Throwback Thursday: D. Wallace Peach Interview Omnibus

Originally published 16/06/2019 and 23/06/2019 under the title ‘Author Interview: D. Wallace Peach’

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read Soul Swallowers or Legacy of Souls by D. Wallace Peach is hereby advised that this post may contain a few unavoidable spoilers.

Diana Wallace Peach is an accomplished author of quality fantasy with seventeen books to her name. Her most recent offering, the ‘Shattered Sea’ duology consisting of The Soul Swallowers and Legacy of Souls, is another masterpiece filled with rich characters, political intrigue, and top notch world building.

I had the pleasure of chatting with D. Wallace Peach, whose books, including the ‘Shattered Sea’ duology, are available to buy now on Amazon.


What made you decide to become an author?

I never really planned on being an author, though I always enjoyed writing. A decade ago, my husband and I made a temporary move for his job. Our planned stay was too short a time frame for me to find work. He suggested that I write a book, and I said, ‘Okay.’

Well, that was that. I was hooked and I’m still writing.

I’ve been reading The Shattered Sea duology, Soul Swallowers and Legacy of Souls; two thoroughly enjoyable books. There’s plenty going on in them both; family conflicts, slave trading, imperial politics and, of course, a fantasy world where people consume the souls of the dead. I wonder, how did this story first come about? What was your original inspiration for writing?

I’m curious about the invisible world and the nature of the soul. I think there is a lot more to this world than we can possibly imagine. Just think of the inventions in the last one hundred years that would have seemed impossible or magical. Do souls exist beyond death? Is reincarnation possible? Is possession a real thing? I simply took those questions and applied a ‘what if’ question. Then I added the rules that would bind this practice – physically, mentally, and through social norms. The rest simply fell into place as a rough outline that took further shape as I wrote.

Is that your preferred way of writing, planning while you write (‘plantsing’)? Or are you normally more of a planner or a ‘pantser’?

I always have a rough outline. Otherwise, I’m filled with writer-anxiety. That and I have no problem wandering off on tangents for hundreds of pages, which then need to be edited! Outlines keep me on track, but they’re loose enough that my characters can be themselves, and I will readily change a plan if my characters can convince me that it makes good sense.

I’m glad you mentioned your characters because the meaty characters you’ve created were one one of my favourite things about this series. The protagonist, Raze, for instance. I really liked the way this chap developed as an individual over the two books. How did you go about developing him?

I love reading books with strong characters, and so I strive to write the same. My background is in mental health, and I’m fascinated by the incredible depth behind every human face. Prior to writing, I pen each character’s biography in quite a bit of detail. I understand how their lives were shaped, their fears, weaknesses, and strengths, how they compensate, what they hide even from themselves, what they need to learn about themselves to grow. A significant part of my plotting a story takes into account the characters’ arcs.

I suppose that must be doubly important when you come to write a character who is a practised liar, like Benjmur? He weaves such an intricate web of deceit around all the other characters– how do you keep track of it all?

I wanted to write a different kind of character than I have in the past– one who is extremely duplicitous and able to keep the other characters off kilter. The biggest challenge was to make his lies believable without the other characters coming off as naive (except perhaps for his daughter who simply doesn’t want to think ill of her father). I don’t like books where the characters are ridiculously stupid simply to serve the plot. I kept track of it by writing twenty drafts. Ha ha.

I was quite struck by some of the big themes this story explored. The distinction between slavery and bonded labour (if there is one) seems to crop up time and again in this story. Was that a theme you were keen to explore?

I’m a political monster, and like exploring these issues. To support the book, I did a bit of research on the ‘justifications for slavery’ that were shared around the time of the American Civil War. I incorporated those into the characters’ arguments about slavery as well as Raze’s arguments for freedom.

Obviously in a high fantasy series like this, building a world like the Shattered Sea is no mean feat. Any world-building tips for prospective fantasy writers?

Just like I write bios for the characters before I start a book, I write a complete “bio” for the world, including maps. I go back about 300 years into the world’s history. I write about gender roles, politics, religion, societal norms, geography, world view, relationships with other nations/provinces, technology or the lack thereof, clothing, even the shape of their roofs! I try to take a couple real-life norms and turn them on their heads if I can. Some things develop as I write and some change, but I usually start with a good sense of the world and how the character meshes or rebels against it. In a way, the world is another character in the book.

Looking through your blog I noticed you’ve done a bit of flash fiction. How do you find writing shorter fiction compares with novel writing?

I rarely write short stories, but I enjoy flash fiction. The big difference for me is that I don’t need to think about what came before or what comes after. It’s a slice of time, a glimpse, versus a novel that has a history and a future. An interesting tidbit. The opening scene of ‘Shattered Sea’ duology started as a flash fiction piece in response to a prompt. So you never know where those flashes will lead!

What’s next for you then? Can we look forward to more books in the near future?

I’m working on a trilogy (as yet untitled). I’m obsessive about the cohesion of my stories and therefore write the entire series at once, holding up the first book until the last is ready to publish. This trilogy is daunting and the first draft is taking me forever to complete. I’m probably a year away from publishing. When they’re done, I’ll have 20 books, and hopefully, number 21 brewing in the back of my mind.

CLICK HERE TO VISIT D. WALLACE PEACH’S AUTHOR PAGE.
Soul Swallowers and Legacy of Souls by D. Wallace Peach are available to buy now from Amazon.

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

Throwback Thursday: Santa Origins

Originally posted 24/12/2017 under the title ‘Festive Flash Fiction’

Well it’s Christmas Day tomorrow, so I guess that means it’s time for a story! And what better genre than a sci-fi/horror with a festive twist.

As ever, the following story is entirely my own work and has never been published anywhere else, whether in print or online, nor do I expect it to ever be published anywhere else in the future. And so, without further ado, I give you…

santa origins

by A. Ferguson

‘Daddy’, my daughter ventured in the dwindling hours of one Christmas Eve. ‘My teacher says Santa’s not Santa but St. Nicholas was Santa. And he’s dead. So… if Santa is St. Nicholas and St. Nicholas is dead, how can is he coming here?’

‘Well Christine,’ I began, thinking on my feet. ‘Your teacher is right that St. Nicholas has been dead for centuries…’

But seeing a wave of disappointment flash across my daughter’s face, I knew I couldn’t stop there. This girl still believed. I couldn’t just snatch it away from her, but would lying to her face be any better?

‘But she left out the part about him being cloned.’ I added.

She looked at me like I’d grown antlers.

‘Cloned?’

‘Yeah, cloned. You know, copied. They made a new Santa out of the old one.’ I continued, trying to look cool. I was committed now. ‘His remains were exhumed by really clever scientists from the future. They used his remains to create this clone, intending to send him back to his own time so that he could continue giving gifts to all the children, just like he used to when he was first alive.’

She still looked confused. ‘But… how come he’s magic and can fly around the world and stuff now?’

‘Well it’s not really magic.’ I explained. ‘They used something called cy-ber-net-ic tech-nology to make him better, stronger and faster than he was before. It also meant he’d stay alive much, much longer– maybe even forever.’

She still didn’t look convinced.

‘Why?’ She asked.

‘Because,’ I sighed, as if it were obvious but my mind was racing. ‘He’s the kindest man in the world! I’m sure your teacher must’ve explained that he always used to give gifts to poor children, right? Well, now that he’s been enhanced with cybernetic technology, he can give gifts to all the children in the world in a single night!’

I could’ve stopped there. I should’ve stopped there. But it was obvious she still had questions that needed answers and now that I had begun, I found that I couldn’t stop.

‘The truth is,’ I began slowly, hoping I wasn’t robbing her of her innocence too young. ‘There will be a war in the future. A terrible war between humanity and the machines they’ve created.’

Her eyes were like baubles.

‘The scientists intended to send Santa back in time to begin giving out gifts as soon as they cloned him, but before they could send him back, the Machines kidnapped the cyber-Santa clone and reprogrammed him to turn him against his fellow humans.’ I continued. ‘They gave him even more cybernetic enhancements, including terrifying metal claws, and he rode a mechanical monster with horns and a deadly laser beam that shot out from its nose. He slew thousands of human soldiers until his clothes were stained red with the blood of his own kind. Others they captured and turned into cybernetic slaves called Enhanced Living Flesh (or ‘ELFs for short’).

