10 Reasons Why I Still Love Scrivener

Please note this post is about Scrivener version 1.9.16 for Windows.

When I made my first serious attempt to write a novel, many moons ago, I did what a lot of young and inexperienced writers probably do: I roamed the internet looking for the perfect piece of writing software (we didn’t call them apps back then) that would make my novel fall together with ease and grace while I sipped tea with one hand and typed airily with the other.

Needless to say, such a miracle app does not exist, but after a few false starts I did find something that came pretty close: Scrivener by Literature and Latte.

I don’t know how long I’ve been using Scrivener for. Years, anyway. Occasionally I’ll look around to see what else is out there (mainly so I can review it here!) but I always come back to Scrivener for any writing project that matters to me. Here’s why:

Scrivener is very flexible

While marketed for novelists, it’s easy to use Scrivener to organise and write just about anything including essays, plays, poetry, song-writing, sermon prep, recipes, blogs and just about anything else you can think of.

Scrivener’s got your novel covered from the cradel to the publisher’s desk

Seriously, you don’t need to use any other apps or have other files stored anywhere else. You can accomplish everything you need to write a novel write here in one single project file. From brainstorming your original ideas; to plotting, outlining and creating character profiles; to maintaining a story bible; to writing out that first, second and third draft and finally compiling your completed manuscript. I even like to keep my writing journal in the same project file.

With just a little work, you can create a template that perfectly suits your own method of writing which you can use again and again.

Scrivener is easily accessible for new users

If you’ve just downloaded it for the first time and want to get stuck right into your novel without having to do a PhD in how to use the app, Scrivener makes it easy for you to do just that with a selection of easy to use default templates.

it’s easy to keep track of your progress

This is a biggie for me. With an app as powerful and complex as Scrivener, it is easy to lose track of how much writing you’re actually getting done and if you’re anywhere near achieving your goals. Fortunately, Scrivener makes it easy to see how many words or characters you’ve added to your manuscript each day (with the option to include or not include other documents in the count) and how close you are to achieving your overall target. Scrivener also keeps a word count on individual documents if (like me) you’re someone who likes to keep each chapter to roughly the same length.

Scrivener’s Virtual corkboard makes storyboarding simple

Each scene can be displayed on a virtual corkboard, making storyboarding easy. The individual scenes are displayed with little cards showing their titles and a synopsis of each scene.

Scrivener is affordable

You’ll get the full package for a one-off payment of £47 (correct at time of writing). No nasty subscriptions, no having to fork out again every time the software is updated. For my money, it’s the best value you’re going to get on a writing app.

Scrivener lets you Import files from anywhere

It’s a doddle to import files and web pages from other places. Very handy for research or if you want to include images (click here to see what I use this feature for!).

Scrivener’s Binder helps you keep stay organised

Scrivener’s virtual binder makes it easy to never lose a single page of notes or manuscript ever again, no matter how bloated your project becomes.

Scrivener’s scratchpad is ideal for jotting down quick notes

The scratchpad is a thing of beauty in its simplicity. A small notepad that you can easily pop up whenever you have a sudden brainwave, without having to come out of whatever chapter or character profile you happened to be working on at the time.

Compiling your work is a breeze

When you’re finished writing, it’s easy to compile your work into just about any format you like using pre-defined formats (e.g.: e-book, paperback novel, proof copy, standard manuscript) or, if you don’t like any of those, you can make your own.

And of course, all your favourite file types are available at the compiling stage as well, including but not limited to pdf, rtf, epub, mobi, markdown– even ODF (for me and my fellow Open Office users).

Please note this post is about the Windows version of Scrivener. Different versions of Scrivener are also available for MacOS and iOS.

Click here to buy Scrivener from Literature and Latte.

Thanks for taking the time to read this post. If you enjoyed it, why not help support Penstricken by buying me a coffee? You can also follow Penstricken on TwitterTumblr, Pinterest and like Penstricken on Facebook.

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AUTHOR INTERVIEWS:

Due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

Throwback Thursday: Different Seasons (Book Review)

Originally published 21/02/2016 under the title ‘Different Seasons’

SPOILER ALERT:

Although every effort has been made to avoid spoilers, anyone who has not read Different Seasons by Stephen King is hereby advised that this post may contain a few unavoidable spoilers.

I’ve never been a fan of horror stories (but power to you if you like them) and for that reason, I’ve avoided the work of Stephen King for far longer than is healthy for someone who claims to love a good story. However, on my birthday at the end of last year, I unwrapped not one but two Stephen King books: Different Seasons and The Green Mile (I also unwrapped Cup of Gold by John Steinbeck and a 9 book collection of Poirot novels by Agatha Christie, but that’s not important just now). I haven’t got around to reading The Green Mile yet but if it’s half as good as Different Seasons then I might have just become a Stephen King fan. It’s a fantastic book.

