Super Snappy Speed Reviews – Writing Apps for Android

It occurred to me this week that we’ve had a lot of Super Snappy Speed Reviews here on Penstricken over the years. We’ve reviewed books [2] [3], TV showsfilmscomputer games and even the Star Trek movies. But we’ve never had speed reviews for writers’ apps. And so today I am proud to present Super Snappy Speed Reviews: Writing Apps for Android.

As ever, the apps I have reviewed here are not necessarily apps that I particularly liked or disliked, but are simply a random selection of writers’ apps that I have tried out at one point or another. As usual, these reviews only reflect my own personal opinions and impressions, squished, squashed and squeezed into a few short sentences. So without further ado…

JotterPad by Two App Studio Pte. Ltd.

I love Jotterpad. The writing environment is uncluttered yet with plenty of the features you want from a mobile text editor. It’s also a breeze to adjust the page layout to suit the kind of writing you do. The only real problem with it is that there doesn’t seem to be any way to adjust the layout of specific documents (so  for example, if you write screenplays and poetry, you have to simply accept the fact that all of your poems are going to look like screenplays).

Also if you take my advice, you’ll stick to the free version. The Creative add-ons are alright, but hardly worth the money.

My rating: 🌟🌟🌟🌟

Writeometer by Guavabot

Writeometer is a surprisingly useful tool to help you to track your progress day by day. You can add multiple projects and assign each one a specific word or character goal which you hope to achieve in total and per day. The app will also calculate how long it will take you to achieve this goal and suggest a finish date (though you can choose your own date). Additional features include a writing timer, a daily log, customisable “rewards” for a good writing session, an integrated dictionary/thesaurus (also something about salad that I don’t understand). I didn’t think I’d like this app but I like it a lot.

My rating: 🌟🌟🌟🌟

Story Dice by Thinkamingo

If you read this blog regularly, you’ll know I find Thinkamingo’s Story Dice an invaluable source of stimuli whenever I come to write six word stories [2] [3] [4] [5] but it works just as well for long stories, too. There are squillions of different images which appear on the dice and you can have anywhere between 1 and 10 dice on the screen at a time. My only criticism is that there is no way to save the image that appears. The moment you hide the app, tap the screen or do anything, BOOM! It rolls the dice again and the previous roll is lost forever.

My rating: 🌟🌟🌟🌟

Lore Forge Creator Resources by Total Danarchy

There are lots of idea generators out there. What sets Lore Forge apart is the kinds of ideas it generates. It’s the only idea generator I’ve ever come across, for instance, which generates character motives and conflicts (complete with a detailed explanation of each motive/conflict). For me, these are easily its best feature, but it also includes some more traditional generators (character names, city names, plots, etc) and an inspiring quote generator.

My rating: 🌟🌟

Story Plot Generator Pro (a.k.a Plot Gen Pro) by ARC Apps

A lot of plot generators often produce ideas so bizarre that they’re completely useless (e.g.: ‘a pole dancer and an Eskimo must travel back in time to stop the moon being eaten by sharks. Someone loses a credit card. It’s a story about marital fidelity’).

Not so with Plot Gen Pro! This app allows you to choose from a variety of genres and then throws up several random elements of a plot (characters, settings, etc), suitable to that genre. If you don’t like any of the elements it generates, you can ask it to produce another, without removing the ones you do like. The resulting ‘plot’ can then be e-mailed back to yourself so you don’t lose it.

My rating: 🌟🌟🌟

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what pickles your onions.

Until next time!


I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Want to Add Handwritten Notes to your Scrivener Project? Try Notebloc.

If you’re anything like me, the bulk of your writing projects will be done on computer, probably using a purpose-built piece of novel-writing software like Scrivener. Nevertheless, as I’ve mentioned before, there are some stages of the writing process (especially in the early days of planning) where I find the only way to make any progress is to sit down with a physical notebook and pen and scribble all my thoughts down. You might also be the sort of author who, like me, feels the need to keep a writer’s journal. Finally, if you’re like me, you’ll also be the sort of person who likes to hold on to every scrap of work you produce (including your brainstorm-scribbles) and keep it all neatly organised in one place.

Which is a pain. After all, you can’t add your handwritten notes to your Scrivener project.


Let me introduce you to Notebloc for Android and iPhone. This handy little app not only uses your smartphone’s camera to capture images, but it also automatically adjusts the colour and angle of your image(s) before easily exporting them as jpg or pdf files, making adding your handwritten notes to Scrivener (or wherever it is you keep your project files) a breeze. I should note, I’ve only tested the Android version of this app. If anyone has used the iPhone version and found it to be different from what I describe here, do let us know in the comments.

The first thing you have to do when you use this app is add images of your handwritten notes either by using your phone’s camera to capture an image or by importing a pre-existing image from your phone’s storage. Once you’ve done that, you will find yourself faced with an intuitive little screen (fig. 1) which allows you to adjust where the borders of your image should be. You can also rotate your image from this screen. So far, however, I’ve never had to actually do any manual adjusting; Notebloc does it automatically and with remarkable accuracy. However, in the unlikely event that it does not accurately identify the borders of your page, it’s a cinch to fix by simply long-pressing and dragging the borders to wherever you want them to be.

