Originally published 21/02/2016
Although every effort has been made to avoid spoilers, anyone who has not read Different Seasons by Stephen King is hereby advised that this post may contain a few unavoidable spoilers.
I’ve never been a fan of horror stories (but power to you if you like them) and for that reason, I’ve avoided the work of Stephen King for far longer than is healthy for someone who claims to love a good story. However, on my birthday at the end of last year, I unwrapped not one but two Stephen King books: Different Seasons and The Green Mile (I also unwrapped Cup of Gold by John Steinbeck and a 9 book collection of Poirot novels by Agatha Christie, but that’s not important just now). I haven’t got around to reading The Green Mile yet but if it’s half as good as Different Seasons then I might have just become a Stephen King fan. It’s a fantastic book.
I would offer one word of caution to anyone who, like me, does not usually like horror but is curious about Stephen King: Different Seasons may(!) not accurately reflect the kind of stories King normally writes. As I read through Different Seasons, I was surprised by how relatively mild the horror elements were until I got to the afterword, in which King (1982, p. 672) comments,
I write true to type … at least, most of the time. But is horror all I write? If you’ve read the foregoing stories, you know it’s not … but the elements of horror can be found in all of the tales, not just in The Breathing Method – that business with the slugs in The Body is pretty gruesome, as is much of the dream imagery in Apt Pupil. Sooner or later, my mind always seems to turn back in that direction.
It’s this little afterword which leaves me wondering exactly how King’s other novels compare to this collection. That being said, the four novellas contained in this collection (Rita Hayworth and Shawkshank Redemption; Apt Pupil; The Body; The Breathing Method) certainly have their own dark threads running through them.
I don’t really want to rabbit on about Rita Hayworth and Shawshank Redemption too much since I’ve already raved about it in a previous post but it bears mentioning. It tells the story of a friendship which develops between two prisoners in the Shawshank Penitentiary and of the final dramatic exit of both men from that prison. It features pretty much nothing in the way of supernatural horror elements but neither is it shy about giving a gritty account of life in the Shawshank Penitentiary, where most of the story is set. There are, for example, a few brutal scenes of violence including rape, though these are not overdone in a way which would make the narrative needlessly crude. In fact, I found there to be something strangely heart-warming about the main plot and the way the story ends. What really made this story stand out for me, however, was King’s superb use of narrative voice, as mentioned previously.
Like Shawshank, Apt Pupil is a story that does not really contain any traditional horror elements. However, it is very dark; the darkest of the four in my opinion. It is set in the fictional Californian suburb of Santo Donato and focuses on a mutually destructive relationship between an elderly Nazi war criminal, Kurt Dussander (a.k.a Arthur Denker) and Todd Bowden, an ‘all American kid’ with an unhealthy fixation on the Holocaust. Unlike the other three, Apt Pupil is narrated in the third person.
The story opens with the protagonist, Todd, appearing quite uninvited on Dussander’s doorstep, having already learned of Dussander’s previous life as a Nazi and his specific role in the Holocaust. Todd begins by blackmailing Dussander, threatening to expose him unless Dussander tells him gruesome and detailed stories about the Holocaust. The relationship brings out the worst qualities in both characters, eventually leading both to actual acts of murder while their mutual fear of each other forces them to continue their toxic relationship. While this is a little darker than the type of story I would normally go for, I must say that the two main characters are a master-class in constructing complex relationships between characters. Each character is unique, memorable and serves a vital function in the story (as all characters should), yet their relationships are a complex and intricately crafted web of obsession, hatred and interdependency the like of which very few other authors could hope to equal. Despite being darker than the type of thing I would normally read, it is so well written that I would have to say that, along with Shawshank, Apt Pupil is probably my joint-favourite story from Different Seasons.
The Body, on the other hand, was probably my least favourite of the four. It is written from the perspective of Gordon Lachance; an author, writing about an incident in his youth when he and a group of his friends, all of whom come from dysfunctional families, learned of a dead body which one of their brothers had discovered but not reported to the authorities. Lachance and his friends set out in secret to search for this body so they can ‘discover’ it and become famous. Personally, I found the narrative a little on the slow side compared to the other three novellas and while King’s use of narrative voice in this story was very good, it doesn’t come close to Red’s narration in Shawshank. The ending was also a bit of a let down. On the plus side (if you don’t like anything too dark), it is comparatively light on the physical and psychological violence found in the previous two stories.
The Breathing Method is a story within a story and is probably the closest thing to a supernatural horror to be found in the collection, though any supernatural or fantastic aspects to this story are only hinted at. The story opens with David, the protagonist of the frame narrative, being invited along to a mysterious men’s club by his boss where the members mostly read, tell stories and play pool. The rest of the novella takes the form of another character, Edward McCarron, telling David and everyone else at the club a story about an unmarried pregnant woman he once treated who was determined to have her baby despite the social and financial difficulties this would have caused her. He also tells them about an unconventional method of controlled breathing which he teaches her to use when she goes into labour, which allows him to save the baby’s life when the woman is involved in a fatal traffic accident.
All in all, Different Seasons is an excellent collection and is probably a great place for a first time reader of Stephen King to begin, especially if you’re not wild on horror. More importantly than that, the quality of the writing in all four of these stories testifies to the fact that – no matter how famous he might be for writing horror – Stephen King is no one-trick pony. Different Seasons may be a little on the dark side at points but I would still highly recommend it to even the most avid of horror-dodgers.
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