living in a city under siege by forces they cannot possibly overcome.

Did I like this book? Yeah, I did. Sanderson set himself an incredibly high standard in the first book, The Final Empire and while I don’t think The Well of Ascension quite lives up to that standard, it’s still a pretty strong sequel.

As well as an excellent magic system, this book also boasts a strong cast of characters. I often find the characters in some high fantasies to be a bit samey and it can be difficult to remember who’s who. Not so in The Well of Ascension. It’s easy to see each character clearly in my minds eye as I’m reading; their backstories are well researched and they all have recognisable motives and goals. If I’m being critical, I would say that some characters — particularly Vin — have perhaps changed a little too dramatically since the last story but not in a way which seriously ruins things. While I agree it’s important for characters to grow and change, I do think she has taken a little too naturally to being the king’s consort, while in the previous novel she was a cowering street urchin, still haunted by the memory of her abusive brother. She does have inner demons in this instalment, but they seem more largely focused on her destiny and whether or not she deserves Elend’s affections. On the other hand, I did enjoy how Elend himself developed from a scholarly and naive king to someone who, though technically deposed, nevertheless takes charge of himself and shows himself to be a true king in every way that matters. Through adversity he learns and becomes a better man, which is what you want in any good guy’s character arc.

The dialogue is not bad, though could do with a polish. The individual character’s voices are not terribly distinctive, making it sometimes difficult to remember who is speaking (with the possible exception of Tindwyl and, to a lesser extent, Clubs). In a similar way the narrative itself is decidedly alright. Sanderson’s use of language is accessible without being infantile, allowing the reader to easily step into the misty grey Empire with its red sun and constant ash-fall. However, the pacing did sometimes drag a little bit. My main beef in this regard was with the fight scenes. There’s a lot of them, they’re often very long and tend to focus a little too heavily on the details of who’s burning what metal and what they’re pushing or pulling against. More than anything, these are the scenes which caused me to switch off because — irony of ironies — they often caused the narrative to drag more than the intentionally ‘slow’ scenes.

The plot itself excellent, with several complicated and important social, political and religious themes weaved throughout in a way which is not too in-your-face. I don’t want to give anything away but it essentially involves a struggle for power after the demise of the Lord Ruler, a few prophetic mutterings hinting at a much larger picture and a surprising twist at the end which will have you eagerly reaching for the third book. There is much more emphasis on the personal needs and feelings of the individual characters, most of whom were once fairly anonymous individuals who now find themselves at the centre of their Empire’s political turmoil. The romantic subplots could perhaps have done with a little bit more unpacking but they were there in the form of a love-triangle (of sorts) between Vin, Elend and Zane and a short-lived (but far better written) relationship between the two Keepers, both of whom were previous victims of the Lord Ruler’s controlled breeding program.

All in all, a strong sequel. And I don’t normally like sequels. Not as good as the first, but still pretty darn excellent.

My rating: 🌟🌟🌟🌟

Buy the Mistborn Trilogy on Amazon


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

TV Review: Doc Martin (Series 9)

SPOILER ALERT

Anyone who has not seen any part of the ITV series Doc Martin is hereby advised that this post may contain a few unavoidable spoilers.

Well it’s finally probably definitely over this time, probably. The last episode of the last ever series(?) of ITV’s extremely popular comedy/drama, Doc Martin, aired on Wednesday past. And so it seems only fitting that I do a little review of the final series of a show which has been with us now for fifteen years.

Before series 9 started, the last few series of Doc Martin had been unremarkable. It felt a bit like the main story (the ‘will they, won’t they’ between Louisa and Martin) was well and truly over after series 7, since Martin and Louisa had already got together, had a baby, split up, got back together, got married, separated and got back together again and were now living in marital bliss contentment with a son. What more could they possibly do before fans started throwing bricks at the TV and screaming for them to just get divorced already?

