Super Snappy Speed Reviews: TV Edition (Vol. 3)

Spoiler Alert

Anyone who has not seen The Crown, Dickensian, A Touch of Cloth, Star Trek: Voyager, Fawlty Towers or ‘Allo ‘Allo is hereby advised that this post may contain a few unavoidable spoilers.

It’s that time again! I’ve selected a random assortment of TV programs and reviewed them all in just a few short sentences. As ever, these reviews reflect nothing but my own personal opinions and impressions, abridged,  compressed and foreshortened into a few brief statements of my opinion. The TV shows I have selected have nothing in common, save the fact that they are all fictional. They are not necessarily shows I particularly liked or disliked, nor are they sorted into any particular order. So, here we go.

The Crown

I love this show, far more than I thought I would. Compelling drama concerning both the personal and public lives of the British royal family, masterfully written with well rounded characters and contemporary themes delivered in a subtle and sensitive manner.

My rating: 🌟🌟🌟🌟🌟

Buy The Crown (series 1-2) on Amazon

Dickensian

I am outraged and incensed that this show was cancelled after a single series because it was fan-dabby-dosey. Combining characters and settings from all your favourite Charles Dickens stories, this story focuses primarily on Inspector Bucket (Bleak House) investigating the murder of Jacob Marley (A Christmas Carol) though interweaving subplots also abound. It doesn’t really feel like a massive crossover; it feels (I am pleased to say) like a single story in its own right, with characters who naturally belong together, despite their disparate origins. A strange program, but in the best possible way.

My rating: 🌟🌟🌟🌟🌟

Buy Dickensian on Amazon

A Touch of Cloth

A spoof British police drama which balances the traditions of teeth-clenching British crime drama grit with non-stop low brow humour, cheap gags and general silliness. A bizarre program to be sure, one which I felt faintly sullied by watching– but I have to admit, it made me laugh for the first episode or two. Got a bit bored after that though.

My rating: 🌟🌟

Buy A Touch of Cloth (series 1-3) on Amazon

Star Trek: Voyager

Arguably the last great Star Trek spin-off before it all went downhill with Enterprise, Star Trek: Voyager follows the adventures of a single Starfleet crew stranded on the other side of the galaxy trying to find their way back to Earth. It’s certainly not my favourite Star Trek series, but it stands up well next to Deep Space Nine and The Next Generation, featuring story-writing which ranges from okay to excellent. Some episodes are very obvious rehashes of former Star Trek glories, but the more original episodes are generally worth a watch.

My rating: 🌟🌟🌟🌟

Buy Star Trek: Voyager (The Complete Collection) on Amazon

Fawlty Towers

What can I say about Fawlty Towers that hasn’t already been said? An elder statesman of British comedy despite (because of?) its subtle-as-a-brick and fairly formulaic humour (Guests annoy Basil, Basil gets a bit more mad, hits Manuel, harasses guests, climaxing in one final embarrassing disaster). In terms of writing, acting, production and just about everything else, it shouldn’t be able to stand shoulder to shoulder with other classic British sitcoms… but it does. I love it.

My rating: 🌟🌟🌟🌟

Buy Fawlty Towers (The Complete Collection) on Amazon

‘Allo ‘Allo

Another classic British sitcom based on the life of a French cafe owner during the German occupation of France who finds himself unwillingly embroiled in the French resistance while at the same time trying to run a cafe, conceal two stolen paintings, conduct two extra-marital affairs, stave off the unwanted advances of a male Nazi officer, and hide two British airmen from the Nazis. I’ll be honest: it didn’t quite tickle me to the extent it should have given how well written the humour was (though it did tickle me), perhaps because it relied too heavily on that one comedy trope I can’t stand: repeating only slight variations on the exact same joke in every episode. Still, a good show, worth watching if you’re in a silly sort of mood.

