Super Snappy Speed Reviews: Cbeebies Edition

It’s time for another exciting edition of Super Snappy Speed Reviews. This week, I’m focusing exclusively on children’s TV from the Cbeebies channel, so roll up, parents of toddlers, as I review this small selection of my own little girl’s favourite TV shows.

You all know how these things work by now. I’ve selected five random children’s shows from the Cbeebies channel and written tiny little reviews of each of them. As ever these reviews reflect nothing more than my own personal opinions and impressions, squished, squeezed and diminished into just a few short sentences. The shows I have selected have nothing in common, save the fact that they are all fictional stories for very young children and are all found on Cbeebies. They are not necessarily TV shows that I or my daughter particularly liked or disliked, nor are they sorted into any particular order. So, here we go.

Raa Raa The Noisey Lion

A young lion has fun playing with other animals (including some who really ought to be his natural prey) in the Jingly Jangley Jungle. In the first series the show’s format is a little ill-defined, but by series 3 this insufferably self-absorbed little lion hears a different sound which he goes off to investigate and learns an important lesson along the way. Not bad, I suppose but I find the protagonist a bit of a pain (and I suspect his animal friends do too).

⭐⭐⭐

Postman Pat: Special Delivery Service

Postman Pat sure has evolved since my day. There’s a lot more excitement as Pat races against a ticking clock and insurmountable odds to deliver a particular item to the right place. Even as a grown-up, I do find it mildly entertaining and my daughter loves it. A firm favourite of both myself and my daughter.

⭐⭐⭐⭐⭐

Woolly and Tig

Right from the heart of my native Glasgow, Woolly and Tig follows the every day adventures of a little girl called Tig and her toy spider, Woolly, who occasionally springs to life to impart some pearl of wisdom whenever Tig encounters something new or confusing. This show has a cheap and cheerful feel to it but is nice to watch all the same. Another firm favourite of my daughter.

⭐⭐⭐⭐

The Twirlywoos

At first glance, this is a bizarre little program about a family of faintly bird-like creatures who live on a boat under the benevolent dictatorship of the faceless ‘hooter.’ Every now and again their boat will land and the hooter will send the Twirlywoos off into the real world to learn some new concept. Apart from being a little strange on the surface, it’s actually pretty good for teaching young kids some very basic concepts. My own daughter is a bit too old for it now and hasn’t really watched it for a good year or two but she loved it when she was still very little.

And in a weird way… so did I.

⭐⭐⭐⭐

Bitz and Bob

Ah yes, my daughter’s latest obsession. Bitz and Bob is about a girl and her little brother playing imaginative games with their toys and using science to solve problems. Entertaining and educational (though I don’t understand why Bob’s robot costume is the only ‘toy’ that doesn’t function in their imaginative games; it’s almost like Bitz has a pathological need to be the hero every single time). However, be warned, gentle parents: the music may drive adults to drink.

⭐⭐⭐

DON’T FORGET TO CHECK OUT ALL THE PREVIOUS EDITIONS OF SUPER SNAPPY SPEED REVIEWS
Super Snappy Speed Reviews: Children’s Edition (Vol. 4)Super Snappy Speed Reviews: TV Edition (Vol. 3)
Super Snappy Speed Reviews: Books (Vol. 4)Super Snappy Speed Reviews: Children’s Edition (Vol. 2)
Super Snappy Speed Reviews: Doctor Who EditionSuper Snappy Speed Reviews: Children’s Books Edition (vol 1)
Super Snappy Speed Reviews: TV Edition (vol. 2)Super Snappy Speed Reviews: Writing Apps for Android
Super Snappy Speed Reviews: Books (vol. 3)Super Snappy Speed Reviews: Games Edition
Super Snappy Speed Reviews: Star Trek EditionSuper Snappy Speed Reviews: Books (vol. 2)
8 Super Snappy Speed Reviews: Film5 Super Snappy Speed Reviews: TV Edition
8 Super Snappy Speed Reviews

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

TV Review: Norsemen

Spoiler Alert

Anyone who has not seen series 1-3 of the NRK TV series Norsemen is hereby advised that this post may contain a few unavoidable spoilers.

My wife and I were, once again, looking for something new and light-hearted to watch on Netflix when we stumbled upon a curious little number which we affectionately dubbed ‘silly Vikings.’ Norsemen is a Norwegian historical comedy which chronicles the silly, base and often senselessly violent comings and goings of a group of Vikings living in the village of Norheim in 790 AD.

I’ll be perfectly honest and say it took a long time for us to decide if we actually liked this program. Normally when we watch a new thing on TV we have a strict ‘turn it off if you don’t like it’ policy and this show took a good two or three episodes to really get going. Nevertheless there was something compelling about it even then and we stuck with it until the very end.

But was it any good?‘ I hear you cry.

There’s something in me that says this map will create a lot of problems for many people for several seasons.

Jarl Varg breaks the fourth wall in, s.3, e.6 ‘Scrotum Whipping’

In spite of the fact this show is sold as a comedy (and with its off-beat style, low-brow gags and occasional winks at the fourth wall, it unmistakably should be defined as such), I didn’t actually find it that funny. It had its moments, sure, but I hardly cracked a rib watching it either. But let me tell you why I enjoyed it anyway.