Well, as bold a move as it was, I was pleased to see series 9 did not really focus too heavily on Martin and Louisa’s relationship with one another. There was a lot more focus on Martin’s career, which was put in jeopardy when the GMC come to investigate his fitness to continue practising medicine; the difficulties Martin and Louisa have producing a second child and the lives of other characters, particularly Morwena and Al, who are about to get married.

In actual fact, this series had a great deal of potential. Individually, each episode was very enjoyable. The classic Doc Martin humour seemed as fresh as ever and there seemed to be lots of different story lines all intermingling in a way which promised a worthy climax for such a popular and long running show. I was loving it…

Until we got to the end of the series, that is.

Don’t get me wrong, the final few episodes were good fun in and of themselves, however in the last episode or two, it felt like most of the key story-lines which made up the overall story arc had either been rushed to a sudden ending or forgotten about entirely. For example, Martin and Louisa trying to have a second child could have easily provided a whole series worth of rising tension climaxing in a dramatic final resolution. However it was poorly executed. They acknowledged their difficulties in having a second child early on in the series, began attending a fertility clinic and in the final moments of the last episode, Louisa reveals that she is pregnant. There was, however, nothing in the middle; no rising tension of any kind, unless you count the odd cheeky comment from minor characters here and there.

It also looked like something significant was going to happen with the undertaker. This brand new character popped up in quite a few episodes and there seemed to be some tension between her and Louisa for some reason that was never fully explained. In the final moments of the series, she asks Martin to father her child as a sperm donor. Martin refuses and that’s that.

The final episode in particular felt a bit anticlimactic when compared with the final episodes of other series. Usually these feature the highest drama, as the rising tension is finally released in one big medical emergency in which Martin performs some heroic medical procedure to save the day while resolving all emotional conflict between himself and Louisa. None of that this time. Martin went for his final assessment with the General Medical Council and, realising how poorly he had performed, decided to resign from being a doctor, moments before Louisa announces her pregnancy. There is a tense moment as they realise he has picked a bad time to quit his job, Martin says a very uncharacteristic and out-of-the-blue ‘I love you’ and that’s that. Frankly, the series did not feel finished.

If I sound like I’ve hated this series, nothing could be further than the truth. I looked forward to it every week and I enjoyed every minute of it. It was funny, it had drama and it was everything Doc Martin should be on an episode-by-episode basis. Only the sloppy story arc let it down, which was real a pity on the final series. I’ll still be getting the DVD though and I encourage you to do so too.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Throwback Thursday: The Malice Restored My Faith In Sci-Fi/Fantasy Trilogies

First published 05/03/2017
SPOILER ALERT

While every effort has been taken to avoid spoilers, anyone who has not read The Malice or The Vagrant by Peter Newman is hereby advised that this post may contain a few unavoidable spoilers.

I was rather reluctant to write a post reviewing Peter Newman’s The Malice (the second book in Newman’s The Vagrant trilogy) for the simple reason that I seem to be constantly bigging up Peter Newman on this site, as well as on Twitter. Frankly, if I keep this up, there’s a very real danger of Penstricken turning into The Peter Newman Appreciation Society (I may have raved about The Vagrant once, twice, or thrice before).

However, a few days ago someone very kindly (but not entirely accurately) referred to Penstricken as a ‘writing tips blog’ when really I intended this site to be for both story writers and their audiences. So, I decided it was time to write a post for those of you who have put up with me rambling about writing week in and week out when all you really want is a book recommendation. And since I have recently finished The Malice, it seemed a logical choice to review it on this week’s post.

Naturally I will try to give a fair, balanced and critical review but you know…

The Vagrant trilogy is arguably the best sci-fi/fantasy series I’ve come across in a long time!* It has made me believe in sci-fi/fantasy trilogies again! I wish the third book would just hurry up and COME OUT already!

… and relax.

Okay, now that I’ve got that out of my system, let’s get down to business.