My rating: 🌟🌟🌟

Buy ‘Allo ‘Allo (The Complete Series 1-9) on Amazon

DON’T FORGET TO CHECK OUT ALL THE PREVIOUS EDITIONS OF SUPER SNAPPY SPEED REVIEWS
Super Snappy Speed Reviews: Children’s Edition (Vol. 3)Super Snappy Speed Reviews: Books (Vol. 4)
Super Snappy Speed Reviews: Children’s Edition (Vol. 2) Super Snappy Speed Reviews: Doctor Who Edition
Super Snappy Speed Reviews: Children’s Books Edition (vol 1) Super Snappy Speed Reviews: TV Edition (vol. 2)
Super Snappy Speed Reviews: Writing Apps for Android Super Snappy Speed Reviews: Books (vol. 3)
Super Snappy Speed Reviews: Games Edition Super Snappy Speed Reviews: Star Trek Edition
Super Snappy Speed Reviews: Books (vol. 2) 8 Super Snappy Speed Reviews: Film
5 Super Snappy Speed Reviews: TV Edition 8 Super Snappy Speed Reviews

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

TV Review: Doc Martin (Series 9)

SPOILER ALERT

Anyone who has not seen any part of the ITV series Doc Martin is hereby advised that this post may contain a few unavoidable spoilers.

Well it’s finally probably definitely over this time, probably. The last episode of the last ever series(?) of ITV’s extremely popular comedy/drama, Doc Martin, aired on Wednesday past. And so it seems only fitting that I do a little review of the final series of a show which has been with us now for fifteen years.

Before series 9 started, the last few series of Doc Martin had been unremarkable. It felt a bit like the main story (the ‘will they, won’t they’ between Louisa and Martin) was well and truly over after series 7, since Martin and Louisa had already got together, had a baby, split up, got back together, got married, separated and got back together again and were now living in marital bliss contentment with a son. What more could they possibly do before fans started throwing bricks at the TV and screaming for them to just get divorced already?

Well, as bold a move as it was, I was pleased to see series 9 did not really focus too heavily on Martin and Louisa’s relationship with one another. There was a lot more focus on Martin’s career, which was put in jeopardy when the GMC come to investigate his fitness to continue practising medicine; the difficulties Martin and Louisa have producing a second child and the lives of other characters, particularly Morwena and Al, who are about to get married.

In actual fact, this series had a great deal of potential. Individually, each episode was very enjoyable. The classic Doc Martin humour seemed as fresh as ever and there seemed to be lots of different story lines all intermingling in a way which promised a worthy climax for such a popular and long running show. I was loving it…

Until we got to the end of the series, that is.

Don’t get me wrong, the final few episodes were good fun in and of themselves, however in the last episode or two, it felt like most of the key story-lines which made up the overall story arc had either been rushed to a sudden ending or forgotten about entirely. For example, Martin and Louisa trying to have a second child could have easily provided a whole series worth of rising tension climaxing in a dramatic final resolution. However it was poorly executed. They acknowledged their difficulties in having a second child early on in the series, began attending a fertility clinic and in the final moments of the last episode, Louisa reveals that she is pregnant. There was, however, nothing in the middle; no rising tension of any kind, unless you count the odd cheeky comment from minor characters here and there.

It also looked like something significant was going to happen with the undertaker. This brand new character popped up in quite a few episodes and there seemed to be some tension between her and Louisa for some reason that was never fully explained. In the final moments of the series, she asks Martin to father her child as a sperm donor. Martin refuses and that’s that.

The final episode in particular felt a bit anticlimactic when compared with the final episodes of other series. Usually these feature the highest drama, as the rising tension is finally released in one big medical emergency in which Martin performs some heroic medical procedure to save the day while resolving all emotional conflict between himself and Louisa. None of that this time. Martin went for his final assessment with the General Medical Council and, realising how poorly he had performed, decided to resign from being a doctor, moments before Louisa announces her pregnancy. There is a tense moment as they realise he has picked a bad time to quit his job, Martin says a very uncharacteristic and out-of-the-blue ‘I love you’ and that’s that. Frankly, the series did not feel finished.