‘During one particular massacre, he came upon the cowering figures of a couple of refugees– all children, orphans of the war– and he was suddenly overwhelmed with his own natural, God-given human compassion and regained his own mind. He turned against the Machines and after he defeated them, travelled back to his own time, hoping to regain his former life. But the humans of the past could not accept him, and he was forced to retreat to a remote part of the North Pole. Since then has tried to make amends for the atrocity he committed by using his cybernetic enhancements to secretly bring gifts to all the good boys and girls every year.’

She laughed, a nervous laugh. ‘If that’s true, why’s he so jolly all the time then? He’s always laughing, “ho ho ho!”‘

‘Oh!’ I answered without missing a beat. ‘That’s not laughter. That’s his cybernetic vocaliser. It was damaged during the war. Every now and again it gets caught in a loop and sounds like, “ho, ho, ho, ho, ho, ho.”‘

She didn’t look at all pleased to hear that.

‘Is he coming here tonight?’ She breathed.

‘Of course!’ I beamed.

‘Christine, don’t you listen to your father’s horrible stories.’ My wife chided from behind me. I hadn’t even heard her enter the room. She leaned in close to my daughter and whispered. ‘He’s really Santa.’

Christine looked relieved, but I felt exposed. Exposed and undermined. A lump rose up somewhere between my chest and my throat, the likes of which I hadn’t felt in years. I had to get out of there before my wife or daughter saw how badly I’d been affected. I retreated as quickly as I could to my room and shut the door– and not a moment too soon. I broke down right there on the bedroom floor.

‘Ho. Ho, h’h’ho, ho. Ho. Ho, ho, ho, ho, ho, ho, ho… ‘


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Throwback Thursday: A Colourful Approach to Brainstorming

Originally published: 04/12/2016

One of the most effective ways to generate ideas, in almost any creative sphere, is to get together with a bunch of other folk and brainstorm together. It’s a time honoured tradition of mixing creative, imaginative, rational, critical minds together and coming with and developing a truly unique and superior idea. Unfortunately, writing is a pretty solitary business most of the time. But today, I want to introduce you to one of the most valuable tools I have in my writer’s utility belt; a tool which has allowed me to single handily harness (at least some of) the magic of brainstorming with others:

Ladies and gentlemen, I give you, The Bic 4-Colour Ballpoint Pen*.

Four colours in one pen!

I know what you’re thinking. Ancient technology. Humble. Boring. Run of the mill. You’ve probably got one yourself that you never use. Your kids have probably got one too. But trust me on this, it’s proven a great help to me whenever I’ve been trying to come up with new story ideas on my own (and you can use it during a power cut!).

It’s quite a simple technique really. First, grab a notebook that you don’t mind scribbling all your loose ideas into (seriously, we are not interested in presentation here). Second, grab your Pen of Many Colours. From now on, each colour represents a person in your ‘group’, and these will interact with one another. There are four members in my imaginary group because there are four colours on my pen (although if your pen has more colours, I suppose you could have more. Whatever works for you). In my case, they are organised something like this:

Black – Chairman (doesn’t really serve a creative function; I just use it for headers etc. although you might find another use for it).
Green – Creator
Blue – Questioner
Red – Critic

Now, since there’s not really a group of four people involved in this process, it’s important to remember one thing: you must write down everything that occurs to you. No matter how good or bad it is, you must write down everything or this won’t work.

So we begin by bringing the meeting to order. This is the main time I use the black tip. I write a header, which specifically establishes what it is I am trying to accomplish, to give some kind of focus to the session. I also include the date, but that’s just to make it easier to find again. If I’m brainstorming a brand new story idea, I might also write down other details such as intended audience etc. For instance, my most recent one reads:

‘Untitled Sci-fi Novel – Minor Antagonist Ideas – 30/11/16’

Great! I now know what it is I’m trying to create: a minor antagonist (though you could use it to generate ideas for anything, even a whole new story). Now the other three colours come into play. I tend to flick between the three of them frequently throughout the process (that just means it’s working) so what order they get used in is both unpredictable and ultimately, not relevant. All that matters is that they are all used to their fullest capacity.

