I never started writing with a bad idea. In fact, I’m not even entirely convinced there is such a thing as bad story ideas or good story ideas. There are just ideas, some of which are well executed, some of which are badly executed and some of which are never executed because the would-be writer cannot decide the best way to do it, or is unwilling to try (though I feel that in the interests of public safety, I should point out that this only applies to story ideas; other kinds of ideas, like deciding to use Tabasco sauce as an eye-drop, really are bad ideas).
So, why do the marvellous ideas we start with so quickly turn into half-finished manuscripts that we are unable to finish and are ashamed to have even begun?
I’m beginning to learn that it comes down to perseverance (or a lack thereof) and perfectionism.
If you’re struggling to come up with an idea for your story, you might be tempted to Google story idea generators to help you out.
But do these little miracle makers really deliver the goods?
This all got me thinking about the use of profanity in fiction. We authors walk a fine line between realism and rudeness, especially when it comes to writing dialogue. Where do you draw the line?
Well… it depends.
Research is, undeniably, one of the most important stages of writing a story. Understanding the time and place your story is set in will enable you to make that story more true to life, and therefore, more compelling. But what if you are writing a fantasy, set in an imaginary world? Make no mistake: research is just as important in fantasy as it is in non-fantasy, perhaps even more so since you are creating a world from scratch. If you’re writing a historical fiction set during the Spanish Civil War, you probably won’t need to research whether or not gravity existed in Spain or what colour the grass was. We can take these things for granted in non-fantasy, but in fantasy you need to become an expert on your entire world… and still make time to actually write the story!