I would offer one word of caution to anyone who, like me, does not usually like horror but is curious about Stephen King: Different Seasons may(!) not accurately reflect the kind of stories King normally writes. As I read through Different Seasons, I was surprised by how relatively mild the horror elements were until I got to the afterword, in which King (1982, p. 672) comments,

I write true to type … at least, most of the time. But is horror all I write? If you’ve read the foregoing stories, you know it’s not … but the elements of horror can be found in all of the tales, not just in The Breathing Method – that business with the slugs in The Body is pretty gruesome, as is much of the dream imagery in Apt Pupil. Sooner or later, my mind always seems to turn back in that direction.

It’s this little afterword which leaves me wondering exactly how King’s other novels compare to this collection. That being said, the four novellas contained in this collection (Rita Hayworth and Shawkshank Redemption; Apt Pupil; The Body; The Breathing Method) certainly have their own dark threads running through them.

I don’t really want to rabbit on about Rita Hayworth and Shawshank Redemption too much since I’ve already raved about it in a previous post but it bears mentioning. It tells the story of a friendship which develops between two prisoners in the Shawshank Penitentiary and of the final dramatic exit of both men from that prison. It features pretty much nothing in the way of supernatural horror elements but neither is it shy about giving a gritty account of life in the Shawshank Penitentiary, where most of the story is set. There are, for example, a few brutal scenes of violence including rape, though these are not overdone in a way which would make the narrative needlessly crude. In fact, I found there to be something strangely heart-warming about the main plot and the way the story ends. What really made this story stand out for me, however, was King’s superb use of narrative voice, as mentioned previously.

Like ShawshankApt Pupil is a story that does not really contain any traditional horror elements. However, it is very dark; the darkest of the four in my opinion. It is set in the fictional Californian suburb of Santo Donato and focuses on a mutually destructive relationship between an elderly Nazi war criminal, Kurt Dussander (a.k.a Arthur Denker) and Todd Bowden, an ‘all American kid’ with an unhealthy fixation on the Holocaust. Unlike the other three, Apt Pupil is narrated in the third person.

The story opens with the protagonist, Todd, appearing quite uninvited on Dussander’s doorstep, having already learned of Dussander’s previous life as a Nazi and his specific role in the Holocaust. Todd begins by blackmailing Dussander, threatening to expose him unless Dussander tells him gruesome and detailed stories about the Holocaust. The relationship brings out the worst qualities in both characters, eventually leading both to actual acts of murder while their mutual fear of each other forces them to continue their toxic relationship. While this is a little darker than the type of story I would normally go for, I must say that the two main characters are a master-class in constructing complex relationships between characters. Each character is unique, memorable and serves a vital function in the story (as all characters should), yet their relationships are a complex and intricately crafted web of obsession, hatred and interdependency the like of which very few other authors could hope to equal. Despite being darker than the type of thing I would normally read, it is so well written that I would have to say that, along with ShawshankApt Pupil is probably my joint-favourite story from Different Seasons.

The Body, on the other hand, was probably my least favourite of the four. It is written from the perspective of Gordon Lachance; an author, writing about an incident in his youth when he and a group of his friends, all of whom come from dysfunctional families, learned of a dead body which one of their brothers had discovered but not reported to the authorities. Lachance and his friends set out in secret to search for this body so they can ‘discover’ it and become famous. Personally, I found the narrative a little on the slow side compared to the other three novellas and while King’s use of narrative voice in this story was very good, it doesn’t come close to Red’s narration in Shawshank. The ending was also a bit of a let down. On the plus side (if you don’t like anything too dark), it is comparatively light on the physical and psychological violence found in the previous two stories.

The Breathing Method is a story within a story and is probably the closest thing to a supernatural horror to be found in the collection, though any supernatural or fantastic aspects to this story are only hinted at. The story opens with David, the protagonist of the frame narrative, being invited along to a mysterious men’s club by his boss where the members mostly read, tell stories and play pool. The rest of the novella takes the form of another character, Edward McCarron, telling David and everyone else at the club a story about an unmarried pregnant woman he once treated who was determined to have her baby despite the social and financial difficulties this would have caused her. He also tells them about an unconventional method of controlled breathing which he teaches her to use when she goes into labour, which allows him to save the baby’s life when the woman is involved in a fatal traffic accident.

