Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Think about someone you know well. Anyone. A friend, a relative, a colleague, anyone. I bet if I asked you what that person was like, you would be able to easily give me your opinion on what sort of person they are.
John? Oh, he’s loud-mouthed, arrogant and opinionated. He’s not a bad person but he’s a real pain to be around…
Jeanie? She’s the most beautiful creature I’ve ever laid eyes on but she’s a liar and a thief. I wouldn’t turn my back on her.
Willy? Nice guy I suppose, doesn’t say much (but let me tell you, he’s got the sharpest wit you’ve ever come across).
Now ask yourself… would that person’s own mother sum them up the same way you did? What about their spouse? Their boss? Their arch-nemesis? Even though you see John as loud-mouthed, the chances are his mother would focus on some other, more positive qualities, such as how kind-hearted he is. If John has a wife, she would be more likely to emphasis his physical attractiveness than his mother would (or, perhaps, she thinks he’s a lazy good-for-nothing and she can’t believe she married him).
As we all know, characters are the beating heart of any good story. However, no character is an island. How they respond to other characters is often essential in making your plot work (indeed, this arguably is your plot), so don’t be fooled into thinking it’s obvious how your characters will respond to one another. Just because you would respond in a particular way to Character A doesn’t mean that Character B will respond to Character A in the same way you would. Even though you, as the author, know all the facts about all of your characters, you’ll still have your own narrow opinion about what sort of person they are just the same as anyone else. That is why it is vital to know what every character thinks about every other character if you want to create a rich, vibrant and believable story.
Fortunately, it’s easy to do this. Here’s how I like to do it:
Start with a nice blank page. For me, it’s a separate document in my Scrivener project, but whatever floats your boat is fine (if you’re writing on paper, I would strongly recommend having plenty to spare; this could take up a few pages, especially if you’ve got a lot of characters). Now we make a table, as I’ve illustrated below, with as many rows as you have characters and two columns. Only the top row should have a single column, as this will act as a header. In this header, we write the name of the character we are wanting to find out about; Mr. Protagonist, for instance. In the cells below this, we ask every other character in the story for their opinion on Mr Protagonist. I find the easiest way to do this is to write out the answer in their voice, as if they were speaking to me. Even though I’ve only included two other characters to show you how it works, I would recommend you have a much larger table which includes every character in your story so that you get the most out of it.
Mr. Protagonist
Baron Antagonist
Mr. Protagonist is a meddler and a constant thorn in my side. We were friends growing up but it is clear now he does not understand the great work I am doing here. His table manners are appalling but he has great taste in single malts.
Lady Loveinterest
Mr. Protagonist is ruggedly handsome. His personality is quite charming, if a little brash and uncouth. He has a fiercely righteous (if misguided) streak which almost makes up for his poor breeding. Unfortunately, he drinks a little too much.
Once you’ve done it, repeat the process for all of your other characters.
Baron Antagonist
Mr. Protagonist
Baron Antagonist is a snake-in-the-grass. He acts all sophisticated and like he’s everybody’s friend so that he’s got the whole world wrapped around his finger. How do you expose a guy like that? Even the king’s daughter has agreed to marry him. I wouldn’t be at all surprised if he beat her.
Lady Loveinterest
Baron Antagonist is a great man; a real visionary and a man who knows how to get things done. He’s got the patience of a saint too. I can see Mr. Protagonist irks him sometimes but he has never lost his temper with him, not once. Mr. Protagonist is fortunate to have a friend like the Baron.
Do you see how this can help you to gain a much deeper and fuller understanding of all your characters and the threads of friendship, enmity, mistrust and devotion which bind them together in an elaborate web which I like to call a “Story”?
If you really want to go the extra mile, why not throw in an extra row on each table telling us what each character thinks about themselves?
Mr. Protagonist
Mr. Protagonist
I’m a cook and an employee of my former friend, Baron Antagonist. I have to say, I feel a bit out of place living in such a splendid house. The other servants don’t talk to me ’cause I don’t live in the servants quarters. I think that’s why anyway. But I’m more a man of their stripe than the Baron’s. I wish they could see that.
Lady Loveinterest
Mr. Protagonist is ruggedly handsome….
Not only is all of this an effective means of fleshing out your story, it can actually be a pretty darn effective means of coming up with a story idea, similar to (in fact, arguably better than) auditioning characters. The above example, for instance, is only that: an example. I made it up as I was going along purely for your benefit. And yet, without intending it, I actually found myself getting quite involved in the story – a story which did not exist before I started filling in those tables. The embryo of a plot began to form in my mind as I learned more and more about each character from the lips of those people who knew them best. Who are these three people? What is the Baron’s ‘great work’ and why is Mr. Protagonist so distrustful of him? Will Mr. Protagonist ever get together with the slightly snobby Lady Loveinterest?
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
All legends are born out of truth. Yet there is one that’s true story has all been but forgotten. Legend tells us that Zeus, Poseidon, and Hades were brothers who overthrew the first gods, taking the world for themselves. Drawing lots, Zeus, king of the gods, became ruler of the skies. Brave Poseidon drew the lot of the seas, but wicked Hades was tricked into drawing the lot of the Underworld where he became the most feared and hated of the gods. This is merely legend though. The truth… The truth is very different.
For in the beginning, Hades was not a god, but an immortal of Olympus. Once a mortal of earth, Hades had so pleased the gods that life among them was granted. On Mount Olympus, Hades’ eternal youth was that of pure beauty said to have rivalled the beauty of Aphrodite herself. All were captivated by the splendour that was Hades, but Zeus most of all. For Zeus loved her.
But the love of a fickle god can be cruel, and Hades’ betrayal will have its vengeance. For Hades is destined for a dark and terrible greatness.
Praise for Pomegranate
More people should be talking about this book. I mean, wow. My only regret was that I didn’t read it sooner. Highly… twitter.com/i/web/status/1…
— Nellie K. Neves Author (@NellieKatie) May 09, 2019
2019 is off to a great start after finishing Nicole Scarano’s Pomegranate. An original twist on a Greek mythology t… twitter.com/i/web/status/1…
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Well, we’ve already had fifty quotes about fiction in general so today it’s time for another fifty quotes, this time providing advice, encouragement and general reflections on the process of writing. So without further ado…
‘I love deadlines. I love the whooshing noise they make as they go by.’ — Douglas Adams
‘There is no greater agony than bearing an untold story inside you.’ — Maya Angelou
‘There is nothing to writing. All you do is sit down at a typewriter and bleed.’ — Ernest Hemingway
‘Writing is easy. All you have to do is cross out the wrong words.’ — Mark Twain
‘If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.’ — Stephen King
‘It’s hell writing and it’s hell not writing. The only tolerable state is having just written.’ — Robert Hass
‘We write to taste life twice, in the moment and in retrospect.’ — Anaïs Nin
‘Writing is an exploration. You start from nothing and learn as you go.’ — E.L. Doctorow
‘A writer, I think, is someone who pays attention to the world.’ — Susan Sontag
‘You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.’ — Madeleine L’Engle
‘If a story is in you it has got to come out.’ — William Faulkner
‘You never have to change anything you got up in the middle of the night to write.’ — Saul Bellow
‘I’m not a very good writer but I’m an excellent rewriter.’ — James Michener
‘You only learn to be a better writer by actually writing.’ — Doris Lessing
‘It is a very cool thing to be a writer.’ — Bryan Hutchinson
‘You must stay drunk on writing so reality cannot destroy you.’ — Ray Bradburry
‘If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.’ – Toni Morrison
‘Start writing, no matter what. The water does not flow until the faucet is turned on.’ — Louis L’Amour
‘Substitute “damn” every time you’re inclined to write “very”; your editor will delete it and the writing will be just as it should be.’ — Mark Twain
‘The only writer to whom you should compare yourself is the writer you were yesterday.’ — David Schlosser
‘Step into a scene and let it drip from your fingertips.’ — M.J. Bush
‘Growing up is highly overrrated. Just be an author.’ — Neil Gaiman
‘Be ruthless about protecting writing days, i.e., do not cave in to endless requests to have “essential” and “long overdue” meetings on those days.’ — J.K. Rowling
‘What doesn’t kill us gives us something to write about.’ — Julie Wright
‘There are three rules for writing a novel. Unfortunately, no one knows what they are.’ — W. Somerset Maugham
‘When asked “how do you write?” I invariably answer “one word at a time.”‘ — Stephen King
‘Writing, to me, is simply thinking through my fingers.’ — Isaac Asimov
‘Writing is show business for shy people.’ — Lee Child
‘It is perfectly okay to write garbage –as long as you edit brilliantly.’ — C.J. Cherryh
‘If you want to change the world, pick up your pen and write.’ — Martin Luther
‘Write about what really interests you, whether it is real things or imaginary things, and nothing else.’ — C.S. Lewis
‘Fill your paper with the breathings of your heart.’ — William Wordsworth
‘Imagination is like a muscle. I found out that the more I wrote, the bigger it got.’ — Philip José Farmer
‘I write to find out what I’m talking about.’ — Edward Albee
‘Throw up into your typewriter every morning. Clean up every noon.’ — Raymond Chandler
‘You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.’ — Annie Proulx
‘Don’t be a writer. Be writing.’ — William Faulkner
‘Writing is like giving yourself homework, really hard homework, every day, for the rest of your life. You want glamorous? Throw glitter at the computer screen.’ — Katrina Monroe
‘Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open.’ — Natalie Goldberg
‘To write well, express yourself like the common people, but think like a wise man.’ — Aristotle
‘You can make anything by writing.’ — C.S. Lewis
‘I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I’m afraid of.’ — Joss Whedon
‘I need solitude for my writing; not “like a hermit” — that wouldn’t be enough — but like a dead man.’ — Franz Kafka
‘Writers don’t make any money at all. We make about a dollar. It is terrible. But then again we don’t work either. We sit around in our underwear until noon then go downstairs and make coffee, fry some eggs, read the paper, read part of a book, smell the book, wonder if perhaps we ourselves should work on our book, smell the book again, throw the book across the room because we are quite jealous that any other person wrote a book, feel terribly guilty about throwing the schmuck’s book across the room because we secretly wonder if God in heaven noticed our evil jealousy, or worse, our laziness. We then lie across the couch facedown and mumble to God to forgive us because we are secretly afraid He is going to dry up all our words because we envied another man’s stupid words. And for this, as I said, we are paid a dollar. We are worth so much more.’ — Donald Miller
‘Some writers enjoy writing, I am told. Not me. I enjoy having written.’ — George R.R. Martin
‘A word after a word after a word is power.’ — Margaret Atwood
‘A writer is someone for whom writing is more difficult than it is for other people.’ — Thomas Mann
‘Writing is thinking. To write well is to think clearly. That’s why it’s so hard.’ — David McCullough
‘Serious writers write, inspired or not. Over time they discover that routine is a better friend than inspiration.’ — Ralph Keyes
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
West Wales 1843: Daughters of Rebecca are marching, breaking down toll gates that circle Carmarthen. Cantankerous veteran, Thomas Lewis, is tormented by nightmares of the wars against the French in Spain and the Low Countries nearly thirty years earlier. The Welsh countryside is in turmoil; livelihoods destroyed by unfair tithes and taxes. The workhouse provides a starvation diet for the “deserving poor”. The people’s fight for fair-handed justice has begun. In the Newport uprising three years earlier protesters were gaoled, transported and shot by a government afraid Wales might follow the path of revolution, like France. Carpenter’s apprentice, clever but cautious Will, grapples with resentment that he will not inherit the family farm. Will’s jealousy increases when his handsome, radical older brother falls in love with his best friend, Ellen. Could telling Will the story of his campaigns and battles with the 44th East Essex Regiment help Thomas find peace?
Praise for From Waterloo to Water Street
From Waterloo to Water Street by S.E. Morgan is one seriously good read. Meaty, gripping and full of interesting We… twitter.com/i/web/status/1…
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
‘In the endless forests of the Wild, humanity scratches a living by the side of the great Godroads, paths of crystal that provide safe passage and hold back the infernal tide. Creatures lurk within the trees, watching, and plucking those who stray too far from safety…. In crystal castles held aloft on magical currents, seven timeless royal families reign, protecting humanity from the spread of the Wild and its demons. Born and reborn into flawless bodies, the Deathless are as immortal as the precious stones from which they take their names. For generations a fragile balance has held…. House Sapphire, one of the ancient Deathless families, is riven by suspicion and madness. Whole villages are disappearing as the hunting expeditions holding the Wild at bay begin to fail. Then, when assassins strike, House Sapphire shatters. Nothing lasts forever.’
Praise for The Deathless
Newman likes to build his own distinctive world that will be memorable enough to stand out among myriads of other fantasy settings. His characters are exceptionally well-fleshed-out, staying close and occasionally crossing the obscure, thin line, separating hero from villain. The story itself is intriguing and provocative, but it’s the compelling prose and captivating imagery that tops it off.
Compared to Newman’s previous Vagrant series there’s a noticeably different style at work here – more traditional fantasy than that terse, stripped back and stylised approach – but it shows his ability to craft a darkly compelling world just the same… This is, undoubtedly, the start of another series to get excited about!
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
For me, antagonists are often the most fun characters to create. However, most of the usual rules apply and it’s especially important (as it is with all characters) that your antagonist’s motive and goals are clearly established in your mind. More often than not, these will form the whole basis for the conflict your protagonist has to deal with, so it’s vital you get this right.
If I was to boil it down to a single rule for antagonists, it would probably be something like this:
An antagonist’s motive can be anything at all, but their goal should bring them into direct conflict with the protagonist.
Let’s start by thinking about the first part of that rule: ‘An antagonist’s motive can be anything at all’. Motives are simply what drive a character from day to day. When it comes to your bad guy, this could be something sinister such as megalomania or it could be something far more ordinary– perhaps even laudable. For instance, in The Count of Monte Cristo, the antagonist, Fernand Mondego, is in love with the protagonist’s fiancee. As a result, he falsely accuses the protagonist of treason so that he can marry Dantès fiancee instead.
So, Mondego’s motive is that he is in love with Dantès fiancee. His goal (in the beginning, at least) is to get Dantès out of the way. Loving a woman is not a particularly evil or unusualthing, nor is it a motive common only to antagonists. Plenty of good guys in other stories (especially romances and romantic comedies) are driven by the exact same motive.
Ahh, but he was in love with the protagonist’s fiancee! I hear you cry. That’s bad!
Well, I agree it’s not an ideal situation, but in and of itself it doesn’t make him an antagonist or a ‘bad guy’. There are plenty of stories out there with characters who refuse to behave inappropriately when they’re in love with someone else’s partner. What made Mondego a bad guy was his goal, not his motive.His motive (which he arguably had in common with the protagonist) drove him to carry out a sinister plot against the protagonist. That’s what made him a villain and an antagonist. It is highly unlikely a good guy would act on this motive the same way Mondego does (though remember, not all protagonists are good guys; some protagonists are bad).
Which brings me neatly onto the second part of our working rule: ‘[the antagonist’s] goal should bring them into direct conflict with the protagonist’. It’s worth mentioning that this is not the same as saying their goals must be inherently immoral.
Oh sure, they can be. They often will be. Personally, I love it when an antagonist is really bad. Murdering the hero(es), stealing something valuable and violently taking over the world are just some of the more common goals antagonists sometimes strive for. But remember, an antagonist is not necessarily defined as a morally evil character; they are simply a character whose goals conflict with that of your protagonist. They can be morally evil, but even then, their function is to present the protagonist with a real and significant problem that cannot simply be ignored. They are, if you like, a walking, talking conflict for your character to face.
When you’re so evil you want to blow up all reality. Image source: http://gph.to/2AhoZVE
Take C.S. Lewis’ story The Screwtape Letters as a radical example. This story is written from the perspective of a senior devil (Screwtape) writing to his nephew (Wormwood), giving him advice on how to lead a human into eternal damnation– a morally objectionable goal to say the least. In it, Screwtape makes frequent references to their ‘Enemy’ — namely, God. In this story, Wormwood is the protagonist. His motive is his natural diabolical nature and his goal is to secure the damnation of his unsuspecting human ‘patient’. Even though God is clearly not portrayed as evil in this story (C.S. Lewis was a Christian), nevertheless he is still the antagonist because his goals are in direct conflict with those of the protagonist.
“He (God) wants servants who can finally become sons. We want to suck in, He wants to give out. We are empty and would be filled; He is full and flows over. Our war aim is a world in which Our Father Below has drawn all other beings into himself: the Enemy wants a world full of beings united to Him but still distinct.”
C.S. Lewis, The Screwtape Letters (parenthesis mine)
Which brings me neatly onto my third and final point: the audience’s sympathies. This can sometimes be a sticky issue when you try to create an antagonist of any real depths, as I previously discovered.
In The Screwtape Letters, C.S. Lewis presumably wanted us to sympathise with God’s goals instead of Wormwood’s, even though God is the antagonist. After all, The Screwtape Letters is as much as Christian Apologetic work as it is a story. Under most circumstances, however, you will want your audience to support the protagonist’s goals instead of the antagonist. I know of only two ways to do this effectively:
Make your antagonist at least a little bit immoral (optional – but usually a good idea)
Create a strong protagonist with goals and motives the audience really cares about (mandatory)
Remember, an antagonist might provide the vital point if conflict in a story, but he is not the sum total of the story. If all you have is a really complex antagonist who threatens to take over the world and some half-baked protagonist to fight him just because that’s what good guys do, you’ll not hold onto your audience for very long. Remember this rule:
Your story is about your protagonist, not the antagonist.
The antagonist is the point of conflict for your story, but he is not the story in and of himself. Take the Wicked Witch of the West from The Wizard of Oz. She is a persistent hindrance to Dorothy throughout the film. Without her, it would be a frankly boring film about a girl who gets a bit lost (okay, very lost) then goes home. But none of that would matter if it wasn’t for the fact that Dorothy wants to get home. If we didn’t care about Dorothy and her plight, the Witch would be pretty redundant.
Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
