5 Basic Star Trek Plots

Back when I was still a kid writing Star Trek fan fiction, there were only four Star Trek TV series and ten movies. No Discovery, no Kelvin universe or any of that other snazzier, slightly darker stuff we’ve been getting served recently. And now I hear that they’re expanding the franchise even further, with more shows and films, including a new Captain Picard show.

Now… I don’t want to knock the new stuff. Most of it is quite good in its own way. But if I have one criticism for them all, its that they lack that cheese, that optimism, that je ne sais quoi that made Star Trek, Star Trek. They’re just a bit to grim. Too serious. Dare I say, too cool. And for that reason, I’ve got my doubts about this new Picard show. I’m fearful that it’s going to take one of the franchises’ most beloved characters and ruin him. And so, for the benefit of any would-be Star Trek writers, I have compiled this list of five basic Star Trek plots to help you on your way to writing a traditional, cheesy Star Trek story.

A Disasterous Transporter Malfunction

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Source: http://gph.is/2mm5hol

In Star Trek, the transporter is a ‘completely safe’ device which breaks an object or person down at the molecular level and re-materialises them on another ship or planet.

What could possibly go wrong?

Lots, apparently. It turns out that a dicky transporter can leave you with stones embedded in your body (ENT: “Strange New World”); separate your ‘good side’ from your ‘evil side’ so that you become two separate people (TOS: “The Enemy Within”); beam you up naked (VOY: “In The Flesh”) and re-materialise you as a child (TNG: “Rascals”). Remember, would-be Trek-writer, the transporter is a treasure trove of light-hearted nonsense with which you can easily fill up an hour with.

Going Faster Than Fast And Ending Up Somewhere Crazy

Sometimes, perhaps due to an alien seizing control of the ship, because we entered a wormhole or because somebody accidentally broke the ship’s engines, we’re now moving even faster than we ever thought possible.

The burst of speed only lasts for a moment, and naturally the first thing to do is figure out where we are.

But wait… this must be a sensor malfunction. But it’s not! You’re three or four galaxies away from where you started (TNG: “Where No One Has Gone Before”)! You’ve ended up in front of a terrifying new antagonist (TNG: “Q Who?”)! You’ve mutated into an amphibian and had amphibian babies with your amphibian captain (VOY: “Threshold”)!

How will we ever resist the mind-altering properties of this weird place?!

How will we escape the terrifying aliens?!

How will we ever look Captain Janeway in the eye again!?

There you go. There’s your story.

We’ve Been Unwittingly Killing/Enslaving Intelligent Lifeforms!

It’s life Jim, but not as we know it. And that’s our lame excuse for hunting it like vermin (TOS: “The Devil in the Dark”), destroying its natural habitat (TNG: “Home Soil”) and forcing it to carry out dangerous or degrading tasks for us (TNG: “The Quality of Life”).

However, nobody but the regular cast seems to realise that this poor creature is clearly an intelligent life-form and any suggestion that it might be will be met with great hostility. This kind of story usually goes one of two ways:

  1. The creatures declare war on humanity and almost destroys the ship. The climax consists of a stand-off between humanity and the new lifeform in which only a last ditch attempt at diplomacy can save the day.
  2. A few frightened/unbelieving humans (usually guest stars) propose a course of action which will destroy the new lifeforms, resulting in a conflict between themselves and the regular cast, who are more enlightened and realise that killing is wrong.

The Inevitable Time-Travel Episode

No Star Trek series is complete without at least one time-travel episode. The crew’s odyssey through time is often (though not always) involuntary and, more often than not, it will involve correcting a significant change in established historical events. Sometimes this change will have been brought about by a malevolent force who is deliberately interfering in history (e.g.: DS9: “Trials and Tribble-ations”; VOY: “Relativity”) while other times it will be the regular cast themselves who have accidentally changed by history simply by being there (e.g.: TOS: “The City on the Edge of Forever”; DS9: “Past Tense”).

There are exceptions, of course. Star Trek IV: The Voyage Home paid precious little attention to the continuity of the time-line (the crew invented transparent aluminium early, took a native back to the 23rd century and regrew a woman’s kidney without a second thought). So by all means, have fun with time-travel.

The Inevitable Court-Room Episode

Budget drying up? Try writing a court-room episode. These feature hardly any flashy effects and are mostly dialogue-driven. It’s nearly always a member of the regular cast who has either been wrongly accused of some offence (TOS: “The Wolf in the Fold”, TNG: “A Matter of Perspective”, DS9: “Inquisition”) or else is fighting for their basic rights (TNG: “The Measure of a Man”, VOY: “Author, Author”). However, there are exceptions. Sometimes its a guest character who’s on trial with the emphasis being placed on the character’s main advocate, who is usually a member of the regular cast (TNG: “The Drumhead”, VOY: “Distant Origin”).

Honourable Mentions:
  • Someone Is Violating the Prime Directive!
  • A God-like Alien Is Bullying Us
  • A Regular Character Falls in Love and Gets Dumped in One Episode
  • The Whole Crew is Going Mad!
  • The Whole Crew has Caught a Plague!
  • There’s Klingons/Romulans/Jem’Hadar/Borg on the Starboard Bow!

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Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Super Snappy Speed Reviews: Star Trek Edition

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not seen all of the films in the Star Trek franchise is hereby advised that this post may contain a few unavoidable spoilers.

The day we’ve all been waiting for with a combination of both hope and dread is finally here. Star Trek: Discovery premieres in America today, and so, in honour of this momentous occasion (and since we Brits won’t be getting it until tomorrow), I am pleased to present Super Snappy Speed Reviews: Star Trek Edition!

We’ve already had super snappy speed reviews for books (twice, in fact), TV shows and films but today it’s going to be a bit different. Today I’ll be reviewing all thirteen Star Trek films in order of release. As ever, these reviews only reflect my own personal opinions and impressionsphasered, disruptored and bat’lethed into just two or three sentences. So without further ado…

Star Trek: The Motion Picture

While it has a lot of the elements we might look for in a good Star Trek episode, The Motion Picture is spoiled by ridiculously slow pacing.  Buckets of atmosphere but not much else to say in its favour.

My rating: 🖖🖖

Star Trek II: The Wrath of Khan

This film’s got it all: a familiar antagonist with a score to settle, exciting space battles and plenty of sub-plot. Arguably the best film in the entire franchise.

My rating: 🖖🖖🖖🖖🖖

Star Trek III: The Search for Spock

I can’t say much about this without giving away spoilers galore but suffice to say it’s a good popcorn muncher and is integral to the overall Star Trek canon. Its main let-down is the half-baked antagonist: a random Klingon with no redeeming qualities trying to steal a technology which he thinks will make a good weapon of mass destruction.

My rating: 🖖🖖🖖🖖

Star Trek IV: The Voyage Home

Definitely the most light-hearted of the Star Trek movies. Plenty of humour, a casual ecological moral and no real antagonist to speak of (okay, there is a giant probe thing threatening to destroy Earth, but only because it wants to make friends with some humpback whales and earth doesn’t have any them any more)

My rating: 🖖🖖🖖

Star Trek V: The Final Frontier

The rest of the world seems to hate this film but I quite enjoyed it. Sybok was a particularly interesting antagonist, in that he seemed to be well-meaning, if badly misguided. It probably could have benefited from unpacking some of the more important themes, however.

My rating: 🖖🖖🖖

Star Trek VI: The Undiscovered Country

My favourite Star Trek films and episodes are always those which focus on interstellar politics, particularly the Federation’s tense relations with the Klingon Empire. If that’s your flavour too then this film’s got it all: conspiracies, interstellar peace talks and even a Klingon courtroom scene.

My rating: 🖖🖖🖖🖖🖖

Star Trek: Generations

This film has a great bad guy (although I could have done without the Duras sisters…), strong themes and apart from being a little on the slow side at points, is generally well paced. The (mostly humorous) subplot concerns the previously emotionless android, Data, now fully equipped with emotions he can’t control, which is funny at first, then gets serious before kind of just fizzling out and resolving itself without explanation.

My rating: 🖖🖖🖖🖖

Star Trek: First Contact

If Wrath of Khan isn’t my favourite in the franchise, this one is. Excellent acting, strong writing and well paced. The Borg Queen in particular provides the previously faceless Borg Collective with a leader who is as subtle and seductive as she is evil. Unfortunately, this film does also include my least favourite line of dialogue in all of Star Trek history: ‘You people, you’re all astronauts on… some kind of star trek?’

As an aside, non-Trekkies should not begin here; this film is full of important references to the TV series.

My rating: 🖖🖖🖖🖖🖖

Star Trek: Insurrection

This might’ve worked as a TV episode, but as a film it’s just boring, boring, boring with extra boring on top. Some dude we’ve never heard of (with a simply appalling plastic surgeon), from a race of aliens we’ve never heard of wants to chase some helpless innocent people we’ve never heard of away from their planet and Picard doesn’t like it and… zzzzzzzzz…

My rating:  🖖🖖

Star Trek: Nemesis

Tom Hardy and Patrick Stewart’s acting as Shinzon and Captain Picard respectively are about the only things this film really has going for it. In theory, the premise had lots of potential but it turned out to be a bit of a poorly written non-story about a disgruntled clone who decides to kill everybody with a particularly nasty WMD, only to be thwarted by an inevitable act of self-sacrifice from one of the heroes.

My rating:  🖖

Star Trek

As reboots (especially prequels) go, this was a zillion times better than I thought it was going to be. It features, quite simply, some of the best plotting, characterisation and pacing I’ve seen in a Star Trek film. There are a few inconsistencies with prime universe that are not explained by the time travel story but nothing anyone but the most knit-picky of fans would worry about.

My rating: 🖖🖖🖖🖖

Star Trek Into Darkness

Take all your favourite scenes from Wrath of Khan, mix them up a bit and boom! You’ve got Star Trek Into Darkness! Even so, with its strong plot, superb acting (especially from Benedict Cumberbatch) and plenty of excitement, this remains my favourite Star Trek film since First Contact.

My rating:  🖖🖖🖖🖖🖖

Star Trek Beyond

After Insurrection and Nemesis, Star Trek Beyond is my least favourite Star Trek film. The writers clearly decided to forget about pacing, characterisation and all that boring stuff and created a non-stop heart-pumping thrill ride instead. Great acting though, I’ll give it that. Click here for a more detailed review on this film.

My rating: 🖖


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Live long and prosper.

A Few Thoughts on Star Trek Beyond

SPOILER ALERT

While every effort has been made to avoid spoilers, anyone who has not yet seen the film Star Trek Beyond is hereby advised that this post may contain a few unavoidable spoilers.

I’m a Trekkie, so naturally I’ve already been to see the latest offering of the franchise, written by Simon Pegg and Doug Jung: Star Trek Beyond. I’ll resist the urge to pull up the writers for the various inconsistencies there were with the original Star Trek universe (suffice it to say, there were some and we’re all very cross about it but let’s be honest, there’s always something isn’t there?) and, as ever, I’ll leave any analyses of the cinematics to those better qualified than I to make any kind of judgement about them (although I will quickly say that Chris Pine is doing a much better Kirk impression these days than he used to). What I want to talk about today is the story-writing in this specific film.

So, first things first: did I like Star Trek Beyond?

It was alright. It was better than Star Trek: Nemesis, for instance, but it wasn’t a patch on Star Trek II: The Wrath of Khan or even Star Trek Into Darkness. If visually spectacular space battles and non-stop action, excitement and danger are your thing then you will probably enjoy it. When boiled down to its basic elements, the plot was a little bit unremarkable: an angry alien (who is actually a human! Dun-dun-duun!) wants to unleash an extra-deadly bio-weapon into the ventilation system of the new Federation starbase Yorktown, which is home to thousands of innocent civilians from different Federation worlds (which is not entirely dissimilar to the plot of Nemesis, where an angry Reman  — who is actually a human clone! Dun-dun-duun! — wants to unleash an extra-deadly form of radiation into Earth’s atmosphere, but I’ll not say anything more about that).

In and of itself, there’s really nothing wrong with that kind of plot if it’s executed well. My main problem with Beyond was the pacing of the plot. It was fast and exciting almost from the outset, but as any good writer will tell you, speed and excitement cannot make a good story alone. Slower scenes, rich in dialogue and other details are important to allow for a build-up in suspense and to keep the audience abreast of what is actually going on. In particular, these slow scenes are essential for adding substance and meaning to a story. I felt like Star Trek Beyond was all action and excitement for the first two thirds of the film and then crammed most of the major plot developments into the final scenes, where it is suddenly revealed that Krall is actually a human who got stranded on that alien planet before the Federation was founded and kept himself alive using alien technology to sap something from the native beings on that planet and now he’s out for revenge – and it’s a real shame, because I think this film definitely did have something to say which was in keeping with the original spirit of Star Trek. Unfortunately, it was hard to hear over the noise of all the explosions, phaser fire and motorbikes.

I think what would have really improved this film would have been more slow scenes featuring Krall himself to give the audience some inkling into what was driving him. After Benedict Cumberbatch’s portrayal of Khan in Star Trek Into Darkness, poor Krall had a lot to live up to as a bad guy. He needed to be complicated and I think he had that potential, but unfortunately the pacing of the story was such that he came across as very two dimensional indeed. Perhaps if he had a right-hand man whom he could dialogue with (similar to the way scenes between Shinzon and his Viceroy in Nemesis foreshadowed the revelations which were still to come), it might have made the revelation of his human origins and his desire to avenge himself on the Federation seem a little less random and there would have also been an opportunity for some of his more complex thoughts and feelings to surface.

Speaking of under-cooked characterisation, there is also a subplot concerning Kirk and Spock’s friendship with each other and their respective futures in Starfleet, which is sadly lost amid all the excitement of the main plot. Having said that, I was very pleased to see that the relationship between Spock and Bones was allowed a little bit more room to develop in this film than it did in the previous two. Anyone who has ever watched the original Star Trek series featuring the late Leonard Nimoy and DeForrest Kelley in the aforementioned roles will tell you that their on-screen rivalry was the best in Star Trek history and it is good to see these two characters having time alone together to interact once again (although I did think that their dialogues with each other could have benefited from a few more scathing insults and sharp-witted jibes; it turned into a bit of a ‘bromance’ here and there, which isn’t really the kind of relationship you would expect from Spock and Bones).

All in all… it’s not a bad film. It’s not even a terrible Star Trek film, although it’s certainly not the best one I’ve ever seen. Even if you’re not a Trekkie, go and see it with some popcorn and a large drink in a paper cup and enjoy it for the entertaining escapism that it is.