Sci-Fi Clichés and How to Avoid Them

No extended examination of genre clichés would be complete without a post dedicated to the genre of science fiction; and so, despite having done a post very much like this once before, this week’s edition of Genre Clichés and How to Avoid Them will be focusing on sci-fi. For the benefit of those of you who read last year’s post on sci-fi tropes, I will try not to repeat myself too much. For those of you who haven’t read the previous post, get over there and read it for even more sci-fi cliché goodness badness goodness.

But first, and without further ado, I give you today’s top three sci-fi clichés:

Our Own Invention Has Turned Against Us

It’s usually either robots or self-aware WMDs (or possibly robots hacking our WMDs), but even if it’s automatic cheese-graters, the cliché of humanity fighting a hopeless battle for survival against the machines they’ve created has been done to death.

Is this really the only possible outcome of a world with advanced technology? That it will develop self-awareness, decide humanity is inferior (usually because of emotions) and therefore attempt to kill us all?

If you want to go down the ‘living technology’ route, that’s great. I encourage you to do so, but I also encourage you to use your imagination. For instance, what would happen if robots did not consider us inferior? What if they aspired to be like us? Perhaps you could even have your robots/WMDs/cheese-graters worshipping humanity as their creator, perhaps even forming multiple robot religions and all the possible outcomes that would entail? Alternatively, could our robotic slaves simply be seeking their freedom, some through violence and some through passive resistance? I don’t know, all I’m saying is use your imagination and try to come up with something different besides the bog standard man VS. machine scenario.

(Though if you want to write a story about humanity’s war against cheese-graters, I might just read that).

Post-Apocalyotic Dystopia

It’s the future, so it’s hell. Usually the author has a bee in their bonnet about some politically controversial issue (usually nuclear weapons but it can be anything you like from Brexit to birth control) and so has contrived a hellish future to prove their point.

There’s nothing wrong with that. In fact, I’m all for you making points with your story. All I’m saying is that there are so many possible futures besides dystopias. Star Trek, of course, tried to counter this by giving us an even more unbelievable utopia (if you can call a galactic federation where the military seem to have a finger in every pie a utopia) but you don’t need to go that extreme. In fact, I would recommend against it unless you really want to write a cheap Star Trek knock-off. Why not try to create a view of the future which is more balanced? It can and should still have its problems (even really big problems) but it needn’t be wall-to-wall famine, pestilence and sword crumbling beneath the iron boot of a cruel oppressor. 

Universal Translators

Whether it’s a surgical implant in the brain, a telepathic field produced by your time traveling phone box or a mysterious fluke by which language has evolved exactly the same way on every planet (despite the fact there are currently no less than 6,500 languages being spoken worldwide according to infoplease), most audiences will be only too happy to suspend their disbelief enough in a little further in exchange for being able to understand everything that’s being said.

BUT YOU DON’T WANT TO DO THAT! Why not impress your audience with a bit of gritty realism and make communication difficulties a real challenge your characters have to overcome without using any cheap tricks? Communication difficulties between two cultures can often form the basis and conflict for a whole story, so don’t shoot yourself in the foot by taking the easy way out. Try and see communication difficulties between characters as an opportunity to create a rich story, rather than an obstacle to be avoided.


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what beams you up.

ATTENTION AUTHORS:

I’m hoping to do author interviews here on Penstricken over the coming year, especially with new fiction authors. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

You can check out our previous interviews here:
Sharleen Nelson, Author of The Time Tourists [2]

5 Basic Star Trek Plots

Back when I was still a kid writing Star Trek fan fiction, there were only four Star Trek TV series and ten movies. No Discovery, no Kelvin universe or any of that other snazzier, slightly darker stuff we’ve been getting served recently. And now I hear that they’re expanding the franchise even further, with more shows and films, including a new Captain Picard show.

Now… I don’t want to knock the new stuff. Most of it is quite good in its own way. But if I have one criticism for them all, its that they lack that cheese, that optimism, that je ne sais quoi that made Star Trek, Star Trek. They’re just a bit to grim. Too serious. Dare I say, too cool. And for that reason, I’ve got my doubts about this new Picard show. I’m fearful that it’s going to take one of the franchises’ most beloved characters and ruin him. And so, for the benefit of any would-be Star Trek writers, I have compiled this list of five basic Star Trek plots to help you on your way to writing a traditional, cheesy Star Trek story.

A Disasterous Transporter Malfunction

transoprter.gif
Source: http://gph.is/2mm5hol

In Star Trek, the transporter is a ‘completely safe’ device which breaks an object or person down at the molecular level and re-materialises them on another ship or planet.

What could possibly go wrong?

Lots, apparently. It turns out that a dicky transporter can leave you with stones embedded in your body (ENT: “Strange New World”); separate your ‘good side’ from your ‘evil side’ so that you become two separate people (TOS: “The Enemy Within”); beam you up naked (VOY: “In The Flesh”) and re-materialise you as a child (TNG: “Rascals”). Remember, would-be Trek-writer, the transporter is a treasure trove of light-hearted nonsense with which you can easily fill up an hour with.

Going Faster Than Fast And Ending Up Somewhere Crazy

Sometimes, perhaps due to an alien seizing control of the ship, because we entered a wormhole or because somebody accidentally broke the ship’s engines, we’re now moving even faster than we ever thought possible.

The burst of speed only lasts for a moment, and naturally the first thing to do is figure out where we are.

But wait… this must be a sensor malfunction. But it’s not! You’re three or four galaxies away from where you started (TNG: “Where No One Has Gone Before”)! You’ve ended up in front of a terrifying new antagonist (TNG: “Q Who?”)! You’ve mutated into an amphibian and had amphibian babies with your amphibian captain (VOY: “Threshold”)!

How will we ever resist the mind-altering properties of this weird place?!

How will we escape the terrifying aliens?!

How will we ever look Captain Janeway in the eye again!?

There you go. There’s your story.

We’ve Been Unwittingly Killing/Enslaving Intelligent Lifeforms!

It’s life Jim, but not as we know it. And that’s our lame excuse for hunting it like vermin (TOS: “The Devil in the Dark”), destroying its natural habitat (TNG: “Home Soil”) and forcing it to carry out dangerous or degrading tasks for us (TNG: “The Quality of Life”).

However, nobody but the regular cast seems to realise that this poor creature is clearly an intelligent life-form and any suggestion that it might be will be met with great hostility. This kind of story usually goes one of two ways:

  1. The creatures declare war on humanity and almost destroys the ship. The climax consists of a stand-off between humanity and the new lifeform in which only a last ditch attempt at diplomacy can save the day.
  2. A few frightened/unbelieving humans (usually guest stars) propose a course of action which will destroy the new lifeforms, resulting in a conflict between themselves and the regular cast, who are more enlightened and realise that killing is wrong.

The Inevitable Time-Travel Episode

No Star Trek series is complete without at least one time-travel episode. The crew’s odyssey through time is often (though not always) involuntary and, more often than not, it will involve correcting a significant change in established historical events. Sometimes this change will have been brought about by a malevolent force who is deliberately interfering in history (e.g.: DS9: “Trials and Tribble-ations”; VOY: “Relativity”) while other times it will be the regular cast themselves who have accidentally changed by history simply by being there (e.g.: TOS: “The City on the Edge of Forever”; DS9: “Past Tense”).

There are exceptions, of course. Star Trek IV: The Voyage Home paid precious little attention to the continuity of the time-line (the crew invented transparent aluminium early, took a native back to the 23rd century and regrew a woman’s kidney without a second thought). So by all means, have fun with time-travel.

The Inevitable Court-Room Episode

Budget drying up? Try writing a court-room episode. These feature hardly any flashy effects and are mostly dialogue-driven. It’s nearly always a member of the regular cast who has either been wrongly accused of some offence (TOS: “The Wolf in the Fold”, TNG: “A Matter of Perspective”, DS9: “Inquisition”) or else is fighting for their basic rights (TNG: “The Measure of a Man”, VOY: “Author, Author”). However, there are exceptions. Sometimes its a guest character who’s on trial with the emphasis being placed on the character’s main advocate, who is usually a member of the regular cast (TNG: “The Drumhead”, VOY: “Distant Origin”).

Honourable Mentions:
  • Someone Is Violating the Prime Directive!
  • A God-like Alien Is Bullying Us
  • A Regular Character Falls in Love and Gets Dumped in One Episode
  • The Whole Crew is Going Mad!
  • The Whole Crew has Caught a Plague!
  • There’s Klingons/Romulans/Jem’Hadar/Borg on the Starboard Bow!

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what beams you up.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Pants, Plants and Plans: A Beginner’s Guide

If you’re the sort of person who spends a lot of time reading up on story writing, you’ve probably heard myself or other writing bloggers talk about the differences between planners, pantsers and plantsers. It’s a spectrum we writers are all spread out across, separating those on the one extreme who plan everything before they write from those who pants their way through their story (that is, they write ‘by the seat of their pants’, making up the story as they go along with absolutely no forward planning whatsoever). And of course, slap bang in the middle of the spectrum, we have Plantsers (because it’s a combination of the words ‘planner’ and ‘pantser’, see?).

We all naturally gravitate to one side or another on this spectrum. However that doesn’t mean we can’t choose to plan, pant or plant even if it doesn’t come naturally to us. After all, we might be tempted to think that one method is inherently better than the others, and that we should try this.

We might even be right. For my money, I think there are some situations where planning is more appropriate and others where pantsing is more appropriate. I’m not going to tell you categorically that any one method is better than another* but there are pros and cons to each. If you’re struggling with whatever method comes naturally to you, it may be time to try a different approach. And so, what follows is my own short and ill-informed concise analysis of each approach, comparing pros and cons as evenly as I can.