For instance, whenever I have a creative idea – good or bad – it gets written down in green. Every single idea without exception, even if I know it is never going to work in a month of Sundays. It gets written down in green. The reason for this is that I usually have multiple ideas and it’s not always clear which ones will work the best, or if any of them will work at all. That doesn’t matter for Mr. Green Tip, however. Mr. Green Tip’s sole function in life is to record every single idea that pops into my head, no matter how awful.

The blue tip has a related, though somewhat different function. It asks questions of my previous ideas and prompts me to come up with new ones. For example, in my most recent session, I had the idea that ‘the minor antagonist could be a friend of the protagonist who betrays him’. Written underneath it says, ‘Why would he do this?’. After all, there’s nothing wrong with the idea but in order to function within my story, this question really needs to be answered. If I can’t answer it at this stage, you can bet your life my readers will be wondering about it too.

Asking this question then prompted further ideas, such as conflicting political beliefs or that he might see the protagonist as a rival for the affections of his love-interest. This prompted even more questions and more ideas.

Another use for the blue tip is to ask ‘what if?’ style questions, again, to provoke ideas. This is a really great thing to do if you’re stuck in a rut. ‘What if the antagonist were agoraphobic?’ for instance or ‘what if the protagonist were thirty years older?’. Asking these kinds of questions pushes your imagination in directions it might not otherwise go.

Of course, with all these ideas flying around, we really need someone to separate the wheat from the chaff. This is where the red tip comes into its own. It is used to judge every idea and decide what can and should be used. If there are any problems to be found with any of my ideas, no matter how insurmountable or minor these problems may be, they get noted in red. The result of this is that I will either come up with a new and improved version of the original idea or that I will abandon the idea altogether and come up with a brand new one. For instance, underneath my aforementioned idea that the antagonist could be a rival for a love-interests affections, it says in red ‘We’re trying to write a YA sci-fi/thriller, not a soap opera’. I therefore abandoned that idea and went along with a better one I’d had.

I don’t know how likely it is that you will find this exact process useful. I hope you will at least find the basic premise of it useful. Goodness knows I’ve read up on countless approaches to brainstorming, planning, writing and everything else besides and if there’s one  thing I’ve discovered, it’s that no two authors approach writing in quite the same way, so I strongly encourage you to tinker with it until you get the approach that works for you. Maybe you need more colours. Maybe the whole thing is of no use to you. I don’t know. But this works for me, and I hope, dear reader, that you will be at least able to glean something from it to aid in the creative process.

*other multi-coloured ballpoints are available.


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Throwback Thursday: The Malice Restored My Faith In Sci-Fi/Fantasy Trilogies

First published 05/03/2017
SPOILER ALERT

While every effort has been taken to avoid spoilers, anyone who has not read The Malice or The Vagrant by Peter Newman is hereby advised that this post may contain a few unavoidable spoilers.

I was rather reluctant to write a post reviewing Peter Newman’s The Malice (the second book in Newman’s The Vagrant trilogy) for the simple reason that I seem to be constantly bigging up Peter Newman on this site, as well as on Twitter. Frankly, if I keep this up, there’s a very real danger of Penstricken turning into The Peter Newman Appreciation Society (I may have raved about The Vagrant once, twice, or thrice before).

However, a few days ago someone very kindly (but not entirely accurately) referred to Penstricken as a ‘writing tips blog’ when really I intended this site to be for both story writers and their audiences. So, I decided it was time to write a post for those of you who have put up with me rambling about writing week in and week out when all you really want is a book recommendation. And since I have recently finished The Malice, it seemed a logical choice to review it on this week’s post.

Naturally I will try to give a fair, balanced and critical review but you know…

The Vagrant trilogy is arguably the best sci-fi/fantasy series I’ve come across in a long time!* It has made me believe in sci-fi/fantasy trilogies again! I wish the third book would just hurry up and COME OUT already!