Unlike a lot of comedies which focus on an individual character getting into funny situations, this show actually had quite a few main players, all with well defined motives, goals and conflicts which the viewer could easily sympathise with. I don’t have time to list every one but a few that stood out include:

  • Arvid (Nils Jørgen Kaalstad) – torn between settling down in the village with a wife and his love of raiding and just a little sensitive about his weight, Arvid is hand picked by the chiefton on his deathbed to be his successor though he is not the next in line.
  • Orm (Kåre Conradi) – cowardly, lonely and with a fondness for spying on people as they defecate, this slipperly little man is next in line to be chiefton though no one wants him around.
  • Frøya (Silje Torp) – this muscle-bound female warrior loves to go on raids (including raping men). She also has the misfortune of being married to Orm, whom she despises.
  • Liv (Kristine Riis) – gold-digger and nagging wife par excellence.
  • Jarl Varg (Jon Øigarden) – one of the nicest guys you could ever hope to meet turned murderous tyrant because his friends made fun of his hair loss, Varg is obsessed with procuring a map to the West where he believes he will find endless plunder.

The character driven nature of the plot and the interplay of the various subplots was frankly excellent for a comedy series.

A little word of warning: while not especially graphic, there are some pretty adults themes referred to in this show. There’s a fair bit of casual violence and bad language, as well as jokes about sexual violence and a small number of mild/non-graphic depictions of the same.

All in all, a bizarre little show, undeniably low-brow in some respects and with off-beat humour that only managed to tickle me slightly. It took a little while to get started, but once it finally did get going, I found myself quickly starting to love it. Well written, well acted, full of rich characters and perfectly rounded off plot. If you can stomach a few adult themes and don’t mind the odd nod to the fourth wall then give it a go.

⭐⭐⭐⭐


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

TV Review: Stranger Things

SPOILER ALERT

Anyone who has not seen series 1-3 of the Netflix TV show Stranger Things is hereby advised that this post may contain a few unavoidable spoilers.

There’s a very popular show on Netflix that I had resisted watching for a long time. Don’t ask me why but I get all cynical when everyone and their granny tells me how mind-bendingly fantastic a TV show is, especially when it sounds frankly lame, as this show did. Not only did it sound lame but it was also a genre I generally don’t have much interest in so all in all, I was pretty convinced this show couldn’t have been nearly as good as people told me it was. I am talking, of course, about Stranger Things.

In spite of that, my wife and I were struggling to find something to watch one night (isn’t that always the way?) so we decided to take a pop at it.

Set in the 1980s, this story focuses on a sleepy little town in Indiana where nothing much happens– until, of course, a young boy vanishes without a trace, a gateway to another dimension (‘the Upside-Down’) filled with terrifying monsters is opened up and a young girl with psychokinetic abilities escapes from a top secret laboratory which is conducting paranormal experiments and only a small group of nerdy school-friends, a teenage girl who can’t decide which boy she likes best, a local police officer with a tragic past and the missing boy’s mother can save the day.

If you’re thinking this sounds like a bit of a kitchen sink show, you’re absolutely right. The Duffer brothers who created the show seem to have painstakingly pieced together every single last light-hearted ’80s American sci-fi/horror trope they could think of and mashed them together to create this show. But you know… it’s not nearly as bad as it sounds.

In many respects, it has a bit of a Spielberg vibe to it, and I guess I say that as a compliment. It doesn’t just feel like it’s set in the ’80s. It feels like it was made in the ’80s. The use of classic tropes, cheesy synth music and so on take you right back in time to 1980s Indiana and in doing so pays homage to classic 1980s cinema in a way which just feels right.

However, a good vibe will only take a TV show so far. As is so often the case with good stories, the thing that really makes this show work is its rich cast of characters. Each and every one of them boasts a clear and distinctive set of motives and goals and well rounded personalities. The relationships between the main players develops in a way which is natural and interesting and the main characters’ arcs are all resolved neatly by the end of each season.

I think the thing that surprised me the most is how entertaining I found this show. A good film or TV show will have you laughing, crying and biting your nails all at the same time and Stranger Things accomplishes this in a way most shows and films of this genre usually fail to do. It kept me on the edge of my seat yet it didn’t stress me out the way some sci-fi/horror shows do which lack any sort of sentimental scenes or comedy relief. Stranger Things has it all. It is, perhaps, a little tropey and with frankly ridiculous monsters whose existence is never fully explained except that they come from a parallel dimension which looks like a scarier version of the real world with monsters but it’s still a great bit of TV if you can swallow the silliness.

All in all, a much more entertaining show than I was expecting. Give it a go.

⭐⭐⭐⭐


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

TV Review: Life on Mars

SPOILER ALERT

Anyone who has not seen the BBC comedy/drama series Life on Mars is hereby advised that this review may contain spoilers.