The Malice is the second book in the Vagrant trilogy, based several years after the events of The Vagrant. When I read the first book a year or so ago, I did so believing that it was a stand-alone novel. You see, over the years, I have grown cautious about reading novel series (especially sci-fi/fantasy) from authors I don’t know because I have often found myself getting bored with them by the second or third book. As we know, some series just go on and on and on and on and on forever. Therefore, since there’s nothing worse than abandoning a story halfway through, I tend to think long and hard before picking up a new series. As much as I loved the originality, the poetic language and the vivid world-building I found in The Vagrant, when I learned that it was part of a trilogy I was a little anxious that it might go the way of so many other series I’ve started but never finished.

I was wrong. I devoured The Malice with as much proverbial** relish as I did The Vagrant. I think the reason it works so well as a sequel is because Newman has managed to strike that difficult balance between continuity with the first book and not rehashing the same story all over again. For example, there is a definite continuity in the style of story-telling. Newman’s distinctive voice has carried on into the sequel and draws us easily back into the same vivid and original world he has created. However, the characters are, as always, where Newman really works his magic.

As with the previous book, we have the protagonist who leads the adventure; the protagonist’s companion who supports and defends her and a capra aegagrus hircus (in this case, a kid), who serves in a comedy relief kind of capacity. However, Newman hasn’t relied on reusing the same (or virtually identical) group of heroes as before. The protagonist, Vesper, for example, is a young girl; chatty, a little unsure of herself, optimistic to the point of naivety and with an iron core of purity and unhindered free-thinking that suits her age and background. This is quite the opposite of her father and protagonist from the previous book: the strong and silent Vagrant who pushed his way relentlessly through whatever adversity he encountered.

Her companion, Duet, brings a similarly refreshing spin on the familiar role she plays. She is a Harmonised; an single entity made up of two joined individuals (as far as I could tell). Having been forced to kill her other self in the early chapters of the book, Duet grows increasingly bitter and cynical throughout the story as her health begins to fail her. Again, this contrasts sharply with the companion from the previous book, who served mainly as a very positive influence to encourage the Vagrant on his journey.

It was also good to get something more of the origins and inner-politics (if you can call it that) of the infernals who feature heavily in both books.

This book (both of them, in fact) also beautifully accomplishes something which very few other sci-fi novels do. It draws the reader into a dark and dangerous dystopian world while yet retaining a sense of optimism and even fun; exploring important themes of friendship, compassion (especially in the character of Vesper, who often resolves to help and heal others even at great risk to herself and her mission) and duty. For me, this sets it apart from many other sci-fi stories which are often either unremittingly depressing from the get-go or else are a little too fun to have any realism or tension about them (not that I’m knocking that. I like fun). This gives it a sense of believably, even though it is set in a world that is so completely different from our own.

If I must criticise something about this book (and I really would rather not), it would be that the pacing of the last few chapters could possibly have benefited from a little tightening up. I don’t want to give away what happens, but it did feel a little bit like having dramatically saved the day, Vesper then goes back home via the long and not-terribly-thrilling route which left me thinking ‘I hope something good happens to justify all this excess narrative that’s been stuck on the end’. Well, I don’t want to give away what it is but trust me: something good does happen. It is definitely worth reading on, especially if you’ve got any plans (as I do) to read the third instalment, The Seven, when it comes out in April.

All in all, The Malice was every bit as excellent a story as its predecessor; perhaps even better. While it remains firmly rooted in its predecessor, it carries the story forward in great strides, opening up the possibilities for the next instalment and leaving the reader feeling both fully satisfied and eager for the next one. Go get it!


*Having said that, I have just started The Mistborn series. It’s off to a promising start too.

**Don’t put literal relish on your book. It leaves a stain. LFMF.

Buy The Vagrant Trilogy on Amazon


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

As an Amazon Associate I earn from qualifying purchases in this post.

Want a blog of your own? Start writing today with WordPress.com!

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

TV Review: Death in Paradise (s. 1-2)

Well, my wife and I have been digging around in the Netflix treasure chest looking for something we hadn’t watched before when we found this little gem: Death in Paradise. Set on the in the Caribbean, this TV show follows the exploits of a stuffy and meticulous English detective inspector who has been assigned to head up a tiny team of police officers working on the sun drenched shores of the fictional island of Saint Marie.

While it is primarily a murder/mystery style drama, focusing on a traditional ‘who dunnit’ formula, it is obviously not without a generous dollop of humour. The protagonist, D.I. Poole (Ben Miller), is a classic fish out of water. He despises sunshine, parties and anything remotely French; three things which abound in his new environment. Rather than adapt, Poole staunchly treads the burning sands of Saint Marie in his suit from morning till night as he works alongside his new fun-loving colleagues, including his sidekick and obvious foil, Camille (Sara Martins), solving an improbable number of murders on such a small island.

It was a slow start for me. The premise, though simple, appealed to me. I always enjoy a good murder/mystery and the fish out of water trope can be fun. Nevertheless, after the first episode, I still wasn’t quite sure if I was going to like it or not. It seemed to lack that je ne sais quoi that allows you to forget you’re watching people acting and enjoy the story. Realising that most TV shows have a few teething problems on the first episode, however, we persevered and have quickly become hooked (in spite of the shock of s. 3 ep. 1, but we’ll stick to s. 1-2 today).

As is so often the case, the characters are what make this show what it is. The premise is interesting enough, but not enough to keep a viewer hooked and at a technical level the show is pretty unremarkable but the characters (especially the regular cast) are what make it worth watching. Despite his stuffy, snotty-nosed, and borderline xenophobic tendencies, there is also a vulnerable and even lovable side to D.I. Poole. As the show progresses, his relationship with Camille develops into one of mutual respect, friendship and even hints of romantic attraction despite their obvious differences and the frustrations they often feel with each other. My only regret with their mutual story arc is that was cut rather short when D.I. Poole left the show at the start of s. 3 with the romantic tension left never really resolving itself, not even with a single bumbling kissy scene.

The two uniformed officers who work under Poole and Camille, Dwayne Myers (Danny John-Jules) and Fidel Best (Gary Carr) are similarly excellent in their supporting roles. Fidel in particular has his own little story arc weaved into the background of the main story, focusing on how he tries to juggle his career with his responsibilities as a husband and father. The Dwayne character, though beautifully portrayed by the actor, is a little more undercooked from a writing point of view, though remains a joy to watch as he bombs around on his motorbike, flirts with a different girl in every episode and takes a ‘traditional’ gung-hoe approach to policing.

Critics have often accused this show of being very formulaic. They’re right. Every episode without fail begins with the discovery of a body, the credits roll, there’s a vital clue that everybody dismisses but Poole can’t stop thinking about it, they interview the suspects, gather around a whiteboard covered in photographs, Poole has a sudden inspiration brought about by something innocuous and they all ‘gather in the drawing room bar by the pool’ Poirot style so Poole can reveal all and arrest the guilty party. Throw in a the odd will-they-won’t-they scene between Poole and Camille and you’ve got your episode.

In spite of this, it’s still a great show to sit down and lose yourself in. It’s funny, endearing, with enough drama to keep you engrossed without adversely affecting your blood pressure. Give it a whirl and don’t judge it too harshly by the first episode. It picks up quickly.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Throwback Thursday: Typewriter: An Old-Fashioned Solution for Modern Writers

First published: 02/10/2016

We writers all know (or if we don’t know, we soon will learn) that perfectionism is the enemy of the writer. Of course, we all want our novel/play/movie/TV script/comic to be as close to perfection as it is possible to get. There’s nothing wrong with that. Some might even say that it is our sworn duty as story tellers to create the best story we are capable of and to present it in the most pleasing way possible. That’s all very commendable.

However, anyone who has been writing for any length of time will be able to tell you that you will almost never be able to simply sit down and produce a perfect first draft. It is almost guaranteed to be full of errors, typos, weak metaphors, poor dialogue and perhaps even gaping plot holes. An experienced writer knows this to be the case and therefore also knows that the only solution is to write a bad first draft, attack it with the Red Pen of Editing and then write a slightly better second draft. Repeat until you have attained perfection.

