Why Your Fantastic Story Idea Has To Die

So you’ve had a fantastic idea for a new story: something really original, really clever and just plain brilliant. Well, bully for you, I say! It’s a wonderful feeling not only knowing what you’re next story is going to be about, but actually knowing that it’s a real cracker of an idea.

Enjoy your good feelings while you can but don’t fall in love with your idea. If you do, you’ll only end up languishing in Inspiration Hell the moment you try to put your idea into action. If you want my advice, you’ll treat your idea as a profane thing from the very moment it’s conceived. It is not sacred. It is not too beautiful to die. Frankly, it’s probably not as clever as you thought. Unless you’ve laid a real golden egg of an idea, you’ll probably have to kill it– and the sooner the better.

‘Now wait a minute there, old bean!’ I hear you cry. ‘That seems a bit harsh!’

Maybe it is, but I still think it will save you a lot of heartache in the long run if you take it to heart now. No element of your story should ever be safe from being tweaked, twisted or downright axed. This includes the original premise of your story, however clever it might be.

This is no new commandment. We all know how important it is to ‘kill your darlings’ when you write. You know what I mean: those glorious, beautiful little bits of narrative you’ve written that you think are so wonderful, but they ultimately do nothing for your story and have to go.

However, unlike most darlings on the headsman’s block, the original idea is not something you can simply come back to at the editing stage. If you write a dodgy sentence, an unnecessary scene or even several chapters of pointless drivel, you can still plod along quite the thing until you finish the draft. Not so with your original idea! If you fall too hard in love with it, you’ll never make it past the first draft (assuming you ever get the first draft started), because you will be unprepared to take whatever ruthless steps are required to fix the glaring weaknesses in your plot. If your original idea isn’t working, you must be prepared to kill it without mercy.

‘But if I kill my original idea, won’t I be right back at square one, with no idea whatsoever?’ I hear you cry.

No, of course not. Your original idea still serves a purpose: a new idea will be born from its ashes. Almost every story idea has at least a million possible alternative directions you can work in and I would encourage you to experiment with all of these (Scapple is my app of choice for organising my thoughts in this regard, though a good old fashioned pen and paper also does the trick). Perhaps your love interest should really be the protagonist? Perhaps your protagonist should be a pixie instead of a wizard? Heck, perhaps we should forget about pixies and wizards and go for cowboys instead? One of the best decisions I ever made in one of my old fantasy stories was to change from a medieval fantasy setting to a post-industrial fantasy. The basic themes, conflict and characters were essentially the same but by letting go of my determination to have knights on horses, my mind suddenly exploded with a whole bunch of material that yielded a much better story.

Even if your original idea is working, you will still need to be prepared to develop it, and that involves making changes, both big and small, so even if you stick with the same core idea, it will still require painful surgery to make it function. It is better, therefore, to simply have the attitude that your idea is profane and eligible for the chop from the very beginning. The fact is, no story idea ever comes to you fully formed. Ideas are like clumps of marble used in sculpting. Some clumps might be easier to work with than others and some might be utterly useless, but none of them can become Discobolus or David until someone first takes a hammer and chisel to it.


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what chisels your marble.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

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5 Useful Fiction and Writing Blogs

We writers have got to support each other. That’s why every now and again I’ll do a post showcasing the work of other fiction and writing bloggers besides my own. This week is such a week.

Previously I’ve shared specific posts that I’ve found particularly useful or entertaining but I’m doing it a bit different this week. Instead of sharing individual posts, I’m sharing links to whole blog sites that I find myself returning to again and again, either because they’re full of useful tips and resources or because they’re just plain enjoyable to read.

As ever, this is simply a selection of my favourites, not an exhaustive list; and as ever, this list is in no particular order.

A Writer’s Perspective – If you’re a writer of historical fiction set in the 14th century or even just mildly curious about how people lived back then, this blog is definitely worth a look. It’s full of interesting little articles about everything from castles to medieval cuisine written by historical romance author April Munday.

TurtleWriters – ‘A Community for Slow Writers’. This is a great little blog site to find help and support if you’re the sort of writer who feels like they’re wading through treacle whenever they try to write. The blog is updated pretty sparingly, but it’s just such a useful breath of fresh air to us ordinary folk who want to write that I had to include it.

Rebecca Alasdair – Useful and enjoyable writing tips, general author updates and reflections on reading and writing. Also as an aside, this blog is much easier on the eye than a lot of blog sites.

Now Novel – In addition to a plethora of other resources (writing courses, groups, story idea finder, etc.), Now Novel boasts a blog with a motherload of writing tips for would-be novelists. I’ve never used any of its paid services but it’s blog alone is a tremendous resource for anyone who wants to write a novel and doesn’t know where to begin.

Morgan Hazelwood – Like her tagline says, Morgan’s blog is full of writing tips and writerly musings – with plenty of video for those too lazy to read.


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what squeezes your lemons.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

How to Help Your Audience Suspend Disbelief

Before I begin, let me ask you a question: what is the hardest thing to believe about Superman? Is it the fact he can fly, deflect bullets and shoot heat rays from eyes? Is it the fact he is faster than a speeding bullet, more powerful than… you know? Or is it something else?

As you may be aware, if you’ve been following this blog regularly, I’m cooking up an original superhero story, which I plan to publish in regular instalments here on Penstricken. Now all writing has its challenges, but if there is one thing that I’ve found difficult to get right with this particular story, it is the willing suspension of disbelief.

‘The willing suspension of disbelief?’ I hear you cry. ‘What the heck is that?’

I’m glad you asked. Basically, whenever an audience sits down to read a book or watch a play, they make a subconscious decision to accept the truthfulness of what is happening despite knowing it to be a work of fiction. If the audience does not suspend their disbelief, they will never be able to enjoy the story, because they’ll spend the whole time pointing out all the obvious contrived and plain ridiculous elements that are required to make a good story. While it is ultimately something the audience can decide to do or not to do, you as the writer have a responsibility to write a story which makes it easy for the audience to suspend their disbelief.

Does this mean magic, goblins and (in my case) superheroes are out? Certainly not. People have been telling stories about magic, goblins and yes, even super-powered humans doing incredible things since ancient times. If the current trend in Marvel and DC films is anything to go by, humanity’s taste for the impossible has not dwindled much in the last few millennia. It’s also true that there are plenty of non-fantasy/speculative stories which can utterly fail to inspire the willing suspension of disbelief. The issue is not one of what is possible. The issue is of what is likely.

The hardest thing to believe about Superman isn’t the fact he comes from another planet, nor is it the fact he has incredible powers. Those things are perfectly acceptable within the rules of the Superman universe. The most ridiculous thing about Superman* is the fact that Lois Lane (and everyone else) is actually fooled by a pair of glasses. I started wearing glasses for the first time back in 2014, and when I went into work the next day my colleagues didn’t all demand to see my ID badge, nor did my boss phone me up and ask me why I wasn’t at work. They knew it was me. That’s because glasses really don’t obscure a face that well.

But as much as everybody loves you there is one question that keeps coming up: “How dumb was she?” Here, I’ll show you what I mean. Look (puts glasses on). I’m Clark Kent (glasses off). No, I’m Superman (glasses on). Mild-mannered reporter (glasses off). Superhero. Hello? Clark Kent is Superman. Well, that was worth the whole trip. To actually meet the most galactically stupid woman who ever lived.

Lois and Clark: The New Adventures of Superman, s. 2 ep. 18 ‘Tempus Fugitive’ 

Source: https://www.springfieldspringfield.co.uk/view_episode_scripts.php?tv-show=lois-and-clark-the-new-adventures-of-superman&episode=s02e18 (parentheses mine)

At this point, there is something very important to point out: in order to function, almost every story you ever write will feature a little unlikely element here or there. That’s okay, as long as you don’t push the audience’s ability to suspend their disbelief too far. Think of these things like using selloptape to wrap a Christmas present. You need a little, but too much spoils the whole thing. The audience will put up with one very small ‘oh come on, that wouldn’t happen!’ moment provided it helps your story along and isn’t the beating heart of your story in and of itself. For instance, Superman wouldn’t work without the glasses ‘disguise’, but its not fundamental to who he is or what he does. It’s just a simple trick to allow him to lead a double life and it’s unobtrusive enough for the audience to forgive, assuming the audience wants to enjoy the story (a determined audience can and will find the joins in even the most perfect stories; don’t let them get you down).

Having said all of that, you still need to take care when you are constructing fantastic elements for your story too. You can’t just have a dragon pop up and save the day in the last few pages of your story when previously you had no dragons. You can make your fantasy world as ridiculous and as imaginative as you like (have you read The Colour of Magic?) but there are still a few important things to remember if you want the audience to fully suspend their disbelief. I’ll rattle through them quickly.

Every fantasy world has rules. These can be almost anything you want, but you can’t deviate from the rules of your fantasy world any more than you can deviate from the laws of physics in real life.

Consider your genre and your audience. You’ll get away with elves in a fantasy. You won’t get away with them so easily in a space opera. Your audience will almost certainly approach your story with certain expectations, so think long and hard before you deviate from them.

Foreshadow. Don’t introduce fantastic elements as and when they’re needed. If Superman only flew when he had a missile to catch but got the train everywhere else, we would find this sudden introduction in the story’s climax a little jarring (might even read like a deus ex machina). If he can fly, he can fly– so let him fly! Don’t have him climbing ladders to change light-bulbs. He can fly! He’s not going to forget he can fly!

Avoid making things too easy for your characters. Whether it’s a personal code of morality, a price for casting magic or some other Achilles heel, if all your hero has to do is snap his fingers and save the day with his powers, you’ll have created an anticlimax. Nothing in life is ever as easy as simply magicking your problems away, and no matter how much your audience might enjoy magic or reversing the polarity, a good story reflects this. Your hero has to face a challenge to overcome using their head, their heart and their hands. There’s a reason Superman always winds up a cage made of Kryptonite. The bit where he escapes the Kryptonite using nothing more than his wits, his natural human strength and his burning passion to save the day is always more satisfying than the bit immediately after where he catches and disarms the missile in midair and actually serves to make the final ‘magical’ rescue all the more exciting.

*Okay, there’s also the fact of his impeccable moral purity, but that’s a deeper issue of character writing that I’ll talk about some other time. In fact, I already have.


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what suspends your disbelief.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

Blogging and Novel Writing – Revisited

You may recall that a couple of months ago I expressed my frustration with how much of my writing time was being gobbled up by this blog, and the detrimental effect it was having on my novel.

Well I haven’t just been sitting around since then. I’ve been making plans to redress the balance of my writing time while keeping this blog afloat, and since it’s nearly the New Year, and I know you’ve all just been dying to know what I’ve been up to, I thought I’d share some of my plans with you now.

Having carefully examined my own writing habits (both good and bad), I’ve concluded that a large part of my problem lies in how I plan and organise my blog; or to be more accurate, how I fail to plan my blog.

You see, I usually begin each new post from scratch on the Monday before it’s due to be published. Since I tend to only write for an hour or so each day (barring holidays and weekends), that gives me a maximum of about 6-8 hours a week to get my blog done, assuming I don’t do any novel writing. That’s not a lot of time if I’m struggling to come up with a topic, especially when you consider that I do also use that time to work on my novel.

Well, those days are gone now. For the last few weeks I’ve been working by planning out each topic in advance and organising it on a little planner I’ve knocked together on a spreadsheet. This means that whenever I sit down to write on Monday evening, I should be able to knock each post out far quicker since all the brainstorming will have been done in advance (this very post you’re reading now was written three weeks in advance, and at present I have topics planned right up until the end of February; that’s a drastic improvement on before).

I have also decided to make slight adjustments to my weekly word count. Previously I had always aimed to write about 1,000 words per post (depending on the kind of post I was writing). If it was significantly over this, I would edit it down and if it was significantly under par, I would write more. No more! While I am keeping the upper limit of 1,000 words, I am removing the lower limit. This means less time faffing about with word counts; I will simply say whatever I want to say in as many words as are required to say it.

‘But what if you want to say something really long-winded?’ I hear you cry.

I’m glad you asked! Up until recently I’ve only written individual posts. Each week was a brand new topic. From now on, however, I plan to write more serialised posts like what I did with non-human characters [2] [3] [4] a wee while back. I hope that by doing this, I’ll still be able to explore larger topics more fully while still maintaining a relaxed weekly word-count. It will also reduce the pressure to come up with new and interesting topics each week.

Speaking of serialised posts, I do have one other thing I’m very excited to announce for this coming year. As you will know if you frequent this website at all, I do occasionally post my own stories here. Until now, I have only posted flash fictions (in order to keep within my 1,000 word limit). Starting early on in 2019, however, I intend to publish a longer, serialised story on a regular basis. I don’t want to say too much about it just now since I’m still compiling my story bible and have only decided on a very tentative publication date for the first instalment (which I reserve the right to change for the time being) but I will say this: it will be an original superhero story.

I’m feeling quite good about all this. When I posted about my struggles with blogging and novel writing last year, I really didn’t know if it was possible to fix it without simply quitting the blog. Now I’m encouraged that with a little bit of planning, effort and time management it’s perfectly possible to have my literary cake and it.


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what plucks your pigeon.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]

App Review: Storywriter

It’s the holy grail of writers app: a perfect palm-sized place where you can both plan and write your entire novel from beginning to end. All the fun of Scrivener on your phone. If you’re an Android user, you’re probably beginning to despair of the hope you’ll ever find an app like it, especially if you’re looking for one that won’t break the bank*.

Well, dear writer, here’s the good news: you’re not strange. I, too, despair of the hope of ever finding such an app. It was in this context that I downloaded Storywriter by Raindrop for Android but the question is: did it deliver? 

Anyone who has ever tried to write a novel with a mobile app knows that many apps boast functionality but are fiddly to use, especially on a phone. There’s often just too much stuff crammed in and it makes the app untidy and complicated. Not so with Storywriter. This app is so neat and tidy that you can jump straight in to using it without a moment’s fuss. That alone makes it worth paying attention to in my book. Even an idiot can open it and intuitively know exactly how to use it in about ten seconds flat. I simply haven’t got the words to describe how ridiculously intuitive this app is. You just make a new project by giving it a name and then boom! A nice, easy way to write chapters, storylines, character bios and general ideas all in one place. I can’t fault it for it’s layout or ease of use.

Each project is divided into four sections: Chapters, storylines, characters and ideas. These all work in exactly the same way. You add a new chapter or character by tapping the button at the bottom and you’re given a blank document to write on. There’s no meta-data or anything like that (for example, if you create a new character, you won’t be prompted to type in names, DOBs, genders, etc). In fact the only differences I’ve been able to find between the four different document types is that smart enter only seems to work on chapters. Apart from that, you could just as easily write your chapters in the character screen or write your characters in the ideas screen. They’re pretty much exactly the same in every way that matters.

So far, I’ve made much of the simplicity of this app. Of course, if we dig a little deeper we will discover that this app does boast a few additional features, such as night-mode; the ability to alter the font and line spacing; ‘smart enter’, which automatically provides you with inverted commas** for a line of dialogue and a similar feature which automatically closes any parentheses you might use (for example, if you type an open bracket ‘(‘, Storywriter will automatically provide the closed ‘)’ one).

Most of these functions are obviously cosmetic and can be toggled on or off from the app’s settings menu. Like most things in this app, the menu is clear and simple to use. I have only got one problem with it: you have to return to the home screen to access the menu. That means if you’re halfway through writing a chapter and decide you would really like to turn off smart enter or change the font size, you have to save your chapter, press ‘back’ to come out of your chapter, press ‘back’ again to come out of your list of chapters and then press ‘back’ a third time to come out of your story altogether. Only then can you access the menu. And then, once you’ve done whatever you wanted to do, you have to re-open your story, re-open the ‘chapters’ list and re-open the chapter you were working on. It’s needlessly time-consuming. 

There is an ‘upload’ function, which I’m guessing is for backing up your work(?) but it’s honestly not clear to me where my work has been uploaded to or why. You need to log in with your Google account to use it and then to sit through an advert so I don’t know how much it’s worth wasting time with this function but it exists and apparently works.

This app does have ads, though they sit unobtrusively down at the bottom of the screen for the most part. There are a few infrequent full-screen ads but you can skip these (unless you try to ‘upload’ a chapter; then you’ll be forced to sit through a full screen video-ad before it will let you upload anything). And of course, if you really can’t bear to look at a little advert at the bottom of your screen, you can always use this app offline and save your work to your device.

All in all, a decidedly okay app but with buckets of unrealised potential. As it stands, it’s pretty decent for a freebie but not quite the miracle I was hoping for. I hope the developers will continue to work on it because with just a few improvements here and there, this could be really a wonderful app.

My rating: 🌟🌟🌟

*The yWriter Android app looks alright but I ain’t spending £4.19 on app I can get for free on my PC.

**British English writers take note: smart enter automatically provides the double inverted-commas (“”) more commonly used in American English.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what peels your tatties.

ATTENTION AUTHORS:

I’m hoping to do author interviews here on Penstricken over the coming year, especially with new fiction authors. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

You can check out our previous interviews here:
Sharleen Nelson, Author of The Time Tourists [2]

How To Write When Time Is Short

Dear writer, you know that writing takes a long time. There are some who claim to be able to knock out a novel in a couple of hours, and perhaps they can, but I’m pretty cynical that the average writer would be able to do that without cutting some major corners and coming away with a substandard novel as a result. Good writing takes time. That’s why it’s so important to write frequently and regularly.

‘Ah but you don’t understand!’ I hear you cry. I simply don’t have the time to write for hours on end, day after day!’

‘Really?’ Some writing-guru glibly cries back before I get a chance to answer. ‘Don’t you have the same twenty-four hour days; the same seven day weeks and the same fifty-two week years as Tolkien, Dickens, Twain and–‘

‘No, that’s not what I mean!’ I hear you cry back, somewhat irked by Mr. Writing-Guru’s superior attitude. ‘I mean, I’ve got so much other stuff that demands my attention! I’ve got a job, a spouse, a mortgage, a budgie, six kids and one more on the way! I can’t just renounce them for the sake of a few extra hours of writing time!’

‘Well then!’ Mr. Writing-Guru replies. ‘Maybe writing just isn’t for you if you care more about your family and–‘

But before Mr. Writing-Guru can finish this latest patronising utterance, you lunge across the table and begin attacking him with his own ceramic coffee flask while he tries to defend himself behind his trilby.

Leave him alone, friend. I understand your situation. There are some things (not many, but some) that simply matter more than writing; other things you simply have no choice but to prioritise, such as a day-job to pay the mortgage. That’s okay. All that matters is you make the best use of the time you do have for writing, no matter how little it is.

First, sit down with a planner (whether physical or mental). Start by working out those times you absolutely cannot write. For instance, I work a day-job from 9-5, Monday-Friday. This makes it absolutely impossible for me to write in those hours (though could you squeeze some juice out of your lunch break?). However, that does leave me evenings and weekends. Surely that’s plenty of time?

‘You don’t understand,’ I hear you cry, warily eyeing Mr. Writing-Guru to make sure he’s still unconscious. ‘I use that time to socialise with my family, to feed my baby, to play a little bit of that new Spider-Man PS4 game…’ 

Oh but I do understand. Some of these things are essential. Others are optional. Ask yourself honestly what things you can and should give up to make time for writing. You might still find that only leaves you a couple of hours every evening to write, but friend…  that’s all you need. You can easily knock out 500 words in an hour or two. I, myself (who am by no means the greatest of writers), wrote the first draft of this blog in just over an hour. Do a little bit of arithmetic with me (I know it’s hard) and you’ll soon see why the ‘little and often’ approach is so useful.

A bog-standard novel tends to be around about 80,000 words, give or take 10,000.

If, like me, you’ve only got evenings and all day Saturday to write, you might be tempted to think Saturday will be your Big Writing Day. Indeed, you certainly should take advantage of Saturday however:

If you write only 3,000* words one day a week, every week, you’ll have 156,000 words by the end of the year. Technically adequate, but I can’t recommend this approach for for these three reasons:

  • Your friends and family are more likely to want a piece of you during what they perceive as your ‘free-time’, even if you’ve not got any regular business on those days.
  • Writing only once a week can seriously bust up your rhythm, meaning you constantly have to get back into the flow every Saturday.
  • Large daily word count goals are hard to accomplish even without distractions. It is difficult to guarantee success.

However, if you allow yourself one hour to write only 500 words (half the length of this article) every evening, when the kids are tucked up in bed and your office is shut for the night, you’ll have 182,500 by the end of a year. That’s more words than you would’ve had writing in a single huge weekend burst and it’s a heck of a lot easier to accomplish. And let’s not forget, you can still take advantage of any weekends or holidays that do become available to you.

If you’re still struggling, however, here are a few more simple tips to make sure you make the best use of your precious minutes.

  • Disconnect your internet. No excuses. Every second you spend looking at Instagram, checking your e-mails or ‘researching’ your novel is a second you’re not spending writing.
  • Turn off your phone and put it somewhere you can’t reach it.
  • Make sure your family, friends or anyone else who depends on having a slice of your attention understands that you write between the hours of x and y every day, and that you cannot be disturbed for all but the most life-and-death reasons. No, not even for two minutes. They’ll probably be cool with that if they know you are available during your non-writing hours.
  • Stick to one writing project. You’ve no time to lose as it is, so don’t double or triple your workload with new projects.
  • Establish clear goals for each writing session. Aimless writing wastes time, so have a realistic goal in your mind for each particular session. E.g.: ‘Today I will write 500 words of my first draft’ or ‘today I will complete my chapter outline’. Keep your goals ambitious (after all, you want to accomplish as much as possible in the time available) but most importantly of all, keep them realistic.
  • If you have time, experiment with pre-writing techniques like free writing.
  • Write fast; edit slowly.

You can do this, dear writer. I believe in you.

*3,000 words is about the average output I tend to manage on a single Saturday session. It’s certainly possible to do more but it’s increasingly unlikely you’ll achieve it week after week, especially if you’ve got family and friends etc. clamouring for your attention.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what organises your calendar.

ATTENTION AUTHORS:

I’m hoping to do author interviews here on Penstricken over the coming year, especially with new fiction authors. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter.

You can check out our previous interviews here:
Sharleen Nelson, Author of The Time Tourists [2]

On Character Traits

I’ve said it before and I’ll say it again: characters are the beating heart of every good story. Show me a good story with bad characters and I’ll show you a liar. There is a direct correlation between the quality of a story and the quality of its characters. Good characters are not optional. They are essential.

Are we all agreed on that?

Good. Go to the back of the class if you said ‘no’.

Now I know what you’re thinking: what makes a good character? Well, there’s quite a few things, but if you really want to write a character of substance, you’ll need to give him a few key traits. At their most basic level, a character’s traits can be defined simply as a list of a few critical adjectives which describe the sort of person your character is; for example, cowardly, obliging, sarcastic, compassionate, devout, holier-than-thou, etc. We’re not interested in physical descriptions here, nor are we interested in their thoughts or feelings at any particular point. We want to know what sort of person they are. If you don’t know what I mean, just think about someone you know well; a friend, relative or colleague. Ask yourself what sort of person they are.

‘John is really obnoxious.’

‘Susan is kindhearted.’

‘Peter is fly.’

These are all traits. They are fundamental to a character’s personality and will usually remain consistent throughout the story (with perhaps just a little wiggle room for growth). If you’re struggling, just Google ‘list of character traits’, you’ll find that the internet is simply teeming with lists of character traits that you can easily pick up and apply to your characters. It’s entirely up to you how many you choose, but I tend to go for nine traits for each major character: three positive traits (e.g.: generous), three neutral traits (e.g.: whimsical) and three negative traits (e.g.: censorious).

‘Sounds simple enough… ‘ I hear you cry, with a note of caution in your voice. And you’re right! It is simple. But there’s a way to do it and there’s a way not to do it.

Detailing your entire plot (or worse, writing an entire draft) and then deciding on your characters traits based on what happens to your character throughout your story is how not to do it. This will result in flat, predictable characters around whom the whole world seems to revolve.

Real people aren’t like that. The sun shines on the righteous and the wicked– and on the zealous, the pious, the pitiable and the proud. Life happens to people regardless of what sort of people they are, and we all deal with each situation in our own way, based on the sort of person we are. Therefore, if you take my advice, you’ll sketch out your characters’ key traits before you begin any detailed plotting or drafting, even if you’re a pantser. And stick to the traits you decide on, no matter what events befall your character. These traits will help to define every choice your character makes, everything they say and, perhaps more importantly, how and why they do/say it.

Try to be adventurous when it comes to selecting character traits. Even pick a few traits entirely at random (yep, there are places online you can do that too) and work with whatever you end up with. Don’t worry if the traits you end up with seem contradictory. Real people are full of contradiction too! This will only enrich your character and you can always smooth out any rough edges that seriously impinge upon your story later if you absolutely have to.

When you finally do come to draft your story, be sure to keep your characters’ traits in mind at all times but do not explicitly state your characters’ traits in the narrative (e.g.: ‘Dave was an evasive and brusque man’). Let your reader get to know Dave by experiencing Dave, not simply being told about Dave. Portraying a character’s traits is a subtle balancing act, where you drip feed your reader just the right quantities of each trait at the right time. You don’t need to bring them all out in equal measure all the time, however I would advise making a character’s fundamental traits fairly clear from the get-go. Even shifty, unreliable characters can be portrayed as such through voice and body language. Let’s think about Dave again. Dave’s a bit of an enigmatic fellow. No one really quite knows what he’s planning, whose side he’s on or what his true intentions are. You can portray this to the reader simply by making him guarded or abrupt in his dialogue.

‘Up to much this weekend?’ Pete asked, pulling on his coat and switching off the office lamp.

‘Nothing much.’ Dave sniffed.

‘Why don’t you come over on Sunday? Susie’s doing Sunday dinner and she always makes enough for ten–‘

‘Sorry Pete,’ Dave interrupted. ‘Maybe another week, I can’t this week.’

‘We never seem to see you anymore, is everything okay?’

‘Fine. Just busy that’s all.’

Thus the mystery is not only preserved, but it is also enhanced, because it makes the reader want to know more. Is Dave out killing people at the weekend? Has he got some illicit love affair on the go somewhere? Does he simply dread socialising? We don’t know. One thing we do know: Dave is evasive and Dave is brusque. The narrative doesn’t say it. Dave just is evasive and brusque. Experiment with using characters’ actions and dialogue and especially body language and voice to portray your characters’ traits and you’ll have a vibrant and distinctive bunch of characters before you know it.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what mashes your spuds.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

Juggling Multiple Writing Projects

So you’re writing a novel. Good for you! Not only that, but it’s going really, really well. You’ve been at it for some time now and though the end is still far off, you’ve made good headway and know it’s only a matter of time. This story is the One. It’s getting written. It’s getting published. It’s going to make you a mint. At the very least, it’s going to make you a minor celebrity on Goodreads. You’ve just got to keep on plodding. You’re committed. Dedicated. Come what may, you’re getting this novel done, just by plodding along one word at a time.

Plod, plod… plod…

But then suddenly:

‘I say! Who’s that smokin’ hot piece of brand new idea?’

Before long you can’t get her out of your mind. Even when you’re supposed to be working hard on your work-in-progress, all you can think about is that idea you had for a completely different story. You might have your work-in-progress open in front of you, but in your mind you’re imagining yourself working on that new idea…

‘Maybe I’ll just make a start on it now,’ you say to yourself. ‘I can tinker around with this new idea and still finish my work-in-progress. It’ll be fine…’

But will it?

Well… it probably depends. Personally, I think working on two big projects simultaneously is ill-advised but it probably depends a lot on how much time you’ve got available and how organised you can be. Personally, I find it a herculean task simply juggling this blog and the novel I’m currently working on; but then I have other things on my mind, not least of all my wife, daughter and full time job (which is nothing to do with writing). You might well be able to write two or more novels simultaneously, and if so good for you, but I find whenever I do that I either 1) fail miserably at writing them both or else 2) gradually lose interest in one while the other takes over completely.

And yet those plot bunnies just won’t stay away. And some of them are just so darn good. What do you do? Here are a few possibilities for you to cherry-pick from:

Carefully organise your time so you can work on two novels simultaneously. I say again, this approach is not for everyone, but if you’ve got the time and discipline, it may be possible to divide up your time rigidly enough that you can make progress on two projects simultaneously (e.g., I’ll work on Johnny’s Big Adventure Monday-Wednesday AM and I’ll work on Jeannie’s Excellent Voyage from Wednesday PM-Friday). However, be warned: even this will still slow progress down. You cannot make time for one project without sacrificing time for another, but it is theoretically possible to make gradual progress on both.

Turn your inter-draft ‘breaks’ into an opportunity to work on another project. We all know that you should take at least a few weeks off between drafts anyway so that you can regain some objectivity before editing. Why not put that time to good use? Instead of twiddling your thumbs during those weeks, write the first draft of your first  project then set it aside and immediately begin to write the first draft of your second project. Once that’s done, you can go back to your first project and repeat the process for your second drafts, third drafts and so on.

Jot down any and every idea you ever have. Personally, I find this good practice anyway. If you find multiple projects just isn’t for you, try keeping a notebook on hand where you can scribble down random characters, settings, titles, disjointed little scenes and whatever else pops into your head. If a new story idea is developing in your brain, it might be worthwhile setting aside a dedicated notebook just for writing down ideas for that story as and when they crop up, but don’t go out of your way to work on the story. Just keep a note of all your thoughts so that you can get straight down to business when you finally do finish that work-in-progress.

‘Can’t I just postpone my work-in-progress and come back to it once I’ve published this new and more exciting idea I’ve had?’ I hear you cry. Technically, yes, it is possible to do that, but I strongly advise against it. Writing a novel is a bit like a relationship. The first few weeks are thrilling without trying, but if you want to make it last, you’ve got to be deliberately and wilfully committed to that project for better or for worse, for richer or for poorer, in sickness and in health until publishing do you part. That new project might look like all your wildest dreams come true, but if you can’t write without that ‘new project feeling’, you’ll never finish a novel because all novel ideas are thrilling at first and hard work after. You’ll just keep on chasing new ideas and before you know it, you’ll have a hundred half-finished novels sitting there gathering dust. Remember, you once felt that same buzz about your work-in-progress, so don’t leave her now! Stick with it. Whether you write one, two or even three(!) projects at a time, don’t let anything stop you once you get started.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what juggles your projects.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

App Review: Text Adventure

Many years ago, before we had fancy graphics and things, computer games were entirely text based. Scenes would be described and the player would navigate his way through the story by typing in basic commands such as ‘walk east’ or ‘open door’.

It was a simpler time. Harder games, but a simpler time. And if you long for the glory days of graphics-free interactive stories then let me introduce you to Text Fiction by Onyxbits.

This Z-machine interpreter for Android brings text based interactive stories straight to your phone, beautifully drawing together the simplicity of old fashioned text adventures with the crisp, modern layout of bubble-style text messaging. It’s not a single text based game, but ‘an interpreter for interactive fiction stories’ with a library of a whopping 183* different interactive stories to choose from, including the Z-machine’s crowning glory: Zork.

I have very few negative things to say about this app. It’s a thing of sheer beauty.

When you open the app, the first thing you will see is the library of stories you have on your device. Adding new stories is a piece of cake. You will notice on the library screen that there are three icons along the top: a little downward pointing arrow, a little collection of squares with a cross in the middle and three parallel dots. Tapping on the downward arrow will take you to the online story library where you can browse and download any of 183 text adventures by various authors, most of which are in the public domain and are therefore completely free. Once you’ve downloaded a story, you can then import it into Text Fiction by clicking the middle icon and choosing which story/stories you want to import. It’s a cinch to do. Even an educated idiot like me can do it in about two minutes flat (unless of course you find yourself completely overwhelmed by indecision in the face of so many free stories, all at your fingertips).

It also goes without saying that deleting a story from your library is as simple as clicking the little bin icon beside the story you’re finished with. Simple, simple, simple. Everything about this app is just so darn simple and intuitive.

Screenshot_2018-08-06-09-58-47.pngNowhere is this truer than with the actual gameplay itself. The screen is set up like a bubble-based messaging app, similar to most modern apps for text messaging. Information appears in bubbles from the left and you ‘reply’ in the same way you would if you were texting, by typing simple commands such as ‘walk north’ or ‘pick up key’. If even that all seems too much like hard work, there is a simple icon-based menu at the bottom allowing you to quickly issue basic verbs. You can also tap on certain key words in the text itself (directions for example) to instantly add that word to the command box, thus minimising the length of time you spend battling with your phone’s positive precocious postcard predictive text.

The app is also highly customisable for accessibility. There are a variety of colour themes to choose from (with strange names like Alice and Jason; you’ll just have to use trial and error to find your favourite I’m afraid) and you can also change the font and font size. There is also a ‘text to speech’ option which, according to Onyxbit’s website, makes the app ‘easy to handle for blind and visually impaired users’. This works okay, but I think it would’ve been nice to include audio input, as well as output, for users with especially poor eyesight. As it is, the blind and visually impaired user can easily hear the story (in fact, the ‘text to speech’ is a little bit on the shouty side) but there is no help to be had when it comes to inputting commands. Audio input, or even the ability to increase the size of the verb icons, would have probably been helpful in this regard.

In terms of how well the app runs, I have very few complaints. It goes easy on the battery and takes up very little of your phone’s memory. It’s fast, smooth, responsive and best of all, ad free! The app itself seems to be completely bug-free as far as I can tell; however I have experienced a bug with one game in particular (I don’t know if any others have this or not) where every time I tried to play the game, the app would crash and I’d get an ‘unfortunately Text Fiction has stopped’ message. I don’t know whether this is a fault with the game or with the app itself, however I have not found any other bugs like this with any of the other games I’ve played (note: I’ve only played 4 of the 183 games available) so I’m inclined to blame it on the game.

Oh one more thing: this app is completely free so you’ve got nothing to lose. Give it a go! I’m certain you’ll love it.

My rating: 🌟🌟🌟🌟🌟

FOOTNOTES:

*Correct at time of publication.


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what pickles your onions.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.

App Review: Goodreads Android App 2.0.2

Anyone who is serious about reading is bound to come across Goodreads sooner or later. They might not like it or see the point of it, but they’ll encounter it. And if they happen to sign up for the bookworm’s social network, it won’t be long before they get emails asking them to download the Goodreads App.

Personally, I’ve used Goodreads on and off a couple of times throughout the years. It’s a handy place to read reviews on almost every book ever published and it’s quite a good place to discover new things to read. It’s also great for those people who feels the need to organise and display everything they’ve ever read on the internet like it’s some kind of virtual trophy room.

Anyway, today I got an email asking me to download the new and improved Goodreads Android App.

‘Yes, I will.’ I thought. ‘And then I’ll tell all my faithful readers exactly what I thought of it, mwahaha!’

So, first impressions: it’s much easier on the eye than it used to be. In fact, it’s much easier on the eye than the actual website itself. The home page is a clear and simple single column consisting of your name, your books (ordered into shelves and neatly compressed so that you don’t see all your books on the homepage), your friends/groups and all your updates. Everything you could possibly want to do is accessible from the sidebar menu (again, this is hidden unless you open it) and a single icon for all notifications on the top right. There is also a search bar for looking up books.

There isn’t much in the way of new features. Just a few badly needed improvements on the old ones, making version 2.0.2 oh so much more pleasant to use than the older ones.

One of the newest features (also available on the website) is the ‘Explore’ page. ‘Try the new Explore page!’ The Goodreads blog says. ‘Browse books trending on Goodreads, new releases hot off the presses, and community-created reading lists across every genre’, it says. So I did, I tried it. It was alright. I don’t know if it’s new as much as newly packaged, but it’s still worth a look if you’re looking for something new to read. If you live in the US you can also use the Explore page to get deals on books by your favourite authors or from your ‘want to read’ shelf sent directly to your inbox.

The ‘My Books’ section has also been improved to make it somewhat more customisable. Books can now be sorted in order of title, author, average rating, number of ratings, publication year and a whole bunch of other things. As far as I can tell, doing this on the app does not in any way affect the order of your books on the website. You can also use the ‘My Books’ section to access your Kindle notes.

Another feature that has been added to the ‘My Books’ section is the ability to add additional dates for when you read a book. This is handy if you’re the sort of person who likes to re-read books. On the surface, this feature is very intuitive and easy on the eye however when I attempted to add a second set of dates for a book I had previously read, I discovered I had to add a finishing date at the same time, which was a little annoying though hardly the end of the world.

As before, the app has one major advantage/annoyance (delete as appropriate) that the website does not have: the ability to use your phone’s camera to scan a book’s bar code, and use that information to automatically add said book to your Goodreads bookshelf. If you do it that way, you even stand a fair chance of finding the correct edition of your book! Alas, even with this new and improved version of the app, it still took about a hundred attempts at holding my camera perfectly still and exactly the right distance from my book just to scan a single bar code, however when it finally did scan, it did scan accurately. You can also scan front covers, which is nice. Covers are a heck of a lot easier to capture with a camera if, like me, you’re not a photographer and you do not have arms of stone.

All in all, not a bad app. There isn’t a whole lot of new features to scream about and it’s certainly not perfect but it’s much easier on the eye than before and runs a lot more smoothly. It’s hardly blown my socks off but it’s alright.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. Be sure to leave us a wee comment if you enjoyed it and don’t forget to ‘like’ this post and follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what blows your nose.

Until next time!

ARE YOU AN AUTHOR?

I’m looking for authors (especially, but not limited to, new and/or indie authors) whose work I can feature here on Penstricken over the coming year. It will simply take the form of a quick Q&A about yourself and your work via private message or e-mail and, of course, a link to where we can all get a copy of your work.

I’m open to interviewing authors of almost any kind of story, provided your work is complete, original and of course, fictional. I will not consider individual short stories/micro-fictions, however I am happy to feature published anthologies or entire blog-sites of micro-fiction, provided you are the sole author.

If you’re interested, or want to know more, be to sure to drop us an e-mail or message us on Facebook/Twitter.