U.S. Marshal James Creed has known loss, starting from the untimely death of his wife and daughter in a sudden fire. His work, chasing down and arresting outlaws across the Wild West, is all he has left to live for. Then one day, in 1876, the infamous killer Corwin Blake catches Creed by surprise and guns him down.
Creed awakes after a mysterious young woman resurrects him in a basement laboratory beneath a brothel. Half alive, Creed feels torn between his need for justice and his desire to fall back into the peace of death. Creed’s instincts drive him to protect the city of Santa Cruz….
He uncovers a secret criminal organisation… determined to use resurrection technology for its own ends. The former marshal, now faster, stronger, and a more deadly shot than ever before, must work with a brothel madam, a bounty hunter, and the remaining marshals to uncover the criminal syndicate before they can misuse the machines of rebirth and create more mindless zombies. Meanwhile, he must also stop Blake, before the outlaw kills the only people he cares about.
His own death can wait.
Praise for Bodacious Creed
I had no idea I would enjoy as much as I did! If you like steampunk books, zombies, or western, go check this one out!
A great mix of genres, recommended to those who love to try something original and don’t fear to tread outside of the normal paths. For Western, steampunk, and zombie lovers. Highly recommended.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
If you read books to your children (and you should), there’s a more than even chance you will have come across the work of Julia Donaldson. If you haven’t, allow me to commend her to you now. Donaldson is the author of numerous award winning picture books, including (but not limited to) The Gruffalo, Room on the Broom, Monkey Puzzle and The Smartest Giant in Town.
Before I became a parent myself, it never occurred to me that a two year old could have a favourite author. I was wrong. Whether or not my two year old understands that there is a common author behind her favourite works or not, I cannot say. One thing I do know is that the vast majority of the books she asks my wife and I to read to her over and over were penned by Julia Donaldson.
A remarkable coincidence! I hear you cry. But no, for I can also say with certainty that of all the books I read to my daughter, Julia Donaldson’s picture books are the ones that I also enjoy the most.
So what makes her work stand head and shoulders above the rest?
Perhaps one of the things I like most about her books is the non-patronising language she uses. Although it is crafted in a way which is highly accessible for small children, the quality of writing suggests a (very correct) presupposition that children are intelligent and capable of learning, rather than stupid and in need simplistic sentences and single syllable words. As a result, the word choice and sentence structure in her picture books is often not so different to what you might find in a book aimed at a much older audience, were it not for the use of repetition and rhyme which make the writing more accessible for younger audiences.
In a similar way, the stories themselves are far more tightly structured than I have found in picture books by other authors. Many non-Donaldson picture books I’ve come across either read like some strange literary acid trip (I hate these) or else have a meandering quality to them, with little or no conflict for the protagonist to overcome. For instance, Eric Hill’s Spot books follow the adventures of a puppy called Spot who does perfectly normal things, like going to library where he reads some books and brings a few home. Now there’s nothing wrong with that in a picture book (my daughter loves Spot too!), however Donaldson’s books actually employ the conventions found in more adult writing, such as giving characters motives, goals, conflicts and resolutions. This not only makes the story more enjoyable for the parent reading it, but also allows the child to experience a story with a bit of substance to it and, as a consequence, to learn a thing or two about life.
For instance, one of my daughter’s favourites is Tabby McTat, in a which a busker’s cat is accidentally separated from his master. The cat builds a new life for himself, settles down with new owners and has a family but is continually plagued by the memory of his old master until he finally goes hunting for him. Upon finding him, he is torn between returning to his old master and remaining with his new family. There is also a subplot about the youngest son of McTat’s litter who enjoys singing loudly and out of tune to such an extent that he is unable to find an owner. These conflicts are also resolved with a neat little bow at the end of the story, just like you would expect to find in any quality piece of writing.
My daughter loves this book, and will often comment not only on the central themes of the story, but will also ask us about other interesting concepts the book has introduced her to, such as busking, thieving, hospitals and family. In a similar way, whenever we read The Highway Rat, which tells the story of a highway robber, she frequently will interrupt us to ask who the stolen property belongs to; and when we tell her that it really belongs to the character the rat stole it from, my daughter will arrive at the conclusion that the rat shouldn’t have taken it. Again, when we read The Gruffalo’s Child, my daughter will explain to us that the Gruffalo’s Child really should have stayed at home, and when we get to the bit where the Gruffalo’s Child says she isn’t scared, my daughter will pipe up: ‘I think she probably is scared!’
In short, she is learning and loving it.