If you told me that you liked your police procedural dramas with a generous dollop of humour, possible time travel and the occasional psychological scene, I would take that to mean you’re a fan of the British police comedy/drama, Life on Mars— because that’s the only program I know that fits the bill (except the sequel, Ashes to Ashes, but I’ll talk about that another time).

DCI Sam Tyler (John Simm) is a British police officer who gets hit by a car in 2006 and wakes up in 1973. The rest of the series catalogues his continual clashes with his new colleagues as he tries to navigate the unfamiliar world of the early ’70s and figure out how to return to the present day. There is also a fairly bog-standard will-they/won’t-they style romantic subplot with WPC Annie Cartwright (Liz White); one of the few characters who doesn’t continually mock and obstruct Tyler, despite her disbelief that he is truly from the future.

So, let’s start with the good things about this program.

For a start, it has got a superb bunch of regular characters. The desperate but righteous Sam; the quiet but strong and intelligent Annie; the blustering, boisterous but ultimately well-meaning Gene Hunt (Philip Glenister); the dim-witted but diligent Chris Skelton (Marshall Lancaster) and Ray Carling (Dean Andrews), who serves as something of a foil and rival to Sam throughout the show. The main players are all developed to perfection with good solid character arcs which resolve themselves neatly by the end of the last series. The supporting characters are also well developed but keep their place as supporting characters.

The pacing of this show is also excellent, blending together humour and darkness, mystery and sentiment and, of course, the lingering threat of insanity in a way which feels perfectly natural and leaves the viewer feeling fully entertained.

The overall story arc is also very satisfying. While each episode can more or less stand alone, insofar as there is usually a particular crime which is discovered and solved in each episode, Sam’s confusion about how he ended up in the past and what he needs to do to get home are never far from the fore and the events of each episode lead neatly to the climax at the end of the series.

I don’t have many negative things to say about this show. The romantic subplot between Sam and Annie was a fairly tedious tableau: Annie meets Sam in the first episode, there’s a bit of chemistry. He trusts her with the truth about what he’s going to; she thinks he’s mad but kind of likes him anyway, even though she’s a little hurt that he wants to get back to 2006 when it’s probably not real anyway. That’s pretty much how their relationship goes in every episode until they finally get together at the end of the very last episode. There’s not a whole lot in between. In most episodes he just has a disturbing experience with the Test Card Girl (Rafaella Hutchinson/Harriet Rogers), confides in Annie, Annie is concerned and whines a little that he doesn’t want to stay with her but ultimately tries her best to support him. Repeat.

Apart from that, it was a truly excellent bit of telly. Go and watch it with my blessing.

My rating: 🌟🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

TV Review: Another Life

SPOILER ALERT

Anyone who has not seen season 1 of the sci-fi/drama TV show Another Life is hereby advised that this post may contain a few unavoidable spoilers.

My wife and I are seldom happy unless we’re watching at least one TV program with space ships in it and having recently completed Star Trek: Enterprise, we were very much in the market for another space opera. And so we did the only thing we could: dipped our hand into the televisual nest of vipers that is Netflix, only to get bitten by Another Life.

I was cautiously optimistic about this show. In the opening scenes, a mysterious alien object crash-lands on earth and grows into an enormous crystalline monolith (dubbed ‘the Artifact’) which begins sending transmissions to a distant world. Niko Breckinridge (Katee Sackhoff), captain of the Salvare, is ordered to travel to this planet to learn what the aliens are doing, while her husband, Erik (Justin Chatwin) remains on earth to study the Artifact while trying to raise their young daughter.

Sounds good, right?

Yeah. That’s what I thought too.

However, if we ever do have to send a manned spacecraft out on a dangerous mission to make first contact with aliens who may or may not mean us harm, I seriously hope we send a slightly more seasoned (or at least, trained) crew than this mob. These guys seemed to see no problem in eating alien plant-life, taking off their helmets while mining on alien planets or (my personal favourite) vaping alien narcotics, nor did they ever once learn from their mistakes. Their idiocy finally culminated in them deliberately installing a mind-altering alien implant, which they knew virtually nothing about, into a sick colleague’s brain. And as if being stupid weren’t bad enough, this crew, who presumably represent the crème de la crème of America’s astronauts, lost their heads every single time one tiny little thing went wrong– when they weren’t having sex, of course.

The sexual elements in this show (I refuse to exalt them to the level of ‘romantic subplots’, for they were neither romantic nor were they developed enough to be called subplots) lacked any substance or purpose whatsoever. All of the characters were pairing (or tripling) off in ways which seemed forced and unconvincing, finally fizzling out in the episode ‘How the Light Gets Lost’ where they all get high and have sex. Only the chemistry between Niko and the holographic William (Samuel Anderson– easily the best character in this show, by the way) seemed remotely natural or like it was contributing to the overall story in any way, only to be spoilt when Niko and William have really weird ‘hologram-pretending-to-be-my-husband’ sex and then it all went wrong for them too.

‘Big Brother in Space’ is how my wife described this ship and its crew and I am forced to agree.

Anyway, let’s look at some characters.

Niko: One of the few competent people aboard the ship. A bit of a control freak and a hard-nosed no-nonsense space captain who was anxious to protect her family back on Earth. Fairly well written.