If I sound like I’ve hated this series, nothing could be further than the truth. I looked forward to it every week and I enjoyed every minute of it. It was funny, it had drama and it was everything Doc Martin should be on an episode-by-episode basis. Only the sloppy story arc let it down, which was real a pity on the final series. I’ll still be getting the DVD though and I encourage you to do so too.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

TV Review: Death in Paradise (s. 1-2)

Well, my wife and I have been digging around in the Netflix treasure chest looking for something we hadn’t watched before when we found this little gem: Death in Paradise. Set on the in the Caribbean, this TV show follows the exploits of a stuffy and meticulous English detective inspector who has been assigned to head up a tiny team of police officers working on the sun drenched shores of the fictional island of Saint Marie.

While it is primarily a murder/mystery style drama, focusing on a traditional ‘who dunnit’ formula, it is obviously not without a generous dollop of humour. The protagonist, D.I. Poole (Ben Miller), is a classic fish out of water. He despises sunshine, parties and anything remotely French; three things which abound in his new environment. Rather than adapt, Poole staunchly treads the burning sands of Saint Marie in his suit from morning till night as he works alongside his new fun-loving colleagues, including his sidekick and obvious foil, Camille (Sara Martins), solving an improbable number of murders on such a small island.

It was a slow start for me. The premise, though simple, appealed to me. I always enjoy a good murder/mystery and the fish out of water trope can be fun. Nevertheless, after the first episode, I still wasn’t quite sure if I was going to like it or not. It seemed to lack that je ne sais quoi that allows you to forget you’re watching people acting and enjoy the story. Realising that most TV shows have a few teething problems on the first episode, however, we persevered and have quickly become hooked (in spite of the shock of s. 3 ep. 1, but we’ll stick to s. 1-2 today).

As is so often the case, the characters are what make this show what it is. The premise is interesting enough, but not enough to keep a viewer hooked and at a technical level the show is pretty unremarkable but the characters (especially the regular cast) are what make it worth watching. Despite his stuffy, snotty-nosed, and borderline xenophobic tendencies, there is also a vulnerable and even lovable side to D.I. Poole. As the show progresses, his relationship with Camille develops into one of mutual respect, friendship and even hints of romantic attraction despite their obvious differences and the frustrations they often feel with each other. My only regret with their mutual story arc is that was cut rather short when D.I. Poole left the show at the start of s. 3 with the romantic tension left never really resolving itself, not even with a single bumbling kissy scene.

The two uniformed officers who work under Poole and Camille, Dwayne Myers (Danny John-Jules) and Fidel Best (Gary Carr) are similarly excellent in their supporting roles. Fidel in particular has his own little story arc weaved into the background of the main story, focusing on how he tries to juggle his career with his responsibilities as a husband and father. The Dwayne character, though beautifully portrayed by the actor, is a little more undercooked from a writing point of view, though remains a joy to watch as he bombs around on his motorbike, flirts with a different girl in every episode and takes a ‘traditional’ gung-hoe approach to policing.

Critics have often accused this show of being very formulaic. They’re right. Every episode without fail begins with the discovery of a body, the credits roll, there’s a vital clue that everybody dismisses but Poole can’t stop thinking about it, they interview the suspects, gather around a whiteboard covered in photographs, Poole has a sudden inspiration brought about by something innocuous and they all ‘gather in the drawing room bar by the pool’ Poirot style so Poole can reveal all and arrest the guilty party. Throw in a the odd will-they-won’t-they scene between Poole and Camille and you’ve got your episode.

In spite of this, it’s still a great show to sit down and lose yourself in. It’s funny, endearing, with enough drama to keep you engrossed without adversely affecting your blood pressure. Give it a whirl and don’t judge it too harshly by the first episode. It picks up quickly.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Review: Kim’s Convenience (season 1)

SPOILER ALERT

Anyone who has not seen season 1 of the CBC TV show, Kim’s Convenience (season 1) is hereby advised that this post may contain a few unavoidable spoilers.

Every now and again, you’ll be perusing Netflix looking for a new show to watch, unsure as to what you’re looking for and feeling frankly jaded with the search. Nothing looks any good. It all looks rubbish. Sure, you could always just rewatch Star Trek for the billionth time, but that would feel like admitting defeat.

You look up at the clock and see bedtime is fast approaching and you still haven’t actually watched anything. In a panic, you take a gamble on some random Canadian sitcom you’ve never heard of and are quite sure is going to be rubbish. A few hours later, much to your surprise, you’ve made it all the way through to season 2 and deeply regret having to turn it off to go to bed. Such was my experience with Kim’s Convenience.

This show, based on the stage play of the same name, focuses on the lives of a family of Korean-Canadians who run a convenience store in Toronto. Kim Sang-il (more often referred to as ‘appa‘, which I gather means ‘father’) and is wife Kim Yong-mi (umma) immigrated to Canada from Korea, and hold fast to Korean tradition and values while their daughter Janet, who is fully assimilated into Canadian culture, frustrates her parents by her refusal to take over the shop or marry a ‘cool Christian Korean boy’. Meanwhile, Mr. Kim’s estranged son and reformed teenage convict, Jung, works at a car rental shop with his flat mate under the supervision of a socially awkward manager who also happens to have a crush on him.

As is so often the case with TV shows I like, the characters in this show are what make it what it is. Sitcom characters are often very two dimensional, easily whittled down to a smattering of traits and nothing more but the characters in Kim’s Convenience have all got a little extra depth. Nothing too deep (it is still a sitcom), but their motives, goals and conflicts are sufficiently defined that we do actually find ourselves caring about the characters and not simply laughing at them. I found I was eager to discover if Shannon and Jung were going to get together or not, or if Jung would ever speak to his father again or if Janet would ever win the approval or acceptance of her parents. As a result, this show is often funny but sometimes touching, without being over the top with it. As a result, the closing scene of the final episode (big spoiler coming up now) packed a heartfelt punch which sitcoms often lack, as Mr. Kim sorrowfully accepted his daughter’s decision to move out of the family home by giving her a relentless list of instructions about how to be a good roommate, thus providing a satisfactory conclusion to some of the conflicts in their relationship throughout the series.

Janet: I’ll still be working at the store. You’ll barely know I’m gone.

Appa: I will know.

Janet: Appa… let’s get some hot chocolate.

Appa: Yeah. Be good roommate. Pay utility bill. Wash dish after you finish eating.

Kim’s Convenience, s. 1, ep. 13

The individual stories often touch on a lot of contemporary issues, particularly discrimination and diversity though not in a way which feels preachy or insensitive. On the contrary, there is something quite refreshing about this show’s simple and direct approach to delicate themes which maintains the show’s entertainment value without shying away from difficult subjects.

So I know what you really want to know: is there anything I didn’t like about this series?

The short answer is: no, not really. It isn’t side-splitting, eye watering laughter from start to finish, but it’s not really supposed to be. Some episodes stand out more than others and there are a few story which seem to end rather abruptly, but in general I’d call this show an ‘all rounder’ piece of light entertainment which you can easily spend an hour or two binge-watching.

Get yourself onto Netflix and give it a try. I think you’ll be pleasantly surprised.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook, if that’s what fries your bacon.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

TV Review: After Hours

SPOILER ALERT

Anyone who has not seen the British sitcom After Hours (2015) is hereby advised that this post may contain a few unavoidable spoilers.

My wife and I’s Now TV subscription will be coming to an end in a few days and, in an effort to save a bit of money, we shan’t be renewing it. Consequently, we’ve taken to cramming in a lot of short TV shows from Now TV to get our money’s worth. Thus, you’re going to be getting quite few reviews of TV shows over the next couple of weeks starting with the little known* British sitcom, AFTER HOURS

Well then, what can I say about After Hours? In many respects, this six episode British sitcom defies a lot of the requirements for good telly and yet I really enjoyed it.

Willow (Jamse Tarpey) hasn’t long finished school and plans on going travelling with his girlfriend Jasmine (Georgina Campbell). However, when the first episode has barely started she meets up with him in a cafe just long enough to dump him. Lauren (Jaime Winstone), who is working at the cafe, tries to comfort the dismayed Willow, and as they are talking it is revealed that she is one of the hosts of Willow’s favourite internet radio program, After Hours. She is delighted to learn that someone actually listens to and enjoys the show, and so she and her co-host Ollie (Rob Kendrick) invite him to work with them on the show, broadcasting from Lauren’s longboat on the canal.

This show contains only the absolute minimal required suspense, drama or conflict. In fact, it probably contains less than is required to make a genuinely good TV show, even for a sitcom and yet… it has a real je ne sais quoi about it, that makes it very pleasant to watch, like cuddling up on the sofa in a thick duvet. Most of the characters are friends with each other. Even Willow and Jasmine’s new boyfriend are reasonably civil. Whenever one character suffers, the other characters rally around and support and help each other. Willow’s parents want him to get a real job instead of working for free on After Hours. But they see it’s important to him, so they let him do it anyway. Willow’s father (Ardal O’Hanlon) wants the family to boycott the local supermarket. Money worries drive both he and his wife to secretly get jobs there, however this never climaxes in a shocking discovery or any sort of marital strife. The most ‘dramatic’ part comes in the final episode where Lauren and her ex-boyfriend/bandmate reunite to do a one-off gig. They sleep together, fall out and cancel the gig at the last minute. But no problem! The gig goes ahead anyway with a little help from Lauren’s friends. It’s a huge success and everyone’s happy again.

I mentioned that it’s a sitcom. Perhaps you think what it lacks in drama, it makes up for in eye-watering laughter. But I’d have to say no to this as well. It had funny bits, don’t get me wrong, but it was hardly a rip-roaring, side-splitting odyssey of mirth. It was the kind of funny that makes you smile rather than laugh. It was a really, really nice program that gave me a warm and fuzzy feeling.

I realise I’m making this sound frightfully dull but it wasn’t. Believe me, my wife and I enjoyed every last minute of it and were sad when it was over (though I suspect if it had gone on for too long it could have become boring; I think it was just the right length). If life’s getting you down or if you’re just sick to the back teeth of intensely depressing TV and you’re looking for a bit of comforting escapism, I can highly recommend this show.

My rating: 🌟🌟🌟🌟

Footnotes:

*Seriously, I had to really hunt for this on IMDB when I was doing my research for this post.


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what rocks your boat.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Review: The Orville (season 1)

As a lifelong Trekkie (who has been profoundly disappointed by Star Trek: Discovery) I’ve been really curious to see what The Orville was all about. I’ve heard a lot of folk talking very positively about this show, even claiming it fills a Star Trek void in a way the most recent Star Treks fail to do.

High praise indeed. My curiosity was piqued. And so, late for the party as usual, I watched the trailer for season one before deciding to buy the DVD.

I won’t lie to you. I bought it with a certain trepidation. The trailer made it look a bit too spoofy for my liking. Don’t get me wrong, I enjoy a good spoof, but it’s been twenty years and I’m still in remission from Galaxy Quest. Had it not been for the great reviews I found online, I probably wouldn’t have taken this gamble.

Lucky for me, I did. Season one was brilliant. Yes, it is a comedy spoof in some ways, with subtle-as-a-phaser-on-kill references to all your favourite Star Trek tropes, but it also retains something of the drama and depths that made Star Trek great.

So, that’s enough about how it compares with Star Trek. Let’s get down to brass tacks.

This series begins with Captain Mercer being grudgingly offered the captaincy of a starship after a year of wallowing in a pit of despair after he caught his wife, Cmdr. Kelly Grayson, in bed with a blue alien. He’s thrilled to be in the captain’s seat again– until he discovers his ex-wife is his first officer. The ensuing story arc concerning their working relationship is predictable but enjoyable nonetheless. The other characters are also reasonably well developed, largely playing on your favourite Star Trek tropes (an artificial lifeform who doesn’t understand humour, a burly alien with a grim countenance and so on and so forth) but distinctive enough in their own right.

The first episode or two seemed a little heavier on the immature spoof humour than the rest. Off-beat gags about how frequently aliens need to urinate, whether or not the navigator was allowed to bring drinks onto the bridge and how badly framed the Krill commander appeared on the view screen while he threatened to destroy the Orville jarred slightly, however as the show wore on it began to develop a much more even balance of humour, drama and suspense, seasoning each story with humour rather than depending on it to carry the narrative.

Critics have largely slammed this show’s mixture of drama and comedy, perhaps because it doesn’t quite fit the pattern for your typical spoof or a sci-fi drama, but instead mashes them together in a way which is, perhaps, a little unusual. But this show isn’t your typical spoof. It’s a homage to Star Trek by someone who clearly loves the show and wants to do it justice; as such there are episodes which tickle you, others which have you on the edge of your seat and others make you stop and think. I don’t think it’s a flaw. In fact, I liked that about this show. It made it stand out among other tedious spoofs and depressingly grim actual Star Trek shows like Discovery. “Majority Rule” for instance (easily my favourite episode of the season) brings together a well measured dose of humour and a plot the audience could really care about. There was something at stake. Lt. LaMarr was in real danger and we cared about his plight while also bemoaning his hilariously cringe-inducing attempts to save himself. I think this episode even has something to say about real life and the negative impact of social media on the modern world. It’s everything a meaty but light-hearted TV comedy drama should be.

I will say this against the first season: some of the stories have slightly disappointing endings. I don’t want to get too detailed and spoil it for anyone who hasn’t seen it so I’ll just give one example of what I’m talking about. Be warned, there is a big stinking spoiler coming up in this next paragraph. Ready? Here it comes:

In the episode “If the Stars Should Appear”, the Orville crew discover a massive ship with an artificial biosphere inside: grass, trees, cities and farms. The people living there have never seen a night sky because the ship’s roof constantly displays a day sky. They do not realise they are on a ship and, apart from a small and fiercely persecuted group of heretics called Reformers, they all revere a deity called Dorahl. Social tension is at boiling point between the Reformers and the established theocracy. Then in the final moments of the episode, the Orville crew find a way to open the ship’s ‘sunroof’, thus allowing the inhabitants to see a night sky and proving the Reformers right. Good night. The end. Mission accomplished. All social tensions resolved, truth wins over ignorance and…

Yeah. This is a dissatisfying ending, no denying it. It was too easy. You can’t just flick a switch and resolve centuries of false belief, social tension and theocratic dictatorship. Remember, these guys have never even seen stars. What do you think would happen in real life if the sky was suddenly replaced with something bizarre, like brickwork or something. Rioting, surely. Certainly not a quick fix to the main conflict that’s blighting society. Not only was it hard to believe, but it’s also one step away from deus ex machina, which is unforgivable even in a comedy. And there are a few episodes which end like that.

I do have one more complaint about this series. Sometimes, especially on the more serious episodes, key issues will be left hanging and are never referred to again. For instance, it is strongly implied at the beginning of one episode that Bortus and Klyden are having marital difficulties, as Bortus leaves for work in a huff while Klyden whines that he feels neglected. Given that in a previous episode they had recently been to court over whether or not their newborn should be given gender reassignment surgery (being female is considered a birth defect on their world), I naturally imagined that this was going to be an on-going part of the story arc but… it wasn’t. It was never referred to again and that was pretty much it.

All in all, a very enjoyable show. There’s probably a lot of good reasons why the critics can find fault with it at a technical level but if you just take it for what it is — a bit of Star Trek inspired fun — it’s a thoroughly enjoyable show. I loved every minute of it and I will certainly be purchasing season 2.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on Twitter and like Penstricken on Facebook, if that’s what opens your pickles.

ATTENTION AUTHORS:

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Sharleen Nelson, Author of The Time Tourists [2]