All in all, Different Seasons is an excellent collection and is probably a great place for a first time reader of Stephen King to begin, especially if you’re not wild on horror. More importantly than that, the quality of the writing in all four of these stories testifies to the fact that – no matter how famous he might be for writing horror – Stephen King is no one-trick pony. Different Seasons may be a little on the dark side at points but I would still highly recommend it to even the most avid of horror-dodgers.

Thanks for taking the time to read this post. If you enjoyed it, why not help support Penstricken by buying me a coffee? You can also follow Penstricken on TwitterTumblr, Pinterest and like Penstricken on Facebook.

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AUTHOR INTERVIEWS:

Due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

Book Review: The Alloy of Law

If there is one series of fantasy novel I absolutely loved, it was the Mistborn trilogy by Brandon Sanderson, so I felt I was on pretty safe ground picking up this spin-off novel set some 300 years after the events of the original Mistborn trilogy.

This book follows the story of Lord Waxillium ‘Wax’ Ladrian, a lawman and Twinborn who spent most of his life trying to establish law and order in the aptly named Roughs until he is forced to return to the city of Elendel to fulfil his duties as head of a noble house. However when a spate of train robberies and kidnappings leave the local constabulary baffled and Wax’s intended fiancee is also kidnapped, Wax teams up once again with his old partner Wayne (I know…) to save the day with a whole lot of gun slinging and, of course, Sanderson’s trademark magic systems.

Sounds good, doesn’t it? And you’re right, it was pretty good.

Let’s start, as we always must, with the most important factor of any good story: characters. As was the case in the original trilogy, The Allow of Law boasts a stellar cast of larger-than-life characters whom you can’t help but fall in love with, especially the four main players: Wax (protagonist), Wayne (sidekick), Marasi (love interest) and, to a lesser extent, Miles (antagonist). All of these speak with their own distinctive voice, have well established and consistent traits which makes them stand out from one another and are reasonably well established in their goals and motives. I really can’t say anything bad about the characters and that alone makes a book worth reading.

Worldbuilding, of course, is something Sanderson is famous for doing well and the worldbuilding in The Allow of Law is no exception. While still firmly rooted in the world he established in the original trilogy, three centuries have passed since the events of The Hero of Ages and the world has moved on into industry, science and all the challenges any society might face while it is on the brink of modernity. It is unsurprising then that an emphasis is placed on crime, law and civil order, however we also get a good flavour for how religion and culture has developed over the centuries in a world in which metal endows some people with magic.

My main criticism of this book is that the pacing was just a shade too fast without much respite. There were a lot of action and fighting scenes, which can be cumbersome at the best of times, and even more so when the reader has to pause to remember what happens when a Coinshot pushes steel or a Bloodmaker taps his goldmind. And let me tell you, there’s a lot of that in this book.

Readers who are unfamiliar with the Mistborn world might want to read the original trilogy first. While the story is distinct enough from the original that it can stand alone, it is nevertheless deeply grounded in Sanderson’s original creation and tends to assume a certain level of knowledge from the reader about the world the story is set in (especially the magic system).

All in all, a fantastic little book. I’m not convinced it’s Sanderson’s finest work (he has set his standards so high) but it’s a good read and a strong successor to his earlier masterpiece.

⭐⭐⭐⭐


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

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AUTHOR INTERVIEWS:

Due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

Super Snappy Speed Reviews: Cbeebies Edition

It’s time for another exciting edition of Super Snappy Speed Reviews. This week, I’m focusing exclusively on children’s TV from the Cbeebies channel, so roll up, parents of toddlers, as I review this small selection of my own little girl’s favourite TV shows.

You all know how these things work by now. I’ve selected five random children’s shows from the Cbeebies channel and written tiny little reviews of each of them. As ever these reviews reflect nothing more than my own personal opinions and impressions, squished, squeezed and diminished into just a few short sentences. The shows I have selected have nothing in common, save the fact that they are all fictional stories for very young children and are all found on Cbeebies. They are not necessarily TV shows that I or my daughter particularly liked or disliked, nor are they sorted into any particular order. So, here we go.

Raa Raa The Noisey Lion

A young lion has fun playing with other animals (including some who really ought to be his natural prey) in the Jingly Jangley Jungle. In the first series the show’s format is a little ill-defined, but by series 3 this insufferably self-absorbed little lion hears a different sound which he goes off to investigate and learns an important lesson along the way. Not bad, I suppose but I find the protagonist a bit of a pain (and I suspect his animal friends do too).

⭐⭐⭐

Postman Pat: Special Delivery Service

Postman Pat sure has evolved since my day. There’s a lot more excitement as Pat races against a ticking clock and insurmountable odds to deliver a particular item to the right place. Even as a grown-up, I do find it mildly entertaining and my daughter loves it. A firm favourite of both myself and my daughter.