William: Best character in this show and easily the most likeable until the ‘Lame Sci-Fi Trope Monster’ got him too and he started to malfunction because he fell in love with someone who treated him badly.

Erik (Justin Chatwin): Your bog-standard American dad trying to raise his daughter all by himself even though he’s also got a really important job to do. Lots of potential but a little too superficial for my taste.

Sasha (Jake Abel): I liked him better after he became a bad guy. He made my skin crawl, which I think was the effect the writers were going for.

Cas (Elizabeth Ludlow): A little preoccupied with her own issues which were never fully explored in this season but generally likeable. Cooler in a crisis than most of the crew.

Michelle: Swears like a trooper but apart from that, she seemed to serve no function whatsoever aboard the Salvare, (I just checked back to see what her job was, turns out she was the communications expert. Ha!) and I was downright glad when she died because she was just such a torn-faced, potty-mouthed pain in the fundament who dragged down both the pace and the tone of the show with her shrill dialogue.

All in all, Another Life failed to live up to its potential. This first season (which ends on a cliffhanger, by the way) was a sloppy mish-mash of sci-fi/horror cliches, pointless sexual tension and a bunch of characters who, for the most part, were as irritating as they were incompetent.

My rating: 🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

Throwback Thursday: Maigret (TV Review)

Originally published: 10/04/2016 under the title ‘To Catch a Killer (A Little Too Easily)’
SPOILER ALERT

Although every effort has been made to avoid spoilers, anyone who has not seen the ITV television-movie Maigret or read the Georges Simenon novel Maigret Sets a Trap is hereby advised that this post may contain a few unavoidable spoilers.

I’m normally quite fussy about reading the original of any story before I watch the film/TV adaptation. It’s not that I favour one over the other; I just like to get a feel for the original author’s unique angle on his/her story before sampling other people’s homages to it. That being said, when I heard that Rowan Atkinson was going to be starring as the main character in ITV’s television adaptation of Georges Simenon’s detective novel Maigret Sets a Trap, my curiosity got the better of me.

There are a couple of reasons I was so keen to see it but what really piqued my curiosity and what caused me to break with my usual tradition of reading the book first was the fact that the main character (a fairly sour-faced French detective called Jules Maigret), was being portrayed by Rowan Atkinson; a British actor best known for playing fairly silly comedy roles such as Mr Bean, Johnny English and Edmund Blackadder.

I will admit that it took a couple of minutes to get used to Atkinson’s face being so serious. His features are very striking and he has made a career out of comical facial expressions, not least of all in Mr Bean, where he has made an art of telling jokes without uttering a word. My disorientation only lasted a minute however. Atkinson’s acting and the general mood of the film were more than adequate to create the serious and mysterious ambiance needed for a good, solid detective story.

I do love a good detective story. I think secretly we all do. Mystery is very compelling. It’s what makes a detective story so captivating; something puzzling has happened and we simply can’t go to bed until we’ve had all our questions answered! That means, of course, that it is important that the reader/viewer of a detective story never knows for certain who committed the crime until the last moment (that was always my biggest objection to Columbo!). Those unanswered questions are what keep us on the edge of our seat. Without them, there’s no mystery and no story worth telling. Those detailed conversations you have with your family during the ad-breaks about who you think the killer might be and why are half the fun of watching a detective drama in my book.

And that, dear reader, is the main thing that ruined this first episode of Maigret for me.

The episode opens midway through an investigation conducted by Jules Maigret into four similarly styled murders. The victims have nothing in common except the colour of their hair and Maigret is, frankly, utterly failing to catch the perpetrator. And so he sets a trap, using female police officers as bait. At first, this seems to have all the makings of a good TV detective story; a compelling hard-nosed detective; pressure being applied to remove the detective from the case because of his failure to solve it; a series of mysterious murders that cause my wife and I to exchange numerous increasingly wild theories about ‘who dunnit’; the looming threat of more deaths; a dangerous plan to force the killer to reveal himself…

But then the plan goes ahead fairly early in the story, nobody gets killed as a result of Maigret’s risky move and someone is arrested against whom a truck-load of evidence is immediately forthcoming.

‘It can’t be him.’ I say to my wife. ‘It definitely, definitely, definitely can’t be him. It’s too obvious. It’s never the first guy they arrest, especially not when they find so much evidence against him so easily.’

So we carry on watching it for another half hour or so, quietly confident in our individual theories about who the real killer is while Maigret continues to hold and interrogate someone who we assume is an innocent man…

Only it turns out it was him after all and the person who I thought maybe was the killer is actually never actually seen again. Oh sure, they try to throw us off the scent by having another murder committed while the killer is in jail but by that point it’s painfully obvious that it was the killer’s wife who committed this last murder just to protect her husband and so we are not fooled and neither is Maigret.

I was prepared for the possibility that I wouldn’t be able to take Rowan Atkinson seriously as a serious detective and was pleasantly surprised to find that I thoroughly enjoyed his performance. If I was giving out prizes for acting or creating the right ambiance, I would have nothing but praise for Maigret but when it comes to that all important story, I must admit to feeling like I had been robbed of a good mystery and I am not nearly as enthusiastic about the second episode (due to be aired later in the UK later this year) as I was about the first.

