Andrew Ferguson
Children's/YA Author
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Sci-Fi Clichés and How to Avoid Them
Posted on May 6, 2021 Leave a Comment
For those of you who haven’t read the previous post, get over there and read it for even more sci-fi cliché goodness. But first, and without further ado, I give you today’s top three sci-fi clichés…
Fantasy Clichés and How to Avoid Them
Posted on May 4, 2021 Leave a Comment
Well, it’s been a while since I’ve done a series of posts on any subject so I decided it was about time for another one: this time focusing on all your favourite genre clichés and how to avoid them.
Fiction: Reality Refined
Posted on March 5, 2021 Leave a Comment
There are two kinds of story in this world. Those that are not at all true to life and therefore are completely unsatisfactory, and those that create the illusion of being true to life but, in fact, are not. Very few stories (even those meticulously and faithfully based on true events) accurately reflect real life once they’ve been structured in a way which allows them to be communicated, because real life is far too much of a jumble for that to be possible.
Super Snappy Speed Reviews – Books (vol. 2)
Posted on February 19, 2021 Leave a Comment
It’s that time again! We’ve already had super snappy speed reviews for books, TV shows and films now it’s time to return for a second helping of super snappy book reviews. As before, the books I have reviewed here have been selected entirely at random from my ever-growing book collection and do not necessarily have anything in common apart from the fact that they are all books. They are not necessarily films that I particularly liked or disliked, nor are they sorted into any particular order.
As always, these reviews only reflect my own personal opinions and impressions, squished, sliced and diced into a few short sentences. So without further ado…
Preventing Nowhere Nowhen Syndrome
Posted on February 3, 2021 Leave a Comment
Nowhere Nowhen Syndrome (NNS) is when your setting is too vague. In the same way that Phantom Protagonists are characters who lack the substance to create convincing people, a setting with NNS lacks the substance to create a convincing time and place. You may know that your story is set in post-apocalyptic London, circa AD 2084, but that is not the same as creating a setting. That’s just telling us the name of the place.
Creating a setting involves stimulating the imaginary senses of your reader so that they know what it’s like to really be there…
A Few Words About Magic in Fiction
Posted on January 30, 2021 Leave a Comment
Magic (as I’m loosely defining it here) features heavily in fantasy. The forms magic can take from one fantasy story to another, however, greatly vary. If you think I’m going to give you an exhaustive break-down of all the kinds of magic that appear in fantasy fiction, you’re sadly mistaken because I have neither the time nor the inclination do so, but I do want to try and break down what it takes to construct a good one as Sanderson has.
The Malice Restored My Faith In Sci-Fi/Fantasy Trilogies
Posted on January 29, 2021 3 Comments
A few days ago someone very kindly (but not entirely accurately) referred to Penstricken as a ‘writing tips blog’ when really I intended this site to be for both story writers and their audiences. So, I decided it was time to write a post for those of you who have put up with me rambling about writing week in and week out when all you really want is a book recommendation. And since I have recently finished The Malice, it seemed a logical choice to review it on this week’s post.
Naturally I will try to give a fair, balanced and critical review but you know…
The Vagrant trilogy is arguably the best sci-fi/fantasy series I’ve come across in a long time! It has made me believe in sci-fi/fantasy trilogies again! I wish the third book would just hurry up and COME OUT already!
… and relax.
Your Character’s “Thing”
Posted on January 14, 2021 Leave a Comment
The TARDIS is, after all, the Doctor’s ‘Thing’. It’s what makes him stand out as a truly unique character. Many characters in fiction have travelled through time and space; many are aliens; many speak in BBC English but no one else has a space/time capsule disguised as a British police box. If anyone did, we would all cry ‘Plagiarism! A space/time travelling police box is the Doctor’s Thing!’
Almost all of the most memorable characters in fiction have a Thing. It might be a physical object they carry, something they wear or perhaps even something they simply say. When one thinks of James Bond, we imagine a man who carries a Beretta 418 (though in reality, he did occasionally use other weapons) and drinks vodka martinis, shaken not stirred. Batman dresses like bat, drives a Batmobile and operates from a Batcave; no prizes for guessing what his thing is. Even characters from history are often assigned Things that make them recognisable when they are portrayed on stage or on film today. For example, one of the first plays I recall ever seeing included a portrayal of Henry XIII, who spent most of the play munching a turkey leg.
The Overwhelming Art of World-Building
Posted on December 31, 2020 Leave a Comment
Research is, undeniably, one of the most important stages of writing a story. Understanding the time and place your story is set in will enable you to make that story more true to life, and therefore, more compelling. But what if you are writing a fantasy, set in an imaginary world? Make no mistake: research is just as important in fantasy as it is in non-fantasy, perhaps even more so since you are creating a world from scratch. If you’re writing a historical fiction set during the Spanish Civil War, you probably won’t need to research whether or not gravity existed in Spain or what colour the grass was. We can take these things for granted in non-fantasy, but in fantasy you need to become an expert on your entire world… and still make time to actually write the story!
Throwback Thursday: The Overwhelming Art of World-Building
Posted on September 17, 2020 Leave a Comment
Research is, undeniably, one of the most important stages of writing a story. Understanding the time and place your story is set in will enable you to make that story more true to life, and therefore, more compelling. But what if you are writing a fantasy, set in an imaginary world? Make no mistake: research is just as important in fantasy as it is in non-fantasy, perhaps even more so since you are creating a world from scratch. If you’re writing a historical fiction set during the Spanish Civil War, you probably won’t need to research whether or not gravity existed in Spain or what colour the grass was. We can take these things for granted in non-fantasy, but in fantasy you need to become an expert on your entire world… and still make time to actually write the story!
Andrew Ferguson 