⭐⭐⭐⭐⭐

Woolly and Tig

Right from the heart of my native Glasgow, Woolly and Tig follows the every day adventures of a little girl called Tig and her toy spider, Woolly, who occasionally springs to life to impart some pearl of wisdom whenever Tig encounters something new or confusing. This show has a cheap and cheerful feel to it but is nice to watch all the same. Another firm favourite of my daughter.

⭐⭐⭐⭐

The Twirlywoos

At first glance, this is a bizarre little program about a family of faintly bird-like creatures who live on a boat under the benevolent dictatorship of the faceless ‘hooter.’ Every now and again their boat will land and the hooter will send the Twirlywoos off into the real world to learn some new concept. Apart from being a little strange on the surface, it’s actually pretty good for teaching young kids some very basic concepts. My own daughter is a bit too old for it now and hasn’t really watched it for a good year or two but she loved it when she was still very little.

And in a weird way… so did I.

⭐⭐⭐⭐

Bitz and Bob

Ah yes, my daughter’s latest obsession. Bitz and Bob is about a girl and her little brother playing imaginative games with their toys and using science to solve problems. Entertaining and educational (though I don’t understand why Bob’s robot costume is the only ‘toy’ that doesn’t function in their imaginative games; it’s almost like Bitz has a pathological need to be the hero every single time). However, be warned, gentle parents: the music may drive adults to drink.

⭐⭐⭐

DON’T FORGET TO CHECK OUT ALL THE PREVIOUS EDITIONS OF SUPER SNAPPY SPEED REVIEWS
Super Snappy Speed Reviews: Children’s Edition (Vol. 4)Super Snappy Speed Reviews: TV Edition (Vol. 3)
Super Snappy Speed Reviews: Books (Vol. 4)Super Snappy Speed Reviews: Children’s Edition (Vol. 2)
Super Snappy Speed Reviews: Doctor Who EditionSuper Snappy Speed Reviews: Children’s Books Edition (vol 1)
Super Snappy Speed Reviews: TV Edition (vol. 2)Super Snappy Speed Reviews: Writing Apps for Android
Super Snappy Speed Reviews: Books (vol. 3)Super Snappy Speed Reviews: Games Edition
Super Snappy Speed Reviews: Star Trek EditionSuper Snappy Speed Reviews: Books (vol. 2)
8 Super Snappy Speed Reviews: Film5 Super Snappy Speed Reviews: TV Edition
8 Super Snappy Speed Reviews

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

Throwback Thursday: Using Google Docs for Writing Fiction

Originally published 01/12/2019

I’ve resisted using Google Docs for writing fiction for a long time. It’s not that I think there’s anything wrong with Google Docs. Lots of people swear by it and I had no reason to doubt the good reports I was hearing, however I’m already pretty well established in the apps I like to use (Scrivener for long works like novels and Focus Writer for shorter pieces). Besides, in spite of all the good things I’d heard about Google Docs, it sounded a bit too much like a plain old fashioned word processor, without any peculiar functionality that might make it stand out to a fiction writer such as myself.

However, Christmas is coming. And here on Penstricken, Christmas can only ever mean one thing: the Penstricken Christmas Special. That meant I had only a few weeks to write, edit and publish a 1,000 word Christmas story and – to be perfectly frank – I don’t have a lot of time on my hands for starting a brand new story from scratch. I have a full time job, a toddler and (lest we forget) a novel I’m supposed to be writing. Most days I’m lucky to get half an hour to write, and I can’t possibly devote it all to the Penstricken Christmas Special. Then I had a brainwave:

Google Docs stores your work online so you can continue writing on the go!

My plan was to use a set portion of my normal writing time to work on the Christmas story using Google Docs on my PC, while using the Google Docs Android app on my phone to continue writing whenever I had a spare five minutes in my day (when I’m on the bus, during lunch breaks, etc).

Seeing no alternative to this plan, I swallowed my pride and began writing my first draft on Google Docs, starting with the browser version. The first thing to do is choose a template for your document. There are loads to choose from and not one of them has anything to do with fiction writing. Unwilling to be deterred, however (I mean, really, you don’t particularly need a fancy template for writing short works of fiction), I decided to start with a blank template.

So far, my thoughts on the subject had been proven absolutely right. At first glance, Google Docs really is just another word processor. In some respects, this was a good thing. It took absolutely no time to learn how to use, since everything is very familiar to anyone who has ever used a bog-standard word processor before. Another major selling point was the fact it automatically saved your work to Google Drive and instantly made it available to you anywhere in the world. You can also make your work available offline.

Perhaps its most obvious selling point is the fact you can share your work with other users who can edit your work or add comments. This is handy if you’re writing collaboratively or are looking for someone to give feedback on your work. Comments appear in small boxes to the side of your work which are anchored to particular portions of the document. You can reply to each comment, allowing for easy discussion with your fellow editors and, once you’re happy the issue has been resolved, you just click the button labelled ‘resolve’ to hide the comment. Personally, I like to write alone but I do find the comments function a useful tool for getting feedback on my writing.

Another key feature I found useful as a story writer was the outline function. It took me a little while to figure out just how to use this, but essentially the outline feature allows you quickly navigate around your document using headers, which is essential if you’re creating a lengthy piece of work and don’t have the benefit of Scrivener’s binder for separating your work into chapters and scenes. Alas, you can’t do too much to customise your outline. It’s basically just a list of links to every portion of text you’ve formatted as a heading, but you can’t use it for actually outlining or planning your story in any meaningful way.

My one big concern with using Docs to write my Christmas story was the mobile app. My plan relied pretty heavily on being able to seamlessly transition between the PC browser and the mobile app, but in my experience, mobile writing apps are often clunky, cluttered and have limited functionality. Fortunately, it wasn’t nearly as bad as I feared. There’s a small menu bar at the top and bottom of the screen as you write, allowing you to easily access to basic functionality such as formatting your text, adding comments or undoing and redoing. Everything else is discreetly tucked away in a menu you can access by tapping the button on the top right hand corner of the screen.

In short, Google Docs is a good online word processor and is has more than adequately served my needs when it comes to writing this Christmas flash fiction. I don’t think it would be much use in the planning stages of any story and I certainly wouldn’t fancy writing a longer piece of work on it, but for every day short story writing on the go, it’s more than equal to the task.

And hey, it’s free.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

TV Review: Norsemen

Spoiler Alert

Anyone who has not seen series 1-3 of the NRK TV series Norsemen is hereby advised that this post may contain a few unavoidable spoilers.

My wife and I were, once again, looking for something new and light-hearted to watch on Netflix when we stumbled upon a curious little number which we affectionately dubbed ‘silly Vikings.’ Norsemen is a Norwegian historical comedy which chronicles the silly, base and often senselessly violent comings and goings of a group of Vikings living in the village of Norheim in 790 AD.

I’ll be perfectly honest and say it took a long time for us to decide if we actually liked this program. Normally when we watch a new thing on TV we have a strict ‘turn it off if you don’t like it’ policy and this show took a good two or three episodes to really get going. Nevertheless there was something compelling about it even then and we stuck with it until the very end.

But was it any good?‘ I hear you cry.

There’s something in me that says this map will create a lot of problems for many people for several seasons.

Jarl Varg breaks the fourth wall in, s.3, e.6 ‘Scrotum Whipping’

In spite of the fact this show is sold as a comedy (and with its off-beat style, low-brow gags and occasional winks at the fourth wall, it unmistakably should be defined as such), I didn’t actually find it that funny. It had its moments, sure, but I hardly cracked a rib watching it either. But let me tell you why I enjoyed it anyway.

Unlike a lot of comedies which focus on an individual character getting into funny situations, this show actually had quite a few main players, all with well defined motives, goals and conflicts which the viewer could easily sympathise with. I don’t have time to list every one but a few that stood out include:

  • Arvid (Nils Jørgen Kaalstad) – torn between settling down in the village with a wife and his love of raiding and just a little sensitive about his weight, Arvid is hand picked by the chiefton on his deathbed to be his successor though he is not the next in line.
  • Orm (Kåre Conradi) – cowardly, lonely and with a fondness for spying on people as they defecate, this slipperly little man is next in line to be chiefton though no one wants him around.
  • Frøya (Silje Torp) – this muscle-bound female warrior loves to go on raids (including raping men). She also has the misfortune of being married to Orm, whom she despises.
  • Liv (Kristine Riis) – gold-digger and nagging wife par excellence.
  • Jarl Varg (Jon Øigarden) – one of the nicest guys you could ever hope to meet turned murderous tyrant because his friends made fun of his hair loss, Varg is obsessed with procuring a map to the West where he believes he will find endless plunder.

The character driven nature of the plot and the interplay of the various subplots was frankly excellent for a comedy series.

A little word of warning: while not especially graphic, there are some pretty adults themes referred to in this show. There’s a fair bit of casual violence and bad language, as well as jokes about sexual violence and a small number of mild/non-graphic depictions of the same.

All in all, a bizarre little show, undeniably low-brow in some respects and with off-beat humour that only managed to tickle me slightly. It took a little while to get started, but once it finally did get going, I found myself quickly starting to love it. Well written, well acted, full of rich characters and perfectly rounded off plot. If you can stomach a few adult themes and don’t mind the odd nod to the fourth wall then give it a go.

