Monday Motivation

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

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Creating Conflict Between Your Characters

I’ve often said that good characters are at the heart of every good story. This is true, however there is another crucial element that is required for a compelling story and that is conflict. Of course, as we shall see, a well-written conflict is born of well-written characters. The two elements are not mutually exclusive. Let’s start by trying to define what we mean by conflict.

The Cambridge Dictionary defines conflict as ‘an active disagreement between people with opposing opinions or principles’. This is certainly a good enough definition, however when it comes to the conflict found in any good story, I would take it one step further and suggest that conflict is an active disagreement between people with opposing goals. Alternatively, your central conflict may also revolve around one character’s goals being at odds with a particular circumstance. In any event, your protagonist wants something so badly it was worth writing a novel about it and yet someone or something is preventing him from getting it.

Creating a strong conflict is mandatory in any style or genre of story writing. Your reader will bore quickly without it. Even the most seemingly mild-mannered, light-hearted, inoffensive stories have conflict at their core. My two year old is currently quite obsessed with The Gruffalo by Julia Donaldson, in which a mouse living in the woods avoids being eaten by various predators by pretending he’s going to meet a particularly ferocious imaginary friend. It’s a children’s picture book, yet at its core we still have this conflict between the cunning but ultimately vulnerable mouse who wishes to avoid being eaten and all the other characters who do want to eat him. Thus we have characters with diametrically opposing goals, thus we have conflict, thus we have a story.

So if you’re writing a story and you feel like it’s lacking that bit of tension needed to keep it interesting, take my advice: go back to your characters. It can be tempting to try and fix a lack of tension by throwing in more fight scenes or adding a pointless romantic subplot, but if your characters’ goals are not at odds with each other or with a particular circumstance, adding extra subplots or intense scenes will only make your story appear bloated.

First, check your characters’ motives. What is that one thing that gets them out of bed in the morning and spurs them on to action? Remember, this will be the basis for whatever goal your character has and it is this that will lend importance to your characters goals and make your audience care about whether or not they achieve them (I’ve spoken a bit about this before here).

Now ask yourself: on the basis of my character’s motive, what are they actually trying to achieve? This is their goal. Success or absolute* failure will mean the end of the story because the conflict will have been resolved. All of your main players should have clearly established motives and goals. If you have a character whose goals are diametrically opposed to another’s, you pretty much have your conflict and a clearly established antagonist [2] into the bargain.

Of course, there are other, less obvious types of conflict than simply pitting two characters against each other. These will still be grounded in your protagonist’s motives and goals, but instead of coming into conflict with another character, they will be brought into conflict with themselves or other external forces, such as God, nature or a socio-political situation which is beyond their control. Even in these cases, the principle remains the same: your character needs to acquire or accomplish something but something external to his or herself is stopping them from doing it.

In addition, there are also internal conflicts, where a character is wrestling with his own contradicting goals and motives. I’ll maybe(!) write a separate post about internal conflict because it can be footery to get right, especially if you’re wanting to write a story where something actually happens (and yes, you do want this). Suffice it to say for now that the issue still concerns a conflict of goals and motives: the main difference being that the protagonist’s goals are in conflict with each other. For my money, however, an internal conflict should not be used as a substitute for an external conflict, but something to go alongside it.

Whatever kind of conflict is at the heart of your story, remember this: it starts with your characters. A character will not throw themselves into danger for no reason. They need to want or need something badly enough that they are willing to struggle against themselves, others and all the forces of nature to get it. Only when your audience understands and cares about their goals and motives will they care about whether or not your protagonist manages to overcome whatever antagonists you throw their way.

Footnote:

*There will usually be an apparent failure halfway through the story. This is not the end, but rather gives the protagonist the final push they need to try again and succeed. You knew that already though.


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook, if that’s what types your writer.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Throwback Thursday: Typewriter: An Old-Fashioned Solution for Modern Writers

First published: 02/10/2016

We writers all know (or if we don’t know, we soon will learn) that perfectionism is the enemy of the writer. Of course, we all want our novel/play/movie/TV script/comic to be as close to perfection as it is possible to get. There’s nothing wrong with that. Some might even say that it is our sworn duty as story tellers to create the best story we are capable of and to present it in the most pleasing way possible. That’s all very commendable.

However, anyone who has been writing for any length of time will be able to tell you that you will almost never be able to simply sit down and produce a perfect first draft. It is almost guaranteed to be full of errors, typos, weak metaphors, poor dialogue and perhaps even gaping plot holes. An experienced writer knows this to be the case and therefore also knows that the only solution is to write a bad first draft, attack it with the Red Pen of Editing and then write a slightly better second draft. Repeat until you have attained perfection.

Back in the old days, there was no other choice. One could not simply hit the delete key and erase the last couple of words, much less copy and paste whole paragraphs. These days, however, it is tempting to just edit that first draft as you go along and make it perfect. After all, we have the technology. A typo can be easily fixed. Something you forgot can be easily inserted in the middle of the document. Words can be chopped, changed, pasted and tinkered with until it’s just right. The trouble is, nothing ever actually gets finished that way. As we have said before, a bad first draft can lead to a good second draft; a non-existent or unfinished first draft won’t ever amount to anything.

Unfortunately, I speak from personal experience. I am a perfectionist, and as such, I often found it all too easy to use modern technology to help me agonise over the same paragraph for hours or days at a time. Knowing that writing first and editing afterwards is the best way to work did very little to change this (because I’m contrary like that). Until one day…

I had a brainwave.

I’ll buy a typewriter! I thought. I’ll write my first few drafts on a good old fashioned typewriter and only do my final draft on the computer! Oh boy, this is going to be going swell!

For those of you born any later than the mid ’90s, a typewriter was a primitive (usually unpowered) machine with a QWERTY keyboard which printed directly onto physical paper as you typed. Since typewriters don’t have delete keys, copy and pastes or anything like that, the writer is forced to wait until the second draft to make any major changes. I therefore thought it might be the cure for my perfectionism. Unfortunately, the only way I was going to lay hands on a typewriter these days was to break into a museum and even then, I would be spending the rest of my life trying to find increasingly hard-to-find replacement ribbons. It was going to be a lot of trouble and expense when all I really needed was the discipline to not edit while I wrote.

Not to be deterred, however, I decided to search the internet for an app which does the same thing. Since I’m a Windows man and still loathe writing on tablets, I was quite specifically hunting for a typewriter app I could use on my Windows PC.

There aren’t many. I guess there’s not that much demand for word processors with virtually no functionality whatsoever. I found a grand total of three that ran on my PC plus one for Mac called Rough Draft (I don’t have a Mac so I cannot tell you if it’s any good or not. Let me know if you’ve reviewed it on your blog and I’ll maybe reblog it for you). Of those three, one appears to no longer be available except as a fifteen day trial version and the other was a very clunky web-based app that I found needlessly complicated to use. The other problem with both of these apps was that they emphasised the look and feel of a typewriter more than the simple functionality — which is what I really wanted.

Then I found it.

Typewriter – Minimal Text Editor: a very simple ASCII text editor which runs on Java (and thus, will run on just about any computer) and includes absolutely zero editing functionality. Unlike a lot of typewriter apps which waste time by mimicking the sound effects and ugly fonts of physical typewriters, this app still looks and sounds like any other distraction-free plain text editor. The only difference is that you can’t edit.

Delete key? Forget about it. If you make a typo, you’ve just got to like that typo.

Copy and paste? No way hosay. If you want to make text appear on that screen, you’ve got to type it in yourself; and once it’s there, it ain’t going anywhere.

The only functions (besides typing plain text) available to you in this app are:

  • Colour scheme switching (you can have green text on a black background or black text on an off-white background. Whichever one you choose, it will not affect the appearance of your document when you print it, since *.txt is the only file type available to you)
  • Full screen switching (full screen is good for creating a distraction free environment but you might find it more convenient to have this off if you’re doing other things simultaneously… like writing a blog about the app in question)
  • Open file
  • Save file
  • Save file as
  • New file
  • Print
  • View key mappings
  • Quit

That’s it. That’s all the help this baby is going to give you. Heck, you can’t even use your mouse to navigate around these options, since there are no buttons or menus of any kind. All of these functions are only available to you via keyboard shortcuts (i.e., ctrl+O to open file).

This app is not for the faint-hearted. It will show your writing to you in all its unedited ugliness. But if you can swallow your pride and ignore all your mistakes, it will keep you writing right up until you’re ready to print off your work and attack it with that all important Red Pen of Editing.

It’s exactly what I’ve been looking for.


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook, if that’s what types your writer.

Want a blog of your own? Start writing today with WordPress.com!

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Spotlight: Duckett & Dyer: Dicks for Hire by G.M. Nair

If you follow Penstricken on Twitter (and you should), you may have noticed that I’ve been planning on doing a regular ‘Book of the Week’ post. Well, today is week one of this ongoing feature, which I hereby dub Spotlight.

To be clear, the selected book will not necessarily be my personal favourite books. It is simply my way of shining a spotlight on a different novel every week (hence the name), perchance to help the author to bag an extra sale or two. So if there’s a book you love that you want to spread the word about, get in touch and I’ll include it in a future edition. If you’re an author looking for a bit of free publicity, get in touch and tell me all about your book (or better yet, send me a copy and I can do a mini-review to go with it 🙏). If you’re thinking this all sounds a bit like a more refined version of my ‘Stories from the #WritingCommunity‘ post, well… you’re right. That’s exactly what it is).

And so this week, it’s a book that is definitely going on my Christmas list:

Duckett & Dyer: Dicks For Hire by G.M. Nair

They aren’t detectives, but they have to become detectives in order to figure out who’s telling people that they’re detectives. Read the #scifi #comedy critics are already calling “one of several books released this year”

Have you read Duckett & Dyer? Why not leave a wee comment below and let us know what you thought of it.


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook, if that’s what flips your lid.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Monday Motivation

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

6 ‘Six Word Stories’ for the 6th (Vol. V)

Well, it’s Sunday the 6th of October 2019 and that can only mean one thing: another thrilling instalment [2] [3] [4] of 6 ‘Six Word Stories’ for the 6th.

You all know the rules by now. I roll six story dice and I use these to inspire six stories, all exactly six words long, then you guys come along and post your far superior efforts in the comments section. So here goes nothing:

Iacta ālea est.

  • Caught the lifebouy. Saved the dog.
  • Removed the prickles. Lost the cactus.
  • I was dead and am alive.
  • Reading ‘Final Demand’, eating final breakfast.
  • Halloween: masked thief escaped into crowd.
  • FAULTY HAT COMMENCES 823bn RABBIT APOCALYPSE.

Phew! That turned out to be trickier than I thought (especially that ruddy cactus, didn’t have a clue what to do with that one).

Here’s an idea. Since I know you’re all better writers than I am, why don’t you try coming up with your own six word stories based on the above stimuli (or based on something else, I’m easy) and share in the comments below so we can all see how it’s really done?

Until next time!


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook, if that’s what crashes your car.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Throwback Thursday: Sharleen Nelson Interview Omnibus

As you may or may not be aware, this Monday was actually a public holiday in the UK, and as I was thinking about what to do for this week’s Throwback Thursday I remembered the day I interviewed Sharleen Nelson was also a long weekend.

Oh! I thought, Maybe it’s been a year to the day since I interviewed Sharleen Nelson!

Nope. Turns out it was actually way back in June 2018. However I was so excited at the prospect of revisiting Penstricken’s first author interview that I said, ‘what the heck!’

This was originally published as two separate posts, so today I give you:

Sharleen Nelson Interview: Omnibus

Originally published 03/06/2018 and 10/06/2018

SPOILER ALERT

While every effort has been made to avoid spoilers in this post, anyone who has not read The Time Tourists by Sharleen Nelson is hereby advised that this post may contain a few unavoidable spoilers.

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If there’s one thing I love, it’s a truly imaginative story. As a story about a time travelling private detective, The Time Tourists by Sharleen Nelson definitely fits that category!

I had the pleasure of interviewing Sharleen, whose debut novel The Time Tourists is available to buy on Amazon and other retail outlets.


You’ve been a journalist and an award-winning photographer for over twenty years. What made you decide to write a novel?

I have always been a writer, ever since I was a little girl. I used to spin stories in my head, complete with an array of characters and dialogue. I started one novel and got about 40,000 words into it, but then couldn’t figure out what to do with the characters, so abandoned it. This particular story started percolating about 10 years ago. My father had died recently and I was pretty devastated. I thought that getting lost in a nice little fantasy might be good therapy.

What was the main inspiration behind The Time Tourists?timetourists

Well at the time I was working as a magazine editor/writer at this place called Marathon Coach– they build these million dollar luxury buses. Anyway, in the bathroom were framed prints of local street scenes from around the turn of the century– people walking, doing things, cars and buggies. I remember looking at those and thinking, ‘how cool would it be to just be able to walk into that picture, into that scene and be a part of it.’ I love history. I’m a photographer, and if time travel was real, I would totally do it! The combination of things just sort of meshed and I started forming the story. I didn’t want to deal with the tech part of having a time machine; I wanted it to be more of a magical thing, so that when my character arrived somewhere in time, the universe just filled in everything for her.

Did you find anything particularly difficult about writing this novel?

Yes, I wanted it to be more character-driven, less science fiction. I guess you could say it’s more of a fantasy, but it doesn’t really fit neatly into either genre. I guess you’d call it “speculative fiction.” The most difficult part of writing it for me was letting myself get bogged down with plot structure. I knew the story. I never have writer’s block at all, but I wasted a good deal of time organising and reorganising and moving chapters around–should I weave in the backstory? Should it be chronological? Finally, I just decided that I needed to write the damn thing and worry about that later. Once I did that, it all sort of fell into place.

When I first read the synopsis I thought I might be getting a sort of sci-fi/cozy mystery combination but there are actually a lot of different and sometimes very dark themes running through this story making it quite hard to categorise (definitely not a cozy, however!). What would you say was your central theme(s)?

That is a great question! You’re right, it isn’t the cozy tale that one might expect. Of course, as every writer does, I drew things from my own life and I wanted Imogen to be this very real, complex person with opinions about things. I didn’t want to just send her off on adventures without the audience knowing what motivates her. So much of it evolved as I was going along. It’s true what people say, that sometimes characters seem to have minds of their own. Teddy is a very dark and twisted character. He came about from an experience I had when I was 19. I was majoring in psychology and for a time, I volunteered on a crisis line. The phone calls were routed to my home phone and I had a list of resources to recommend to people who called in. One night, a 16-year-old boy called. I wasn’t supposed to council anyone, just refer them, but he started telling me this horrible story about how his mother was abusing him sexually and that she would let him use the car if he slept with her. Of course, that stuck with me and not only did it make the reader feel more sympathetic to the Teddy character, he wasn’t all pure evil, but also showed that abuse comes in many forms. It’s not always male perpetrators. I also wanted to explore themes like religion, misogyny, feminism, or what it’s like being a gay person in another time. So I’m not sure that there is a central theme. I just wanted to create characters that the reader could maybe identify with, who have real motivations and real flaws.

Let’s talk some more about your characters. Teddy is probably one of the most messed up characters I’ve ever come across. He’s absolutely vile in many respects and guilty of some pretty awful crimes yet there is also something pitiable about him. How do you go about developing a character like that?

He started out being just this borderline sociopathic neighbourhood bully with a kooky mother. We do feel sorry for him at times because, after all, he is this sort of confused teenage boy who wants to be good–he is envious of Imogen’s family. He would like more than anything to be their boy and have a normal life. But on the other hand, his mother has been doing unspeakably vile things to him since he was a child. He knows he will never be able to recapture that innocence and he also doesn’t feel like he deserves to be loved and he takes all that rage and pent-up anger and directs it at Tiffany. But just when he was beginning to feel better about his life, she shows up with the news that she is pregnant. He liked his job. Niles was mentoring him. He was thinking about a career. But Tiffany ruined everything. His reaction was obviously to get rid of her. In developing Teddy, I read up on sociopathic behaviours– antisocial behaviour, deceitfulness, hostility, irresponsibility, manipulativeness, risk taking behaviours, aggression, impulsivity, irritability, lack of restraint–and combined that with a narcissistic, abusive mother–and voila! Teddy.

You mentioned earlier that Imogen had her own opinions about things. Throughout The Time Tourists, the audience is privy to a lot of Imogen’s strongly-held beliefs about a whole range of controversial subjects from abortion to Darwinism. Do you think it’s important for authors to use their protagonists to make points on important real-life subjects?

I think every author’s approach is different. Each author has their own story to tell. I don’t know that it’s necessarily important, but for me personally, I think addressing real-world topics makes my characters more believable. I read something the other day about the movie Dirty Dancing. Everyone loves that film and it always feels like this very light, entertaining outing about dancing. However, the entire premise for Baby and Johnny getting together at all is because she is called upon to fill in for his usual dance partner after she falls victim to a botched, illegal abortion. I also think that if my characters are going back in time I have a responsibility to provide context and comparison.

If they ever make a film adaptation of The Time Tourists, who would you choose to play the lead characters? 

Haha, I actually have thought about this–what author hasn’t? I sort of envision Jennifer Lawrence (Katniss in The Hunger Games) or maybe Emma Watson (Hermoine Granger from Harry Potter)– both seem like strong, feminist-type women. For Herbert Doran– Michael Shannon. He is so intense and awesome. Simon was actually based on a sort of Robert Downey, Jr. prototype, but I think we’d need someone a bit younger for the role. Not sure about Teddy– a method actor, for sure!

The Time Tourists is, of course, the first book in the Dead Relatives Inc. series. Now I know you won’t want to give too much away but I have to ask: what’s next for Imogen? 

Imogen will have more adventures in time, of course, but there are a number of loose ends– her mother and father are still lost in time and we may never know what happened to Tiffany, or will we? At the end of the book, it was revealed that Teddy was Simon’s biological father, which unfortunately, makes Mimi Pinky his grandmother, so one can speculate what kind of a relationship they will have. Simon will have to also become acclimated to living 100 years in the future and as the new guy in Imogen’s life, I envision some conflict between he and her ex-boyfriend Fletcher. There will be a few other surprises that I’ll keep under wraps. I also see some danger ahead.

Final question: do you have any advice for anyone out there who might be thinking about writing their first novel? 

Forget an audience. Write for yourself and don’t censure yourself. What do you like to read about? When I was a little girl, I enjoyed it so much because I was basically telling myself a story. Enjoy the journey. Just like the reader, as the writer I keep going so I can find out what happens next. Say what you want to say and write what you yourself would like to read.

The Time Tourists by Sharleen Nelson is available to buy now on Amazon and other retail outlets.
Click here to visit Sharleen Nelson’s author page.

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook, if that’s what crashes your car.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Monday Motivation

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Super Snappy Speed Reviews: Children’s Edition (Vol. 3)

SPOILER ALERT

Anyone who has not read Loving Comfort by Julie Dillemuth, Tiddler: The Story-Telling Fish by Julia Donaldson, Postman Pat: The Secret by John Cunliffe, Charlie Crow in the Snow by Paula Metcalf or Nicola Baxter’s version of Goldilocks and the Three Bears (Ladybird Picture Books) is hereby advised that this post may contain a few unavoidable spoilers.

My daughter has been into books ever since she was a baby. Now, being just shy of two and a half years old, she’s more story daft than ever before and so I thought it was time for yet another exciting instalment of Super Snappy Speed Reviews: Children’s Edition (you can check out al the previous editions at the bottom of this post).

You know the drill by now. These reviews reflect nothing but my own personal opinions and impressions, reduced, flattened and shrink-rayed into a few short sentences. The books I have selected have nothing in common, save the fact that they are all fictional stories for very young children. They are not necessarily books I particularly liked or disliked, nor are they sorted into any particular order. So, here we go.

Loving Comfort by Julie Dillemuth

This little book is aimed particularly at young toddlers who about to take that difficult step towards being fully weaned. It tells the story of baby Jack and how, with the help of his parents, he eventually managed to stop nursing when the time came for him to do so.

If you’re not American, you might find some of the language a little foreign (my daughter calls her grandfather papa, not me) but it’s a well written story which my daughter appears to understand. She certainly enjoys it.

My rating: 🌟🌟🌟🌟

Tiddler: The Story-Telling Fish by Julia Donaldson

When it comes to writing books for toddlers, Julia Donaldson can do no wrong. I’ll be honest and say that I don’t think Tiddler quite reaches the lofty standards of The Gruffalo or Monkey Puzzle (at least, my daughter doesn’t ask for it quite as often) but still a very solid offering from the author who seems to write all my daughter’s favourite books. No toddler’s bookshelf should be without it.

My rating: 🌟🌟🌟🌟

Postman Pat: The Secret by John Cunliffe

My daughter is a huge Postman Pat fan. This book was first published way back in 1982 and is based on a particular episode of the original TV series, in which the friendly Yorkshire postman Pat Clifton is surprised to discover that everybody in the village has learned his secret: that today is his birthday.

Personally, I find the book a bit of a drag to read when compared to some of my daughter’s other books and, in true classic Postman Pat style, the story is very genteel even for a toddler’s book, but my daughter seems quite taken with it.

My rating: 🌟🌟🌟

Charlie Crow in the Snow by Paula Metcalf

This book is one of my daughter’s hot favourites right now. Personally, there’s something about it I find a little jarring, though I can’t quite put my finger on it. It’s a perfectly cute little story about a crow and his animal friends facing winter for the first time (presumably).

If I’m being clinical and analytical, I can find nothing wrong with this book. It’s sweet, educational, and my daughter loves it. It just doesn’t quite ring my bell, but then I don’t suppose it’s aimed at me.

My rating: 🌟🌟🌟

Goldilocks and the Three Bears by Nicola Baxter

It’s really difficult to pick just one version of this classic folk tale, so I went for Nicola Baxter’s version published by Ladybird Books (1999) because it is, hands down, my daughter’s favourite. The repeated contrast between Father Bear’s big things, Mother Bear’s medium sized things and Baby Bear’s tiny little things is a particular source of entertainment to my daughter, who enjoys trying to impersonate the booming voice I use for Father Bear and the squeaky one I use for Baby Bear.

Goldilocks was never my favourite folk tale, not even as a child, but I really enjoy this version of it and so does my wee girl.

My rating: 🌟🌟🌟🌟

DON’T FORGET TO CHECK OUT ALL THE PREVIOUS EDITIONS OF SUPER SNAPPY SPEED REVIEWS
Super Snappy Speed Reviews: Books (Vol. 4)Super Snappy Speed Reviews: Children’s Edition (Vol. 2)
Super Snappy Speed Reviews: Doctor Who Edition Super Snappy Speed Reviews: Children’s Books Edition (vol 1)
Super Snappy Speed Reviews: TV Edition (vol. 2) Super Snappy Speed Reviews: Writing Apps for Android
Super Snappy Speed Reviews: Books (vol. 3) Super Snappy Speed Reviews: Games Edition
Super Snappy Speed Reviews: Star Trek Edition Super Snappy Speed Reviews: Books (vol. 2)
8 Super Snappy Speed Reviews: Film 5 Super Snappy Speed Reviews: TV Edition
8 Super Snappy Speed Reviews

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ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

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Throwback Thursday: Ten Writing Commandments

First published 18/09/2016

I’m in a cliché sort of mood today and since I don’t want to burden the novel I intend to work on this afternoon with clichés, I’m afraid I’m going to burden you with them instead. Behold, my Ten Writing Commandments, predictably humorously written in a crude approximation of ‘King James’ English and with helpful expositions of each rule.

Most of these rules are as old as the hills and are probably familiar to you. I am not, for one second, claiming to have invented any of these rules. However, this is a compilation of ten writing precepts, from a variety of sources, that I have found to be particularly useful to me. I should add that the expositions I have included are all my own.

So, without further ado…

1. THOU SHALT SHOW; THOU SHALT NOT TELL.

This is what separates quality prose from a technical manual. Allow me to demonstrate with an excerpt from John Steinbeck’s Of Mice and Men:

‘They sat by the fire and filled their mouths with beans…’ (emphasis mine).

John Steinbeck, Of Mice and Men

This is a well written line. Rather than telling you what happened, it uses imagery to allow the reader to experience for themselves the sight of two men, stuffing their faces with beans.

Here is what that exact same passage might look like if it was all telling and no showing:

‘They sat by the fire and ate lots of beans.’

Exactly the same thing is happening here but it fails to capture the gluttony of the ravening men. The reader is not transported to the fireside to witness the feast of beans. We are simply informed. Boring!

2. THOU SHALT NOT MAKE UNTO THEE UNREALISTIC GOALS.

Be honest with yourself about what it is possible to achieve. A thousand words a day seems like a small goal, but after only one year, you will have 365,000 words; that’s a trilogy of novels, all because you succeeded in reaching your daily goal. But if you set yourself a goal of 10,000 words a day and fail to meet it, you will never complete anything.

Slow and steady wins the race (I haven’t got these clichés out of my system just yet)!

3. THOU SHALT REMOVE ALL DISTRACTIONS.

I’m looking at you, Facebook. Get rid of anything that might distract your attention. TV, internet, chattering relatives, the lot. Focus solely on achieving the goal you have set for yourself that day. If you find yourself prone to a wandering mind, allow yourself regular but carefully timed breaks to do all the other little things you need/want to do… but when it’s writing time, it’s writing time.

4. THOU SHALT NOT USE WORDS IN VAIN.

Waffle is no fun to read… so why it write it?

Oh, I see… you want to ‘pad out’ your story to reach your word limit, so you’re thinking of adding in lots of unnecessary words to make your sentences longer? Well, don’t. All that does is breaks up the flow of your story. Take this phrase for example: ‘The brightly shining sun…’

There are four words in that phrase, two of which (‘brightly’ and ‘shining’) are superfluous. The reader doesn’t need you to tell them that the sun is shining brightly, because the sun always shines brightly by its very nature. It’s never dull or dark. The noun ‘sun’ naturally conjures images of bright shininess all by itself. If the sun was shining dimly for some reason, then an adverb might just come in handy!

If in doubt, remember the rule that every word and sentence you write ought to help the story to progress. Don’t tell the reader what they already know or do not need to know.

5. THOU SHALT KNOW THINE AUDIENCE.

Even if you’re the sort of person who doesn’t like to think about the commercial side of writing, knowing your intended audience is the only way to know exactly what to write. No story, no matter how well written, will suit everybody; therefore, it must suit somebody. It is only possible to reliably accomplish this if you know in advance who that somebody is.

6. THOU SHALT WRITE REGULARLY AND OFTEN.

Some say you have to write every single day or you are doomed to fail. I think that’s a slight exaggeration but the principle is sound. Depending on your circumstances, it might be more appropriate to write seven, six or five days a week but what really matters is that you get into a habit of writing often (because believe me, good writers practice their craft) and at regular set times to help you avoid distraction. Not only this, but having a regular writing time means you will also have a regular ‘clocking off’ time – because writing every hour God sends is no healthier than being at any other job 24/7.

7. THOU SHALT WRITE SWIFTLY…

Planner or pantser, the same applies to both of you: when it comes to writing, the best thing you can do is to make sure words are constantly appearing on the page without stopping to improve (or worse, delete) what you’ve just written. This is not the time for editing or second-guessing yourself. Get your story down in all its dreadful badness. A bad story can become a good story, but nothing won’t become anything. If you really can’t bring yourself to do it, join an archaeology expedition and try to dig up an old typewriter and write your story on that instead.

8. … AND THOU SHALT EDIT SLOWLY.

Having said that, you still want your story to be perfect. So, once you’ve got your story written down, go over it with a fine tooth comb. Analyse it carefully and in detail; word by word, sentence by sentence, paragraph by paragraph. Find whatever stylistic or grammatical problems there may be and do not rest until they have all been resolved to your satisfaction.

9. THOU SHALT RETAIN PROFESSIONAL DETACHMENT FROM EVERYTHING YOU WRITE.

What I mean by this is that no part of your story – words, sentences, metaphors, word-play, characters, plot twists or anything else – should be safe from being changed or completely deleted as necessary. What matters is the story. This is especially important for writers of speculative fiction who feel the need to explain every intricate detail of how their fantasy world functions. You as the writer might be very excited about what you’ve created, but the truth is, the reader is not. The reader is looking for a story, so don’t go off on long tangents.

The same is true, however, even in non-speculative fiction. Perhaps you have written some really powerful dialogue or the perfect fight scene… but they have no real function in your story. They will need to go. Therefore, do not become overly attached to anything you have create or else when you come to edit, it will be like having one hand tied behind your back.

10. THOU SHALT BREAK THESE COMMANDMENTS AS YE SEE FIT.

I mentioned at the beginning that these were ten rules that I have found to be useful to me personally. The truth is, I’ve come across dozens of books and websites claiming that ‘this, that or the other’ is the most important rule to follow in writing but really… there are successful writers who follow one set of rules and there are those who do the exact opposite. Some write daily; some do not. Some plan; some pants. I remember once on Star Trek: Deep Space Nine, a particular character commented that you can only write about what you have experienced… which got me wondering what planet (literally) the writers of Star Trek were living on. I’ve said it several times today and I’ll say it again: what matters is your story.

If the only way you know to get words on the page is to do the opposite of everything I’ve written here, then do it with my blessing. Rules are made to be broken.