Once you’ve done that, Notebloc will then automatically adjust the shape and colours for you to create an image which favours readability. As you can see from fig. 2, the image it produces is pretty darn decent. The text is still clearly legible (poor handwriting notwithstanding; it’s a smartphone app, not a magic wand) and the colours have been reasonably well preserved. It even handles pencil with surprising ease. If, however, you’re not satisfied with the way it adjusts the colours, there are a few other colour adjustment styles you can choose from (see the menu along the top of fig. 2).

Once you’re happy with how the image looks, it gets added to your Notebloc document file (fig. 3). You can add as many pages to a document as you see fit and re-order the pages simply by long-pressing and dragging each page to wherever you want it to go (they will appear in the order in which you added them by default). From there you can print your document, share it online or copy your pages to another document if you so desire. Alternatively, you can do what I do and convert the document into a pdf or jpg format to be easily imported into your Scrivener project (fig. 4). I should add that if you opt for a jpg file, you will actually end up with numerous jpg files; specifically, one for each page. If, however, you opt for a pdf file, all the pages will be compiled into a single document, which makes it the best option for my money if you’re planning on adding it to Scrivener.

I’m pleased to say I haven’t found any glaringly obvious bugs in this app and it does what it says on the tin to a fairly impressive standard. It doesn’t have much in the way of bells and whistles and while I generally think that’s a good thing (too many superfluous features make an app cumbersome), I do think it would benefit from a few additional features; character recognition being the most obvious. The tools for manually adjusting the shape and colours of your image could also be more flexible; as it is, your options are quite limited if you don’t like the adjustments it makes automatically.

Oh and before you ask, this app is completely free and, best of all, it contains no ads. Go and get it!

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what digitises your handwriting.

Until next time!


I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Novelist: A Handy App for Planning Your Novel

I have always said that to write a novel, or any significantly sized piece of writing, a writer must be willing to park himself down at his computer and write. There is no quick fix for writing. No easy button you can tap on your phone and make a high quality novel pop out.

I still believe that. But that’s not to say mobile apps can’t help you in your quest to write a story, especially when you’re on the go and need a simple, orderly means of gathering together all those little plot bunnies that jump into your head at the worst possible moments. For that reason, I’ve been trying out a nice little app I discovered on Google Play called Novelist by Alessandro Riperi.

novelist (4)
the home page

Is it a good app? Yeah, I would say it is. It won’t make your breakfast for you and it certainly won’t make you the next John Steinbeck, but it has all the basic functionality needed to help you get you from a plot bunny to a complete chapter outline with little fuss.

Let’s look at a few of its features.

The first thing you will get when you open the app for the first time is a little spiel explaining how to use the app. After that, you go straight to the home page and — as far as I can tell — you never get the little introductory lecture again. The home page itself is a pretty self-explanatory window displaying all of your projects (which you can illustrate with an image from your device’s memory, if you’re that way inclined), including a pre-loaded ‘tutorial’ project which you can edit and tinker with to your heart’s content (don’t worry! If you make a total mess of the tutorial project, it’s easy to generate a new one from the menu on the home screen).

Once you create a project, the app takes you through three stages: ‘plotting’, ‘outlining’ and ‘organising’, apparently with the idea that you work through these three stages in order.

An example character profile using metadata.

Under ‘plotting’, we have a space to create all those elements which are fundamental to story-writing: characters, locations (settings), themes, key events and so forth. These are referred to as ‘items’ in this app, which are easy to customise with a title, synopsis, text and images as you see fit. All of these items can be tagged, duplicated and shifted from one category to another. Best of all, each of these items comes with the option of including metadata, allowing you to quickly list all the vital details of your character, setting or theme. You can also add ‘notes’ and ‘text’ to each item, though I must admit I’m a little fuzzy on why these are separate features.

Under the ‘planning’ tab, you are invited to organise your story into scenes. You create new scenes in a similar way to how you create items in the plotting section, with a title and a synopsis. As before, you have the ability to add text or notes to each scene, however you do not have the ability to add images or metadata. What you can do is tag your scenes with the items you created in the plotting stage; not a feature I personally find useful because that’s just not the way my brain works but I know it will suit plenty of other writers down to the ground.

Finally, the ‘organising’ section allows you to organise the scenes you have created into chapters/sections as you see fit. The order of these scenes and sections can be easily jiggled about until you are happy that you have a full-blown chapter layout. The only real drawback here is that you can’t see any of the details about the scenes you created in this section apart from their titles and synopses. Apart from that, it makes it an absolute joy to organise and re-organise the order of your sections, chapters and scenes.


There’s something else I love about this app: it’s free. Okay, I know that’s not technically a feature but still… it’s an actual, truly, honestly to goodness full version that’s absolutely free. Not ‘free, but hey, we’ve got a better version that’s not free’; not ‘free for the first thirty days’; not even ‘free as long as you tell us where you live and watch a bunch of ads’. In fact, I haven’t even seen any ads! It’s just FREE. I am so happy I could weep.