⭐⭐⭐⭐


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

TV Review: Stranger Things

SPOILER ALERT

Anyone who has not seen series 1-3 of the Netflix TV show Stranger Things is hereby advised that this post may contain a few unavoidable spoilers.

There’s a very popular show on Netflix that I had resisted watching for a long time. Don’t ask me why but I get all cynical when everyone and their granny tells me how mind-bendingly fantastic a TV show is, especially when it sounds frankly lame, as this show did. Not only did it sound lame but it was also a genre I generally don’t have much interest in so all in all, I was pretty convinced this show couldn’t have been nearly as good as people told me it was. I am talking, of course, about Stranger Things.

In spite of that, my wife and I were struggling to find something to watch one night (isn’t that always the way?) so we decided to take a pop at it.

Set in the 1980s, this story focuses on a sleepy little town in Indiana where nothing much happens– until, of course, a young boy vanishes without a trace, a gateway to another dimension (‘the Upside-Down’) filled with terrifying monsters is opened up and a young girl with psychokinetic abilities escapes from a top secret laboratory which is conducting paranormal experiments and only a small group of nerdy school-friends, a teenage girl who can’t decide which boy she likes best, a local police officer with a tragic past and the missing boy’s mother can save the day.

If you’re thinking this sounds like a bit of a kitchen sink show, you’re absolutely right. The Duffer brothers who created the show seem to have painstakingly pieced together every single last light-hearted ’80s American sci-fi/horror trope they could think of and mashed them together to create this show. But you know… it’s not nearly as bad as it sounds.

In many respects, it has a bit of a Spielberg vibe to it, and I guess I say that as a compliment. It doesn’t just feel like it’s set in the ’80s. It feels like it was made in the ’80s. The use of classic tropes, cheesy synth music and so on take you right back in time to 1980s Indiana and in doing so pays homage to classic 1980s cinema in a way which just feels right.

However, a good vibe will only take a TV show so far. As is so often the case with good stories, the thing that really makes this show work is its rich cast of characters. Each and every one of them boasts a clear and distinctive set of motives and goals and well rounded personalities. The relationships between the main players develops in a way which is natural and interesting and the main characters’ arcs are all resolved neatly by the end of each season.

I think the thing that surprised me the most is how entertaining I found this show. A good film or TV show will have you laughing, crying and biting your nails all at the same time and Stranger Things accomplishes this in a way most shows and films of this genre usually fail to do. It kept me on the edge of my seat yet it didn’t stress me out the way some sci-fi/horror shows do which lack any sort of sentimental scenes or comedy relief. Stranger Things has it all. It is, perhaps, a little tropey and with frankly ridiculous monsters whose existence is never fully explained except that they come from a parallel dimension which looks like a scarier version of the real world with monsters but it’s still a great bit of TV if you can swallow the silliness.

All in all, a much more entertaining show than I was expecting. Give it a go.

⭐⭐⭐⭐


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

TV Review: Life on Mars

SPOILER ALERT

Anyone who has not seen the BBC comedy/drama series Life on Mars is hereby advised that this review may contain spoilers.

If you told me that you liked your police procedural dramas with a generous dollop of humour, possible time travel and the occasional psychological scene, I would take that to mean you’re a fan of the British police comedy/drama, Life on Mars— because that’s the only program I know that fits the bill (except the sequel, Ashes to Ashes, but I’ll talk about that another time).

DCI Sam Tyler (John Simm) is a British police officer who gets hit by a car in 2006 and wakes up in 1973. The rest of the series catalogues his continual clashes with his new colleagues as he tries to navigate the unfamiliar world of the early ’70s and figure out how to return to the present day. There is also a fairly bog-standard will-they/won’t-they style romantic subplot with WPC Annie Cartwright (Liz White); one of the few characters who doesn’t continually mock and obstruct Tyler, despite her disbelief that he is truly from the future.

So, let’s start with the good things about this program.

For a start, it has got a superb bunch of regular characters. The desperate but righteous Sam; the quiet but strong and intelligent Annie; the blustering, boisterous but ultimately well-meaning Gene Hunt (Philip Glenister); the dim-witted but diligent Chris Skelton (Marshall Lancaster) and Ray Carling (Dean Andrews), who serves as something of a foil and rival to Sam throughout the show. The main players are all developed to perfection with good solid character arcs which resolve themselves neatly by the end of the last series. The supporting characters are also well developed but keep their place as supporting characters.

