SPOILER ALERT Anyone who has not seen season 2 of Star Trek: Picard is hereby advised that this post may contain a few unavoidable spoilers. Well, that’s season two of the further adventures of Jean-Luc Picard all done and dusted, once again leaving me with nothing to do of a Friday evening. All in all, […]
Jodie Whittaker’s first series as the titular character in the BBC’s Doctor Who is finally over. Actually it was over almost two weeks ago but I had to do 6 Six Word Stories for the 6th last Sunday so you’re getting the review this Sunday instead. Lap it up.
If you’re struggling with whatever method comes naturally to you, it may be time to try a different approach. And so, what follows is my own concise analysis of each approach, comparing pros and cons as evenly as I can.
This all got me thinking about the use of profanity in fiction. We authors walk a fine line between realism and rudeness, especially when it comes to writing dialogue. Where do you draw the line?
Well… it depends.
There are two kinds of story in this world. Those that are not at all true to life and therefore are completely unsatisfactory, and those that create the illusion of being true to life but, in fact, are not. Very few stories (even those meticulously and faithfully based on true events) accurately reflect real life once they’ve been structured in a way which allows them to be communicated, because real life is far too much of a jumble for that to be possible.
For some reason, sci-fi is just chock full of certain clichéd tropes, some of which are so very ridiculous that it frankly beggars belief that they ever became clichés. The others are just plain done to death. What follows are some of my (least) favourites.