I suspect we often patronise our children with meaningless stories. I do believe there is an important place for low/zero conflict picture books in the world of children’s fiction so I certainly don’t mean to knock any other books or authors (except for the aforementioned acid-trip writers; you can get out of my house), but I feel that Donaldson and authors like her provide a very special service to children by giving them access to stories which will give them the experience of a character with a goal they cannot easily accomplish. If such things are wholesome for adult consumption, surely they are also beneficial to a child (provided, of course, that language and themes are age appropriate).
As for me, I can think of no better compliment for a children’s author than to say that her writing both teaches and pleases my daughter; and that is exactly what Julia Donaldson has accomplished time and time again.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Since it’s Valentine’s Day, I thought today was as good a day as any to write a post about the tricky business of creating a half-decent love interest for your story. Even if you’re not writing a full-blown ‘romance’, there’s still a good chance you’ll want to include one. Oxford Dictionaries defines love interest this way:
1 An actor whose main role in a story or film is that of a lover of the central character.
1.1 [MASS NOUN] A theme or subsidiary plot in a story or film in which the main element is the affection of lovers.
For the purposes of this post, by ‘love interest’, I am referring mainly to the first definition given above; that is, a character whose main role is to be the lover (or would-be lover) of the protagonist.
The biggest danger in creating your romantic (sub-)plot is clichés . Clichés are something all good writers should strive to avoid (though rules are made to be broken, as one cliché clearly states) and in my opinion, there is no time in the story writing process where you are more in danger of creating a cliché than when you come to create your romantic sub-plot. Naturally, this also means that writing a full blown romance story is a minefield of cliché (you never wondered why rom-coms are so often lame?). Perhaps the most important thing to remember when creating your love interest is this:
YOUR LOVE INTEREST MUST BE A FULLY-FLEDGED CHARACTER IN THEIR OWN RIGHT.
If his or her sole purpose in the story is to be a love interest, then you have just created a shallow and worthless character. Being a love interest should only be a part of their role in your story, but it should not be their whole reason for being.
Have you ever seen the original Spider-Man movies? Mary-Jane served absolutely no purpose in those stories whatsoever except to be someone that would reject Spider-Man’s initial advances then swoon when he rescued her from whatever tall building she was about to be thrown off.
Real life ain’t like that. Real people are individuals; the protagonist of their own story. Simply giving them a back-story isn’t sufficient either, though it is important. They must have a reason to get out of bed in the morning (in this case, directly related to your story) besides being involved with your protagonist. I find the best way to construct a good love interest is to first develop a full cast of characters without creating any kind of romantic sub-plot at all. Make sure all your characters have both substance and independent roles within the story and then, and only then, if you believe your plot would really benefit from a romantic sub-plot, you can start to add this dimension to your characters.
Ask yourself: what is the purpose in creating this love interest? Does it fit with the overall theme or plot of your story, or are you just putting it there as a cheap way to end on a ‘happily ever after’ note? I would be cautious about doing this because it is simply not true to life, even in the most successful of relationships. In The Count of Monte Christo, by contrast, the love interest was essential because it formed the catalyst for the whole story. The protagonist, Dantès, is falsely accused of being a Bonapartist traitor. Why? Because his accuser is also in love with Dantès’ fiancée. There you have it: a plot, a theme and a love interest all working together in perfect harmony to create one of the finest novels I have ever read.
Another thing to avoid is making your love interest the most beautiful of all God’s creatures, not least of all because it’s not terribly realistic. If you’re wanting to write a story with any substance, your narrative really should reflect the fact that beauty is (to use another cliché) in the eye of the beholder. Rightly or wrongly, in every generation there is always a certain ‘type’ of man and a certain ‘type’ of woman which is deemed to be more attractive than others. Certain body shapes, hairstyles, clothing and so on are deemed to be attractive, while others are not. If you make your love interest read like something you saw on the cover of a magazine, it cheapens the whole plot because we all know that real people just aren’t that polished and makes your protagonist’s affections seem a little shallow.
If, however, you do decide to make your love interest fit whatever your society tells you is physical perfection (and even if you don’t!) you absolutely must not break the golden rule of writing: SHOW, DON’T TELL. Words like ‘beautiful’ or ‘attractive’ are all very subjective terms. It’s okay to tell us that John thought Jane was beautiful, but that’s his opinion. Instead, describe all your characters using objective terms: tall, short, fat, skinny, blonde, brunette and so forth. In particular, tell us what is is about the love interest that your protagonist finds attractive. Maybe John is attracted to Jane because, despite of her plain features and dour countenance, she paints every one of her nails a different colour and he finds that indicative of a well concealed vibrant and eccentric personality. Often it is the distinguishing features which make a person stand out so try to focus your protagonist’s affections on these, rather than nice eyes (a subjective term, by the way!) and a dazzling smile.
This is, of course, all just food for thought (with a candle on the table!). It’s a notoriously difficult thing to get right and it depends very much on what you’re writing. I mentioned earlier, for example, that you should be wary of creating a ‘happily ever after’ style of ending, but if you’ve been commissioned to write a film by Disney, you might want to think twice about that. The two main things to remember is that while each character in the story has their own role to play, no character should be fully defined by their relationship to another and that your love interest must exist for a purpose. The best stories all reflect the fact that life is full of millions of different people who are compatible in some ways and who chaff in others. If you can work that into your narrative in a way which compliments the main plot and theme, you probably won’t go too far wrong.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
What if we lived in a world where hidden cities lie just beyond the next door, hidden in plain sight and guarded by mystical creatures?
One ordinary boy, lost in two extraordinary worlds. An eccentric stranger with the ability to summon doorways out of thin air. A strange girl with powers no one understands. An evil villain hell-bent on trapping Darklings. A world of magic… and robots.
When Steve Haven’s uncle dies, Steve finds himself the guardian of a strange artefact known only as the Reactor. But there are people out there who want the Reactor; dangerous and powerful people. With his parents missing and no one in the normal world he can trust, Steve must join forces with a strange collection of magical beings to save the world by stopping the Reactor from falling into the wrong hands…
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
If you’ve spent any time hanging around writers or looking up writing tips on the internet, there’s a good chance you will have probably already come across this little chestnut:
If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.
Stephen King
Now I know that sometimes I have been known to write posts in which I refute popular advice from writer sages however today is not one of those days. I’ve seen an alarming increase in people (usually on social media; seldom in print) insisting that you can write well without reading but I, for one, absolutely agree with Stephen King and you should too. Here’s why:
1) Reading teaches you about your craft. By reading a wide variety of stories by a wide variety of authors and in a wide variety of genres, you will begin to develop an intuitive understanding of how stories of various genres are structured.
Ah, but I want to be original!I hear you cry.
There is absolutely nothing wrong with that. I’m not saying for one second that you should create standardised fiction but you can’t create something both good and original if you don’t recognise the pros and cons to the standard conventions and traditions of story writing.
2) Reading fires the imagination. Back when I was at school, this was a generally accepted truth and it was certainly one that was taught in the classroom. The fact is, the more stuff you experience in life, the more raw material you have to work with in creating a story of your own. The trouble is, the Average Joe only experiences so much stuff. Oh it might be enough to knock out the odd novel or two but wide reading allows you to ‘experience’ a never ending plethora of other stuff, some of it so wild and different from real life that you never could experience is except through fiction. The more you experience through reading (and yes, through real life), the greater your imagination will be.
3) Reading expands your vocabulary and improves your grammar. I’m sure anyone who went to school as a child where language was properly taught will have sat through many a tedious class on the rules of grammar, punctuation and so forth. That’s all very good and important but in my experience, the best way to learn language is through absorbing it. Look at how a child learns to speak. My little two year old is very articulate (a little too articulate sometimes!) and it is because we have talked to her and read to her and exposed her to a limited amount of TV in which real honest to goodness language is used. We didn’t sit her down and teach her how to speak. She just picked it up through exposure.
So, too, with the written word: the more you expose yourself to it (along with a willing attitude for learning), the more you will assimilate. You’ll develop an intuitive knowledge for when things aren’t quite right. Not only that but…
4) … you’ll also learn style. Beyond simple spelling and grammar, there is style. Using words in a way which is not only correct, but is powerful. The greatest writers in history all have their own distinctive voice which has made their writing stand head and shoulders above their contemporaries, whether it be the dark humour which bubbles under the surface of Roald Dahl’s writing or the short, dagger-like sentences of Ernest Hemingway. While you cannot copy the voice of famous authors (nor should you attempt to), you can learn from them the multivarious techniques used to give your writing the perfect finished.
5) Reading is FUN. Surely you, as a writer, understand this. I mean, you are investing a lot of time and energy into writing a novel which you presumably expect people to read and enjoy. If it’s worth the trouble to entertain others with your blood, sweat and tears, why would it be a waste of time to read the toil of your fellow authors? It is surely the height of arrogance to suggest your novel is important enough to spend time reading while all others are a waste of time. More to the point, however: writing, like any other job, is tough. It’s time consuming, it saps your energy and it’s good to do something which lets you unwind. While there are plenty of other hobbies you can indulge in (I’ve got a few myself), I know of no other which excites the imagination, stimulates the intellect, stirs the emotions and makes you an altogether better person, all from the comfort of your armchair, quite like reading.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
It’s that time once again! Time to shrug off my writerly responsibilities for another week take a humble bow into the shadows and give centre stage to some of the best writing blog posts I’ve read in the last wee while.
This time, they all share a single unifying them: they all contain great tips and advice for writers. As ever, I have listed these in no particular order. So without further ado:
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