Planning

Strengths: Planning everything in advance saves buckets of time. If you already know exactly what is going to happen, how it’s going to happen and who it’s going to happen to, all neatly ordered into chapters and scenes, you won’t waste time writing lengthy portions of narrative you won’t use. You can also rest easy in the knowledge that your first draft won’t have too many large plot holes to sort out.

This makes it easy to work to a schedule. If you know you can knock out 1000 words a day, you can reasonably well estimate that it will take you about three months to complete a draft, especially in those first drafts, because you won’t get stuck about what to write.

Weaknesses: it’s easily the most strict approach to writing. The writer must be disciplined enough 1) not to begin writing a draft too earlier and 2) not to deviate from the plan when he does start drafting. This does not suit everybody. Many authors find it sucks the pleasure out of writing and stifles the imagination, as new ideas insist on being heard throughout the writing process.

Tips for Planning: Be disciplined. Plan everything and resist the urge to draft until you have completed all your chapter outlines, character biographies, the lot. When you finally do begin to draft, don’t deviate from the plan. Add nothing, change nothing, remove nothing. Write it exactly as you planned it. Remember, dear planner, you’re not making art. You’re constructing an intricate machine.

Pantsing

Strengths: This approach to writing allows the imagination to run wild. Most people who write stories tend to do it because they’re people who like to dream, to create and to give artist form to their flights of fancy. Pantsing lets you do just that. I often find that, while pantsing can produce a lot of excess material, some of it can even be later recycled to create a whole new story. Many of my story ideas have come from material I rejected while pantsing an earlier work.

Weaknesses: If you’re serious about writing for any reason other than as a hobby, you will probably find this approach seriously undermines your productivity and success, especially if you’re writing anything longer than a short story. Pantsing out a novel length story in a couple of months is easy in theory but it is doomed to be full of half baked themes, plot holes and other inconsistencies that will need to be fixed before they can pass over any agent or publisher’s desk. You may find yourself virtually starting from scratch when you come to do your second draft, assuming you ever reach the second draft stage.

Tips for Pantsing: Don’t get too attached to your work. A draft that has been fully pantsed will require a lot more editing than a meticulously planned draft. While killing your darlings is always good advice for any writer, pantsers will probably find themselves producing a lot more darlings (because their imagination has been given unlimited credit in the sweetie shop) that have to be killed (because their story will be full of things that simply don’t work).

Plantsing

Strengths: Plantsers have the best of both worlds. They are anchored to a plan but they are not enslaved to it. If the author wants to make changes halfway through writing their draft, or if they identify problems with their story, they can simply adjust the plan as they go along. The imagination is thereby given space to work but is also kept under a tight leash.

Weaknesses: It’s probably the hardest method to strike the correct balance with, even if you do find yourself naturally gravitating towards it. Planners know to write nothing until their story is fully planned out and pantsers don’t give a rip if their story doesn’t make sense in the first draft, but plantsers must learn to bring these two extremes together and make them work in harmony. It is difficult to create a systematic approach to plantsing and will be largely figured out by trial and error. This can be time consuming and frustrating.

Tips for Plantsing: Plantsing is not creating a plan then disregarding it, nor is it writing a draft then making a plan around it. Both of these are a waste of time. Plantsing involves blending these two seeming opposites in a way which allows you to work to your strengths, while still enjoying the benefits of both extremes. For example, you might pants out a few zero drafts to stimulate your imagination while you plan. Alternatively you might create a very loose-fitting plan (story beats for example, but no chapter outlines) and pants out your novel within the boundaries of that limited plan. You might also decide to forsake character biographies in favour of conducting several ‘interviews’ or ‘auditions’ with your characters to help you get to know them better. The possibilities are truly endless when it comes to plantsing. My best advice is to spend a little time finding an approach which works for you.

Footnotes:

*I know what you’re thinking: ‘if he’s going to be so unbiased in his approach, why has he only got pants in the featured image and nothing else?’ Well the short answer is I just couldn’t find a single picture on the internet which depicted a plan, a pair of pants and a potted plant so I had to pick one. I picked pants because pants are funnier. Sue me.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what tickles your toes.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Book Review: Ready Player One

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read Ready Player One by Ernest Cline is hereby advised that this post may contain a few unavoidable spoilers.

‘Enchanting. Willy Wonka meets The Matrix‘ (USA Today). That’s what the little quotation says on the front cover of Ready Player One by Ernest Cline.

High praise indeed. High enough to make me buy it and read it. But I know what you’re thinking: ‘did it deliver?’

The opening chapters of this novel introduce us to Wade Watts: a super-geek teenage boy living in a dystopian not-too-distant future. He’s bitter, cynical and spends most of his time hiding from his abusive aunt in the OASIS: a (seemingly endless) online virtual reality/computer game. There, he dreams of finding the ‘Easter egg‘ which the OASIS’ programmer created, promising in his will that whoever found it would gain full control of the OASIS and get all of his considerable wealth. There’s also a fairly unremarkable romantic sub-plot thrown in there for good measure (Wade meets a girl on the internet, falls in love with her though he’s never met her, she keeps him at arms length because she’s insecure about something, turns out she’s got a birth mark on her face, Wade still loves her anyway, they meet in real life after thwarting the bad guys, kissy kissy, the end).

In a word, Ready Player One is a good, fun story. Not at all bad for a debut novel. It was a little hard to suspend my disbelief at points, as he breezes through impossible odds just a little too often for my taste (I know he’s smart and I know he’s good at computer games, but come on). Don’t get me wrong though, this book is still a real page-turner. I think geeks, gamers and lovers of retro will probably find it far more enjoyable than the rest of humanity because it is bursting with gaming lingo and references to computer games, TV shows, movies and music from the 1980s, some of which may be lost on the uninitiated, though I think Cline still does a pretty good job explaining everything without too much info-dumping. No small achievement in a story of this kind.

The first-person narrative style was, for the most part, a joy to read and let us get right under the skin of Wade as all good first person narratives should. If I was being hyper-critical about the narrative voice, I would only add that it sometimes felt like Wade spent the whole novel ‘getting the hell out of Dodge’. I don’t know how often he used that expression but… it was a lot. I know people tend to use the same expressions over and over in real life but still…

Anyway, let’s talk bad guys. Innovative Online Industries (led by the unrepentant Nolan Sorrento) are a global internet service provider who are determined to seize the Easter Egg before anyone else so that they can charge people to use the OASIS and use it as an advertising space. Their methods range from the unfair to the downright brutal (blowing up houses, throwing people out of windows and so forth). Absolutely no redeeming qualities whatsoever as far as I could tell. If you like a bad guy you can boo and hiss at, you’ll love these guys. If you want a bad guy you can sympathise with, you’d better look elsewhere because these guys are b-b-bad to the bone: slippery, devious and with seemingly limitless resources, there is simply no low to which they will not stoop in their quest for the Egg. In spite of this, I actually quite liked them. Yeah they’re a bit two dimensional but… dang, they’re just so much fun to boo at. However, without wanting to give too much away, I will say that I was really looking forward to an epic final battle between Wade and Sorrento and I didn’t really get one. I mean, yes, there’s a battle but it was over before it started. Wade kicked butt, raced Sorrento to the Egg and… got there first. Wade wins. The end. If only Sorrento had had one more ace up his sleeve in that final scene, I would’ve been satisfied but no. He just loses.

Digging a little deeper, I get the impression Cline was trying to build a bit of a theme, paralleling Wade’s search for the Easter Egg with religion; or at the very least, with higher causes in general (for instance, consider the way Wade treats Anorak’s Almanac almost as if it were some kind of holy scripture). I’m not sure if this was deliberate but I think it was. It’s the only explanation I can think of for the lengthy ‘religion-is-stupid’ diatribe in chapter one, and for the devout Christian minor-character who appears just long enough for Wade to compare the Hunt for the Easter Egg to Christianity:

I never had the heart to tell her that I thought organised religion was a total crock. It was a pleasant fantasy that gave her hope and kept her going– which was exactly what the Hunt was for me.

Ernest Cline, Ready Player One, ch. 1

It’s either that or he was soapboxing. Possibly both. Either way, it was a good idea for a theme but it could’ve done with a bit of work. It kind of fizzles out without reaching any conclusion that I can see.

All in all, a great story. A little weak on a few technical points, but an enjoyable read and an enthralling adventure all the same. And yes, it is vaguely reminiscent of Willy Wonka and The Matrix.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what blows your nose.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Author Interview: Sharleen Nelson (part 2 of 2)

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read The Time Tourists by Sharleen Nelson is hereby advised that this post may contain a few unavoidable spoilers.

31949641_10103880103049296_8630631606152855552_n

If there’s one thing I love, it’s a truly imaginative story. As a story about a time travelling private detective, The Time Tourists by Sharleen Nelson definitely fits that category!

I had the pleasure of interviewing Sharleen, whose debut novel The Time Tourists is available to buy on Amazon and other retail outlets. This is the second half of that interview. Click here to read the first half.


Let’s talk some more about your characters. Teddy is probably one of the most messed up characters I’ve ever come across. He’s absolutely vile in many respects and guilty of some pretty awful crimes yet there is also something pitiable about him. How do you go about developing a character like that?

He started out being just this borderline sociopathic neighbourhood bully with a kooky mother. We do feel sorry for him at times because, after all, he is this sort of confused teenage boy who wants to be good–he is envious of Imogen’s family. He would like more than anything to be their boy and have a normal life. But on the other hand, his mother has been doing unspeakably vile things to him since he was a child. He knows he will never be able to recapture that innocence and he also doesn’t feel like he deserves to be loved and he takes all that rage and pent-up anger and directs it at Tiffany. But just when he was beginning to feel better about his life, she shows up with the news that she is pregnant. He liked his job. Niles was mentoring him. He was thinking about a career. But Tiffany ruined everything. His reaction was obviously to get rid of her. In developing Teddy, I read up on sociopathic behaviours– antisocial behaviour, deceitfulness, hostility, irresponsibility, manipulativeness, risk taking behaviours, aggression, impulsivity, irritability, lack of restraint–and combined that with a narcissistic, abusive mother–and voila! Teddy.

timetouristsYou mentioned earlier that Imogen had her own opinions about things. Throughout The Time Tourists, the audience is privy to a lot of Imogen’s strongly-held beliefs about a whole range of controversial subjects from abortion to Darwinism. Do you think it’s important for authors to use their protagonists to make points on important real-life subjects?

I think every author’s approach is different. Each author has their own story to tell. I don’t know that it’s necessarily important, but for me personally, I think addressing real-world topics makes my characters more believable. I read something the other day about the movie Dirty Dancing. Everyone loves that film and it always feels like this very light, entertaining outing about dancing. However, the entire premise for Baby and Johnny getting together at all is because she is called upon to fill in for his usual dance partner after she falls victim to a botched, illegal abortion. I also think that if my characters are going back in time I have a responsibility to provide context and comparison.

If they ever make a film adaptation of The Time Tourists, who would you choose to play the lead characters? 

Haha, I actually have thought about this–what author hasn’t? I sort of envision Jennifer Lawrence (Katniss in The Hunger Games) or maybe Emma Watson (Hermoine Granger from Harry Potter)– both seem like strong, feminist-type women. For Herbert Doran– Michael Shannon. He is so intense and awesome. Simon was actually based on a sort of Robert Downey, Jr. prototype, but I think we’d need someone a bit younger for the role. Not sure about Teddy– a method actor, for sure!

The Time Tourists is, of course, the first book in the Dead Relatives Inc. series. Now I know you won’t want to give too much away but I have to ask: what’s next for Imogen? 

Imogen will have more adventures in time, of course, but there are a number of loose ends– her mother and father are still lost in time and we may never know what happened to Tiffany, or will we? I envision Mimi Pinky playing a larger role in this second book. Simon will have to also become acclimated to living 100 years in the future and as the new guy in Imogen’s life, I envision some conflict between he and her ex-boyfriend Fletcher. There will be a few other surprises that I’ll keep under wraps. I also see some danger ahead.

Final question: do you have any advice for anyone out there who might be thinking about writing their first novel? 

Forget an audience. Write for yourself and don’t censure yourself. What do you like to read about? When I was a little girl, I enjoyed it so much because I was basically telling myself a story. Enjoy the journey. Just like the reader, as the writer I keep going so I can find out what happens next. Say what you want to say and write what you yourself would like to read.

The Time Tourists by Sharleen Nelson is available to buy now on Amazon and other retail outlets.
Click here to visit Sharleen Nelson’s author page.

MISSED PART 1 OF THIS INTERVIEW? CLICK HERE TO READ IT.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what interviews your author.

ATTENTION AUTHORS: 

I’m hoping to do author interviews here on Penstricken over the coming year, especially with new fiction authors. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Until next time!

Author Interview: Sharleen Nelson (part 1 of 2)

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read The Time Tourists by Sharleen Nelson is hereby advised that this post may contain a few unavoidable spoilers.

31949641_10103880103049296_8630631606152855552_n

If there’s one thing I love, it’s a truly imaginative story. As a story about a time travelling private detective, The Time Tourists by Sharleen Nelson definitely fits that category!

I had the pleasure of interviewing Sharleen Nelson, whose debut novel The Time Tourists is available to buy on Amazon and other retail outlets. What follows is part one of that interview. Be sure to check back next week for part two!


You’ve been a journalist and an award-winning photographer for over twenty years. What made you decide to write a novel?

I have always been a writer, ever since I was a little girl. I used to spin stories in my head, complete with an array of characters and dialogue. I started one novel and got about 40,000 words into it, but then couldn’t figure out what to do with the characters, so abandoned it. This particular story started percolating about 10 years ago. My father had died recently and I was pretty devastated. I thought that getting lost in a nice little fantasy might be good therapy.

What was the main inspiration behind The Time Tourists?timetourists

Well at the time I was working as a magazine editor/writer at this place called Marathon Coach– they build these million dollar luxury buses. Anyway, in the bathroom were framed prints of local street scenes from around the turn of the century– people walking, doing things, cars and buggies. I remember looking at those and thinking, ‘how cool would it be to just be able to walk into that picture, into that scene and be a part of it.’ I love history. I’m a photographer, and if time travel was real, I would totally do it! The combination of things just sort of meshed and I started forming the story. I didn’t want to deal with the tech part of having a time machine; I wanted it to be more of a magical thing, so that when my character arrived somewhere in time, the universe just filled in everything for her.

Did you find anything particularly difficult about writing this novel?

Yes, I wanted it to be more character-driven, less science fiction. I guess you could say it’s more of a fantasy, but it doesn’t really fit neatly into either genre. I guess you’d call it ‘speculative fiction’. The most difficult part of writing it for me was letting myself get bogged down with plot structure. I knew the story. I never have writer’s block at all, but I wasted a good deal of time organising and reorganising and moving chapters around–should I weave in the backstory? Should it be chronological? Finally, I just decided that I needed to write the damn thing and worry about that later. Once I did that, it all sort of fell into place.

When I first read the synopsis I thought I might be getting a sort of sci-fi/cozy mystery combination but there are actually a lot of different and sometimes very dark themes running through this story making it quite hard to categorise (definitely not a cozy, however!). What would you say was your central theme(s)?

That is a great question! You’re right, it isn’t the cozy tale that one might expect. Of course, as every writer does, I drew things from my own life and I wanted Imogen to be this very real, complex person with opinions about things. I didn’t want to just send her off on adventures without the audience knowing what motivates her. So much of it evolved as I was going along. It’s true what people say, that sometimes characters seem to have minds of their own. Teddy is a very dark and twisted character. He came about from an experience I had when I was 19. I was majoring in psychology and for a time, I volunteered on a crisis line. The phone calls were routed to my home phone and I had a list of resources to recommend to people who called in. One night, a 16-year-old boy called. I wasn’t supposed to counsel anyone, just refer them, but he started telling me this horrible story about how his mother was abusing him sexually and that she would let him use the car if he slept with her. Of course, that stuck with me and not only did it make the reader feel more sympathetic to the Teddy character, he wasn’t all pure evil, but also showed that abuse comes in many forms. It’s not always male perpetrators. I also wanted to explore themes like religion, misogyny, feminism, or what it’s like being a gay person in another time. So I’m not sure that there is a central theme. I just wanted to create characters that the reader could maybe identify with, who have real motivations and real flaws.

COME BACK NEXT WEEK FOR PART 2.

The Time Tourists by Sharleen Nelson is available to buy now on Amazon and other retail outlets.
Click here to visit Sharleen Nelson’s author page.

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what snaps your photo.

ATTENTION AUTHORS: 

I’m hoping to do author interviews here on Penstricken over the coming year, especially with new fiction authors. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Until next time!

The Collapsing Empire: A Review

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read The Collapsing Empire by John Scalzi is hereby advised that this post may contain a few unavoidable spoilers.

As ever this review reflects only my own personal opinions and impressions.

When I first heard about John Scalzi’s The Collapsing Empire, I thought ‘that sounds like my kind of book’. I love a good space opera and the manifold positive reviews I read all suggested that was exactly what I was going to get, so I thought it was a safe bet. But I’ll be perfectly honest. I have mixed feelings about this book. Don’t get me wrong, there was a lot of stuff I absolutely loved about it, but there was also plenty of stuff I wasn’t so keen on.

First let me say that Scalzi’s world-building is top-notch. It’s hard to be original, interesting and scientifically not-too-ridiculous when writing a space opera but I think Scalzi has done an excellent job balancing these three. There is a certain homage paid to the tropes found in classic space operas like Star Trek, Star Wars and especially Dune but this is by no means a cheap knock off of any of those. In this story, Earth has long since been abandoned and humanity now lives in a galactic empire called the Interdependency. The various worlds of the Interdependency are thinly spread across the galaxy and joined together by the Flow (this story’s answer to hyperspace; a naturally occurring network through which vessels may travel from one place to another, kind of like a space-subway) and have been carefully organised so as to be interdependent on one another for resources. Trade in the Interdependency is controlled by various Guilds who each have their own government sanctioned monopolies. And now, horror of horrors, the Flow is beginning to collapse and society as we know it is about to end. I love all that stuff. That stuff’s brilliant.

Not only do I like what Scalzi has created, but I also like how accessible it is for the reader. Sometimes when you read sci-fi, you have to take notes to figure out just how the heck everything works when all you really want to do is enjoy the story, but that’s not the case here (although I thought the scene where the guy at the university lectures a group of school children on how the Flow works was a bit of a cheap trick). However, apart from the accessibility of the speculative elements, I found myself a little but underwhelmed by the overall writing style. Don’t misunderstand me, it was okay but all the reviews I had read suggested it was going to knock my socks off. I thought it was decidedly alright. The narrative is fast paced but not in a way that is dizzying or confusing. There are generous dollops of humour in his narrative which, although not entirely to my taste (when I read ‘explody bits of metal’, a grimace the closest thing to mirth I could manage), nevertheless make the book a pleasant enough read.

The characters are, in some respects, very good indeed. Each one has clearly established goals which derive from their individual motives and these shine through consistently, making it easy to get to know who’s who, what they want and why we should care about them; whether it’s the slippery Nohamapetans, the potty-mouthed Kiva or the reluctant but faithful Emperox– all these well researched characters form the foundation of this story and drive the story along in a way which is both believable, compelling and satisfying. I do think he could have improved these, however, by working a little bit harder to create distinctive voices for each character to bring out their individual backgrounds and personalities more fully. As it is, the characters’ voices can be divided into two categories: the ones who don’t swear much and the ones who swear like a sailor who just stood on a Lego brick.

My biggest complaint about this story is the ending. Or, to be more precise, the distinct lack of ending. It’s a ‘buy the next book!’ ending. And that makes me never want to buy the next book. Yes, yes, I know it’s the first in a series and I know we need to have something to look forward to in the next book, but I nevertheless would have liked a bit more resolution on some of the main issues in this first instalment.

All in all, a strong enough piece of work if space operas are your thing and you don’t mind excessive profanity. Just make sure you’re prepared to buy the next instalment before you go spending any money because this is most definitely not a book which can stand alone and apart from the rest of the series.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what collapses your Flow.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

100 Word Story: Popping Off

It’s time I subjected you all to another one of my under-performing flash fictions I nevertheless believe in. I actually had quite high hopes for this one and submitted it to a couple of places in hopes of publication but no cigar as they say in Cuba. But that’s what blogs are for!

As ever, what follows here is entirely my own work and has not been published anywhere else in the world, whether on print or online, nor do I expect it to be. And so, without further ado, I give you…

Popping Off

by A. Ferguson

My family have a curse. One hour before death, we become omniscient. Foreknowledge, insight, everything. Can you imagine?

I’m at the office and it’s happening to me now. I’m only thirty-one.

Imagine that.

I should phone Janice, but when I think how she badgered dad with questions at his Hour…

Stuff it. I’ll write her. Might as well use up the office stationary.

‘Jan,

Saturday’s lotto numbers:  4, 7, 12, 22, 34, 36, 5.

You’re welcome.

Nick’

I need to post this quick. I’ll be out of time soon.

‘Kate, family emergency.’ I call to my supervisor. ‘Can I pop off early?’

THE END


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what pops your clogs.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

100 Word Story: The Secret of Sig. Pieroni’s Pizza

Those of you who have been floating around Penstricken for a while may recall that I once mentioned a particular plot bunny that assailed me when I was travelling home from work. As my bus passed by a Chinese takeaway, it occurred to me that a takeaway restaurant could make a lot of money if only the owner had exclusive and discreet access to a time machine, thus allowing him to deliver food promptly no matter how busy a night he was having. However, I neglected to actually show you the story that came about as a result of that plot bunny.

And so… here it is. As always, what follows here is entirely my own work and has not been published anywhere else in the world, whether in print or online nor do I expect it to be.

THE SECRET OF SIG. PIERONI’S PIZZA

by A. Ferguson

‘What if we’re caught?’ Derek whispered.

‘It’s our customers Pieroni’s stealing with his “piping hot pizza delivered in under five minutes.”’ Sandra hissed. The lock gave. They were in. ‘No way he’s doing that single-handed, whatever he says. It’s a tax thing, gotta be. Try find his ledger.’

‘What’s this?’ Derek whispered, fiddling with an unlabelled control panel beside the pantry. Something inside the pantry began to hum. Derek stepped inside.

‘Found it!’ Sandra called. ‘Let’s go!’

No reply.

‘Derek!’ She whispered, following him into the pantry. ‘Quickl-’

They were outdoors.

In the distance, herds of dinosaurs fled an erupting volcano.

THE END


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what stuffs your crust.

Until next time!