In summery, if you’re looking for an app to write your manuscript on, this isn’t it. I don’t think it was ever meant to be used for that purpose. But if you own an Android device and are looking for a clean and simple way to develop an idea into a fully fledged chapter outline, including character profiles and all that other marvellous stuff that planners love so much, this app is definitely worth a look. It’s free, easy to use and covers all the story-planning essentials without forcing you to watch any pesky little ads. Go and get it!

My rating: 🌟🌟🌟🌟

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what outlines your novel.

Until next time!


I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

What Do You Listen To While Writing?

When you write, do you find background noise distracting or helpful? As far as I can tell from my extensive research on the subject, there is no right or wrong answer to this question. Some writers can’t seem to put pen to paper until they’re in a soundproof environment while others insist that the only place they can write is on the sitting next to the machinery in a glass bottle factory, so you’ll be in good company whatever your aural writing preferences are.

Personally, I find that my needs change depending on what I’m writing and at what stage I’m at. Absolute silence, ambient background noise (though not quite at glass bottle factory levels) and music all have their place in my writing routine.

Absolute Silence

While perhaps not true of all writers, I think most of us would agree that there are at least some rare occasions when you need to focus your brain 100% on the task at hand; occasions when any kind of external stimulation, however small, can be distracting. I certainly find this to be true. When I’m struggling to perfect a tricky little piece of dialogue or weed out some of the holes in my plot, even the smallest sounds can prove to be a big distraction. When that happens, there’s nothing else for it but to retreat to a different room (or better still, a different building) from all other people and animals; close all windows and doors and turn off any central heating, washing machines or anything else that makes noise. If you have access to a soundproofed room, that’s even better.

But beware! As helpful as silence can sometimes be, it can also be deafening. Unless I’m trying to focus on a particularly sticky problem that requires every last iota of my brainpower, I tend to find absolute silence more of a hindrance than a help– not least of all because true silence can be very difficult to find. If you’re in a room that is absolutely silent except for the occasional dripping of a leaky tap or the gentle hum of your computer, that leaky tap or gentle humming can feel like someone taking a mallet to your head.

Ambient Background Noise

On most occasions, I find a bit of ordinary background noise can provide the perfect balance between silence and sound for everyday writing tasks, in much the same way that I find it easy to focus on my day job despite the constant hum of chattering colleagues and ringing telephones. It’s not so quiet that it becomes distracting, but neither is it interesting enough to draw my attention.

Lots of writers swear by writing in cafes for  this very reason. However, not all background noise is created equal. Finding a spot that guarantees you the right type and volume of background noise can be hard. Even if you do find a pleasant place to write in, it can all go a bit pear-shaped if somebody’s baby starts screaming or if a fire engine goes whizzing past. A good way to avoid this problem is by using apps like Noisli, which allow you to customise your own mix of background various ambient noises: trains, thunder, birdsong and so forth.

It will also save you a fortune in overpriced coffee.


Music can be a great little motivator, especially if I’m engaged in a particularly long and gruelling writing session (Noisli doesn’t sound too repetitive in general but you will start to notice the pattern in the loops if you listen to it for hours on end).

However, interesting music can be unhelpful. For example, I like to listen to classic rock, but not when I’m writing, because catchy or complicated tunes tend to just distract me. Music with singing is the worst. Don’t get me wrong, I’ve got a vast collection of music with vocals but if I try to listen to it while I’m writing, I end up just seeing a little silhouetto of a man and doing the fandango.

And there’s nothing worse than when that happens.

Easy listening is one option, but if you’re anything like me, you hate easy listening. I actually find video game soundtracks far more helpful to play (quietly!) while I’m in writing.  The Final Fantasy, Fable or Monkey Island soundtracks are my personal favourites. They are easy enough on the ear that you can listen to them for a long time but they aren’t so interesting that you get distracted by them. In fact, most gaming soundtracks have been specifically written to keep you focused on what you’re doing over a long period, so they’re maybe worth looking into, even if you don’t particularly like video games.

Sounds That Never Help. Ever.

  • People talking to you while you’re trying to write.
  • Your phone ringing/vibrating on the desk in front of you.
  • E-mail or social media notifications.
  • Your neighbours’ latest venture into DIY.
  • The sound of one or two others talking to each other but “politely” ignoring you. It’s not background noise if you can make out every word that’s spoken. Whispered conversation is no better.

What about you? What do you find helpful or unhelpful to listen to when you write?

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what rings your bell.

Until next time!

Can’t Afford Scrivener? Try yWriter.

Many years ago, when I decided to make my first serious attempt at writing a novel, I did what a lot of enthusiastic beginners probably do: I searched high and low for the perfect novel writing app. I didn’t know about Scrivener back then (in fact, I’m not even sure it was available for Windows at that time) but I did come across another app in a similar vein called yWriter by Spacejock Software. I attempted my first ever novel with it and I absolutely swore by it for a long time. Only the discovery of Scrivener for Windows really turned my head. However, in homage to auld lang syne, I’ve decided to download and review the most recent version of yWriter (specifically, yWriter6) for those of you who don’t want to spend any money (for there is no other good reason not to get Scrivener).

Fig. 1

yWriter’s main window (fig. 1) is, for the most part, fairly self-explanatory. Like Scrivener, it allows you to organise your various notes on characters, settings, etc. and, like Scrivener, it allows you to organise your work into separate chapters and scenes. You can either begin with a blank project or you can use the project wizard… which is basically the same as making a blank project, only you begin by specifying the title, author’s name and file directory you want to save it to before you begin, thereby saving yourself thirty seconds later on.

Fig. 2

The window which you use to actually write your scene is also pretty self-explanatory for anyone even remotely familiar with ordinary word processors. Unlike many modern word processors, however, you are essentially restricted to writing in a rich text box rather than on a virtual page. As such, there is no easy way to format your page layout (rulers, margins, etc). However, in addition to the features you would expect to find on any word processor, you also have the ability to hear your story read out to you by Microsoft David or Microsoft Zira (a feature which can be handy for helping you to edit a manuscript you’ve grown overly familiar with) and there’s a whole host of tabs on this window which allow you to edit all sorts of information pertaining to the scene you’re working on, if you find that sort of thing useful. You can also easily jump from one scene to another using the drop down menus at the bottom of the scene editing window.

Though this app is simple in many ways, and certainly lacks the flexibility of Scrivener, it does boast a plethora of handy little features which you can use or ignore as you see fit. I doubt if you’ll be inclined to use all of them and I don’t have nearly enough space here to mention them all, but suffice to say it seems pretty obvious to me that the developers have tried to appeal to a broad spectrum of novelists by adding a variety of tools.

Fig. 3

Personally, I am rather fond of the word usage window, which shows you a list of every word used in your story and tells you how often you’ve used it; a handy feature if you’re given to tediously repeating certain turns of phrase over and over again. In addition, the help menu includes a ‘writing tips’ option, which brings up a simple message window containing a snippet of handy writing advice such as ‘take a 5-10 minute break every hour. Walk, exercise, make a drink’ and ‘sometimes it’s quicker to rewrite a short scene from scratch than to keep editing it’. You can also rate the relevance, tension, humour and quality of each scene you write and collate that information into a handy-dandy line-graph (fig. 3), which could be a potentially useful tool when you come to edit your drafts (assuming you can be honest with yourself about the quality of your work). The tools for developing characters, settings and items which appear in your story are simple enough to use, if a little basic and inflexible, although there’s plenty of room for writing whatever notes you want.

If there’s one major thing yWriter lacks, it is the ability to compile your manuscript into a suitable format for distribution. For instance, with Scrivener, you can easily compile your work into a variety of useful formats including (but not limited to) standard manuscript format, screenplay format or e-book format– and of course, if none of the presets appeal to you, you can customise your own format. You can’t do any of that with yWriter. It does allow you to export your project in a variety of ways, but if you’ve got any serious plans to submit your work for publication, you’ll need to transfer your exported project to a suitable word processor and format it yourself.

I realise I’ve unintentionally spent a lot of time here comparing yWriter to Scrivener but I hope you won’t misunderstand my intentions. I really like yWriter. Yes, there is room for further development but I do think it’s worth trying, especially for new authors who are just dipping their toe into novel writing for the first time. Nevertheless, bells and whistles not withstanding, it is quite limited when it is compared to more expensive tools like Scrivener. My advice would be to give it a go. You may find yWriter is more than sufficient for your own particular needs, in which case you should be able to get your novel written and save yourself a few bob into the bargain.

My rating: 🌟🌟🌟🌟

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what sharpens your pencil.

Until next time!

Ink and Pixel: Writers’ Edition

Last year, I wrote a post about the pros and cons of e-book readers compared to traditional paper books. Well that’s all well and good for reading, but what about for writing fiction? How do you write? On paper or with a computer? These days, it’s not really much of a choice. You’ll have a hard time getting anything published if you don’t at least type up your drafts before you send them to anyone who edits or publishes for a living and (as I recently discovered) manual typewriters are hard to come by these days.

But what about in those glorious early stages, when you’re still figuring out character profiles, chapter outlines and scribbling out rough zero drafts?

My first order of business tends to be to grab my notebook and Bic four-colour ballpoint pen and get brainstorming, (click here for more on how I like to do this). I’ve tried to use the same brainstorming technique on my computer before but… it’s not the same. It’s too tempting to press that ‘delete’ key if I don’t like things and typing doesn’t allow me the same freedom to scribble small notes to myself in spare corners of the page. Scapple by Literature and Latte certainly allows me more freedom to order my ideas any way I like but for me, Scapple comes into its own later on in the planning stage, when I’m ready to start organising my ideas, as opposed to simply coming up with them. Using a lined paper notebook allows me to vomit my ideas out in an orderly but unrestricted fashion. There’s something about working on paper that gives free reign to my imagination in a way which, for some reason, seems to be lacking when I work on computer. Perhaps it’s because coming up with new ideas is so closely related to daydreaming, and they are yet to build an app which does anything to enhance a human’s ability to dream. There’s also something quite natural and pleasant about writing on paper. It feels less like work and more like playing, perhaps because that’s how I used to write when I was a wee boy scribbling out stories in my bedroom with crayons without worrying about how neat or clever it is.

However, once I get past the brainstorming stage, into the slightly more formal side of planning, I find myself far more drawn to my computer and tend to use a combination of the two: organising my thoughts on computer, but still relying on my notepad to help me work my way through any problems I might encounter. I have already commented on my love for Scapple. Once the basic ideas are in place and I know roughly what I want to do, Scapple allows me to organise and structure all my ideas (and identify potential problems) in one place without having to buy my own body weight in post-it notes or scribble all over my bedroom wall. In the same way, Scrivener, also by Literature and Latte (I promise they’ve not paid me to write this, I genuinely just love their stuff) helps me to stay organised by keeping together all my drafts, character profiles, plot outlines and my whole story bible in one neat and tidy place. No loose bits of paper, no losing things, no jumping from notebook to notebook or indeed app to app.

I never fully abandon my paper notebook, however, until I get to the stage of writing an actual first draft (not to be confused with a zero draft; more on that in weeks to come). Once all the planning is done and I feel confident that I can make the story work, there really shouldn’t be much call to come up with any new ideas unless I hit a serious problem– and I shouldn’t hit a problem that can seriously undermine my story if I’ve done the planning stage thoroughly. The bulk of the work is done on Scrivener, although I also use the Hemingway Editor to help me at the editing stage and I will also occasionally use FocusWriter to help me get into the swing of things if I’m having a hard day getting started (though whatever I produce still gets transferred to Scrivener). As a rule, the further I progress with a project, the more I find myself using Scrivener to the exclusion of all other apps (including Scapple), as well as paper stationary.

In a word, then, I tend to begin the story-writing process exclusively on paper and become more dependant on my computer as I progress. Paper is great for helping me come up with ideas. I’m yet to find a substitute for it. It’s the only way I know to record my imaginings in a way which is pure and complete and there’s a great joy to be had in the process of doing it. But when it comes to organising, producing and editing a written work, that’s when the computer/tablet (and the whole plethora of apps for writing that are available) really come into their own. There’s no substitute for the ease with which I can edit my work, the orderliness it brings to my life or indeed the fact that a grown-up publisher might actually read my manuscript when it’s finally done.

Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ and share this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what boils your egg.

Until next time!

My Thoughts on FocusWriter

There’s an old saying I tend to adhere to: you need to use the right tool for the right job. For me as a writer, that means I have lots of different writing tools depending on the kind of writing I’m doing and what stage of the writing process I’m at. For instance, I use Scrivener to write my novel and other large projects; Hemingway Editor for times of editing; Jotterpad to scribble notes and song lyrics on the go (you didn’t know I wrote music too, did you?) and FocusWriter for short and flash fiction, which is the subject for today’s little review.

There are, of course, plenty of “distraction free writing environments” out there. In fact, even the other apps I mentioned at the start of this post boast distraction free modes which hide most or all of the toolbars to allow you to focus exclusively on your words. What sets apart FocusWriter from these, however, is how highly customisable that environment is and how many features of a typical word processor are still available without being intrusive. Personally, I sometimes find that even the best distraction free interfaces can be a little too sterile when it’s just you and the blinking cursor on a blank screen, daring you to write a word. With FocusWriter, that’s not a problem. You can make the interface as pretty or as sterile as you see fit.

When you first download the app (for free, I might add, though you can give a “tip”), you will find it is already preloaded with a selection of themes. Some, such as the ‘old school’ theme are very plain featuring nothing but plain text on a plain background. Others include background images and coloured pages for your text to appear on (as you can see from the screenshots below). If none of these themes are to your liking, you can customise them by changing the font; margins; line-spacing; text background colour and opacity and much more besides. You can also create, save and export your own themes using (or not, if you prefer) images from your own library.

There is a traditional toolbar and a selection of menus at the top of the screen which includes all the basic features you would expect from a word processor; however, this is all invisible except when you hover the cursor over it, thus giving you easy access to all the basic features without getting in the way while you are trying to write.

There is also an option to grey out all text save the sentence, sentences or paragraph you are working on. Personally, I have not found much use for this feature but I suppose I can see why it might help you to focus on a particularly troublesome few sentences, especially if you decide to edit your work with FocusWriter. And of course, there is also the option to make FocusWriter full screen.

For those of us who like to keep careful track of our progress or who find it helpful to time ourselves as we write, FocusWriter also includes features for setting yourself daily word count or minutes-spent-writing goals. Again, this is not visible on the screen unless you hover your cursor over the very bottom of the window, where a tiny little bar will appear and tell you your exact word count and how close you are to achieving your daily goal. If you wish, you can also record your progress so you can see how often you are reaching or exceeding your goals over a longer period of time.

If you wanted to, you could probably easily use this application to write almost anything, including novels and other long and complicated works. However, I personally find it most useful for writing shorter works, such as short stories or flash fiction. It’s easy to create a different theme for every day and every mood so that your productivity is never hindered by niggling distractions or the pure white horror of a completely blank screen, no matter what kind of person you are and no matter how you feel. The main reason I don’t use it to write novels is because, unlike Scrivener, it is not so easy to gather together your notes and story bible all in the one place. In general, you will be focusing on one document at a time, but sometimes, that’s all you need. Personally, I don’t really like using Scrivener for short stories or microfiction because I find it can be a bit too cluttered, when all I really need is space to write.

Other features include (but are not necessarily limited to) a spell checker, ‘smart quotes’ which manages how you use quotation marks throughout the document (personally I’m yet to find a use for that) and ‘sessions’; an interesting little feature which remembers which document(s) you had opened and which theme you were using so that they’re already opened and waiting for you the next time you open FocusWriter.

All in all, I think it’s a fantastic app and well worth a look for anyone who’s serious about writing. It’s a real favourite of mine which I use often; far more often than some of the other apps I’ve given written positive reviews about in the past. And did I mention it’s free?

Well it is. So go have a look. I think you’ll be pleased.

Until next time!

A Quick Review of Hemingway Editor v.3.0

You may recall (if you’ve got a photographic memory) that I published a post last year reviewing the Hemingway Editor. This snazzy little app analyses and grades the simplicity of your writing style and I’ve used it plenty over the last year to help edit my own writing. Well, it so happens that I got an e-mail this week informing me that v.3.0 is now available with a whole bunch of new features. These include:
  • The ability to publish or save drafts to WordPress or Medium from the Hemingway App
  • More choice of what you can import and export from Hemingway. This includes, among other things, the ability to export PDF files with all Hemingway’s highlights intact)
  • Distraction free writing and editing
  • The ability to have many documents open at once
  • A pretty new splash screen
  • Various bug fixes
Like its predecessor, Hemingway 3 aims to help you write in the most clear and simple style you can by highlighting any instances of adverbs, passive voice, complex language or cumbersome sentences. It will also give details of readability, word count, letter count, approximate reading time and so forth. In this sense, nothing much has changed (though the new version seems to be far more willing to suggest specific corrections, which is a big plus) . It uses the same system of colour coding, grading and gives exactly the same information. There have only been a few minor changes to the layout of the sidebar. I won’t waste too much time here reviewing features that are common to both versions. You can read the old post for that. Instead, let’s have a look at some of the new features.
Being a WordPress user, the ability to save your work to WordPress or Medium caught my attention straight away. I don’t use Medium so I haven’t been able to test it, but I did have a go at saving to WordPress. See this post that you’re reading now? This is it; this is the test. I wrote and edited this using Hemingway Editor 3.0. And my verdict is this: it would be great if I could only get it to work. The window that appears when you click ‘Publish on WordPress’ is very clear and easy to use, but whenever I clicked ‘save’ this kept happening:
Do let me know if you think I’m doing something wrong. I’ve spent the last fifteen minutes trying to figure it out and it’s still not working.
So, let’s move on to look at exporting and importing. In the old version, you could only import Word documents and export Word or Markdown documents. Hemingway 3 gives you much more choice. Now you can import:
  • Plain text (.txt)
  • Markdown (.md)
  • Web pages (.html)
  • Word documents (.doc)
And you can export:
  • Plain text
  • Markdown
  • Web pages
  • Word documents
  • PDF documents (.pdf)
  • PDF documents with all Hemingway’s highlights included.
unabletoconnectThis is all a massive improvement, but the last item on that list is the most exciting for me. This allows you to quickly and easily share edits with colleagues. The only downside? Nowhere on the PDF file does it tell you what each coloured highlight means. Unless our hypothetical colleague has the Hemingway Editor himself, you will need to provide him with details of the colour code. Still, it’s a handy feature to have.
The distraction free environment is one of my favourite new features in Hemingway. The previous version included a bulky toolbar along the top of the screen and an even bulkier sidebar if you were on ‘edit’ mode. The new version allows you to hide the sidebar even in ‘edit’ mode. It also has a ‘full screen’ function which hides your taskbar. It’s not a completely distraction free environment, as it does still have the toolbar at the top (which, to be fair, is now much less intrusive). On balance, though, I would still call it a big step in the right direction.
One thing I was particularly curious about was the spellchecker. You may recall from my previous post that I was none too impressed with the spellchecker in the old version.
‘Have they improved it!?’ I hear you cry.
I suppose, technically… no, not really. They’ve cured the disease by killing the patient. There is now no spellchecker whatsoever as far as I can see.
Another thing I was curious about was a particular bug I had discovered in the previous version, which I mentioned in the last post. Text I had copied from other apps overlapped with pre-existing text making the document unreadable. I’m pleased to say this is now resolved.
All in all, I would have to say version 3 is definitely an improvement. The new features are useful and they work well (publishing to WordPress notwithstanding). Things that didn’t work before, now do work, while things that worked well before now work even better. There is still room for further development, of course. It would be nice to have a functioning spellchecker for instance and the toolbar could be even more discreet than it is now but all in all, Hemingway Editor 3.0 gets a thumbs up from me. Go get it!

I Love Scapple; You Should Too!

Sometimes when you’re in the planning stage of constructing your story, it can be difficult to keep track of all of your ideas – especially if you’re still undecided about what ideas you’re going to use and what ideas you’re going to discard. Figuring out timelines of individual characters, their relationships to one another or the history of your fictional world (particularly for us fantasy/sci-fi types) can be a complex process. I spoke before about how I like to brainstorm in a notebook, but notebooks have one major weakness when it comes to refining your story: they’re a bit on the small side. Even if they have a million pages, you still can’t spread out all your ideas in front of you at once; much less easily organise and rearrange them.

Corkboards or spreading out your notes on your kitchen table is one way around this, but they have limited room too (they can also get really untidy and that can leave you feeling more confused than ever). There is plenty of mind-mapping software out there, of course, but its usefulness can be limited if you’re experimenting with many different ideas at once, because they force you to make logical connections between each note. Thankfully, the good people who gave us Scrivener have done it for us again.

At first glance, Scapple by Literature and Latte might appear to be just another piece mind-mapping software claiming to possess the secret of eternal creativity but in actual fact, it is quite different in a few important ways; ways which make it the ideal tool for those of us who have a million different ideas they need to organise and have been unable to find a large enough whiteboard or a thick enough packet of post-its.

weescapple1‘Freedom’ is the word that comes to mind when I think about Scapple. Freedom to organise all your thoughts (however many, and however big or small) into whatever order you want, in whatever style you want and with remarkable ease. One of the main freedom-endowing features Scapple has is that it allows you to place notes anywhere on the board, which you may choose to connect or not connect to other notes as you see fit. If you want to link your notes together, you can do it using arrows, two-way arrows or dotted lines. You are also not bound to work from a single central note as you are in mind-maps (though you certainly could do this if you wanted to). Each and every note you add to your board will be a free and independent note, which you can connect to or disconnect from as many other notes as you wish – assuming you choose to join any of your notes together at all. You can also easily surround some or all of your notes with a ‘background shape’, which keeps them together. All of this makes it ideal for experimenting with many different ideas at once.

weescapple2If you’re like me, you probably find that colour-coding your notes is a big help when you’re coming up with new ideas. Fortunately, it’s easy to customise the style of your notes to make them look exactly how you like them. The bulk of the customisation Scapple offers is available through the non-intrusive ‘Inspector’, which includes two tabs: one for customising the note style of whatever note you have selected at the time, and another for customising the format of the overall board (background colour/image, default font, etc). By default, Scapple comes with a few pre-made note styles that you can easily select by simply right-clicking the note(s) you want but you will probably find yourself quickly wanting to create your own note styles that you can re-use. Fortunately, it’s easy to create re-usable note styles by simply creating one bubble in the style you want and then choosing ‘New Note Style from Selection’ in the Format->Note Style menu. Not only that, but you can also redefine pre-existing note styles and even import note styles from another Scapple board (saving you the hassle of re-creating your custom note styles every time you start a new board).weescaple4 You can also add images as notes simply by dragging the file from your File Explorer directly onto the board and of course, as this little gem was indeed conceived by the same minds which gave us Scrivener, you can easily import notes from Scapple into Scrivener simply by dragging them into Scrivener’s Binder.

For me, however, Scapple’s usefulness doesn’t end once I’ve refined my basic idea. Once I’ve decided what story I am going to write, Scapple can be of further use for creating useful diagrams such as timelines. For the novel I’m currently working on, I used Scapple to create a timeline which allowed me to mark off where individual story beats came in and how this related to the progress of the protagonist’s character arc. This allowed me to see the whole functioning skeleton of my story, with all its individual elements working together in a format which was very clear and easy to work with. Additionally, the freedom Scapple gives you to add notes anywhere on your board meant that I could still easily add notes-to-self on any points which I was concerned about (of which there were a few!).

I really would like to come up with a few negative points for the sake of giving a balanced review of this product, but its simplicity, ease of use and freedom to do what you want with it makes it a really great product with very few cons that I can think of (incidentally, I’ve also found a few other non-fiction related uses for it). It’s available for Mac and PC and is also available as a 30-day free trial (that’s 30 days of use, so you don’t need to feel under pressure to use it every day for a whole month) so why not give it a go? If it’s a way to organise and plan your novel that you’re looking for, I’m sure that Scapple won’t disappoint you.

Amazon Storywriter

If you’ve ever dreamed of writing scripts for TV and aren’t quite sure where that golden opportunity is going to come from, might I suggest you have a look at this tasty free app I discovered. The Amazon Storywriter (developed by the good people at Amazon Studios, naturally) is a very neat little app for script-writing which formats your script for you as you go and saves your work online for you to access from any computer in the world.

‘So what?’ I hear you cry, ‘There are dozens of online script-writing apps out there!’

True, but unlike most others, this script-writing app will send your completed script directly to Amazon Studios. If it is accepted, your script might well end up being the next TV show or movie to be produced by the same people who gave us Bosch, Mozart in the Jungle and The Man in the High Castle. Tell me, dear would-be screenwriter, that you’re not a little bit interested.

As far as I can tell from looking at their website, they are particularly interested in drama series, comedy series, children’s TV shows or movies, so you’re probably best restricting yourself to those genres (though don’t let me stand on your toes). I’ve not actually submitted anything yet (I’m getting there!) so I don’t have too much first hand knowledge about any issues that may or may not arise around creative royalties, contracts, copyright issues or anything else like that (therefore, I would strongly recommend doing your research before you submit anything – good advice any day of the week) but I can review it as a writing app.


The interface is very simple. There are two tabs along the top: ‘Write’ and ‘Review’. The ‘Review’ tab is, unsurprisingly, where you go to review scripts that your friends have sent you. I’ll maybe talk about that another day, but right now I want to focus on Storywriter’s function as a script-writing app. So, let’s have a look under the ‘Write’ tab!

Here we have a sidebar consisting of two fairly self-explanatory options: ‘Create a script’ and ‘Import a script’. ‘Create a script’, as you might guess, creates a brand new project which is automatically saved to the cloud. ‘Import a script’ allows you to import either text-based PDFs, FDX files or Fountain files (5MB or less) into Amazon Storywriter from your computer. Either way, what you’ll end up with is a very intuitive little writing environment: a page, already set up and ready for you to write (or continue, if you imported) your script.

amazon7If, like me, your skills in proper script formatting are a little rusty, the sidebar on the right (or ‘element menu’, as it is called) will help you to format your script as you go along without having to spend a lot of time faffing around with line-spacing, margins, alignments and all that sort of thing (though I would still strongly recommend learning how to format your script properly and proof-reading it to be certain anyway). Your work will save automatically as you type and whenever you close your project, but there is, nevertheless, a big handy-dandy ‘SAVE’ button on the top right hand corner of the screen, if you crave that reassurance that only manually saving your work can bring. You will also find a small drop-down menu at the top-right of the screen. This is where you can make (fairly limited) changes to the layout of the editor: you can hide the element menu and you can toggle ‘typewriter mode’, which causes the editor to scroll as you type.

amazon3Along the top-left of the screen there is a simple menu, most of which you will recognise from every other word processor you’ve ever used: undo, redo, bold, italics, etc. Clicking the ‘Amazon Storywriter’ logo will take you back to your home screen. There is also a single drop-down menu (which for some reason is labelled with the name of your project) which most closely resembles the sort of things you might find in a ‘file’ menu on most normal word processors, but there are some important differences. I’m not going to waste time explaining every option in the menu since most of them are self-explanatory but there are a few that are worth highlighting.

First, this menu includes all your options for letting other people (specifically, your friends and Amazon Studios) see your work. Clicking on ‘share’ lets you send your script to whoever you like: friends, neighbours, dentists, anyone. All you need is their e-mail address and they will receive a notification asking them to review your script (they must accept this). If, however, you feel your script is as good as it’s ever going to be, clicking on ‘Submit to Amazon Studios’ will begin the step-by-step process of submitting your work to Amazon for consideration, so don’t use it until you’re certain your script is ready.

Another useful feature in this menu is ‘Save a draft’, though it might not be exactly what you imagine it to be at first. Once you save a draft, it is saved as a read-only file that can not be edited. It can only be viewed, renamed, shared, exported, deleted completely or submitted to Amazon Studios. You can create as many drafts as you like (or at least, if there is a limit, I’ve not hit it yet) and you can continue to edit your script as before; only the draft files are read-only, allowing for easy redrafting without losing any previous drafts you might want to revisit. Every draft file can be found attached to your project on the home screen.

If, however, you want multiple editable scripts for the same project, choosing ‘Create a copy’ from the same menu will create a brand new project identical to the one you’re working on at the time. The only thing it won’t copy over is your read-only draft files. As before, this copied project will also be available from your home screen and will not have any effect on the original project and its associated drafts.


There is only one major thing this app does lack: any kind of planning environment where you can write up character biographies, storyboards and the like. This app doesn’t really come into its own until all your planning is already done and you’re ready to actually write a draft.

Still, it’s a swish little app for would-be screenwriters, especially if you’re a beginner looking for an easy way of having your work reviewed by your peers and considered for production by a company who can (maybe, possibly, if you’re lucky) bring it to life for you. The app’s functionality may be a little basic in some respects (though there’s something to be said for that when writing, I find) but it’s certainly much easier to use than some more expensive apps and does the job well.

Also did I mention that it’s completely free to use?