Back in the old days, there was no other choice. One could not simply hit the delete key and erase the last couple of words, much less copy and paste whole paragraphs. These days, however, it is tempting to just edit that first draft as you go along and make it perfect. After all, we have the technology. A typo can be easily fixed. Something you forgot can be easily inserted in the middle of the document. Words can be chopped, changed, pasted and tinkered with until it’s just right. The trouble is, nothing ever actually gets finished that way. As we have said before, a bad first draft can lead to a good second draft; a non-existent or unfinished first draft won’t ever amount to anything.

Unfortunately, I speak from personal experience. I am a perfectionist, and as such, I often found it all too easy to use modern technology to help me agonise over the same paragraph for hours or days at a time. Knowing that writing first and editing afterwards is the best way to work did very little to change this (because I’m contrary like that). Until one day…

I had a brainwave.

I’ll buy a typewriter! I thought. I’ll write my first few drafts on a good old fashioned typewriter and only do my final draft on the computer! Oh boy, this is going to be going swell!

For those of you born any later than the mid ’90s, a typewriter was a primitive (usually unpowered) machine with a QWERTY keyboard which printed directly onto physical paper as you typed. Since typewriters don’t have delete keys, copy and pastes or anything like that, the writer is forced to wait until the second draft to make any major changes. I therefore thought it might be the cure for my perfectionism. Unfortunately, the only way I was going to lay hands on a typewriter these days was to break into a museum and even then, I would be spending the rest of my life trying to find increasingly hard-to-find replacement ribbons. It was going to be a lot of trouble and expense when all I really needed was the discipline to not edit while I wrote.

Not to be deterred, however, I decided to search the internet for an app which does the same thing. Since I’m a Windows man and still loathe writing on tablets, I was quite specifically hunting for a typewriter app I could use on my Windows PC.

There aren’t many. I guess there’s not that much demand for word processors with virtually no functionality whatsoever. I found a grand total of three that ran on my PC plus one for Mac called Rough Draft (I don’t have a Mac so I cannot tell you if it’s any good or not. Let me know if you’ve reviewed it on your blog and I’ll maybe reblog it for you). Of those three, one appears to no longer be available except as a fifteen day trial version and the other was a very clunky web-based app that I found needlessly complicated to use. The other problem with both of these apps was that they emphasised the look and feel of a typewriter more than the simple functionality — which is what I really wanted.

Then I found it.

Typewriter – Minimal Text Editor: a very simple ASCII text editor which runs on Java (and thus, will run on just about any computer) and includes absolutely zero editing functionality. Unlike a lot of typewriter apps which waste time by mimicking the sound effects and ugly fonts of physical typewriters, this app still looks and sounds like any other distraction-free plain text editor. The only difference is that you can’t edit.

Delete key? Forget about it. If you make a typo, you’ve just got to like that typo.

Copy and paste? No way hosay. If you want to make text appear on that screen, you’ve got to type it in yourself; and once it’s there, it ain’t going anywhere.

The only functions (besides typing plain text) available to you in this app are:

  • Colour scheme switching (you can have green text on a black background or black text on an off-white background. Whichever one you choose, it will not affect the appearance of your document when you print it, since *.txt is the only file type available to you)
  • Full screen switching (full screen is good for creating a distraction free environment but you might find it more convenient to have this off if you’re doing other things simultaneously… like writing a blog about the app in question)
  • Open file
  • Save file
  • Save file as
  • New file
  • Print
  • View key mappings
  • Quit

That’s it. That’s all the help this baby is going to give you. Heck, you can’t even use your mouse to navigate around these options, since there are no buttons or menus of any kind. All of these functions are only available to you via keyboard shortcuts (i.e., ctrl+O to open file).

This app is not for the faint-hearted. It will show your writing to you in all its unedited ugliness. But if you can swallow your pride and ignore all your mistakes, it will keep you writing right up until you’re ready to print off your work and attack it with that all important Red Pen of Editing.

It’s exactly what I’ve been looking for.


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook, if that’s what types your writer.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here: