Throwback Thursday: 5 Ways to Write a Terrible Novel
You might recall, if you’ve been putting up with this blog long enough, that I once wrote a post on how to avoid becoming a writer. Of course, if you are a writer, you’ll know how insistent that little Inner-Writer’s voice can be, constantly banging on about the different ideas he’s come up with that you absolutely have to write. You might find it simply impossible not to write.
But fear not, ye who are enslaved by the urge to write. Your salvation is at hand. If you dread becoming a full time author, but cannot resist the urge to write, there is another solution: write badly.
It’s easy to do. Just follow these simple steps.
1. Use Dry Descriptions; Avoid Figurative Language
How you describe things can often be the difference between an excellent story and a terrible one. I can’t labour this point enough. Using metaphors, personifications and other forms of figurative language can turn even the most unexciting passages of narrative into a thing of sheer beauty, whereas dry descriptions can make even the most intense scenes seem duller than the Phone Book. Allow me to demonstrate using the first few lines of John Steinbeck’s Cup of Gold:
All afternoon the wind sifted out of the black Welsh glens, crying notice that Winter was come sliding down over the world from the Pole; and riverward there was the faint moaning of new ice. It was a sad day, a day of gray unrest, of discontent.
Steinbeck, J. (2000), Cup of Gold, Penguin Classics, UK. p. 1
This is what you want to avoid. All Steinbeck is doing here is describing the weather, yet it’s so chock full of figurative and poetic language that it’s an absolute joy to read. It flows beautifully and really makes you feel like you’re there, in the Welsh glens, feeling the cold of winter rolling in from the Pole. If you write like that, everybody will want to read your novel. Instead, aim for something like this:
It had been windy all afternoon in the black Welsh glens. You could tell it was nearly winter. In fact, the river was starting to freeze. The sky was grey and the mood was sad. There was a bit of a breeze and a bad feeling in the air.
Considering the above paragraph is only two and a bit lines long, you’ve got to admit… it’s a tedious read. I got bored writing it! You can be sure your reader will get bored if you write your whole novel that way.
2. Use Stock Characters
You know how I’m always saying that characters are people, and should therefore have all the wonderful complexity and contradiction that make up a real person? Well… forget all that. If you want to write a bad story, you’ve got to make sure your characters are as flat, predictable and stereotypical as possible. So, you might have characters like this:
Johnny Famous (our dashing hero). He’s strong, noble and righteous in all things. He neither smokes nor drinks, has no skeletons in his closet and knows neither fear nor selfishness.
Emperor Zorg (dark lord of all). Wears a black cape and wants to conquer the universe. Thinks love is a weakness. Lives in a black castle, or maybe an underground base.
Daisy Divine (love interest). Stunningly beautiful and serves no function in the story except to be rescued by and fall in love with Johnny. If you must give her a back story, don’t let it be anything that might interfere with her living happily ever after with Johnny.
3. Use ‘deus ex machina’
Even the most well written story can be ruined at the last minute by deus ex machina (‘God in the machine’). This is a technique writers sometimes use (usually when they can’t figure out how to progress the story in a way which is believable and satisfying) which essentially involves a random, improbable or otherwise unsatisfying solution to your story.
Just the other day I was watching an episode of Star Trek: Voyager called ‘Twisted’ in which a spacial implosion ring is slowly twisting and crushing the entire ship from the outside in. Eventually the regular cast find themselves trapped in the one and only unaffected room on the ship and are desperately trying to come up with a solution to save themselves before that room also implodes. Finally, they accept that they can do nothing but accept their fate. The implosion ring enters the room and begins to crush the remaining crew…
Then it suddenly disappears and everything is fine. Turns out the implosion ring wasn’t nearly as deadly as it seemed. In fact, it was trying to communicate.
I wasted an hour of my life watching that. Take note: deus ex machina is a great way to make your readers hate you forever.
4. Employ Numerous Cliches
Actually, just between you and me, you can sometimes include a tiny amount of small, carefully camouflaged cliches in a story and still end up with a good story… but as a rule of thumb, the more cliches you have and the more obvious they are, the more terrible your story will be.
There’s an almost endless list of possible cliches you could use to make your story extra-awful, but a few examples include:
- The Chosen One: Our hero thinks he’s just an ordinary guy but it turns out he is actually the fulfilment of an ancient prophesy and must save the world because it’s his destiny (in a good story, the protagonist will act in a way which is in keeping with their own motivations and desires).
- Love conquers all: Just when all seems lost and the world is doomed, the bad guy’s evil plans are utterly thwarted because someone performs some great act of love (usually either involving sacrificing oneself for another or just plain old fashioned snogging).
- The Final Battle: The whole story culminates in final dramatic fisticuffs between the noble hero and the evil dark lord in which, after a bit of a wobbly start which is supposed to make the reader think all is lost, the noble hero inevitably wins.
5. Info Dump
To understand what is going on in your story, your reader must be aware of certain facts. Characters’ backstories or particulars about how your fictional world works, for instance. Good writers feed this information to their readers in small doses and, where possible, will subtly weave it into the narrative so as not to drag the pace of their story down to a tedious belly-crawl.
But you don’t want to be a good writer! You want to write a terrible novel, so make sure your novel reads like a textbook of facts and figures about the history of your characters and the world they inhabit. Ideally, if you can devote the first chapter or two entirely to providing facts and backstory without getting down to telling the actual story, you can be sure your reader will put your book down without finishing it. If that seems too hard, try to info-dump in a character’s dialogue instead. For example,
‘I was born on the 29th of May 1982 at the Queen Mary Maternity Hospital to Jean and Philip Jones.’ said Peter Jones. ‘I lived with them in the leafy suburbs of Anytown all my life until I met Miss Backstory who broke my heart and now I can’t handle adult relationships at all…’
Follow even just some of these steps and I can guarantee you, you’ll never write a good story in your puff. No matter how many manuscripts you complete and submit for publication, you can still return to your tedious office job day after day, secure in the knowledge that you’ll die at that grindstone before you ever have to take the plunge to become a professional, full time author.
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Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlight, drop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.
I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.
Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.
You can check out our previous interviews here:
- Sharleen Nelson, author of The Time Tourists 
- D. Wallace Peach, author of the Shattered Sea duology 
- Jacob Klop, author of Crooked Souls
- H.L. Walsh, author of From Men and Angels 
- G.M. Nair, author of Duckett and Dyer: Dicks for Hire
- Georgia Springate, author of Beyond
- S.E. Morgan, author of From Waterloo to Water Street
- Megan Pighetti, author of Fairy-Tailed Wish 
- Nancet Marques, author of Chino and the Boy Scouts [VIDEO]