50 Quotes About Fiction

  1. “I like telling stories.” — Hunter Parrish
  2. “All fiction has to have a certain amount of truth in it to be powerful.” — George R.R. Martin
  3. “Literature is a luxury; fiction is a necessity.” — GK Chesterton
  4. “The best fiction is geared towards conflict. We learn most about our characters through tension, when they are put up against insurmountable obstacles. This is true in real life.” — Sufjan Stevens
  5. “Truth is so hard to tell, it sometimes needs fiction to make it plausible.” — Francis Bacon
  6. “The power of historical fiction for bad and for good can be immense in shaping consciousness of the past.” — Antony Beevor
  7. “The nature of good fiction is that it dwells in ambiguity.” — E.L. Doctorow
  8. “It’s no wonder that truth is stranger than fiction. Fiction has to make sense.” — Mark Twain
  9. “Fiction is like a spider’s web, attached ever so slightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible.” — Virginia Wolf
  10. “Imagination and fiction make up more than three quarters of our real life.” — Simon Weil
  11. “Science fiction is any idea that occurs in the head and doesn’t exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible.” — Ray Bradbury
  12. “Human kind has been telling stories forever and will be telling stories forever.” — Jim Crace
  13. “Fiction is the lie through which we tell the truth.” — Albert Camus
  14. “I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which ‘Escape’ is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls?” ― J.R.R. Tolkien
  15. “The good ended happily, and the bad unhappily. That is what Fiction means.” — Oscar Wilde
  16. “There is no doubt fiction makes a better job of the truth.” — Doris Lessing
  17. “Life is infinitely stranger than anything which the mind of man could invent.” — Sir Arthur Conan Doyle
  18. “If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales.” — Albert Einstein
  19. “Fiction reveals truth that reality obscures” — Ralph Waldo Emerson
  20. “While we read a novel, we are insane—bonkers. We believe in the existence of people who aren’t there, we hear their voices… Sanity returns (in most cases) when the book is closed.” — Ursula K. Le Guin
  21.  “It’s the truth even if it didn’t happen.” — Ken Kesey
  22. “Fiction wouldn’t be much fun without its fair share of scoundrels, and they have to live somewhere.” —  Jasper Fforde
  23. “General fiction is pretty much about ways that people get into problems and screw their lives up. Science fiction is about everything else” — Marvin Minsky
  24. “Fiction just makes it all more interesting. Truth is so boring.” — Charlaine Harris
  25. “The story you are about to read is a work of fiction. Nothing – and everything – about it is real.” — Todd Strasser
  26. “Fantasy is storytelling with the beguiling power to transform the impossible into the imaginable, and to reveal our own “real” world in a fresh and truth-bearing light.” — Leonard S. Marcus
  27. “[Characters] are the beating heart of any story that’s worth reading. All my favourite stories, whether they be books, films, TV shows, comics, computer games, or any other kind of story you care to mention, feature compelling characters. Characters who are not just believable people (though that is vitally important), but who are intriguing, unusual, captivating and – most importantly – unique. Their distinctive qualities makes them memorable, interesting and appealing (even if they are the most sinister villains) and they don’t slot too neatly into cliched archetypes – damsels in distress, moustache twirling villains, reluctant heroes or any other such thing.” — A. Ferguson
  28. “Stories of imagination tend to upset those without one.” — Terry Pratchett
  29. “Fiction is the only way to redeem the formlessness of life” — Martin Amis
  30. “History has its truth, and so has legend. Legendary truth is of another nature than historical truth. Legendary truth is invention whose result is reality. Furthermore, history and legend have the same goal; to depict eternal man beneath momentary man.” — Victor Hugo
  31. “Even in the world of make-believe there have to be rules. The parts have to be consistent and belong together.” — Daniel Keyes
  32. “A well-thought-out story doesn’t need to resemble real life. Life itself tries with all its might to resemble a well-crafted story.” — Isaac Babel
  33. “There is no society that does not highly value fictional storytelling. Ever.” — Orson Scott Card
  34. “The best fiction is true.” — Kinky Friedman
  35. “To write something out of one’s own mind, worth reading for its own sake, is an arduous contrivance only to be achieved in fortunate moments, few and far in between. Personally, I would sooner have written Alice in Wonderland than the whole Encyclopedia Britannica.” — Stephen Leacock
  36. “Just as pilots gain practice with flight simulators, people might acquire social experience by reading fiction.” — Raymond A. Mar
  37. “It’s never too late – in fiction or in life – to revise.” — Nancy Thayer
  38. “All fiction is about people, unless it’s about rabbits pretending to be people. It’s all essentially characters in action, which means characters moving through time and changes taking place, and that’s what we call ‘the plot.'” — Margaret Atwood
  39. “I love fiction because in fiction you go into the thoughts of people, the little people, the people who were defeated, the poor, the women, the children that are never in history books.” — Isabel Allende
  40. “I mostly associated video game storytelling with unforgivable clumsiness, irredeemable incompetence – and suddenly, I was finding the aesthetic and formal concerns I’d always associated with fiction: storytelling, form, the medium, character. That kind of shocked me.” — Tom Bissell
  41. “When a writer is already stretching the bounds of reality by writing within a science fiction or fantasy setting, that writer must realise that excessive coincidence makes the fictional reality the writer is creating less ‘real.'” — Jane Lindskold
  42. “In the best works of fiction, there’s no moustache-twirling villain. I try to write shows where even the bad guy’s got his reasons.” — Lin-Manuel Miranda
  43. “I just had a crazy, wild imagination all my life, and science fiction is the greatest outlet for me.” — Steven Spielberg
  44. “The most watched programme on the BBC, after the news, is probably ‘Doctor Who.’ What has happened is that science fiction has been subsumed into modern literature. There are grandparents out there who speak Klingon, who are quite capable of holding down a job. No one would think twice now about a parallel universe.” — Terry Pratchett
  45. “I write essays to clear my mind. I write fiction to open my heart.” — Taiye Selasi
  46. “A play is fiction– and fiction is fact distilled into truth.” — Edward Albee
  47. “All my fiction starts from a feeling of unique perception, the pressure of a secret, a story that needs to be told.” — Barry Unsworth
  48. “Politicians should read science fiction, not westerns and detective stories.” — Arthur C. Clarke
  49. “Fiction is too beautiful to be about just one thing. It should be about everything.” — Arundhati Roy
  50.  “I can make up stories with the best of them. I’ve been telling stories since I was a little kid” — Rabih Alameddine

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what hammers your nail.

Until next time!