All legends are born out of truth. Yet there is one that’s true story has all been but forgotten. Legend tells us that Zeus, Poseidon, and Hades were brothers who overthrew the first gods, taking the world for themselves. Drawing lots, Zeus, king of the gods, became ruler of the skies. Brave Poseidon drew the lot of the seas, but wicked Hades was tricked into drawing the lot of the Underworld where he became the most feared and hated of the gods. This is merely legend though. The truth… The truth is very different.
For in the beginning, Hades was not a god, but an immortal of Olympus. Once a mortal of earth, Hades had so pleased the gods that life among them was granted. On Mount Olympus, Hades’ eternal youth was that of pure beauty said to have rivalled the beauty of Aphrodite herself. All were captivated by the splendour that was Hades, but Zeus most of all. For Zeus loved her.
But the love of a fickle god can be cruel, and Hades’ betrayal will have its vengeance. For Hades is destined for a dark and terrible greatness.
Praise for Pomegranate
More people should be talking about this book. I mean, wow. My only regret was that I didn’t read it sooner. Highly… twitter.com/i/web/status/1…
— Nellie K. Neves Author (@NellieKatie) May 09, 2019
2019 is off to a great start after finishing Nicole Scarano’s Pomegranate. An original twist on a Greek mythology t… twitter.com/i/web/status/1…
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Well, we’ve already had fifty quotes about fiction in general so today it’s time for another fifty quotes, this time providing advice, encouragement and general reflections on the process of writing. So without further ado…
‘I love deadlines. I love the whooshing noise they make as they go by.’ — Douglas Adams
‘There is no greater agony than bearing an untold story inside you.’ — Maya Angelou
‘There is nothing to writing. All you do is sit down at a typewriter and bleed.’ — Ernest Hemingway
‘Writing is easy. All you have to do is cross out the wrong words.’ — Mark Twain
‘If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.’ — Stephen King
‘It’s hell writing and it’s hell not writing. The only tolerable state is having just written.’ — Robert Hass
‘We write to taste life twice, in the moment and in retrospect.’ — Anaïs Nin
‘Writing is an exploration. You start from nothing and learn as you go.’ — E.L. Doctorow
‘A writer, I think, is someone who pays attention to the world.’ — Susan Sontag
‘You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.’ — Madeleine L’Engle
‘If a story is in you it has got to come out.’ — William Faulkner
‘You never have to change anything you got up in the middle of the night to write.’ — Saul Bellow
‘I’m not a very good writer but I’m an excellent rewriter.’ — James Michener
‘You only learn to be a better writer by actually writing.’ — Doris Lessing
‘It is a very cool thing to be a writer.’ — Bryan Hutchinson
‘You must stay drunk on writing so reality cannot destroy you.’ — Ray Bradburry
‘If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.’ – Toni Morrison
‘Start writing, no matter what. The water does not flow until the faucet is turned on.’ — Louis L’Amour
‘Substitute “damn” every time you’re inclined to write “very”; your editor will delete it and the writing will be just as it should be.’ — Mark Twain
‘The only writer to whom you should compare yourself is the writer you were yesterday.’ — David Schlosser
‘Step into a scene and let it drip from your fingertips.’ — M.J. Bush
‘Growing up is highly overrrated. Just be an author.’ — Neil Gaiman
‘Be ruthless about protecting writing days, i.e., do not cave in to endless requests to have “essential” and “long overdue” meetings on those days.’ — J.K. Rowling
‘What doesn’t kill us gives us something to write about.’ — Julie Wright
‘There are three rules for writing a novel. Unfortunately, no one knows what they are.’ — W. Somerset Maugham
‘When asked “how do you write?” I invariably answer “one word at a time.”‘ — Stephen King
‘Writing, to me, is simply thinking through my fingers.’ — Isaac Asimov
‘Writing is show business for shy people.’ — Lee Child
‘It is perfectly okay to write garbage –as long as you edit brilliantly.’ — C.J. Cherryh
‘If you want to change the world, pick up your pen and write.’ — Martin Luther
‘Write about what really interests you, whether it is real things or imaginary things, and nothing else.’ — C.S. Lewis
‘Fill your paper with the breathings of your heart.’ — William Wordsworth
‘Imagination is like a muscle. I found out that the more I wrote, the bigger it got.’ — Philip José Farmer
‘I write to find out what I’m talking about.’ — Edward Albee
‘Throw up into your typewriter every morning. Clean up every noon.’ — Raymond Chandler
‘You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.’ — Annie Proulx
‘Don’t be a writer. Be writing.’ — William Faulkner
‘Writing is like giving yourself homework, really hard homework, every day, for the rest of your life. You want glamorous? Throw glitter at the computer screen.’ — Katrina Monroe
‘Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open.’ — Natalie Goldberg
‘To write well, express yourself like the common people, but think like a wise man.’ — Aristotle
‘You can make anything by writing.’ — C.S. Lewis
‘I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I’m afraid of.’ — Joss Whedon
‘I need solitude for my writing; not “like a hermit” — that wouldn’t be enough — but like a dead man.’ — Franz Kafka
‘Writers don’t make any money at all. We make about a dollar. It is terrible. But then again we don’t work either. We sit around in our underwear until noon then go downstairs and make coffee, fry some eggs, read the paper, read part of a book, smell the book, wonder if perhaps we ourselves should work on our book, smell the book again, throw the book across the room because we are quite jealous that any other person wrote a book, feel terribly guilty about throwing the schmuck’s book across the room because we secretly wonder if God in heaven noticed our evil jealousy, or worse, our laziness. We then lie across the couch facedown and mumble to God to forgive us because we are secretly afraid He is going to dry up all our words because we envied another man’s stupid words. And for this, as I said, we are paid a dollar. We are worth so much more.’ — Donald Miller
‘Some writers enjoy writing, I am told. Not me. I enjoy having written.’ — George R.R. Martin
‘A word after a word after a word is power.’ — Margaret Atwood
‘A writer is someone for whom writing is more difficult than it is for other people.’ — Thomas Mann
‘Writing is thinking. To write well is to think clearly. That’s why it’s so hard.’ — David McCullough
‘Serious writers write, inspired or not. Over time they discover that routine is a better friend than inspiration.’ — Ralph Keyes
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
West Wales 1843: Daughters of Rebecca are marching, breaking down toll gates that circle Carmarthen. Cantankerous veteran, Thomas Lewis, is tormented by nightmares of the wars against the French in Spain and the Low Countries nearly thirty years earlier. The Welsh countryside is in turmoil; livelihoods destroyed by unfair tithes and taxes. The workhouse provides a starvation diet for the “deserving poor”. The people’s fight for fair-handed justice has begun. In the Newport uprising three years earlier protesters were gaoled, transported and shot by a government afraid Wales might follow the path of revolution, like France. Carpenter’s apprentice, clever but cautious Will, grapples with resentment that he will not inherit the family farm. Will’s jealousy increases when his handsome, radical older brother falls in love with his best friend, Ellen. Could telling Will the story of his campaigns and battles with the 44th East Essex Regiment help Thomas find peace?
Praise for From Waterloo to Water Street
From Waterloo to Water Street by S.E. Morgan is one seriously good read. Meaty, gripping and full of interesting We… twitter.com/i/web/status/1…
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Originally published 16/06/2019 and 23/06/2019 under the title ‘Author Interview: D. Wallace Peach’
SPOILER ALERT
While every effort has been made to avoid spoilers in this post, anyone who has not read Soul Swallowers or Legacy of Souls by D. Wallace Peach is hereby advised that this post may contain a few unavoidable spoilers.
Diana Wallace Peach is an accomplished author of quality fantasy with seventeen books to her name. Her most recent offering, the ‘Shattered Sea’ duology consisting of The Soul Swallowers and Legacy of Souls, is another masterpiece filled with rich characters, political intrigue, and top notch world building.
I never really planned on being an author, though I always enjoyed writing. A decade ago, my husband and I made a temporary move for his job. Our planned stay was too short a time frame for me to find work. He suggested that I write a book, and I said, ‘Okay.’
Well, that was that. I was hooked and I’m still writing.
I’ve
been reading The Shattered Sea duology, Soul
Swallowers and
Legacy
of Souls;
two thoroughly enjoyable books. There’s plenty going on in them both;
family conflicts, slave trading, imperial politics and, of course, a
fantasy world where people consume the souls of the dead. I wonder,
how did this story first come about? What was your original
inspiration for writing?
I’m curious about the invisible world and the nature of the soul. I think there is a lot more to this world than we can possibly imagine. Just think of the inventions in the last one hundred years that would have seemed impossible or magical. Do souls exist beyond death? Is reincarnation possible? Is possession a real thing? I simply took those questions and applied a ‘what if’ question. Then I added the rules that would bind this practice – physically, mentally, and through social norms. The rest simply fell into place as a rough outline that took further shape as I wrote.
I always have a rough outline. Otherwise, I’m filled with writer-anxiety. That and I have no problem wandering off on tangents for hundreds of pages, which then need to be edited! Outlines keep me on track, but they’re loose enough that my characters can be themselves, and I will readily change a plan if my characters can convince me that it makes good sense.
I’m glad you mentioned your characters because the meaty characters you’ve created were one one of my favourite things about this series. The protagonist, Raze, for instance. I really liked the way this chap developed as an individual over the two books. How did you go about developing him?
I love reading books with strong characters, and so I strive to write the same. My background is in mental health, and I’m fascinated by the incredible depth behind every human face. Prior to writing, I pen each character’s biography in quite a bit of detail. I understand how their lives were shaped, their fears, weaknesses, and strengths, how they compensate, what they hide even from themselves, what they need to learn about themselves to grow. A significant part of my plotting a story takes into account the characters’ arcs.
I suppose that must be doubly important when you come to write a character who is a practised liar, like Benjmur? He weaves such an intricate web of deceit around all the other characters– how do you keep track of it all?
I wanted to write a different kind of character than I have in the past– one who is extremely duplicitous and able to keep the other characters off kilter. The biggest challenge was to make his lies believable without the other characters coming off as naive (except perhaps for his daughter who simply doesn’t want to think ill of her father). I don’t like books where the characters are ridiculously stupid simply to serve the plot. I kept track of it by writing twenty drafts. Ha ha.
I was quite struck by some of the big themes this story explored. The distinction between slavery and bonded labour (if there is one) seems to crop up time and again in this story. Was that a theme you were keen to explore?
I’m a political monster, and like exploring these issues. To support the book, I did a bit of research on the ‘justifications for slavery’ that were shared around the time of the American Civil War. I incorporated those into the characters’ arguments about slavery as well as Raze’s arguments for freedom.
Obviously in a high fantasy series like this, building a world like the Shattered Sea is no mean feat. Any world-building tips for prospective fantasy writers?
Just like I write bios for the characters before I start a book, I write a complete “bio” for the world, including maps. I go back about 300 years into the world’s history. I write about gender roles, politics, religion, societal norms, geography, world view, relationships with other nations/provinces, technology or the lack thereof, clothing, even the shape of their roofs! I try to take a couple real-life norms and turn them on their heads if I can. Some things develop as I write and some change, but I usually start with a good sense of the world and how the character meshes or rebels against it. In a way, the world is another character in the book.
Looking through your blog I noticed you’ve done a bit of flash fiction. How do you find writing shorter fiction compares with novel writing?
I rarely write short stories, but I enjoy flash fiction. The big difference for me is that I don’t need to think about what came before or what comes after. It’s a slice of time, a glimpse, versus a novel that has a history and a future. An interesting tidbit. The opening scene of ‘Shattered Sea’ duology started as a flash fiction piece in response to a prompt. So you never know where those flashes will lead!
What’s next for you then? Can we look forward to more books in the near future?
I’m working on a trilogy (as yet untitled). I’m obsessive about the cohesion of my stories and therefore write the entire series at once, holding up the first book until the last is ready to publish. This trilogy is daunting and the first draft is taking me forever to complete. I’m probably a year away from publishing. When they’re done, I’ll have 20 books, and hopefully, number 21 brewing in the back of my mind.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
‘In the endless forests of the Wild, humanity scratches a living by the side of the great Godroads, paths of crystal that provide safe passage and hold back the infernal tide. Creatures lurk within the trees, watching, and plucking those who stray too far from safety…. In crystal castles held aloft on magical currents, seven timeless royal families reign, protecting humanity from the spread of the Wild and its demons. Born and reborn into flawless bodies, the Deathless are as immortal as the precious stones from which they take their names. For generations a fragile balance has held…. House Sapphire, one of the ancient Deathless families, is riven by suspicion and madness. Whole villages are disappearing as the hunting expeditions holding the Wild at bay begin to fail. Then, when assassins strike, House Sapphire shatters. Nothing lasts forever.’
Praise for The Deathless
Newman likes to build his own distinctive world that will be memorable enough to stand out among myriads of other fantasy settings. His characters are exceptionally well-fleshed-out, staying close and occasionally crossing the obscure, thin line, separating hero from villain. The story itself is intriguing and provocative, but it’s the compelling prose and captivating imagery that tops it off.
Compared to Newman’s previous Vagrant series there’s a noticeably different style at work here – more traditional fantasy than that terse, stripped back and stylised approach – but it shows his ability to craft a darkly compelling world just the same… This is, undoubtedly, the start of another series to get excited about!
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
For me, antagonists are often the most fun characters to create. However, most of the usual rules apply and it’s especially important (as it is with all characters) that your antagonist’s motive and goals are clearly established in your mind. More often than not, these will form the whole basis for the conflict your protagonist has to deal with, so it’s vital you get this right.
If I was to boil it down to a single rule for antagonists, it would probably be something like this:
An antagonist’s motive can be anything at all, but their goal should bring them into direct conflict with the protagonist.
Let’s start by thinking about the first part of that rule: ‘An antagonist’s motive can be anything at all’. Motives are simply what drive a character from day to day. When it comes to your bad guy, this could be something sinister such as megalomania or it could be something far more ordinary– perhaps even laudable. For instance, in The Count of Monte Cristo, the antagonist, Fernand Mondego, is in love with the protagonist’s fiancee. As a result, he falsely accuses the protagonist of treason so that he can marry Dantès fiancee instead.
So, Mondego’s motive is that he is in love with Dantès fiancee. His goal (in the beginning, at least) is to get Dantès out of the way. Loving a woman is not a particularly evil or unusualthing, nor is it a motive common only to antagonists. Plenty of good guys in other stories (especially romances and romantic comedies) are driven by the exact same motive.
Ahh, but he was in love with the protagonist’s fiancee! I hear you cry. That’s bad!
Well, I agree it’s not an ideal situation, but in and of itself it doesn’t make him an antagonist or a ‘bad guy’. There are plenty of stories out there with characters who refuse to behave inappropriately when they’re in love with someone else’s partner. What made Mondego a bad guy was his goal, not his motive.His motive (which he arguably had in common with the protagonist) drove him to carry out a sinister plot against the protagonist. That’s what made him a villain and an antagonist. It is highly unlikely a good guy would act on this motive the same way Mondego does (though remember, not all protagonists are good guys; some protagonists are bad).
Which brings me neatly onto the second part of our working rule: ‘[the antagonist’s] goal should bring them into direct conflict with the protagonist’. It’s worth mentioning that this is not the same as saying their goals must be inherently immoral.
Oh sure, they can be. They often will be. Personally, I love it when an antagonist is really bad. Murdering the hero(es), stealing something valuable and violently taking over the world are just some of the more common goals antagonists sometimes strive for. But remember, an antagonist is not necessarily defined as a morally evil character; they are simply a character whose goals conflict with that of your protagonist. They can be morally evil, but even then, their function is to present the protagonist with a real and significant problem that cannot simply be ignored. They are, if you like, a walking, talking conflict for your character to face.
When you’re so evil you want to blow up all reality. Image source: http://gph.to/2AhoZVE
Take C.S. Lewis’ story The Screwtape Letters as a radical example. This story is written from the perspective of a senior devil (Screwtape) writing to his nephew (Wormwood), giving him advice on how to lead a human into eternal damnation– a morally objectionable goal to say the least. In it, Screwtape makes frequent references to their ‘Enemy’ — namely, God. In this story, Wormwood is the protagonist. His motive is his natural diabolical nature and his goal is to secure the damnation of his unsuspecting human ‘patient’. Even though God is clearly not portrayed as evil in this story (C.S. Lewis was a Christian), nevertheless he is still the antagonist because his goals are in direct conflict with those of the protagonist.
“He (God) wants servants who can finally become sons. We want to suck in, He wants to give out. We are empty and would be filled; He is full and flows over. Our war aim is a world in which Our Father Below has drawn all other beings into himself: the Enemy wants a world full of beings united to Him but still distinct.”
C.S. Lewis, The Screwtape Letters (parenthesis mine)
Which brings me neatly onto my third and final point: the audience’s sympathies. This can sometimes be a sticky issue when you try to create an antagonist of any real depths, as I previously discovered.
In The Screwtape Letters, C.S. Lewis presumably wanted us to sympathise with God’s goals instead of Wormwood’s, even though God is the antagonist. After all, The Screwtape Letters is as much as Christian Apologetic work as it is a story. Under most circumstances, however, you will want your audience to support the protagonist’s goals instead of the antagonist. I know of only two ways to do this effectively:
Make your antagonist at least a little bit immoral (optional – but usually a good idea)
Create a strong protagonist with goals and motives the audience really cares about (mandatory)
Remember, an antagonist might provide the vital point if conflict in a story, but he is not the sum total of the story. If all you have is a really complex antagonist who threatens to take over the world and some half-baked protagonist to fight him just because that’s what good guys do, you’ll not hold onto your audience for very long. Remember this rule:
Your story is about your protagonist, not the antagonist.
The antagonist is the point of conflict for your story, but he is not the story in and of himself. Take the Wicked Witch of the West from The Wizard of Oz. She is a persistent hindrance to Dorothy throughout the film. Without her, it would be a frankly boring film about a girl who gets a bit lost (okay, very lost) then goes home. But none of that would matter if it wasn’t for the fact that Dorothy wants to get home. If we didn’t care about Dorothy and her plight, the Witch would be pretty redundant.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
From the dawn of man, the war between Demons and Angels has ravaged the land. Two thousand years of peace has lulled the people into a false sense of security. Malach is on a journey to find his place in the world and pick a side in the war that is quickly approaching, meeting unlikely allies along the way.
Praise for From Men and Angels
From Men and Angels is a strong debut and I can’t wait to get my hands on the next book in the series… Well imagined, well written and with plenty of excitement … Be sure to grab a copy of this book with my fullest blessing. It’s great.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