The pacing of this show is also excellent, blending together humour and darkness, mystery and sentiment and, of course, the lingering threat of insanity in a way which feels perfectly natural and leaves the viewer feeling fully entertained.

The overall story arc is also very satisfying. While each episode can more or less stand alone, insofar as there is usually a particular crime which is discovered and solved in each episode, Sam’s confusion about how he ended up in the past and what he needs to do to get home are never far from the fore and the events of each episode lead neatly to the climax at the end of the series.

I don’t have many negative things to say about this show. The romantic subplot between Sam and Annie was a fairly tedious tableau: Annie meets Sam in the first episode, there’s a bit of chemistry. He trusts her with the truth about what he’s going to; she thinks he’s mad but kind of likes him anyway, even though she’s a little hurt that he wants to get back to 2006 when it’s probably not real anyway. That’s pretty much how their relationship goes in every episode until they finally get together at the end of the very last episode. There’s not a whole lot in between. In most episodes he just has a disturbing experience with the Test Card Girl (Rafaella Hutchinson/Harriet Rogers), confides in Annie, Annie is concerned and whines a little that he doesn’t want to stay with her but ultimately tries her best to support him. Repeat.

Apart from that, it was a truly excellent bit of telly. Go and watch it with my blessing.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

TV Review: Another Life

SPOILER ALERT

Anyone who has not seen season 1 of the sci-fi/drama TV show Another Life is hereby advised that this post may contain a few unavoidable spoilers.

My wife and I are seldom happy unless we’re watching at least one TV program with space ships in it and having recently completed Star Trek: Enterprise, we were very much in the market for another space opera. And so we did the only thing we could: dipped our hand into the televisual nest of vipers that is Netflix, only to get bitten by Another Life.

I was cautiously optimistic about this show. In the opening scenes, a mysterious alien object crash-lands on earth and grows into an enormous crystalline monolith (dubbed ‘the Artifact’) which begins sending transmissions to a distant world. Niko Breckinridge (Katee Sackhoff), captain of the Salvare, is ordered to travel to this planet to learn what the aliens are doing, while her husband, Erik (Justin Chatwin) remains on earth to study the Artifact while trying to raise their young daughter.

Sounds good, right?

Yeah. That’s what I thought too.

However, if we ever do have to send a manned spacecraft out on a dangerous mission to make first contact with aliens who may or may not mean us harm, I seriously hope we send a slightly more seasoned (or at least, trained) crew than this mob. These guys seemed to see no problem in eating alien plant-life, taking off their helmets while mining on alien planets or (my personal favourite) vaping alien narcotics, nor did they ever once learn from their mistakes. Their idiocy finally culminated in them deliberately installing a mind-altering alien implant, which they knew virtually nothing about, into a sick colleague’s brain. And as if being stupid weren’t bad enough, this crew, who presumably represent the crème de la crème of America’s astronauts, lost their heads every single time one tiny little thing went wrong– when they weren’t having sex, of course.

The sexual elements in this show (I refuse to exalt them to the level of ‘romantic subplots’, for they were neither romantic nor were they developed enough to be called subplots) lacked any substance or purpose whatsoever. All of the characters were pairing (or tripling) off in ways which seemed forced and unconvincing, finally fizzling out in the episode ‘How the Light Gets Lost’ where they all get high and have sex. Only the chemistry between Niko and the holographic William (Samuel Anderson– easily the best character in this show, by the way) seemed remotely natural or like it was contributing to the overall story in any way, only to be spoilt when Niko and William have really weird ‘hologram-pretending-to-be-my-husband’ sex and then it all went wrong for them too.

‘Big Brother in Space’ is how my wife described this ship and its crew and I am forced to agree.

Anyway, let’s look at some characters.

Niko: One of the few competent people aboard the ship. A bit of a control freak and a hard-nosed no-nonsense space captain who was anxious to protect her family back on Earth. Fairly well written.

William: Best character in this show and easily the most likeable until the ‘Lame Sci-Fi Trope Monster’ got him too and he started to malfunction because he fell in love with someone who treated him badly.

Erik (Justin Chatwin): Your bog-standard American dad trying to raise his daughter all by himself even though he’s also got a really important job to do. Lots of potential but a little too superficial for my taste.

Sasha (Jake Abel): I liked him better after he became a bad guy. He made my skin crawl, which I think was the effect the writers were going for.

Cas (Elizabeth Ludlow): A little preoccupied with her own issues which were never fully explored in this season but generally likeable. Cooler in a crisis than most of the crew.

Michelle: Swears like a trooper but apart from that, she seemed to serve no function whatsoever aboard the Salvare, (I just checked back to see what her job was, turns out she was the communications expert. Ha!) and I was downright glad when she died because she was just such a torn-faced, potty-mouthed pain in the fundament who dragged down both the pace and the tone of the show with her shrill dialogue.

All in all, Another Life failed to live up to its potential. This first season (which ends on a cliffhanger, by the way) was a sloppy mish-mash of sci-fi/horror cliches, pointless sexual tension and a bunch of characters who, for the most part, were as irritating as they were incompetent.

My rating: 🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

Throwback Thursday: Maigret (TV Review)

Originally published: 10/04/2016 under the title ‘To Catch a Killer (A Little Too Easily)’
SPOILER ALERT

Although every effort has been made to avoid spoilers, anyone who has not seen the ITV television-movie Maigret or read the Georges Simenon novel Maigret Sets a Trap is hereby advised that this post may contain a few unavoidable spoilers.

I’m normally quite fussy about reading the original of any story before I watch the film/TV adaptation. It’s not that I favour one over the other; I just like to get a feel for the original author’s unique angle on his/her story before sampling other people’s homages to it. That being said, when I heard that Rowan Atkinson was going to be starring as the main character in ITV’s television adaptation of Georges Simenon’s detective novel Maigret Sets a Trap, my curiosity got the better of me.

There are a couple of reasons I was so keen to see it but what really piqued my curiosity and what caused me to break with my usual tradition of reading the book first was the fact that the main character (a fairly sour-faced French detective called Jules Maigret), was being portrayed by Rowan Atkinson; a British actor best known for playing fairly silly comedy roles such as Mr Bean, Johnny English and Edmund Blackadder.

I will admit that it took a couple of minutes to get used to Atkinson’s face being so serious. His features are very striking and he has made a career out of comical facial expressions, not least of all in Mr Bean, where he has made an art of telling jokes without uttering a word. My disorientation only lasted a minute however. Atkinson’s acting and the general mood of the film were more than adequate to create the serious and mysterious ambiance needed for a good, solid detective story.

I do love a good detective story. I think secretly we all do. Mystery is very compelling. It’s what makes a detective story so captivating; something puzzling has happened and we simply can’t go to bed until we’ve had all our questions answered! That means, of course, that it is important that the reader/viewer of a detective story never knows for certain who committed the crime until the last moment (that was always my biggest objection to Columbo!). Those unanswered questions are what keep us on the edge of our seat. Without them, there’s no mystery and no story worth telling. Those detailed conversations you have with your family during the ad-breaks about who you think the killer might be and why are half the fun of watching a detective drama in my book.

And that, dear reader, is the main thing that ruined this first episode of Maigret for me.

The episode opens midway through an investigation conducted by Jules Maigret into four similarly styled murders. The victims have nothing in common except the colour of their hair and Maigret is, frankly, utterly failing to catch the perpetrator. And so he sets a trap, using female police officers as bait. At first, this seems to have all the makings of a good TV detective story; a compelling hard-nosed detective; pressure being applied to remove the detective from the case because of his failure to solve it; a series of mysterious murders that cause my wife and I to exchange numerous increasingly wild theories about ‘who dunnit’; the looming threat of more deaths; a dangerous plan to force the killer to reveal himself…

But then the plan goes ahead fairly early in the story, nobody gets killed as a result of Maigret’s risky move and someone is arrested against whom a truck-load of evidence is immediately forthcoming.

‘It can’t be him.’ I say to my wife. ‘It definitely, definitely, definitely can’t be him. It’s too obvious. It’s never the first guy they arrest, especially not when they find so much evidence against him so easily.’

So we carry on watching it for another half hour or so, quietly confident in our individual theories about who the real killer is while Maigret continues to hold and interrogate someone who we assume is an innocent man…

Only it turns out it was him after all and the person who I thought maybe was the killer is actually never actually seen again. Oh sure, they try to throw us off the scent by having another murder committed while the killer is in jail but by that point it’s painfully obvious that it was the killer’s wife who committed this last murder just to protect her husband and so we are not fooled and neither is Maigret.

I was prepared for the possibility that I wouldn’t be able to take Rowan Atkinson seriously as a serious detective and was pleasantly surprised to find that I thoroughly enjoyed his performance. If I was giving out prizes for acting or creating the right ambiance, I would have nothing but praise for Maigret but when it comes to that all important story, I must admit to feeling like I had been robbed of a good mystery and I am not nearly as enthusiastic about the second episode (due to be aired later in the UK later this year) as I was about the first.

My most sincere congratulations to Rowan Atkinson (and indeed, all the cast!) on a very good and very non-comical performance. Hopefully the plot for the next episode, Maigret’s Dead Man, will do greater justice to the acting and ambiance of the first episode.


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here: