In reality, there is no reason why writing across genders should be any more difficult than writing about a character from a different time, a different country or a different planet (besides, it is an essential skill for any serious story writer). Pragmatism, dear reader, is all that is needed; that and a little bit of patient and careful effort. Your opposite gender (whatever it may be) is nothing alien; and even if it were alien, that shouldn’t be able to stop you writing it will. Fiction is full of believable and compelling aliens with whom the reader can relate to and sympathise with; surely a human being of the opposite gender ought to be far easier to create.
It’s been a while since I posted one of my own humble stories, so I’ve quickly knocked together this little bit of nonsense for your enjoyment. Unlike a lot of the stories I’ve published on the site before, this is not a rejected competition entry. I wrote it for no purpose other than to amuse myself and hopefully, dear reader, to amuse you as well. I suppose it’s best described as a fantasy (since it features heroes guilds and all that kind of stuff) but it also draws heavily on some of my own less fantastic experiences. It also happens to be a little experiment in writing a story using minimal narration; it’s almost entirely dialogue. As ever, this story is entirely my own work and has never been published anywhere else, whether online or in print. I hope you enjoy it.
There is an old and for the most part true adage among writers that a good writer will ‘show and not tell’. In other words, a good story ought not to be a technical report of events; rather, the reader should be made to mentally witness the events and understand for themselves what meaning there might be hidden behind them. In my opinion, there are very few authors who do this quite as well as Ernest Hemingway, and for the sake of this post I want to take a look at the way he accomplishes this using character dialogue in the short story, ‘Hills Like White Elephants’.