Last year, I wrote a post about the pros and cons of e-book readers compared to traditional paper books. Well that’s all well and good for reading, but what about for writing fiction? How do you write? On paper or with a computer? These days, it’s not really much of a choice. You’ll have a hard time getting anything published if you don’t at least type up your drafts before you send them to anyone who edits or publishes for a living and (as I recently discovered) manual typewriters are hard to come by these days.
But what about in those glorious early stages, when you’re still figuring out character profiles, chapter outlines and scribbling out rough zero drafts?
Sometimes, I just can’t say it better than my fellow bloggers. I’ve decided, therefore, that it is time for another exciting instalment of 5 Useful Posts on Fiction Writing, where I share some of the most useful, enjoyable and insightful posts on fiction writing I’ve seen from other bloggers in recent weeks.
As ever, there have been numerous posts I’ve read lately that I could include in this list. I read a wide variety of blogs on fiction and writing and could not even begin to list them all. This is just a selection of some that I have recently found particularly useful or enjoyable.
Wise and learned authors know that before you can sign that publication deal and pick up all those awards, you’ve got to actually do something with your wave of inspiration to turn it into a fully fledged story. Initial ideas (especially plot bunnies which unexpectedly pop into your head) are always full of holes, not all of which can be easily plugged. It takes effort to craft it into something that really works.
Those experienced and wise authors I mentioned will know exactly how to handle their ideas and will churn out a good story in no time at all. The rest of us, however, if we’re not careful, might find ourselves languishing somewhere in INSPIRATION HELL.
Abandon hope ye who enter here. Wanderers in this dismal place may find themselves endlessly going around and around the same circle for weeks, months or even years before moving onto another or, worse yet, back to one they’ve already been on. They are damned to be forever inspired without completing a single draft. As a former inmate, it is my sorrowful privilege to shew unto thee the Five Circles of Inspiration Hell.
Ever sat down to write and found your imagination covered in so many cobwebs that you can’t even remember how to pick up your pen? Ever sat staring at a blank screen for hours without even the faintest idea where to begin? Ever wasted your set writing time reading patronising articles on the internet telling you writers’ block doesn’t exist (when you know better) because you just can’t quite seem to get settled into your day’s work?
Well I have, and whenever that happens to me I need something to quickly shake away the cobwebs to help me get off the starting block. Therefore, I am going to commend a few of my favourite cobweb shakers to you today. I don’t know if these will work for you or not but they work for me so… you might as well give them a go, eh?
Okay, so for reasons best known to yourself, you want to know where to find the House of the Magical Idea Wizard and think that perhaps I, or one of my author colleagues (you know, the ones that have actually got a few novels published), might have the answers you seek. I know I’m not alone in having people ask me about this. Writers’ blogs seem to be replete with authors whining and complaining about how often their family, friends and fans (those of you who have fans) ask them this same question.
Well… today, O seeker of insight, I am going to attempt to answer this singularly annoying and misguided question in the only way I can: from my own narrow experience.
There’s an old saying I tend to adhere to: you need to use the right tool for the right job. For me as a writer, that means I have lots of different writing tools depending on the kind of writing I’m doing and what stage of the writing process I’m at. For instance, I use Scrivener to write my novel and other large projects; Hemingway Editor for times of editing; Jotterpad to scribble notes and song lyrics on the go (you didn’t know I wrote music too, did you?) and FocusWriter for short and flash fiction, which is the subject for today’s little review.
There are, of course, plenty of “distraction free writing environments” out there. In fact, even the other apps I mentioned at the start of this post boast distraction free modes which hide most or all of the toolbars to allow you to focus exclusively on your words. What sets apart FocusWriter from these, however, is how highly customisable that environment is and how many features of a typical word processor are still available without being intrusive. Personally, I sometimes find that even the best distraction free interfaces can be a little too sterile when it’s just you and the blinking cursor on a blank screen, daring you to write a word. With FocusWriter, that’s not a problem. You can make the interface as pretty or as sterile as you see fit.
However, even if you’re not the sort of person who normally bothers to keep a journal, you might find it useful as a writer to at least keep a writer’s journal– especially if you’re working on a large writing project such as a novel.
‘Oh nooo!’ I hear you cry. ‘That sounds too hard/time-consuming/pointless’ (delete as appropriate).
It needn’t be. You don’t need to fill it with epiphanies written in flawless iambic pentameter, you don’t need to handcraft your own leather bound volume to write in and you don’t need to write ten thousand words a day (having already written ten thousand words in your actual story). In fact (just between you and me), you don’t need to keep a journal at all if you don’t find it helpful, though I would recommend giving it a bash for a week or two to be sure that it’s not for you.
Thirty minutes to kill, I mused. What can I do in thirty minutes?
Since I wasn’t expecting to get any writing done that day, I decided to use the time to work on my novel. Under normal circumstances, I like to set aside at least two or three hours to write (with breaks) so this was an unusually short burst of writing for me. Imagine my surprise when I managed to write as many words in that half hour than I often manage devoting an entire afternoon to writing. With such a tight deadline hanging over me, there was no time to procrastinate; no time to read and re-read my notes, no time to edit as I wrote (a cardinal sin when drafting a novel), no time to shove notes around on Scapple or “research” my novel by Googling every trifling detail. There was even less time to waste on Facebook, Twitter, WordPress or studying for my exams (the ultimate waste of time). For that miserly thirty minutes I produced words like my life depended on it and let me tell you, I finished drafting that chapter.
Nowhere Nowhen Syndrome (NNS) is when your setting is too vague. In the same way that Phantom Protagonists are characters who lack the substance to create convincing people, a setting with NNS lacks the substance to create a convincing time and place. You may know that your story is set in post-apocalyptic London, circa AD 2084, but that is not the same as creating a setting. That’s just telling us the name of the place.
Creating a setting involves stimulating the imaginary senses of your reader so that they know what it’s like to really be there…
As we all know, characters are the beating heart of any good story. However, no character is an island. How they respond to other characters is often essential in making your plot work (indeed, this arguably is your plot), so don’t be fooled into thinking it’s obvious how your characters will respond to one another. Just because you would respond in a particular way to Character A doesn’t mean that Character B will respond to Character A in the same way you would. Even though you, as the author, know all the facts about all of your characters, you’ll still have your own narrow opinion about what sort of person they are just the same as anyone else. That is why it is vital to know what every character thinks about every other character if you want to create a rich, vibrant and believable story.
Fortunately, it’s easy to do this.