Throwback Thursday: The Malice Restored My Faith In Sci-Fi/Fantasy Trilogies

First published 05/03/2017
SPOILER ALERT

While every effort has been taken to avoid spoilers, anyone who has not read The Malice or The Vagrant by Peter Newman is hereby advised that this post may contain a few unavoidable spoilers.

I was rather reluctant to write a post reviewing Peter Newman’s The Malice (the second book in Newman’s The Vagrant trilogy) for the simple reason that I seem to be constantly bigging up Peter Newman on this site, as well as on Twitter. Frankly, if I keep this up, there’s a very real danger of Penstricken turning into The Peter Newman Appreciation Society (I may have raved about The Vagrant once, twice, or thrice before).

However, a few days ago someone very kindly (but not entirely accurately) referred to Penstricken as a ‘writing tips blog’ when really I intended this site to be for both story writers and their audiences. So, I decided it was time to write a post for those of you who have put up with me rambling about writing week in and week out when all you really want is a book recommendation. And since I have recently finished The Malice, it seemed a logical choice to review it on this week’s post.

Naturally I will try to give a fair, balanced and critical review but you know…

The Vagrant trilogy is arguably the best sci-fi/fantasy series I’ve come across in a long time!* It has made me believe in sci-fi/fantasy trilogies again! I wish the third book would just hurry up and COME OUT already!

… and relax.

Okay, now that I’ve got that out of my system, let’s get down to business.

The Malice is the second book in the Vagrant trilogy, based several years after the events of The Vagrant. When I read the first book a year or so ago, I did so believing that it was a stand-alone novel. You see, over the years, I have grown cautious about reading novel series (especially sci-fi/fantasy) from authors I don’t know because I have often found myself getting bored with them by the second or third book. As we know, some series just go on and on and on and on and on forever. Therefore, since there’s nothing worse than abandoning a story halfway through, I tend to think long and hard before picking up a new series. As much as I loved the originality, the poetic language and the vivid world-building I found in The Vagrant, when I learned that it was part of a trilogy I was a little anxious that it might go the way of so many other series I’ve started but never finished.

I was wrong. I devoured The Malice with as much proverbial** relish as I did The Vagrant. I think the reason it works so well as a sequel is because Newman has managed to strike that difficult balance between continuity with the first book and not rehashing the same story all over again. For example, there is a definite continuity in the style of story-telling. Newman’s distinctive voice has carried on into the sequel and draws us easily back into the same vivid and original world he has created. However, the characters are, as always, where Newman really works his magic.

As with the previous book, we have the protagonist who leads the adventure; the protagonist’s companion who supports and defends her and a capra aegagrus hircus (in this case, a kid), who serves in a comedy relief kind of capacity. However, Newman hasn’t relied on reusing the same (or virtually identical) group of heroes as before. The protagonist, Vesper, for example, is a young girl; chatty, a little unsure of herself, optimistic to the point of naivety and with an iron core of purity and unhindered free-thinking that suits her age and background. This is quite the opposite of her father and protagonist from the previous book: the strong and silent Vagrant who pushed his way relentlessly through whatever adversity he encountered.

Her companion, Duet, brings a similarly refreshing spin on the familiar role she plays. She is a Harmonised; an single entity made up of two joined individuals (as far as I could tell). Having been forced to kill her other self in the early chapters of the book, Duet grows increasingly bitter and cynical throughout the story as her health begins to fail her. Again, this contrasts sharply with the companion from the previous book, who served mainly as a very positive influence to encourage the Vagrant on his journey.

It was also good to get something more of the origins and inner-politics (if you can call it that) of the infernals who feature heavily in both books.

This book (both of them, in fact) also beautifully accomplishes something which very few other sci-fi novels do. It draws the reader into a dark and dangerous dystopian world while yet retaining a sense of optimism and even fun; exploring important themes of friendship, compassion (especially in the character of Vesper, who often resolves to help and heal others even at great risk to herself and her mission) and duty. For me, this sets it apart from many other sci-fi stories which are often either unremittingly depressing from the get-go or else are a little too fun to have any realism or tension about them (not that I’m knocking that. I like fun). This gives it a sense of believably, even though it is set in a world that is so completely different from our own.

If I must criticise something about this book (and I really would rather not), it would be that the pacing of the last few chapters could possibly have benefited from a little tightening up. I don’t want to give away what happens, but it did feel a little bit like having dramatically saved the day, Vesper then goes back home via the long and not-terribly-thrilling route which left me thinking ‘I hope something good happens to justify all this excess narrative that’s been stuck on the end’. Well, I don’t want to give away what it is but trust me: something good does happen. It is definitely worth reading on, especially if you’ve got any plans (as I do) to read the third instalment, The Seven, when it comes out in April.

All in all, The Malice was every bit as excellent a story as its predecessor; perhaps even better. While it remains firmly rooted in its predecessor, it carries the story forward in great strides, opening up the possibilities for the next instalment and leaving the reader feeling both fully satisfied and eager for the next one. Go get it!


*Having said that, I have just started The Mistborn series. It’s off to a promising start too.

**Don’t put literal relish on your book. It leaves a stain. LFMF.

Buy The Vagrant Trilogy on Amazon


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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Throwback Thursday: 5 Sci-Fi Tropes I Could Live Without

First published 29/10/2017

Among the many styles and genres of fiction which I enjoy, I must unashamedly confess to a particular fondness for popular sci-fi and fantasy. Yes I know it’s all just unrealistic escapism into a nonsense world of space adventures, suspiciously human shaped aliens and humanity being conquered by the very robots we built to help us but still… it’s fun. And you know… fun’s allowed, even if you like serious literature.

All the same… there have to be limits. But for some reason, sci-fi is just chock full of certain clichéd tropes, some of which are so very ridiculous that it frankly beggars belief that they ever became clichés. The others are just plain done to death. What follows are some of my (least) favourites.

The Holographic Hook

You’ve got to write a space opera and are struggling to come up with an exciting opening scene to draw the audience in from the very beginning. Solution: an exciting space battle! Ships firing at one another, hand to hand combat between aliens and humans, lasers, explosions–

Then an admiral calmly walks onto the scene and ends the simulation. It was all just a holographic training exercise!

This kind of scene, made famous by the Kobayashi Maru scene in Star Trek II: The Wrath of Khan (and then repeated time and time again in one form or another), gives the audience a burst of excitement that has very little bearing on the story which is to follow. The best it can do is foreshadow some internal conflict the protagonist may face later on in the story.

Please… it’s been done too often. Put some effort in and come up with a proper hook for your story.

Is That You Clive?

You’re alone on an abandoned space station or a spooky castle. Or maybe you’re just home alone, meticulously colouring in your colouring-in book on a dark and stormy night. Suddenly you hear something… something rattling, hissing, banging… perhaps even a sinister inhuman voice whispering your name.

You spin around wildly.

‘Is that you Clive?’

No. No, it’s not Clive. It’s never Clive. And really, ask yourself, is this the sort of thing Clive normally does? If it is… you need to dump Clive and get yourself some nicer friends. Just saying.

Just once I’d like to read or watch something where the victim doesn’t automatically assume that the scary noise is their friend pulling a cruel prank on them. Or better still, just once, I’d like it to really be Clive pulling a cruel trick. At least I’d be surprised.

Hey Clive, Are Those New Horns?

Something terrible has happened to Clive. He’s being controlled by an alien or replaced with a robot duplicate. His behaviour is erratic. His speech has become strange. His eyes have turned luminous green and he has grown horns.

And no one really notices until it’s too late.

My personal favourite example of this occurs in the Doctor Who episode, Rose. Rose returns to her boyfriend’s car to find he is now made entirely of plastic and is talking funny. And what does she do?

Goes out for dinner with him. She suspects nothing until the Doctor fires a corkscrew straight through his skull without injuring him. And she’s supposed to be his girlfriend.

Sigh. 

We, The People of Earth…

So it finally happened. Aliens have made contact with humanity. They may have come in peace or they may have come laser guns blazing, but one way or another, it’s first contact day for the people of Earth.

You know Earth, don’t you? Seven-point-four billion different versions of the truth, spread across one hundred and ninety five independent sovereign states (to say nothing of those who want to break away and start their own nation or conquer others) all gathered together on one planet, unable to agree on even the most trifling of matters?

A whole host of different political ideologies, systems of government, international treaties and religious beliefs, and yet when the aliens finally come, humanity all rallies around a single leader, or at the very least, sets aside all their differences. Usually it’s the President of the USA, except in Doctor Who where it can be just about anyone except the President. In any event, I have a sneaking suspicion that if aliens did make themselves known to us today, humanity would not respond with a single unified voice, or even two or three differing voices. Call me cynical but I think it would probably be chaos.

Ask yourself this. If aliens landed on Earth today:

How would Donald Trump respond?
What about Kim Jong-Un?
What about Angela Merkel?
What about ISIS?
What about the Pope?
What about the World Health Organisation?
The Scottish National Party?
The British National Party?
Richard Branson?
Kim Kardashian?
The writers of Doctor Who?
The guy that sells the Big Issue in the town centre?

You get the idea.

Magical Alien Artefacts

I don’t really have a problem with functioning magical artefacts if you’re writing a fantasy, set in a world of magic and myth, rather than a sci-fi set in space and/or the future. At its core, sci-fi (even silly popular sci-fi) tends to speculate on the advancement of technology and science, rather than the possibility that magic might actually work. If we are assuming that magic is not real, as sci-fi tends to do, we have to ask some serious questions about why it would work on an alien planet.

‘Ah, but, you see, it’s not really magic!’ I hear you cry. ‘It’s just technology that seems like magic!

But if it’s just technology… why dress it up like magic? Star Trek is very guilty of this. Whether it’s the legend of the Tox Uthat (a quantum phase inhibitor which appeared in TNG: Captain’s Holiday), or Vulcan mythology concerning the psionic resonator (TNG: Gambit), there just seems to be no end of magical artefacts in space which are actually just very clever technology. Technology made of stone. Stone technology that does magic. Heck, some even involve meditating and muttering incantations.

Dishonourable Mentions:

  • Everybody knows how to fly every kind of spaceship in the universe, even if it is of completely alien design.
  • Everybody knows everything about science.
  • Rough alien taverns. Just once, give me a classy alien wine bar.
  • With just a slight modification to the engine/shields/BBQ grill, we can do some sci-fi magic to save the day!
  • The bad guys believe emotion is a weakness and that is their Achille’s heel.
  • Love conquers all (exemplified in the Doctor Who episode Closing Time, where Craig is turned into a Cyberman then somehow manages to turn himself back into a human simply because he hears his baby son crying… as if he was the first parent the Cybermen ever upgraded. Seriously, I preferred it when the Cybermen’s greatest weakness was gold).
  • Universal translators.
  • Legendary technology, planets or lifeforms which really do exist.
  • Having a weapon of mass destruction called ‘The Weapon’. By all means call it the Super Zappy Death Ray, but don’t call it The Weapon. Use your imagination and give it a name.
  • Shooting the control panel/monitor shuts down everything on the entire spaceship, unlocks every locked door and/or disarms the Weapon.
  • Snippets of news reporters telling the general public how to survive the alien invasion. I repeat, do this to survive the alien invasion!
  • Jeanie who works at the shop is actually THE PROPHESIED CHOSEN WARRIOR QUEEN OF ALL THE MULTIVERSE and she doesn’t even realise it.

Well that was a far from exhaustive list but I’m glad to have got it off my chest anyway. Thanks for taking the time to read this post. Be sure to leave us a wee comment below and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what reverses your polarity.

Until next time!


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Throwback Thursday: Sharleen Nelson Interview Omnibus

As you may or may not be aware, this Monday was actually a public holiday in the UK, and as I was thinking about what to do for this week’s Throwback Thursday I remembered the day I interviewed Sharleen Nelson was also a long weekend.

Oh! I thought, Maybe it’s been a year to the day since I interviewed Sharleen Nelson!

Nope. Turns out it was actually way back in June 2018. However I was so excited at the prospect of revisiting Penstricken’s first author interview that I said, ‘what the heck!’

This was originally published as two separate posts, so today I give you:

Sharleen Nelson Interview: Omnibus

Originally published 03/06/2018 and 10/06/2018

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read The Time Tourists by Sharleen Nelson is hereby advised that this post may contain a few unavoidable spoilers.

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If there’s one thing I love, it’s a truly imaginative story. As a story about a time travelling private detective, The Time Tourists by Sharleen Nelson definitely fits that category!

I had the pleasure of interviewing Sharleen, whose debut novel The Time Tourists is available to buy on Amazon and other retail outlets.


You’ve been a journalist and an award-winning photographer for over twenty years. What made you decide to write a novel?

I have always been a writer, ever since I was a little girl. I used to spin stories in my head, complete with an array of characters and dialogue. I started one novel and got about 40,000 words into it, but then couldn’t figure out what to do with the characters, so abandoned it. This particular story started percolating about 10 years ago. My father had died recently and I was pretty devastated. I thought that getting lost in a nice little fantasy might be good therapy.

What was the main inspiration behind The Time Tourists?timetourists

Well at the time I was working as a magazine editor/writer at this place called Marathon Coach– they build these million dollar luxury buses. Anyway, in the bathroom were framed prints of local street scenes from around the turn of the century– people walking, doing things, cars and buggies. I remember looking at those and thinking, ‘how cool would it be to just be able to walk into that picture, into that scene and be a part of it.’ I love history. I’m a photographer, and if time travel was real, I would totally do it! The combination of things just sort of meshed and I started forming the story. I didn’t want to deal with the tech part of having a time machine; I wanted it to be more of a magical thing, so that when my character arrived somewhere in time, the universe just filled in everything for her.

Did you find anything particularly difficult about writing this novel?

Yes, I wanted it to be more character-driven, less science fiction. I guess you could say it’s more of a fantasy, but it doesn’t really fit neatly into either genre. I guess you’d call it “speculative fiction.” The most difficult part of writing it for me was letting myself get bogged down with plot structure. I knew the story. I never have writer’s block at all, but I wasted a good deal of time organising and reorganising and moving chapters around–should I weave in the backstory? Should it be chronological? Finally, I just decided that I needed to write the damn thing and worry about that later. Once I did that, it all sort of fell into place.

When I first read the synopsis I thought I might be getting a sort of sci-fi/cozy mystery combination but there are actually a lot of different and sometimes very dark themes running through this story making it quite hard to categorise (definitely not a cozy, however!). What would you say was your central theme(s)?

That is a great question! You’re right, it isn’t the cozy tale that one might expect. Of course, as every writer does, I drew things from my own life and I wanted Imogen to be this very real, complex person with opinions about things. I didn’t want to just send her off on adventures without the audience knowing what motivates her. So much of it evolved as I was going along. It’s true what people say, that sometimes characters seem to have minds of their own. Teddy is a very dark and twisted character. He came about from an experience I had when I was 19. I was majoring in psychology and for a time, I volunteered on a crisis line. The phone calls were routed to my home phone and I had a list of resources to recommend to people who called in. One night, a 16-year-old boy called. I wasn’t supposed to council anyone, just refer them, but he started telling me this horrible story about how his mother was abusing him sexually and that she would let him use the car if he slept with her. Of course, that stuck with me and not only did it make the reader feel more sympathetic to the Teddy character, he wasn’t all pure evil, but also showed that abuse comes in many forms. It’s not always male perpetrators. I also wanted to explore themes like religion, misogyny, feminism, or what it’s like being a gay person in another time. So I’m not sure that there is a central theme. I just wanted to create characters that the reader could maybe identify with, who have real motivations and real flaws.

Let’s talk some more about your characters. Teddy is probably one of the most messed up characters I’ve ever come across. He’s absolutely vile in many respects and guilty of some pretty awful crimes yet there is also something pitiable about him. How do you go about developing a character like that?

He started out being just this borderline sociopathic neighbourhood bully with a kooky mother. We do feel sorry for him at times because, after all, he is this sort of confused teenage boy who wants to be good–he is envious of Imogen’s family. He would like more than anything to be their boy and have a normal life. But on the other hand, his mother has been doing unspeakably vile things to him since he was a child. He knows he will never be able to recapture that innocence and he also doesn’t feel like he deserves to be loved and he takes all that rage and pent-up anger and directs it at Tiffany. But just when he was beginning to feel better about his life, she shows up with the news that she is pregnant. He liked his job. Niles was mentoring him. He was thinking about a career. But Tiffany ruined everything. His reaction was obviously to get rid of her. In developing Teddy, I read up on sociopathic behaviours– antisocial behaviour, deceitfulness, hostility, irresponsibility, manipulativeness, risk taking behaviours, aggression, impulsivity, irritability, lack of restraint–and combined that with a narcissistic, abusive mother–and voila! Teddy.

You mentioned earlier that Imogen had her own opinions about things. Throughout The Time Tourists, the audience is privy to a lot of Imogen’s strongly-held beliefs about a whole range of controversial subjects from abortion to Darwinism. Do you think it’s important for authors to use their protagonists to make points on important real-life subjects?

I think every author’s approach is different. Each author has their own story to tell. I don’t know that it’s necessarily important, but for me personally, I think addressing real-world topics makes my characters more believable. I read something the other day about the movie Dirty Dancing. Everyone loves that film and it always feels like this very light, entertaining outing about dancing. However, the entire premise for Baby and Johnny getting together at all is because she is called upon to fill in for his usual dance partner after she falls victim to a botched, illegal abortion. I also think that if my characters are going back in time I have a responsibility to provide context and comparison.

If they ever make a film adaptation of The Time Tourists, who would you choose to play the lead characters? 

Haha, I actually have thought about this–what author hasn’t? I sort of envision Jennifer Lawrence (Katniss in The Hunger Games) or maybe Emma Watson (Hermoine Granger from Harry Potter)– both seem like strong, feminist-type women. For Herbert Doran– Michael Shannon. He is so intense and awesome. Simon was actually based on a sort of Robert Downey, Jr. prototype, but I think we’d need someone a bit younger for the role. Not sure about Teddy– a method actor, for sure!

The Time Tourists is, of course, the first book in the Dead Relatives Inc. series. Now I know you won’t want to give too much away but I have to ask: what’s next for Imogen? 

Imogen will have more adventures in time, of course, but there are a number of loose ends– her mother and father are still lost in time and we may never know what happened to Tiffany, or will we? At the end of the book, it was revealed that Teddy was Simon’s biological father, which unfortunately, makes Mimi Pinky his grandmother, so one can speculate what kind of a relationship they will have. Simon will have to also become acclimated to living 100 years in the future and as the new guy in Imogen’s life, I envision some conflict between he and her ex-boyfriend Fletcher. There will be a few other surprises that I’ll keep under wraps. I also see some danger ahead.

Final question: do you have any advice for anyone out there who might be thinking about writing their first novel? 

Forget an audience. Write for yourself and don’t censure yourself. What do you like to read about? When I was a little girl, I enjoyed it so much because I was basically telling myself a story. Enjoy the journey. Just like the reader, as the writer I keep going so I can find out what happens next. Say what you want to say and write what you yourself would like to read.

The Time Tourists by Sharleen Nelson is available to buy now on Amazon and other retail outlets.
Click here to visit Sharleen Nelson’s author page.

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook, if that’s what crashes your car.

Want a blog of your own? Start writing today with WordPress.com!

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ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Throwback Thursday: Popping Off

It’s Thursday, and time, therefore, for another quick trip down memory lane. Of all the flash fictions I’ve published on Penstricken over the years, I think this one is my personal favourite. I was originally inspired to write this story by the quote from Plato: ‘I am about to die, and that is the hour in which men are gifted with prophetic power’, but it quickly turned into a story about greed, family and how people face their own mortality. A little grimmer than what I usually go for, but I was pleased with it.

I hope you like it too.

100 Word Story: Popping Off

First published 11/02/2018

It’s time I subjected you all to another one of my under-performing flash fictions I nevertheless believe in. I actually had quite high hopes for this one and submitted it to a couple of places in hopes of publication but no cigar as they say in Cuba. But that’s what blogs are for!

As ever, what follows here is entirely my own work and has not been published anywhere else in the world, whether on print or online, nor do I expect it to be. And so, without further ado, I give you…

POPPING OFF

by A. Ferguson

My family have a curse. One hour before death, we become omniscient. Foreknowledge, insight, everything. Can you imagine?

I’m at the office and it’s happening to me now. I’m only thirty-one.

Imagine that.

I should phone Janice, but when I think how she badgered dad with questions at his Hour…

Stuff it. I’ll write her. Might as well use up the office stationary.

‘Jan,

Saturday’s lotto numbers:  4, 7, 12, 22, 34, 36, 5.

You’re welcome.

Nick’

I need to post this quick. I’ll be out of time soon.

‘Kate, family emergency.’ I call to my supervisor. ‘Can I pop off early?’

THE END


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook, if that’s what pops you off.

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Author Interview: D. Wallace Peach (Part 2 of 2)

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read Soul Swallowers or Legacy of Souls by D. Wallace Peach is hereby advised that this post may contain a few unavoidable spoilers.

Diana Wallace Peach is an accomplished author of quality fantasy with seventeen books to her name. Her most recent offering, the ‘Shattered Sea’ duology consisting of The Soul Swallowers and Legacy of Souls, is another masterpiece filled with rich characters, political intrigue, and top notch world building.

I had the pleasure of chatting with D. Wallace Peach, whose books, including the ‘Shattered Sea’ duology, are available to buy now on Amazon.

This is part two of that interview. If you missed part one, you can still view it by clicking here.


I was quite struck by some of the big themes this story explored. The distinction between slavery and bonded labour (if there is one) seems to crop up time and again in this story. Was that a theme you were keen to explore?

I’m a political monster, and like exploring these issues. To support the book, I did a bit of research on the ‘justifications for slavery’ that were shared around the time of the American Civil War. I incorporated those into the characters’ arguments about slavery as well as Raze’s arguments for freedom.

Obviously in a high fantasy series like this, building a world like the Shattered Sea is no mean feat. Any world-building tips for prospective fantasy writers?

Just like I write bios for the characters before I start a book, I write a complete “bio” for the world, including maps. I go back about 300 years into the world’s history. I write about gender roles, politics, religion, societal norms, geography, world view, relationships with other nations/provinces, technology or the lack thereof, clothing, even the shape of their roofs! I try to take a couple real-life norms and turn them on their heads if I can. Some things develop as I write and some change, but I usually start with a good sense of the world and how the character meshes or rebels against it. In a way, the world is another character in the book.

Looking through your blog I noticed you’ve done a bit of flash fiction. How do you find writing shorter fiction compares with novel writing?

I rarely write short stories, but I enjoy flash fiction. The big difference for me is that I don’t need to think about what came before or what comes after. It’s a slice of time, a glimpse, versus a novel that has a history and a future. An interesting tidbit. The opening scene of ‘Shattered Sea’ duology started as a flash fiction piece in response to a prompt. So you never know where those flashes will lead!

What’s next for you then? Can we look forward to more books in the near future?

I’m working on a trilogy (as yet untitled). I’m obsessive about the cohesion of my stories and therefore write the entire series at once, holding up the first book until the last is ready to publish. This trilogy is daunting and the first draft is taking me forever to complete. I’m probably a year away from publishing. When they’re done, I’ll have 20 books, and hopefully, number 21 brewing in the back of my mind.

MISSED PART 1 OF THIS INTERVIEW? CLICK HERE TO READ IT.

Soul Swallowers and Legacy of Souls by D. Wallace Peach are available to buy now from Amazon.
CLICK HERE TO VISIT D. WALLACE PEACH’S AUTHOR PAGE.

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what swallows your soul.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Author Interview: D. Wallace Peach (Part 1 of 2)

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read Soul Swallowers or Legacy of Souls by D. Wallace Peach is hereby advised that this post may contain a few unavoidable spoilers.

Diana Wallace Peach is an accomplished author of quality fantasy with seventeen books to her name. Her most recent offering, the ‘Shattered Sea’ duology consisting of The Soul Swallowers and Legacy of Souls, is another masterpiece filled with rich characters, political intrigue, and top notch world building.

I had the pleasure of chatting with D. Wallace Peach, whose books, including the ‘Shattered Sea’ duology, are available to buy now on Amazon.

This is part one of our interview. Don’t forget to check back next week for part two!


What made you decide to become an author?

I never really planned on being an author, though I always enjoyed writing. A decade ago, my husband and I made a temporary move for his job. Our planned stay was too short a time frame for me to find work. He suggested that I write a book, and I said, ‘Okay.’

Well, that was that. I was hooked and I’m still writing.

I’ve been reading The Shattered Sea duology, Soul Swallowers and Legacy of Souls; two thoroughly enjoyable books. There’s plenty going on in them both; family conflicts, slave trading, imperial politics and, of course, a fantasy world where people consume the souls of the dead. I wonder, how did this story first come about? What was your original inspiration for writing?

I’m curious about the invisible world and the nature of the soul. I think there is a lot more to this world than we can possibly imagine. Just think of the inventions in the last one hundred years that would have seemed impossible or magical. Do souls exist beyond death? Is reincarnation possible? Is possession a real thing? I simply took those questions and applied a ‘what if’ question. Then I added the rules that would bind this practice – physically, mentally, and through social norms. The rest simply fell into place as a rough outline that took further shape as I wrote.

Is that your preferred way of writing, planning while you write (‘plantsing’)? Or are you normally more of a planner or a ‘pantser’?

I always have a rough outline. Otherwise, I’m filled with writer-anxiety. That and I have no problem wandering off on tangents for hundreds of pages, which then need to be edited! Outlines keep me on track, but they’re loose enough that my characters can be themselves, and I will readily change a plan if my characters can convince me that it makes good sense.

I’m glad you mentioned your characters because the meaty characters you’ve created were one one of my favourite things about this series. The protagonist, Raze, for instance. I really liked the way this chap developed as an individual over the two books. How did you go about developing him?

I love reading books with strong characters, and so I strive to write the same. My background is in mental health, and I’m fascinated by the incredible depth behind every human face. Prior to writing, I pen each character’s biography in quite a bit of detail. I understand how their lives were shaped, their fears, weaknesses, and strengths, how they compensate, what they hide even from themselves, what they need to learn about themselves to grow. A significant part of my plotting a story takes into account the characters’ arcs.

I suppose that must be doubly important when you come to write a character who is a practised liar, like Benjmur? He weaves such an intricate web of deceit around all the other characters– how do you keep track of it all?

I wanted to write a different kind of character than I have in the past– one who is extremely duplicitous and able to keep the other characters off kilter. The biggest challenge was to make his lies believable without the other characters coming off as naive (except perhaps for his daughter who simply doesn’t want to think ill of her father). I don’t like books where the characters are ridiculously stupid simply to serve the plot. I kept track of it by writing twenty drafts. Ha ha.

COME BACK NEXT WEEK FOR PART 2.

CLICK HERE TO VISIT D. WALLACE PEACH’S AUTHOR PAGE.
Soul Swallowers and Legacy of Souls by D. Wallace Peach are available to buy now from Amazon.

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what swallows your soul.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Book Review: Steelheart

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read Steelheart by Brandon Sanderson is hereby advised that this post may contain a few unavoidable spoilers.

There are two things I really like: Brandon Sanderson and superhero stories, so when I heard that Sanderson had written a series of superhero stories, I knew I had found my next book. I was so confident that I would like it that I even bought the first two books at the same time, despite normally being wary of blowing money on serialised novels in case they’re rubbish (I would’ve bought the whole series but my Waterstones vouchers didn’t stretch that far on top of everything else I wanted to buy).

This story is set in a not-too-distant post-apocalyptic dystopia where a mysterious stellar event, known as Calamity, has gifted certain people with super powers. These individuals, known as Epics (Sanderson consistently shies away from the word superheroes/super villains), have taken over the world, oppressing ordinary humans and imposing their own despotic rule on whatever territory they deem to be their own. The main antagonist in this story is one such Epic: Steelheart, a seemingly invulnerable man who kills David’s (the protagonist) father in front of him. However, the boy David also saw something impossible at the same time: he saw Steelheart bleed, and swore he would make it happen again to avenge his father. As an adult, David joins a group of anti-Epic resistance fighters known as Reckoners and together they hatch a daring plan to kill Steelheart and put an end to his ruthless reign over Newcago (formerly Chicago).

There are a lot of things I like about this novel, and I am looking forward to reading the next instalment, but I won’t lie to you: it was a bit of a disappointment compared to Mistborn.

Let’s get down to brass tacks.

In a similar way to the The Final Empire, Steelheart features a young protagonist who joins a group of rebels (the other ‘good guys’) with the primary goal of taking down a seemingly indestructible despot who barely appears in the narrative until the story’s climax. The characters all have their own little distinctive quirks and are, for the most part, likeable. My only criticism is that they were, perhaps, a little half-baked by Sanderson’s usual standards. For instance, David, the protagonist, was okay in general but he seemed little too ridiculous to believe insofar as things seemed to fall into place a little too easily for him despite impossible odds, especially in the beginning.

Oh, and while I’m complaining about my least favourite characters, can I mention Megan? Apart from being one of only two major female characters and the only one with a clear personal tie to the protagonist, she doesn’t even come across as a particularly well written character, at least before the last few chapters. She’s beautiful, feisty, with a hidden vulnerability and (you guessed it!), she’s the obvious love interest. David thinks she’s hot but doesn’t know if she likes him or not because she seems to be sending him mixed signals. I will admit that I wasn’t prepared for what happened to her and who she turned out to be, so it’s maybe worth persevering with Megan until the end of the book but it took me quite a lot of chapters to actually like her as a character.

The plot worked, although I felt there was a certain inevitability about it. David wanted to join the Reckoners, so he did. He talked them into killing Steelheart. They planned to do it. Executed plan. Did it. End. It lacked that all important sense of rising action, conflict, tension, greater conflict, greater tension and final climax when it came down to the main story of David’s quest for revenge and the Reckoners’ plan to kill Steelheart. On the plus side, there were a few interesting twists regarding the identities of characters like Megan and Prof. I won’t spoil what they were, but I will only say that I had my suspicions about Prof from fairly early on; I wasn’t ready for what happened with Megan at all, however. That was glorious and her only saving grace.

As usual, Sanderson’s writing style was a joy to read: clear, straight-forward and written in a solid 1st person voice from David’s point of view. In keeping with that character’s tendency to use lousy metaphors in his speech, the narrative itself was also replete with eccentric figurative language which was appropriate (though perhaps not always quite as funny as Sanderson intended it to be).

I did find the profanities used by the characters a little odd. Don’t get me wrong, I tend to have a ‘less is more’ attitude towards profanity in fiction, but it seems that all but the mildest of swear words we use in the real world have been replaced by made up swear words including ‘sparks’ , ‘slontze’ and ‘Calamity’. Depending how far in the future this book is set, I suppose its possible we’ll chuck out all the old curses and invent brand new ones, but I get the impression this book is set in a period relatively close to our own. As much as I dislike bad language, I personally found this stuff a bit jarring.

I know what you’re thinking. I sound like I hated this book. I did not hate this book. In fact, I really liked this book. It’s a great bit of highly enjoyable, action packed, funny-in-places escapism. If I sound like I’ve been hard on it, it’s only because Sanderson has set the bar so high with all his other books that it’s hard not to compare them. This is not my favourite Brandon Sanderson book, not by a long way; but it is a great book. You should definitely read it.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what steals your heart (you see what I did there?).

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

Review: Doctor Who, Series 11

SPOILER ALERT

Anyone who has not watched any part of Doctor Who reboot series 11 (including the New Year special, Resolution) is hereby advised that this post may contain a few unavoidable spoilers.

Well, well, it may feel like it’s only just begun but Jodie Whittaker’s first series as the titular character in the BBC’s Doctor Who is finally over. Actually it was over almost two weeks ago but I had to do 6 Six Word Stories for the 6th last Sunday so you’re getting the review this Sunday instead. Lap it up.

I’ve already written in some depths about the first episode, so I’m not going to waste too much time talking about that today. What I really want to do is give an overview of the series as a whole.

Let’s start with the most important question of all: characters, specifically the four regular ones.

The Doctor in this series is lively, kindhearted and generally likable. My biggest criticism is that she seems to have completely lost all her demons, and with it, her motivation. She still abhors violence but previous Doctors (especially in the reboot) have been somewhat weighed down by the violence they’ve witnessed and committed themselves. One of the things I loved about Peter Capaldi’s Doctor, for instance, was how plagued he was by his own sense of guilt. This motivated him to chase around the galaxy seeking vindication. As a result, I cared about the Doctor’s goals, even in rubbish episodes like Into the Dalek. The Thirteenth Doctor, alas, lacks this depth.

Graham wins the ‘best character’ prize by a million miles. He is haunted by the death of his wife and is travelling with the Doctor mainly as a way of fleeing from his own grief, only to be faced with it everywhere he goes, finally culminating in his showdown with Tim Shaw whom he (quite rightly) blames for his wife’s death. My only real criticism is how suddenly his hunger for revenge comes upon him in ‘The Battle of Ranskoor Av Kolos’ (which, by the way, was the most forgettable last-episode-of-the-series since the show rebooted in 2005). It might’ve been nice to see hints of this slightly darker side to him before he finally encountered his wife’s killer again but this is the only minor grievance I have with Graham.

Ryan started strong. His dyspraxia gave him an inner struggle to overcome, as did the loss of his grandmother; he apparently had a tense relationship with both Graham and his absentee father and there was some chemistry between him and Yasmin in the first few episodes. That should’ve been more than enough to make a really interesting character. Unfortunately, most of these issues came to nothing. His dyspraxia was barely mentioned and in no way hindered him; he deals with his grandmother’s death fairly easily and the sexual tension between him and Yasmin fizzled out into nothing after a few episodes. Only the business with his dad came to any sort of resolution, and even this in a fairly clumsy manner in the New Year special.

Speaking of Yasmin, I’m still trying to think of anything I can say about her, whether good or bad. She seemed like a nice person but as characters go, she had all the substance of the Speaking Clock. That’s not a criticism of the actress. She brought Yasmin to life as well as anyone could, but the fact of the matter is, the character could have been completely cut out of this series with almost no loss to the story as whole (even in ‘Demons of the Punjab’ — arguably the only real ‘Yas episode’ — she was just there enough to make the story happen and no more). The character was, in a word, only half-written written.

Now, what about monsters? Doctor Who has always been famous for its monsters, though since the 2005 reboot, it’s been an almost constant barage of Daleks, Cybermen and Moffat’s pet invention, the eye-gougingly tedious Weeping Angels. Not so this time! Every monster (barring the New Year special) was brand spanking new, which was a breath of fresh air for me at least. Although while I’m on the subject of Daleks, I just need to say one thing: since when could the sonic screwdriver disable the Dalek’s gun arm?! If sonic screwdrivers can do that, why was there ever a Time War?

This series has come under some pretty heavy criticism, especially on social media (where all the vitriol of society coalesces, kind of like in that Star Trek: The Next Generation episode, ‘Skin of Evil’, but I digress), for being too ‘politically correct’. I don’t know if that’s because the Doctor’s a woman, because they finally wrote an episode where the racism of modern history is shown in all its ugliness while still being a family friendly TV show (complete with a time travelling white supremacist bad guy) or what but in any event, I see nothing wrong with this. Oh, sure, you might not always personally agree with the message behind each episode, but that doesn’t make it bad writing. Quite the reverse. Give me a real life theme that offends my sensibilities over Moffat’s meaningless, sentimental fluff any day of the week (though just to be clear, I wasn’t offended by this series at all). When it comes to the themes that were explored in this particular series, my only real criticism is how poorly executed they were, often feeling obvious and preachy.

I have only one more criticism (and I know, it sounds like I hated this series, but I really did enjoy it): there was no series-long story arc whatsoever. Since the reboot began (and now and again in the old series, too), Doctor Who has boasted some excellent story arcs. This series just didn’t have one. Just a bunch of time travellers with no discernible motive (apart from Graham) going on lots of pointless but mostly entertaining mini-adventures, finally (anti-)climaxing in them bumping into Tim Shaw again who was, frankly, less scary second time around.

I know it sounds like I’ve really slammed this series. That notwithstanding, I did enjoy it. Really. And since I know you’re all just dying to know what I think about having a woman Doctor, I really did like Whittaker’s portrayal of the character. Please don’t come away from this thinking I hate series 11 or Jodie Whittaker. I do not and I’m really looking forward to series 12. It could’ve just done with a bit of tightening up here and there on some of the most basic principles of serialised story-writing: characterisation and development, subtle execution of themes, story arcs and so forth. But please, watch it with my blessing. It was, for the most part, entertaining and certainly not the worst series in the show’s mostly excellent history.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what exterminates your Dalek.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

Book Review: Ready Player One

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read Ready Player One by Ernest Cline is hereby advised that this post may contain a few unavoidable spoilers.

‘Enchanting. Willy Wonka meets The Matrix‘ (USA Today). That’s what the little quotation says on the front cover of Ready Player One by Ernest Cline.

High praise indeed. High enough to make me buy it and read it. But I know what you’re thinking: ‘did it deliver?’

The opening chapters of this novel introduce us to Wade Watts: a super-geek teenage boy living in a dystopian not-too-distant future. He’s bitter, cynical and spends most of his time hiding from his abusive aunt in the OASIS: a (seemingly endless) online virtual reality/computer game. There, he dreams of finding the ‘Easter egg‘ which the OASIS’ programmer created, promising in his will that whoever found it would gain full control of the OASIS and get all of his considerable wealth. There’s also a fairly unremarkable romantic sub-plot thrown in there for good measure (Wade meets a girl on the internet, falls in love with her though he’s never met her, she keeps him at arms length because she’s insecure about something, turns out she’s got a birth mark on her face, Wade still loves her anyway, they meet in real life after thwarting the bad guys, kissy kissy, the end).

In a word, Ready Player One is a good, fun story. Not at all bad for a debut novel. It was a little hard to suspend my disbelief at points, as he breezes through impossible odds just a little too often for my taste (I know he’s smart and I know he’s good at computer games, but come on). Don’t get me wrong though, this book is still a real page-turner. I think geeks, gamers and lovers of retro will probably find it far more enjoyable than the rest of humanity because it is bursting with gaming lingo and references to computer games, TV shows, movies and music from the 1980s, some of which may be lost on the uninitiated, though I think Cline still does a pretty good job explaining everything without too much info-dumping. No small achievement in a story of this kind.

The first-person narrative style was, for the most part, a joy to read and let us get right under the skin of Wade as all good first person narratives should. If I was being hyper-critical about the narrative voice, I would only add that it sometimes felt like Wade spent the whole novel ‘getting the hell out of Dodge’. I don’t know how often he used that expression but… it was a lot. I know people tend to use the same expressions over and over in real life but still…

Anyway, let’s talk bad guys. Innovative Online Industries (led by the unrepentant Nolan Sorrento) are a global internet service provider who are determined to seize the Easter Egg before anyone else so that they can charge people to use the OASIS and use it as an advertising space. Their methods range from the unfair to the downright brutal (blowing up houses, throwing people out of windows and so forth). Absolutely no redeeming qualities whatsoever as far as I could tell. If you like a bad guy you can boo and hiss at, you’ll love these guys. If you want a bad guy you can sympathise with, you’d better look elsewhere because these guys are b-b-bad to the bone: slippery, devious and with seemingly limitless resources, there is simply no low to which they will not stoop in their quest for the Egg. In spite of this, I actually quite liked them. Yeah they’re a bit two dimensional but… dang, they’re just so much fun to boo at. However, without wanting to give too much away, I will say that I was really looking forward to an epic final battle between Wade and Sorrento and I didn’t really get one. I mean, yes, there’s a battle but it was over before it started. Wade kicked butt, raced Sorrento to the Egg and… got there first. Wade wins. The end. If only Sorrento had had one more ace up his sleeve in that final scene, I would’ve been satisfied but no. He just loses.

Digging a little deeper, I get the impression Cline was trying to build a bit of a theme, paralleling Wade’s search for the Easter Egg with religion; or at the very least, with higher causes in general (for instance, consider the way Wade treats Anorak’s Almanac almost as if it were some kind of holy scripture). I’m not sure if this was deliberate but I think it was. It’s the only explanation I can think of for the lengthy ‘religion-is-stupid’ diatribe in chapter one, and for the devout Christian minor-character who appears just long enough for Wade to compare the Hunt for the Easter Egg to Christianity:

I never had the heart to tell her that I thought organised religion was a total crock. It was a pleasant fantasy that gave her hope and kept her going– which was exactly what the Hunt was for me.

Ernest Cline, Ready Player One, ch. 1

It’s either that or he was soapboxing. Possibly both. Either way, it was a good idea for a theme but it could’ve done with a bit of work. It kind of fizzles out without reaching any conclusion that I can see.

All in all, a great story. A little weak on a few technical points, but an enjoyable read and an enthralling adventure all the same. And yes, it is vaguely reminiscent of Willy Wonka and The Matrix.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what blows your nose.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Author Interview: Sharleen Nelson (part 2 of 2)

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read The Time Tourists by Sharleen Nelson is hereby advised that this post may contain a few unavoidable spoilers.

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If there’s one thing I love, it’s a truly imaginative story. As a story about a time travelling private detective, The Time Tourists by Sharleen Nelson definitely fits that category!

I had the pleasure of interviewing Sharleen, whose debut novel The Time Tourists is available to buy on Amazon and other retail outlets. This is the second half of that interview. Click here to read the first half.


Let’s talk some more about your characters. Teddy is probably one of the most messed up characters I’ve ever come across. He’s absolutely vile in many respects and guilty of some pretty awful crimes yet there is also something pitiable about him. How do you go about developing a character like that?

He started out being just this borderline sociopathic neighbourhood bully with a kooky mother. We do feel sorry for him at times because, after all, he is this sort of confused teenage boy who wants to be good–he is envious of Imogen’s family. He would like more than anything to be their boy and have a normal life. But on the other hand, his mother has been doing unspeakably vile things to him since he was a child. He knows he will never be able to recapture that innocence and he also doesn’t feel like he deserves to be loved and he takes all that rage and pent-up anger and directs it at Tiffany. But just when he was beginning to feel better about his life, she shows up with the news that she is pregnant. He liked his job. Niles was mentoring him. He was thinking about a career. But Tiffany ruined everything. His reaction was obviously to get rid of her. In developing Teddy, I read up on sociopathic behaviours– antisocial behaviour, deceitfulness, hostility, irresponsibility, manipulativeness, risk taking behaviours, aggression, impulsivity, irritability, lack of restraint–and combined that with a narcissistic, abusive mother–and voila! Teddy.

timetouristsYou mentioned earlier that Imogen had her own opinions about things. Throughout The Time Tourists, the audience is privy to a lot of Imogen’s strongly-held beliefs about a whole range of controversial subjects from abortion to Darwinism. Do you think it’s important for authors to use their protagonists to make points on important real-life subjects?

I think every author’s approach is different. Each author has their own story to tell. I don’t know that it’s necessarily important, but for me personally, I think addressing real-world topics makes my characters more believable. I read something the other day about the movie Dirty Dancing. Everyone loves that film and it always feels like this very light, entertaining outing about dancing. However, the entire premise for Baby and Johnny getting together at all is because she is called upon to fill in for his usual dance partner after she falls victim to a botched, illegal abortion. I also think that if my characters are going back in time I have a responsibility to provide context and comparison.

If they ever make a film adaptation of The Time Tourists, who would you choose to play the lead characters? 

Haha, I actually have thought about this–what author hasn’t? I sort of envision Jennifer Lawrence (Katniss in The Hunger Games) or maybe Emma Watson (Hermoine Granger from Harry Potter)– both seem like strong, feminist-type women. For Herbert Doran– Michael Shannon. He is so intense and awesome. Simon was actually based on a sort of Robert Downey, Jr. prototype, but I think we’d need someone a bit younger for the role. Not sure about Teddy– a method actor, for sure!

The Time Tourists is, of course, the first book in the Dead Relatives Inc. series. Now I know you won’t want to give too much away but I have to ask: what’s next for Imogen? 

Imogen will have more adventures in time, of course, but there are a number of loose ends– her mother and father are still lost in time and we may never know what happened to Tiffany, or will we? I envision Mimi Pinky playing a larger role in this second book. Simon will have to also become acclimated to living 100 years in the future and as the new guy in Imogen’s life, I envision some conflict between he and her ex-boyfriend Fletcher. There will be a few other surprises that I’ll keep under wraps. I also see some danger ahead.

Final question: do you have any advice for anyone out there who might be thinking about writing their first novel? 

Forget an audience. Write for yourself and don’t censure yourself. What do you like to read about? When I was a little girl, I enjoyed it so much because I was basically telling myself a story. Enjoy the journey. Just like the reader, as the writer I keep going so I can find out what happens next. Say what you want to say and write what you yourself would like to read.

The Time Tourists by Sharleen Nelson is available to buy now on Amazon and other retail outlets.
Click here to visit Sharleen Nelson’s author page.

MISSED PART 1 OF THIS INTERVIEW? CLICK HERE TO READ IT.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what interviews your author.

ATTENTION AUTHORS: 

I’m hoping to do author interviews here on Penstricken over the coming year, especially with new fiction authors. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Until next time!