… and relax.

Okay, now that I’ve got that out of my system, let’s get down to business.

The Malice is the second book in the Vagrant trilogy, based several years after the events of The Vagrant. When I read the first book a year or so ago, I did so believing that it was a stand-alone novel. You see, over the years, I have grown cautious about reading novel series (especially sci-fi/fantasy) from authors I don’t know because I have often found myself getting bored with them by the second or third book. As we know, some series just go on and on and on and on and on forever. Therefore, since there’s nothing worse than abandoning a story halfway through, I tend to think long and hard before picking up a new series. As much as I loved the originality, the poetic language and the vivid world-building I found in The Vagrant, when I learned that it was part of a trilogy I was a little anxious that it might go the way of so many other series I’ve started but never finished.

I was wrong. I devoured The Malice with as much proverbial** relish as I did The Vagrant. I think the reason it works so well as a sequel is because Newman has managed to strike that difficult balance between continuity with the first book and not rehashing the same story all over again. For example, there is a definite continuity in the style of story-telling. Newman’s distinctive voice has carried on into the sequel and draws us easily back into the same vivid and original world he has created. However, the characters are, as always, where Newman really works his magic.

As with the previous book, we have the protagonist who leads the adventure; the protagonist’s companion who supports and defends her and a capra aegagrus hircus (in this case, a kid), who serves in a comedy relief kind of capacity. However, Newman hasn’t relied on reusing the same (or virtually identical) group of heroes as before. The protagonist, Vesper, for example, is a young girl; chatty, a little unsure of herself, optimistic to the point of naivety and with an iron core of purity and unhindered free-thinking that suits her age and background. This is quite the opposite of her father and protagonist from the previous book: the strong and silent Vagrant who pushed his way relentlessly through whatever adversity he encountered.

Her companion, Duet, brings a similarly refreshing spin on the familiar role she plays. She is a Harmonised; an single entity made up of two joined individuals (as far as I could tell). Having been forced to kill her other self in the early chapters of the book, Duet grows increasingly bitter and cynical throughout the story as her health begins to fail her. Again, this contrasts sharply with the companion from the previous book, who served mainly as a very positive influence to encourage the Vagrant on his journey.

It was also good to get something more of the origins and inner-politics (if you can call it that) of the infernals who feature heavily in both books.

This book (both of them, in fact) also beautifully accomplishes something which very few other sci-fi novels do. It draws the reader into a dark and dangerous dystopian world while yet retaining a sense of optimism and even fun; exploring important themes of friendship, compassion (especially in the character of Vesper, who often resolves to help and heal others even at great risk to herself and her mission) and duty. For me, this sets it apart from many other sci-fi stories which are often either unremittingly depressing from the get-go or else are a little too fun to have any realism or tension about them (not that I’m knocking that. I like fun). This gives it a sense of believably, even though it is set in a world that is so completely different from our own.

If I must criticise something about this book (and I really would rather not), it would be that the pacing of the last few chapters could possibly have benefited from a little tightening up. I don’t want to give away what happens, but it did feel a little bit like having dramatically saved the day, Vesper then goes back home via the long and not-terribly-thrilling route which left me thinking ‘I hope something good happens to justify all this excess narrative that’s been stuck on the end’. Well, I don’t want to give away what it is but trust me: something good does happen. It is definitely worth reading on, especially if you’ve got any plans (as I do) to read the third instalment, The Seven, when it comes out in April.

All in all, The Malice was every bit as excellent a story as its predecessor; perhaps even better. While it remains firmly rooted in its predecessor, it carries the story forward in great strides, opening up the possibilities for the next instalment and leaving the reader feeling both fully satisfied and eager for the next one. Go get it!


*Having said that, I have just started The Mistborn series. It’s off to a promising start too.

**Don’t put literal relish on your book. It leaves a stain. LFMF.

Buy The Vagrant Trilogy on Amazon


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

As an Amazon Associate I earn from qualifying purchases in this post.

Want a blog of your own? Start writing today with WordPress.com!

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here: