Magic (as I’m loosely defining it here) features heavily in fantasy. The forms magic can take from one fantasy story to another, however, greatly vary. If you think I’m going to give you an exhaustive break-down of all the kinds of magic that appear in fantasy fiction, you’re sadly mistaken because I have neither the time nor the inclination do so, but I do want to try and break down what it takes to construct a good one as Sanderson has.
They say we all smile in the same language. Fortunately for us writers, just about everything else we say, we say in our own unique way. It doesn’t matter if everybody in the room speaks the same language (English, for instance); accent, dialect and all the different words and idioms we tend to use have given each one of us a way of speaking which is almost as peculiar to ourselves as our fingerprints. For us story tellers, understanding and harnessing this knowledge can be the difference between writing a good story and creating a masterpiece.
As we all know, characters are the beating heart of any good story. However, no character is an island. How they respond to other characters is often essential in making your plot work (indeed, this arguably is your plot), so don’t be fooled into thinking it’s obvious how your characters will respond to one another. Just because you would respond in a particular way to Character A doesn’t mean that Character B will respond to Character A in the same way you would. Even though you, as the author, know all the facts about all of your characters, you’ll still have your own narrow opinion about what sort of person they are just the same as anyone else. That is why it is vital to know what every character thinks about every other character if you want to create a rich, vibrant and believable story.
Fortunately, it’s easy to do this.
Sometimes when you’re stuck trying to come up with a story, it helps to have a little nudge to spark off your creativity. The internet is, of course, bursting at the seams with all kinds of writing prompts and other creative stimuli and it can be difficult to know where to begin. So, today I’ve listed a selection of prompts for fiction writers (please, use them and abuse them; maybe even show us your efforts in the comments section below) but what I really want to do is explain how I like to use these kinds of prompts and what I feel their relative strengths and weaknesses are.
The worst possible thing that can happen to any writer is for them to look at their work (especially their half finished work) and decide that it’s rubbish. Any idiot can overcome writer’s block with just a little bit of perseverance, but despairing over your story can be crippling. Not only will it halt you in your tracks, but it will probably make you want to give up writing altogether. Well, I’ve said it before and I’ll say it again: Quitting is NOT an option! That includes quitting your current story, as well as quitting writing altogether.
Since it’s the first day of the New Year today, it would hardly be right of me to begin by saying anything other than HAPPY NEW YEAR to all of you and since it is a New Year, I’m willing to bet there’s a few would-be writers like me out there who are planning on giving themselves a shake today and are saying to themselves, ‘Right, this year I’m going to write more’. They might even call it their resolution.
Very commendable, you should definitely write more. I, too, have resolved to write more. After all, anyone who has ever tried to write will tell you that it takes a lot of time and effort and sometimes it can be difficult to fit around your daily life. A resolution can be a helpful little boost to any writer but if you feel that your writing routine could use a shot in the arm (and presumably you do, if you’re making resolutions about it), might I suggest making a more specific resolution than writing more often. Take a moment or two to really think about what it is that is causing you so much difficulties in writing and then try to deal with it.
Titles are hard but you can’t very well avoid giving your story one. Most depressingly of all, there’s a good chance your publisher will throw out your snazzy title that you agonised over and replace it with some other, more marketable title (‘Confessions of a Philistine Publisher, or something like that). Still, they won’t even look at your story if you don’t give it a title first so there’s nothing else for it, I’m afraid. Your story needs a title.
This week, I had planned to write a blog about my favourite TV spin-offs; ‘5 Spin-Offs That Are Actually Worth Watching’, or something to that effect. I don’t know exactly what I would have called it. The whole idea was blown out the water when I realised I couldn’t think of many spin-off shows I actually liked; certainly nothing that I liked enough to devote several hundred words to raving about. A painstaking trawl through Wikipedia’s ever popular list of television spin-offs did nothing to inspire me. It only confirmed what I had already begun to suspect: most spin-offs suck.
Characters who are not just believable people (though that is vitally important), but who are intriguing, unusual, captivating and – most importantly – unique. Their distinctive qualities makes them memorable, interesting and appealing (even if they are the most sinister villains) and they don’t slot too neatly into cliched archetypes – damsels in distress, moustache twirling villains, reluctant heroes or any other such thing.
It is, therefore, naturally quite difficult to capture the formula for creating such a character. After all, any examples I can highlight (and I’ve highlighted a couple of my favourites) would only serve to be examples of unique characters who have already been written. You, dear writer, need to think of something new! But I have tried, as best I can, to sort them into three more general categories of the kind of thing you can use to add that distinctive sparkle to your character.
If you’ve ever dreamed of writing scripts for TV and aren’t quite sure where that golden opportunity is going to come from, might I suggest you have a look at this tasty free app I discovered. The Amazon Storywriter (developed by the good people at Amazon Studios, naturally) is a very neat little app for script-writing which formats your script for you as you go and saves your work online for you to access from any computer in the world.
‘So what?’ I hear you cry, ‘There are dozens of online script-writing apps out there!’
True, but unlike most others, this script-writing app will send your completed script directly to Amazon Studios. If it is accepted, your script might well end up being the next TV show or movie to be produced by the same people who gave us Bosch, Mozart in the Jungle and The Man in the High Castle. Tell me, dear would-be screenwriter, that you’re not a little bit interested.