My most sincere congratulations to Rowan Atkinson (and indeed, all the cast!) on a very good and very non-comical performance. Hopefully the plot for the next episode, Maigret’s Dead Man, will do greater justice to the acting and ambiance of the first episode.


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

Star Trek: Enterprise (TV Review)

Spoiler Alert

Anyone who has not seen any episode of Star Trek: Enterprise (2002-2005) is hereby advised that this post may contain a few unavoidable spoilers.

I’ve always loved Star Trek. The original series, The Next Generation, Deep Space Nine and even Voyager have always been my firm favourites for as long as I can remember. I have all the DVDs and I watch them over and over without getting bored. When I was still a lad and just starting to really get into writing, I even wrote a few Star Trek fan fictions.

The one thing I didn’t like, or should I say refused to like, was Enterprise (2002-2005). In fact, I’ve been pretty vocal about my contempt for this show in the past. However my wife and I were desperately hunting for something new to watch that filled the Star Trek void. Sure, Star Trek: Picard was good, but it doesn’t quite fit the classic Star Trek feel and the less being said about Discovery, the better. So after a little gentle coaxing from the wife, I decided to give Enterprise a second chance.

I won’t lie to you, I still hate the theme tune. But I clenched my teeth and decided to bear with it long enough to see if I enjoyed the actual program and, to my great surprise, I did! Maybe it was just my bad experience with Discovery or maybe I was being genuinely unfair before but I have to say that I really liked Enterprise and feel it fits in nicely with the first three spin-off shows. The first two seasons meandered a little bit but it really picked up with season 3 and its season-long story arc focusing on the Xindi invasion and the formation of the United Federation of Planets in season 4. Oh and if you like time travel episodes, this show has got them in spades.

Anyway, let’s talk characters. While TNG, DS9 and Voyager focused on different characters for individual episodes (resulting in definable ‘Riker episodes’, ‘Data episodes’, ‘Odo episodes’, ‘Neelix episodes’, etc.) Enterprise focuses almost entirely on three key characters: Captain Archer, Sub-Commander T’Pol and Commander Tucker (‘Trip’). The rest of the regular cast serve as little more than supporting characters with loose fitting backstories and all the substance of a bunch of turnips. Boring supporting characters aside, I quite liked this approach. It was reminiscent of the original series with its focus on Kirk, Spock and Bones and allowed the three key players a bit more opportunity to develop. I could take or leave Archer but I really liked T’Pol and Trip.

Most Star Treks also have very familiar settings aboard their ships: the bridge, where all the shaking happens when the ship is attacked; the transporter room, where people get beamed up; engineering, where things explode; sickbay, where people with bizarre alien diseases are cured by the CMO at the last moment. Well, Enterprise has all these and more, including the command centre, the situation room and my personal ‘favourite’: the decontamination chamber. This bizarre little room was an obvious and cynical attempt to increase viewing figures particularly confusing and upsetting. Whenever a crewman (or usually two or more crewmen of opposite genders) returned from an alien planet, they went into this dimly lit room where they stripped down to their underwear and started lazily sponging each other down with shiny oil. You know, to decontaminate each other.

Decontamination wasn’t the only subtle-as-a-bat’leth attempt to bring sex appeal to this show. Almost from the outset, it is clear there’s going to be a romantic subplot between Trip and T’Pol (I knew it the first time I saw them together in that decontamination chamber). Very good, we like romantic subplots. Foreshadowing it by having both characters stripping off and giving each other massages to help treat Trip’s insomnia, on the other hand, seems a tad obvious. They didn’t develop any serious kind of relationship until the very end of the last season, and even then it seemed like their relationship was only just starting to get real when Trip was quite unnecessarily and unceremoniously killed at the last minute.

Speaking of which, the final episode was a major disappointment. Most Star Trek spin-off series ended with a thrilling two-part bang. Enterprise ended with a one-part episode in which Will Riker from The Next Generation runs a holodeck simulation of the Enterprise crew on their way to sign the charter which led to the formation of the United Federation of Planets. A brief bit of shooting, a lot of Riker and Troi musing about following orders and Trip’s untimely demise. The end. Probably the most boring episode of the series, with the possible exception of the Risa episode.

I feel like I’ve done nothing but criticise in this review. Please don’t be misled. I may be fifteen years late to the party, but I finally decided I like this show. I hereby renounce any of the bad stuff I’ve said about it (apart from anything I’ve said in this post, of course). It feels a million times more ‘Star Treky’ than anything else we’ve been served up in the last fifteen years and gives you a good solid forty minutes of family friendly sci-fi/drama entertainment more or less every time. It boasts well written story arcs and a good mix of humour, drama and excitement and (mostly) likeable characters (I want to punch that snotty-nosed Reid in the chops though). Watch it with my blessing.

Just make sure you skip the intro sequence.

My rating: 🖖🖖🖖🖖


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

TV Review: Star Trek: Picard, ‘Remembrance’

Spoiler Alert

Anyone who has not seen the first episode of Star Trek: Picard (entitled ‘Remembrance’) or any episode of Star Trek: The Next Generation and the subsequent movies is hereby warned that this post may contain a few unavoidable spoilers.

It’s been eighteen years since Star Trek: The Next Generation’s Captain Jean-Luc Picard bowed out of our lives in the disappointing movie Star Trek: Nemesis. Now he’s back in a much anticipated brand new show, Star Trek: Picard, chronicling later life of the now former captain of the USS Enterprise.

As regular readers of this site and it’s related social media accounts may know, I haven’t been overly impressed with recent additions to the Star Trek franchise. It all started to go wrong with Star Trek: Enterprise and it was a bit of a downward spiral from there, but I had much higher hopes for Picard. We’re only one episode in but so far, I have loved, loved, loved it.

Picard (Sir Patrick Stewart), now a retired admiral, is living in relative seclusion at his family vineyard with his dog, Number One, and a couple of Romulan refugees who work for him and also act as his only real confidants. He is now retired from Starfleet and has become jaded and embittered towards the organisation he once served and perhaps even towards the Federation as a whole for their failure to learn the lessons from history. His tired old zeal is awakened, however, when he is a approached by a frightened young woman called Dahj (Isa Briones), who begs him for help and who may well be the offspring of his deceased friend and colleague, Lt. Commander Data (Brent Spiner), who continues to haunt Picard’s dreams twenty years after his death. As much as I loved Data in The Next Generation, and am generally not a huge fan of dream sequences, I am glad to see that he has so far only appeared as a dream and nothing more. There’s nothing spoils a good story more than sucking the permanence out of death by contriving some lame excuse to resurrect a dead character.

This show accomplishes something in a single episode which Discovery has, in my opinion, failed to accomplished throughout its entire run: create continuity between the original story we all know and love and still create a well written brand new story. Star Trek: Picard begins with Jean-Luc very much at the end of his previous character arc and at the beginning of a new one, having lost much of his zest for life only to now be given an urgent and deeply personal reason to reawaken it. In spite of this, Picard has lost none of his sense of righteousness or his passion for history, as we see when he becomes angered by the TV journalist’s questions about why he left Starfleet. The first episode was also full of little Easter eggs and other references to The Next Generation which fans of the show couldn’t fail to appreciate, such as the ‘Captain Picard Day’ banner (TNG: ‘The Pegasus’), Picard’s Dixon Hill fedora and, best of all, the singularly beautiful opening sequence with Irving Berlin’s ‘Blue Skies’ playing over a starscape moments before the Enterprise D appears.

If I was forced to say something critical (and I must confess, I find it difficult to say anything truly bad about this episode, but I’ll give it a go), I would say that some of the other characters besides Picard, and perhaps Dahj to a lesser extent, seemed rather under cooked by comparison, especially the two Romulans who live with Picard. That’s not a criticism of the acting, but it feels a bit like Picard and Dahj were the only characters who were written with any real depth; clear motives, clear goals, obvious demons and things that matter to them. I am, of course, very conscious that it was only the first episode and first episodes of brand new shows take time to heat up so I’ll reserve any further judgement on that point until the series is finished.

All in all, a very encouraging beginning to a show which I was anticipating with both hope and fear. I am counting down the seconds until the next episode, partly because of the cliffhanger ending but mostly just because it was the best offering I’ve seen from the Star Trek franchise in a long, long time.

My rating: 🖖🖖🖖🖖🖖


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

Please be advised that due to a recent surge in interest, I am presently committed to a significant number of reviews/interviews over the next couple of months. If you would like an interview or review, I would still love to hear from you, though it is unlikely that I will be able to begin work immediately.

You can check out our previous interviews here:

Throwback Thursday: Doctor Who (Series 11) Review

Originally published 13/01/2019 under the title ‘Review: Doctor Who, series 11’
SPOILER ALERT

Anyone who has not watched any part of Doctor Who reboot series 11 (including the New Year special, Resolution) is hereby advised that this post may contain a few unavoidable spoilers.

Well, well, it may feel like it’s only just begun but Jodie Whittaker’s first series as the titular character in the BBC’s Doctor Who is finally over. Actually it was over almost two weeks ago but I had to do 6 Six Word Stories for the 6th last Sunday so you’re getting the review this Sunday instead. Lap it up.

I’ve already written in some depths about the first episode, so I’m not going to waste too much time talking about that today. What I really want to do is give an overview of the series as a whole.

Let’s start with the most important question of all: characters, specifically the four regular ones.

The Doctor in this series is lively, kindhearted and generally likable. My biggest criticism is that she seems to have completely lost all her demons, and with it, her motivation. She still abhors violence but previous Doctors (especially in the reboot) have been somewhat weighed down by the violence they’ve witnessed and committed themselves. One of the things I loved about Peter Capaldi’s Doctor, for instance, was how plagued he was by his own sense of guilt. This motivated him to chase around the galaxy seeking vindication. As a result, I cared about the Doctor’s goals, even in rubbish episodes like Into the Dalek. The Thirteenth Doctor, alas, lacks this depth.

Graham wins the ‘best character’ prize by a million miles. He is haunted by the death of his wife and is travelling with the Doctor mainly as a way of fleeing from his own grief, only to be faced with it everywhere he goes, finally culminating in his showdown with Tim Shaw whom he (quite rightly) blames for his wife’s death. My only real criticism is how suddenly his hunger for revenge comes upon him in ‘The Battle of Ranskoor Av Kolos’ (which, by the way, was the most forgettable last-episode-of-the-series since the show rebooted in 2005). It might’ve been nice to see hints of this slightly darker side to him before he finally encountered his wife’s killer again but this is the only minor grievance I have with Graham.

Ryan started strong. His dyspraxia gave him an inner struggle to overcome, as did the loss of his grandmother; he apparently had a tense relationship with both Graham and his absentee father and there was some chemistry between him and Yasmin in the first few episodes. That should’ve been more than enough to make a really interesting character. Unfortunately, most of these issues came to nothing. His dyspraxia was barely mentioned and in no way hindered him; he deals with his grandmother’s death fairly easily and the sexual tension between him and Yasmin fizzled out into nothing after a few episodes. Only the business with his dad came to any sort of resolution, and even this in a fairly clumsy manner in the New Year special.

Speaking of Yasmin, I’m still trying to think of anything I can say about her, whether good or bad. She seemed like a nice person but as characters go, she had all the substance of the Speaking Clock. That’s not a criticism of the actress. She brought Yasmin to life as well as anyone could, but the fact of the matter is, the character could have been completely cut out of this series with almost no loss to the story as whole (even in ‘Demons of the Punjab’ — arguably the only real ‘Yas episode’ — she was just there enough to make the story happen and no more). The character was, in a word, only half-written written.

Now, what about monsters? Doctor Who has always been famous for its monsters, though since the 2005 reboot, it’s been an almost constant barage of Daleks, Cybermen and Moffat’s pet invention, the eye-gougingly tedious Weeping Angels. Not so this time! Every monster (barring the New Year special) was brand spanking new, which was a breath of fresh air for me at least. Although while I’m on the subject of Daleks, I just need to say one thing: since when could the sonic screwdriver disable the Dalek’s gun arm?! If sonic screwdrivers can do that, why was there ever a Time War?

This series has come under some pretty heavy criticism, especially on social media (where all the vitriol of society coalesces, kind of like in that Star Trek: The Next Generation episode, ‘Skin of Evil’, but I digress), for being too ‘politically correct’. I don’t know if that’s because the Doctor’s a woman, because they finally wrote an episode where the racism of modern history is shown in all its ugliness while still being a family friendly TV show (complete with a time travelling white supremacist bad guy) or what but in any event, I see nothing wrong with this. Oh, sure, you might not always personally agree with the message behind each episode, but that doesn’t make it bad writing. Quite the reverse. Give me a real life theme that offends my sensibilities over Moffat’s meaningless, sentimental fluff any day of the week (though just to be clear, I wasn’t offended by this series at all). When it comes to the themes that were explored in this particular series, my only real criticism is how poorly executed they were, often feeling obvious and preachy.

I have only one more criticism (and I know, it sounds like I hated this series, but I really did enjoy it): there was no series-long story arc whatsoever. Since the reboot began (and now and again in the old series, too), Doctor Who has boasted some excellent story arcs. This series just didn’t have one. Just a bunch of time travellers with no discernible motive (apart from Graham) going on lots of pointless but mostly entertaining mini-adventures, finally (anti-)climaxing in them bumping into Tim Shaw again who was, frankly, less scary second time around.

I know it sounds like I’ve really slammed this series. That notwithstanding, I did enjoy it. Really. And since I know you’re all just dying to know what I think about having a woman Doctor, I really did like Whittaker’s portrayal of the character. Please don’t come away from this thinking I hate series 11 or Jodie Whittaker. I do not and I’m really looking forward to series 12. It could’ve just done with a bit of tightening up here and there on some of the most basic principles of serialised story-writing: characterisation and development, subtle execution of themes, story arcs and so forth. But please, watch it with my blessing. It was, for the most part, entertaining and certainly not the worst series in the show’s mostly excellent history.

My rating: 🌟🌟🌟


Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

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ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here:

Super Snappy Speed Reviews: TV Edition (Vol. 3)

Spoiler Alert

Anyone who has not seen The Crown, Dickensian, A Touch of Cloth, Star Trek: Voyager, Fawlty Towers or ‘Allo ‘Allo is hereby advised that this post may contain a few unavoidable spoilers.

It’s that time again! I’ve selected a random assortment of TV programs and reviewed them all in just a few short sentences. As ever, these reviews reflect nothing but my own personal opinions and impressions, abridged,  compressed and foreshortened into a few brief statements of my opinion. The TV shows I have selected have nothing in common, save the fact that they are all fictional. They are not necessarily shows I particularly liked or disliked, nor are they sorted into any particular order. So, here we go.

The Crown

I love this show, far more than I thought I would. Compelling drama concerning both the personal and public lives of the British royal family, masterfully written with well rounded characters and contemporary themes delivered in a subtle and sensitive manner.

My rating: 🌟🌟🌟🌟🌟

Buy The Crown (series 1-2) on Amazon

Dickensian

I am outraged and incensed that this show was cancelled after a single series because it was fan-dabby-dosey. Combining characters and settings from all your favourite Charles Dickens stories, this story focuses primarily on Inspector Bucket (Bleak House) investigating the murder of Jacob Marley (A Christmas Carol) though interweaving subplots also abound. It doesn’t really feel like a massive crossover; it feels (I am pleased to say) like a single story in its own right, with characters who naturally belong together, despite their disparate origins. A strange program, but in the best possible way.

My rating: 🌟🌟🌟🌟🌟

Buy Dickensian on Amazon

A Touch of Cloth

A spoof British police drama which balances the traditions of teeth-clenching British crime drama grit with non-stop low brow humour, cheap gags and general silliness. A bizarre program to be sure, one which I felt faintly sullied by watching– but I have to admit, it made me laugh for the first episode or two. Got a bit bored after that though.

My rating: 🌟🌟

Buy A Touch of Cloth (series 1-3) on Amazon

Star Trek: Voyager

Arguably the last great Star Trek spin-off before it all went downhill with Enterprise, Star Trek: Voyager follows the adventures of a single Starfleet crew stranded on the other side of the galaxy trying to find their way back to Earth. It’s certainly not my favourite Star Trek series, but it stands up well next to Deep Space Nine and The Next Generation, featuring story-writing which ranges from okay to excellent. Some episodes are very obvious rehashes of former Star Trek glories, but the more original episodes are generally worth a watch.

My rating: 🌟🌟🌟🌟

Buy Star Trek: Voyager (The Complete Collection) on Amazon

Fawlty Towers

What can I say about Fawlty Towers that hasn’t already been said? An elder statesman of British comedy despite (because of?) its subtle-as-a-brick and fairly formulaic humour (Guests annoy Basil, Basil gets a bit more mad, hits Manuel, harasses guests, climaxing in one final embarrassing disaster). In terms of writing, acting, production and just about everything else, it shouldn’t be able to stand shoulder to shoulder with other classic British sitcoms… but it does. I love it.

My rating: 🌟🌟🌟🌟

Buy Fawlty Towers (The Complete Collection) on Amazon

‘Allo ‘Allo

Another classic British sitcom based on the life of a French cafe owner during the German occupation of France who finds himself unwillingly embroiled in the French resistance while at the same time trying to run a cafe, conceal two stolen paintings, conduct two extra-marital affairs, stave off the unwanted advances of a male Nazi officer, and hide two British airmen from the Nazis. I’ll be honest: it didn’t quite tickle me to the extent it should have given how well written the humour was (though it did tickle me), perhaps because it relied too heavily on that one comedy trope I can’t stand: repeating only slight variations on the exact same joke in every episode. Still, a good show, worth watching if you’re in a silly sort of mood.

My rating: 🌟🌟🌟

Buy ‘Allo ‘Allo (The Complete Series 1-9) on Amazon

DON’T FORGET TO CHECK OUT ALL THE PREVIOUS EDITIONS OF SUPER SNAPPY SPEED REVIEWS
Super Snappy Speed Reviews: Children’s Edition (Vol. 3)Super Snappy Speed Reviews: Books (Vol. 4)
Super Snappy Speed Reviews: Children’s Edition (Vol. 2) Super Snappy Speed Reviews: Doctor Who Edition
Super Snappy Speed Reviews: Children’s Books Edition (vol 1) Super Snappy Speed Reviews: TV Edition (vol. 2)
Super Snappy Speed Reviews: Writing Apps for Android Super Snappy Speed Reviews: Books (vol. 3)
Super Snappy Speed Reviews: Games Edition Super Snappy Speed Reviews: Star Trek Edition
Super Snappy Speed Reviews: Books (vol. 2) 8 Super Snappy Speed Reviews: Film
5 Super Snappy Speed Reviews: TV Edition 8 Super Snappy Speed Reviews

Thanks for taking the time to read this post. If you enjoyed it, don’t forget to ‘like’ this post and also follow us so you never miss another post. You can also follow Penstricken on TwitterPinterest and like Penstricken on Facebook.

Want a blog of your own? Start writing today with WordPress.com!

WordPress.com Jetpack WooCommerce

ATTENTION AUTHORS:

Every Tuesday, I post a new edition of Spotlight: a short post which shines a proverbial spotlight on a published novel or collection of short fiction. If you would like to have your book considered for a future edition of Spotlightdrop us an e-mail including a short synopsis of your book and a link to where we can buy it. Better yet, send me a copy of your book and I can include a mini-review.

I’m still looking to interview fiction authors here on Penstricken, especially new or indie authors. Whether it’s books, plays, comics or any other kind of fiction, if you’ve got something written, I want to hear about it. If you’re interested in having your work featured on Penstricken, be to sure to drop us an e-mail or message us on Facebook/Twitter/Pinterest.

You can check out our previous interviews here: